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The Raven
by Edgar Allan Poe
Once upon a midnight dreary,
While I pondered, weak and weary,
Over many a quaint and curious
Volume of forgotten lore—
While I nodded, nearly napping,
Suddenly there came a tapping,
As of some one gently rapping,
Rapping at my chamber door.
"'T is some visitor," I muttered,
"Tapping at my chamber door
Only this and nothing more."
Ah, distinctly I remember,
It was in the bleak December,
And each separate dying ember
Wrought its ghost upon the floor.
Eagerly I wished the morrow;
Vainly I had sought to borrow
From my books surcease of sorrow
Sorrow for the lost Lenore—
For the rare and radiant maiden
Whom the angels name Lenore—
Nameless here for evermore.
And the silken, sad, uncertain
Rustling of each purple curtain
Thrilled me,—filled me with fantastic
Terrors, never felt before;
So that now, to still the beating
Of my heart, I stood repeating,
" 'T is some visitor entreating
Entrance at my chamber door
Some late visitor entreating
Entrance at my chamber door;
This it is and nothing more."
Presently my soul grew stronger;
Hesitating then no longer,
"Sir," said I, "or Madam, truly
Your forgiveness I implore;
But the fact is I was napping,
And so gently you came rapping,
And so faintly you came tapping,
Tapping at my chamber door,
That I scarce was sure I heard you"—
Here I opened wide the door;
Darkness there and nothing more.
Deep into that darkness peering,
Long I stood there, wondering, fearing,
Doubting, dreaming dreams no mortals
Ever dared to dream before;
But the silence was unbroken,
And the stillness gave no token,
And the only word there spoken
Was the whispered word, "Lenore?"
This I whispered, and an echo
Murmured back the word, "Lenore!"—
Merely this and nothing more.
Back into the chamber turning,
All my soul within me burning,
Soon again I heard a tapping
Something louder than before.
"Surely," said I, "surely, that is
Something at my window lattice;
Let me see, then, what thereat is,
And this mystery explore—
Let my heart be still a moment
And this mystery explore;—
'T is the wind and nothing more."
Open here I flung the shutter,
When, with many a flirt and flutter,
In there stepped a stately Raven
Of the saintly days of yore.
Not the least obeisance made he;
Not a minute stopped or stayed he;
But, with mien of lord or lady,
Perched above my chamber door—
Perched upon a bust of Pallas
Just above my chamber door—
Perched, and sat, and nothing more.
Then this ebony bird beguiling
My sad fancy into smiling,
By the grave and stern decorum
Of the countenance it wore,
"Though thy crest be shorn and shaven,
Thou," I said, "art sure no craven,
Ghastly, grim, and ancient Raven
Wandering from the nightly shore,—
Tell me what thy lordly name is
On the night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly
Fowl to hear discourse so plainly,
Though its answer little meaning—
Little relevancy bore;
For we cannot help agreeing
That no living human being
Ever yet was blest with seeing
Bird above his chamber door—
Bird or beast upon the sculptured
Bust above his chamber door,
With such name as "Nevermore."
But the Raven, sitting lonely
On that placid bust, spoke only
That one word, as if his soul in
That one word he did outpour.
Nothing farther then he uttered;
Not a feather then he fluttered—
Till I scarcely more than muttered,
"Other friends have flown before—
On the morrow he will leave me,
As my hopes have flown before."
Then the bird said, "Nevermore."
Startled at the stillness broken
By reply so aptly spoken,
"Doubtless," said I, "what it utters
Is its only stock and store,
Caught from some unhappy master
Whom unmerciful Disaster
Followed fast and followed faster
Till his songs one burden bore—
Till the dirges of his Hope that
Melancholy burden bore
Of 'Never—nevermore.' "
But the Raven still beguiling
All my sad soul into smiling,
Straight I wheeled a cushioned seat in
Front of bird and bust and door;
Then, upon the velvet sinking,
I betook myself to linking
Fancy unto fancy, thinking
What this ominous bird of yore—
What this grim, ungainly, ghastly,
Gaunt, and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing,
But no syllable expressing
To the fowl whose fiery eyes now
Burned into my bosom's core;
This and more I sat divining,
With my head at ease reclining
On the cushion's velvet lining
That the lamplight gloated o'er,
But whose velvet violet lining
With the lamplight gloating o'er
She shall press, ah, nevermore!
Then, methought, the air grew denser,
Perfumed from an unseen censer
Swung by Seraphim, whose footfalls
Tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee—
By these angels he hath sent thee
Respite—respite and nepenthe[1]
From thy memories of Lenore!
Quaff, oh quaff this kind nepenthe,
And forget this lost Lenore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil!—
Prophet still, if bird or devil!—
Whether Tempter sent, or whether
Tempest tossed thee here ashore,
Desolate, yet all undaunted,
On this desert land enchanted—
On this home by Horror haunted—
Tell me truly, I implore—
Is there—is there balm in Gilead?—
Tell me—tell me, I implore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil,—
Prophet still, if bird or devil!—
By that heaven that bends above us,—
By that God we both adore,—
Tell this soul with sorrow laden
If, within the distant Aidenn,
It shall clasp a sainted maiden
Whom the angels name Lenore—
Clasp a rare and radiant maiden
Whom the angels name Lenore."
Quoth the Raven, "Nevermore."
"Be that word our sign of parting,
Bird or fiend," I shrieked, upstarting—
"Get thee back into the tempest
And the Night's Plutonian shore!
Leave no black plume as a token
Of that lie thy soul hath spoken!
Leave my loneliness unbroken!—
Quit the bust above my door!
Take thy beak from out my heart, and
Take thy form from off my door!"
Quoth the Raven, "Nevermore."
And the Raven, never flitting,
Still is sitting, still is sitting
On the pallid bust of Pallas
Just above my chamber door;
And his eyes have all the seeming
Of a demon's that is dreaming,
And the lamplight o'er him streaming
Throws his shadow on the floor;
And my soul from out that shadow
That lies floating on the floor
Shall be lifted—nevermore!
The Love Song
by T. S. Eliot
S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma percioche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo.
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question ...
Oh, do not ask, “What is it?”
Let us go and make our visit.
In the room the women come and go
Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes,
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.
And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
In the room the women come and go
Talking of Michelangelo.
And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair —
(They will say: “How his hair is growing thin!”)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin —
(They will say: “But how his arms and legs are thin!”)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.
For I have known them all already, known them all:
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?
And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?
And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?
Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? ...
I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep ... tired ... or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet — and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.
And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it towards some overwhelming question,
To say: “I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all”—
If one, settling a pillow by her head
Should say: “That is not what I meant at all;
That is not it, at all.”
And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
“That is not it at all,
That is not what I meant, at all.”
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
I grow old ... I grow old ...
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
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Find Related Poems
Hope is the thing with feathers
by Emily Dickinson
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,– Emily Dickinson
Hope is the thing with feathers“
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I 've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Ode to a Nightingale
by John Keats
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thy happiness,—
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O for a draught of vintage, that hath been
Cooled a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret,
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and specter-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Clustered around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets covered up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Called him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod.
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charmed magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep?
Abide with Me
by Henry Francis Lyte
Abide with me! fast falls the eventide;
The darkness deepens; Lord, with me abide!
When other helpers fail and comforts flee,
Help of the helpless, oh, abide with me.
Swift to its close ebbs out life’s little day;
Earth’s joys grow dim, its glories pass away;
Change and decay in all around I see;
O Thou who changest not, abide with me.
Come not in terrors, as the King of kings;
But kind and good, with healing in Thy wings:
Tears for all woes, a heart for every plea;
Come, Friend of sinners, thus abide with me.
I need Thy presence every passing hour:
What but Thy grace can foil the tempter’s power?
Who like Thyself my guide and stay can be?
Through cloud and sunshine, oh, abide with me.
I fear no foe, with Thee at hand to bless:
Ills have no weight, and tears no bitterness:
Where is death’s sting? where, grave, thy victory?
I triumph still, if Thou abide with me.
