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THE BOEREVOLK Boers (/bʊərz/ BOORZ ; Afrikaans : Boere; [ˈbuːrə] ) are the descendants of the proto Afrikaans -speaking Free Burghers of the eastern Cape frontier in Southern Africa during the 17th, 18th, and 19th centuries. From 1652 to 1795, the Dutch East India Company controlled the Dutch Cape Colony , which the United Kingdom incorporated into the British Empire in 1806. The name of the group is derived from Trekboer then later "boer", which means "farmer" in Dutch and Afrikaans. In addition, the term Boeren also applied to those who left the Cape Colony during the 19th century to colonise the Orange Free State , and the Transvaal (together known as the Boer Republics ), and to a lesser extent Natal . They emigrated from the Cape to live beyond the reach of the British colonial administration, with their reasons for doing so primarily being the new Anglophone common law system being introduced into the Cape and the British abolition of slavery in 1833. The term Afrikaners or Afrikaans people is generally used in modern-day South Africa for the white Afrikaans-speaking population of South Africa (the largest group of White South Africans ) encompassing the descendants of both the Boers, and the Cape Dutch who did not embark on the Great Trek . European colonists Flag of the Dutch East India Company The Dutch East India Company (Dutch : Vereenigde Oostindische Compagnie; VOC) was formed in the Dutch Republic in 1602, and at this time the Dutch had entered the competition for the colonial and imperial trade of commerce in Southeast Asia. The end of the Thirty Years' War in 1648 saw European soldiers and refugees widely dispersed across Europe. Immigrants from Germany, Scandinavia, and Switzerland traveled to the Netherlands in the hope of finding employment with the VOC. During the same year, one of their ships was stranded in Table Bay near what would eventually become Cape Town , and the shipwrecked crew had to forage for themselves on shore for several months. They were so impressed with the natural resources of the country that on their return to the Dutch Republic, they represented to the VOC directors the advantages to be had for the Dutch Eastern trade from a properly provided and fortified station at the Cape. As a result, the VOC sent a Dutch expedition in 1652 led by Jan van Riebeek , who constructed a fort and laid out vegetable gardens at Table Bay and took control over Cape Town, which he governed for a decade. Free Burghers Main article: Free Burghers VOC favoured the idea of freemen at the Cape and many workers of VOC requested to be discharged in order to become free burghers (citizens). As a result, Jan van Riebeek approved the notion on favourable conditions and earmarked two areas near the Liesbeek River for farming purposes in 1657. The two areas which were allocated to the freemen, for agricultural purposes, were named Groeneveld and Dutch Garden. These areas were separated by the Amstel River (Liesbeek River). Nine of the best applicants were selected to use the land for agricultural purposes. The freemen or free burghers as they were afterwards termed, thus became subjects of VOC and were no longer its servants. In 1671, the Dutch first purchased land from the indigenous Khoikhoi beyond the limits of the fort built by Van Riebeek; this marked the development of the Colony proper . As the result of the investigations of a 1685 commissioner, the government worked to recruit a greater variety of immigrants to develop a stable community. They formed part of the class of vrijlieden, also known as vrijburgers ('free citizens'), former VOC employees who remained at the Cape after serving their contracts. A large number of vrijburgers became independent farmers and applied for grants of land, as well as loans of seed and tools, from VOC administration. Dutch free immigrants VOC authorities had been endeavouring to induce gardeners and small farmers to emigrate from Europe to South Africa, but with little success. They were only able to attract a few families through tales of wealth, but the Cape had little charm in comparison. In October 1670, however, the Chamber of Amsterdam announced that a few families were willing to leave for the Cape and Mauritius during the following December. Among the new names of burghers at this time are Jacob and Dirk van Niekerk, Johannes van As, Francois Villion, Jacob Brouwer, Jan van Eden, Hermanus Potgieter, Albertus Gildenhuis, and Jacobus van den Berg. French Huguenots During 1688–1689, the colony was greatly strengthened by the arrival of nearly two hundred French Huguenots , who were political refugees from the religious wars in France following the revocation of the Edict of Nantes . They joined colonies at Stellenbosch , Drakenstein , Franschhoek and Paarl .[12] The influence of the Huguenots on the character of the colonists was marked, leading to the VOC directing in 1701 that only Dutch should be taught in schools. This resulted in the Huguenots assimilating by the middle of the 18th century, with a loss in the use and knowledge of French . The colony gradually spread eastwards, and in 1754 land as far as Algoa Bay was included in the colony. At this time the European colonists numbered eight to ten thousand. They possessed numerous slaves, grew wheat in sufficient quantity to make it a commodity crop for export, and were famed for the good quality of their wines . But their chief wealth was in cattle. They enjoyed considerable prosperity. Through the latter half of the 17th and the whole of the 18th century, troubles arose between the colonists and the government as the VOC administration was despotic . Its policies were not directed at development of the colony, but to profit the VOC. The VOC closed the colony against free immigration, kept the whole of the trade in its own hands, combined the administrative, legislative and judicial powers in one body, prescribed to the farmers the nature of the crops they were to grow, demanded a large part of their produce as a kind of tax, and made other exactions. Trekboers Main article: Trekboers This section needs additional citations for verification . Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (February 2021) (Learn how and when to remove this message ) From time to time, indentured VOC servants were endowed with the right of freeburghers but the VOC retained the power to compel them to return into its service whenever they deemed it necessary. This right to force into servitude those who might incur the displeasure of the governor or other high officers was not only exercised with reference to the individuals themselves; it was claimed by the government to be applicable to their children as well. The tyranny caused many to feel desperate and to flee from oppression, even before the 1700 trekking began. In 1780, Joachim van Plettenberg , the governor, proclaimed the Sneeuberge to be the northern boundary of the colony, expressing "the anxious hope that no more extension should take place, and with heavy penalties forbidding the rambling peasants to wander beyond". In 1789, so strong had feelings amongst the burghers become that delegates were sent from the Cape to interview the authorities at Amsterdam . After this deputation, some nominal reforms were granted. Descending from the Sneeuberge, a scene near Graaff-Reinet , by Burchell Passing Cradock Pass, Outeniqua Mountains , by Charles Collier Michell An aquatint by Samuel Daniell of Trekboers making camp Trekboers crossing the Karoo by Charles Davidson Bell It was largely to escape oppression that the farmers trekked farther and farther from the seat of government. VOC, to control the emigrants, established a magistracy at Swellendam in 1745 and another at Graaff Reinet in 1786. The Gamtoos River had been declared, c. 1740, the eastern frontier of the colony but it was soon passed. In 1780, however, the Dutch, to avoid collision with the Bantu peoples , agreed with them to make the Great Fish River the common boundary. In 1795 the heavily taxed burghers of the frontier districts, who were afforded no protection against the Bantus, expelled the VOC officials, and set up independent governments at Swellendam and Graaff Reinet. The trekboers of the 19th century[who? ] were the lineal descendants of the trekboers of the 18th century. The end of the 19th century saw a revival of the same tyrannical monopolist policy as that in the VOC government in the Transvaal . If the formula, "In all things political, purely despotic; in all things commercial, purely monopolist", was true of the VOC government in the 18th century, it was equally true of Kruger 's government in the latter part of the 19th.[citation needed ][clarification needed ] The underlying fact which made the trek possible is that the Dutch-descended colonists in the eastern and northeastern parts of the colony were not cultivators of the soil, but of purely pastoral and nomadic habits, ever ready to seek new pastures for their flocks and herds, possessing no special affection for any particular locality. These people, thinly scattered over a wide territory, had lived for so long with little restraint from the law that when, in 1815, by the institution of "Commissions of Circuit", justice was brought nearer to their homes, various offences were brought to light, the remedying of which caused much resentment. The Dutch-descended colonists in the eastern and northeastern parts of the colony, as a result of the Great Trek , had removed themselves from governmental rule and become widely spread out. However, the institution of "Commissions of Circuit" in 1815 allowed the prosecution of crimes, with offences committed by the trekboers—notably including many against people they had enslaved—seeing justice. These prosecutions were very unpopular amongst the trekkers and were seen as interfering with their rights over the enslaved people they viewed as their property. Invasion of the Cape Colony Main article: Invasion of the Cape Colony The Invasion of the Cape Colony was a British military expedition launched in 1795 against the Dutch Cape Colony at the Cape of Good Hope . The Netherlands had fallen under the revolutionary government of France and a British force under General Sir James Henry Craig was sent to Cape Town to secure the colony from the French for the Prince of Orange , a refugee in England. The governor of Cape Town at first refused to obey the instructions from the Prince, but when the British proceeded to land troops to take possession anyway, he capitulated. His action was hastened by the fact that the Khoikhoi , escaping from their former enslavers, flocked to the British standard. The burghers of Graaff Reinet did not surrender until a force had been sent against them; in 1799 and again in 1801 they rose in revolt. In February 1803, as a result of the peace of Amiens (February 1803), the colony was handed over to the Batavian Republic which introduced many reforms, as had the British during their eight years' rule. One of the first acts of General Craig had been to abolish torture in the administration of justice. The country still remained essentially Dutch, and few British citizens were attracted to it. Its cost to the British exchequer during this period was £ 16,000,000.[citation needed ] The Batavian Republic entertained very liberal views as to the administration of the country, but had little opportunity to enact them. When the War of the Third Coalition broke out in 1803, a British force was once again sent to the Cape. After an engagement (January 1806) on the shores of Table Bay, the Dutch garrison of Castle of Good Hope surrendered to the British under Sir David Baird , and in the 1814 Anglo-Dutch treaty the colony was ceded outright by The Netherlands to the British crown . At that time the colony extended to the line of mountains guarding the vast central plateau, then called Bushmansland (after a name for the San people ), and had an area of about 120000 sq km and a population of some 60000, of whom 27000 were whites, 17000 free Khoikhoi and the rest enslaved people, mostly non-indigenous blacks and Malays. Dislike of British rule Although the colony was fairly prosperous, many of the Dutch farmers were as dissatisfied with British rule as they had been with that of the VOC, though their grounds for complaint were not the same. In 1792, Moravian missions had been established which targeted the Khoikhoi, and in 1799 the London Missionary Society began work among both Khoikhoi and the Bantu peoples. The missionaries' championing of Khoikhoi grievances caused much dissatisfaction among the majority of the Dutch colonists, whose views temporarily prevailed, for in 1812 an ordinance was issued which empowered magistrates to bind Khoikhoi children as apprentices under conditions which differed little from slavery . Simultaneously, the movement for the abolition of slavery was gaining strength in England, and the missionaries appealed from the colonists to the mother country. Slachter's Nek A farmer named Frederick Bezuidenhout refused to obey a summons issued on the complaint of a Khoikhoi, and, firing on the party sent to arrest him, was killed by the return fire. This caused a small rebellion in 1815, known as Slachters Nek , described as "the most insane attempt ever made by a set of men to wage war against their sovereign" by Henry Cloete. Upon its suppression, five ringleaders were publicly hanged at the spot where they had sworn to expel "the English tyrants". The feeling[clarification needed ] caused by the hanging of these men was deepened by the circumstances of the execution, as the scaffold on which the rebels were simultaneously hanged broke down from their united weight and the men were afterwards hanged one by one. An ordinance was passed in 1827, abolishing the old Dutch courts of landdrost and heemraden (resident magistrates being substituted) and establishing that henceforth all legal proceedings should be conducted in English. The granting in 1828, as a result of the representations of the missionaries, of equal rights with whites to the Khoikhoi and other free coloured people, the imposition (1830) of heavy penalties for harsh treatment of enslaved people, and finally the emancipation of the enslaved people in 1834, were measures which combined to aggravate the farmers' dislike of government. Moreover, what the Boers viewed as the inadequate compensation for the freeing of the slaves, and the suspicions engendered by the method of payment, caused much resentment; and in 1835 the farmers again removed themselves to unknown country to escape the government. While emigration beyond the colonial border had been continuous for 150 years, it now took on larger proportions.[citation needed ] Cape Frontier Wars (1779–1879) Main article: Xhosa Wars Map of the Cape Colony in 1809, early British rule The migration of the trekboers from the Cape Colony into the Eastern Cape parts of South Africa, where the native Xhosa people had established settlements, gave rise to a series of conflicts between the Boers and the Xhosas. In 1775 the Cape government established a boundary between the trekboers and the Xhosas at the Bushmans and Upper Fish Rivers. The Boers and Xhosas ignored the boundary, with both groups establishing homes on either side of the frontier. Governor van Plettenberg attempted to persuade both groups to respect the boundary line without success. The Xhosas were accused of stealing cattle and in 1779 a series of skirmishes erupted along the border which initiated the 1st Frontier War. The frontier remained unstable, resulting in the outbreak of the 2nd Frontier War in 1789. Raids carried out by Boers and Xhosas on both sides of the boundary caused much friction in the area which resulted in several groups being drawn into the conflict. In 1795, the British invasion of the Cape Colony resulted in a change of government. After the government takeover the British began to draw up policies with regards to the frontier resulting in a Boer rebellion in Graaff-Reinet . The policies caused the Khoisan tribes to join some Xhosa chiefs in attacks against British forces during the 3rd Frontier War (1799–1803). Peace was restored to the area when the British, under the Treaty of Amiens , returned the Cape Colony to the Dutch Batavian Republic in 1803. In January 1806 during a second invasion, the British reoccupied the colony after the Battle of Blaauwberg . Tensions in the Zuurveld led the colonial administration and Boer colonists to expel many of the Xhosa tribes from the area, initiating the 4th Frontier War in 1811. Conflicts between the Xhosas on the frontier led to the 5th Frontier War in 1819. The Xhosas, due to dissatisfaction with vacillating government policies regarding where they were permitted to live, undertook large-scale cattle thefts on the frontier. The Cape government responded with several military expeditions. In 1834 a large Xhosa force moved into the Cape territory, which began the 6th Frontier War. Additional fortifications were built by the government and mounted patrols were not well received by the Xhosas, who continued with raids on farms during the 7th Frontier War (1846–1847). The 8th (1850–1853) and 9th Frontier Wars (1877–1878) continued at the same pace as their predecessors. Eventually the Xhosas were defeated and the territories were brought under British control. Great Trek Main article: Great Trek A map charting the routes of the largest trekking parties during the first wave of the Great Trek (1835–1840) along with key battles and events. The Great Trek occurred between 1835 and the early 1840s. During that period some 12,000 to 14,000 Boers (including women and children), impatient with British rule, emigrated from Cape Colony into the great plains beyond the Orange River , and across them again into Natal and the vastness of the Zoutspansberg , in the northern part of the Transvaal. Those Trekboers who occupied the eastern Cape were semi-nomadic. A significant number in the eastern Cape frontier later became Grensboere ('border farmers') who were the direct ancestors of the Voortrekkers . The Boers addressed several correspondence to the British Colonial Government before leaving the Cape Colony as reasons for their departure. Piet Retief , one of the leaders of the Boers during the time, addressed a letter to the government on 22 January 1837 in Grahamstown stating that the Boers did not see any prospect for peace or happiness for their children in a country with such internal commotions. Retief further complained about the severe financial losses which they felt had resulted from the laws of the British administration. While there was financial compensation for the freeing of the people they had enslaved, the Boers found it to be inadequate. They also felt that the English church system was incompatible with the Dutch Reformed Church . By this time the Boers had already formed a separate code of laws in preparation for the great trek and were aware of the dangerous territory they were about to enter. Retief concluded his letter with "We quit this colony under the full assurance that the English Government has nothing more to require of us, and will allow us to govern ourselves without its interference in future" Anglo-Boer wars Main articles: First Boer War and Second Boer War Boer family traveling by covered wagon circa 1900 Following the British annexation of the Transvaal in 1877, Paul Kruger was a key figure in organizing a Boer resistance which led to expulsion of the British from the Transvaal. The Boers then fought the Second Boer War in the late 19th and early 20th century against the British in order to ensure the republics of the Transvaal (the Zuid-Afrikaansche Republiek ) and the Orange Free State , remaining independent, ultimately capitulating in 1902. Boer War diaspora See also: Boer War diaspora After the Second Boer War, a Boer diaspora occurred. Starting in 1903, the largest group emigrated to the Patagonia region of Argentina and to Brazil . Another group emigrated to the British colony of Kenya , from where most returned to South Africa during the 1930s, while a third group under the leadership of General Ben Viljoen emigrated to Mexico and to New Mexico and Texas in the southwestern United States. 1914 Boer Revolt Main article: Maritz Rebellion The Maritz Rebellion (also known as the Boer Revolt, the Five Shilling Rebellion or the Third Boer War) occurred in 1914 at the start of World War I , in which men who supported the re-creation of the Boer republics rose up against the government of the Union of South Africa because they did not want to side with the British against the German Empire so soon after the war with the British.[citation needed ] Many Boers had German ancestry and many members of the government were themselves former Boer military leaders who had fought with the Maritz rebels against the British in the Second Boer War. The rebellion was put down by Louis Botha and Jan Smuts , and the ringleaders received heavy fines and terms of imprisonment. One, Jopie Fourie , an officer in the Union Defence Force , was convicted for treason when he refused to take up arms alongside the British, and was executed by the South African government in 1914. Characteristics Language Main article: Afrikaans Afrikaans is a West Germanic language spoken widely in South Africa and Namibia , and to a lesser extent in Botswana and Zimbabwe . It evolved from the Dutch vernacular of South Holland (Hollandic dialect ) spoken by the mainly Dutch colonists of what is now South Africa, where it gradually began to develop distinguishing characteristics in the course of the 18th century. Hence, it is a daughter language of Dutch, and was previously referred to as Cape Dutch (also used to refer collectively to the early Cape colonists ) or kitchen Dutch (a derogatory term used in its earlier days). However, it is also variously (although incorrectly) described as a creole or as a partially creolised language.[n 1] The term is ultimately derived from Dutch Afrikaans-Hollands meaning African Dutch. Culture Painting depicting the Bullock wagons moving over the billowy plains, 2 January 1860 The desire to wander, known as trekgees, was a notable characteristic of the Boers. It figured prominently in the late 17th century when the Trekboers began to inhabit the northern and eastern Cape frontiers, again during the Great Trek when the Voortrekkers left the eastern Cape en masse, and after the major republics were established during the Thirstland ('Dorsland') Trek. One such trekker described the impetus for emigrating as, "a drifting spirit was in our hearts, and we ourselves could not understand it. We just sold our farms and set out northwestwards to find a new home". A rustic characteristic and tradition was developed quite early on as Boer society was born on the frontiers of white colonisation and on the outskirts of Western civilisation. The Boer quest for independence manifested in a tradition of declaring republics, which predates the arrival of the British; when the British arrived, Boer republics had already been declared and were in rebellion from the VOC. Beliefs The Boers of the frontier were known for their independent spirit, resourcefulness, hardiness, and self-sufficiency, whose political notions verged on anarchy but had begun to be influenced by republicanism. The Boers had cut their ties to Europe as they emerged from the Trekboer group. The Boers possessed a distinct Protestant culture , and the majority of Boers and their descendants were members of a Reformed Church . The Nederduitsch Hervormde Kerk ('Dutch Reformed Church') was the national Church of the South African Republic (1852–1902). The Orange Free State (1854–1902) was named after the Protestant House of Orange in the Netherlands . The Calvinist influence, in such fundamental Calvinist doctrines such as unconditional predestination and divine providence , remains present in a minority of Boer culture, who see their role in society as abiding by the national laws and accepting calamity and hardship as part of their Christian duty. Many Boers have since converted denominations and are now members of Baptist , Charismatic , Pentecostal or Lutheran Churches . Modern usage During recent times, mainly during the apartheid reform and post-1994 eras, some white Afrikaans -speaking people, mainly with conservative political views, and of Trekboer and Voortrekker descent, have chosen to be called Boere, rather than Afrikaners, to distinguish their identity. They believe that many people of Voortrekker descent were not assimilated into what they see as the Cape -based Afrikaner identity. They suggest that this developed after the Second Anglo-Boer War and the subsequent establishment of the Union of South Africa in 1910. Some Boer nationalists have asserted that they do not identify as a right-wing element of the political spectrum. They contend that the Boers of the South African Republic and Orange Free State republics were recognised as a separate people or cultural group under international law by the Sand River Convention (which created the South African Republic in 1852), the Bloemfontein Convention (which created the Orange Free State Republic in 1854), the Pretoria Convention (which re-established the independence of the South African Republic 1881), the London Convention (which granted the full independence to the South African Republic in 1884), and the Vereeniging Peace Treaty , which formally ended the Second Anglo-Boer War on 31 May 1902. Others contend, however, that these treaties dealt only with agreements between governmental entities and do not imply the recognition of a Boer cultural identity per se. The supporters of these views feel that the Afrikaner label was used from the 1930s onwards as a means of politically unifying the white Afrikaans speakers of the Western Cape with those of Trekboer and Voortrekker descent in the north of South Africa, where the Boer Republics were established. Since the Anglo-Boer war, the term Boerevolk ('farmer people') was rarely used in the 20th century by the various regimes because of the effort to assimilate the Boerevolk with the Afrikaners. A portion of those who are the descendants of the Boerevolk have reasserted use of this designation. The supporters of the Boer designation view the term Afrikaner as an artificial political label which usurped their history and culture, turning Boer achievements into Afrikaner achievements. They feel that the Western-Cape based Afrikaners – whose ancestors did not trek eastwards or northwards – took advantage of the republican Boers' destitution following the Anglo-Boer War. At that time, the Afrikaners attempted to assimilate the Boers into the new politically based cultural label. In contemporary South Africa, Boer and Afrikaner have often been used interchangeably.[dubious – discuss ] Afrikaner directly translated means African, and thus refers to all Afrikaans-speaking people in Africa who have their origins in the Cape Colony founded by Jan Van Riebeeck. Boer is a specific group within the larger Afrikaans-speaking population. During apartheid, Boer was used by opponents of apartheid in various contexts, referring to institutional structures such as the National Party , or to specific groups of people, such as members of the Police Force (colloquially known as Boere) and Army , Afrikaners, or white South Africans generally. This usage is often viewed as pejorative in contemporary South Africa. Politics Boere-Vryheidsbeweging Boerestaat Party Freedom Front Plus Front National Herstigte Nasionale Party National Conservative Party of South Africa Education The Movement for Christian-National Education is a federation of 47 Calvinist private schools, primarily in the Free State and the Transvaal, committed to educating Boer children from grade 0 through to 12. Media Some local radio stations promote the ideals of those who identify with the Boer people, like Radio Rosestad 100.6 FM (in Bloemfontein), Overvaal Stereo and Radio Pretoria . An internet-based radio station, Boerevolk Radio , promotes Boer separatism. Territories See also: Volkstaat Territorial areas in the form of a Boerestaat ('Boer State') are being developed as colonies exclusively for Boers/Afrikaners, notably Orania in the Northern Cape and Kleinfontein near Pretoria . Notable Boers Voortrekker leaders Sarel Cilliers Andries Hendrik Potgieter Andries Pretorius Piet Retief Great trek Racheltjie de Beer Dirkie Uys Marthinus Jacobus Oosthuizen Participants in the Second Anglo-Boer War Koos de la Rey , general; regarded as being one of the great military leaders of the Second Anglo-Boer War Danie Theron , soldier Christiaan Rudolf de Wet , general Siener van Rensburg , considered a prophet by some Politicians Louis Botha , first prime minister of South Africa (1910–1919) and former Boer general Petrus Jacobus Joubert , general and cabinet member of the Transvaal Republic Paul Kruger , president of the Transvaal Republic Martinus Theunis Steyn , 6th State President of the Orange Free State Spies Robey Leibbrandt Fritz Joubert Duquesne , Boer captain known as the Black Panther who served in the Second Boer War Persecution Since the early 2000s, South African farmers, including many Boers, have faced a wave of violent attacks in rural areas, often involving extreme brutality such as torture and murder. These incidents, which have drawn international attention, have led many within the Boer community to fear for their safety. Some have emigrated to countries like Australia, while others have invested in private security measures to protect their families and property. The ongoing attacks remain a significant concern for South Africa's rural communities. In modern fiction The history of the Cape Colony and the Boers in South Africa is covered at length in the 1980 novel The Covenant by American author James A. Michener. The Boers appear as a civilization in the 'Scramble to Africa' scenario in Civilization V: Brave New World . Paul Kruger leads the civilization during the scenario. The Boers' unique unit is the foreign volunteer. See also Boerboel Boerehaat Boer goat Boer music Settler colonialism South African farm attacks Transvaal civil war Transvaal Colony BACK TO THE TOP OF THE PAGE

Welcome to Our Site Welcome to Southern Star Africa! We are thrilled to have you here. Explore our vibrant offerings and discover the beauty and culture that Africa has to offer. Join us on this exciting journey! Read More SOUTH AFRICAN TOURS South African Tours offers a unique and unforgettable experience for travelers looking to explore the beauty and diversity of South Africa. Our expert guides will take you on journey through stunning landscapes, vibrant cities, and rich cultural heritage. Whether you're interested in wildlife safaris, wine tasting, or historical landmarks, we have the perfect tour for you. Book your adventure with South African Tours today and discover the magic of this incredible country. View More WILDLIFE SOUTH AFRICA Welcome to Wildlife South Africa, where you can the beauty and diversity of African wildlife. Our tours offer a unique opportunity to see animals in their natural habitat, from lions and elephants to giraffes and zebras. Join for an unforgettable adventure and discover the wonders of South Africa's wildlife. View More SOUTH AFRICAN CULTURE South Africa is a country with a rich and diverse culture. It is home many different ethnic groups, each with own unique traditions and customs. The country's history has also played a significant role in shaping its culture, with influences from colonialism, apartheid, and the struggle for freedom and equality. From music and dance to food and art, South Africa's culture is a vibrant and colorful tapestry that continues to evolve and inspire. View More PLACES TO VISIT IN SOUTH AFRICA South Africa is a country with a rich cultural heritage and diverse beauty. Some of the must-visit places in South Africa include the Kruger National Park, Table Mountain, Robben Island, the Cape of Good, and the Garden Route. These destinations offer a unique experience that will leave you with unforgettable memories. View More SOUTH AFRICAN HISTORY South Africa has a rich and complex history that spans thousands of years. From the indigenous San and Khoi peoples to the arrival of European colonizers in the 17th century, the country has experienced significant social, political, and economic changes. The 20th century saw the rise of apartheid a system of institutionalized racial segregation and discrimination, was eventually dismantled in the 1990s with the release of Nelson Mandela and the establishment of a democratic government. Today, South Africa continues to grapple with issues of inequality, poverty, and social justice, while also celebrating its diverse cultural heritage and natural beauty. View More NINE PROVINCES OF SOUTH AFRICA South Africa is a country divided into nine provinces, each its own unique culture, history, and attractions. From the bustling city of Johannesburg in Gauteng to the stunning beaches of KwaZulu-Natal, there is something for everyone to explore and enjoy. Discover the beauty and diversity of South Africa's nine provinces today. View More SAFARI TOURS IN SOUTH AFRICA South Africa is home to some of the most breathtaking wildlife and landscapes in the world. Embark on a safari tour and witness the Big Five in their natural habitat. Our experienced guides will take you on an unforgettable journey through the African bush, where you'll have the opportunity to see lions, elephants, rhinos, leopards and buffalos up close. Book your safari tour today and experience the adventure of a lifetime. View More View More Where nearly 2 million hectares of unrivaled diversity of life forms fuses with historical and archaeological sights – this is real Africa. The world-renowned Kruger National Park offers a wildlife experience that ranks with the best in Africa. Malaria As of late September 2017 we have noticed an increase in the amount of Malaria diagnoses in Kruger National Park. We therefore advise all travellers to cover themselves by taking chemoprophylaxis whilst visiting the Park. Your family physician will be able to advise you on the most suitable medication. The risk of contracting malaria is often a concern when visiting the Kruger National Park. The Kruger is one of the two South African National Parks that are situated in malaria risk areas. The other park is Mapungubwe National Park. It is important to note that the risk of malaria in both of these parks is usually low, even in the summer months. Malaria is mosquito borne disease transmitted exclusively through the bite of the female Anopheles mosquito. The highest risk period is between November and April – the end of the summer rainy season. Following the bite of an infected mosquito, an individual may remain asymptomatic for 12 – 35 days, depending on the species of malaria. This is known as the incubation period. Malaria should be suspected in patients with any unexplained fever after visiting an area where malaria is endemic. The symptoms of malaria include: Fever Chills Sweating Headaches Body aches Tiredness Stomach problems – These can include: Loss of appetite Nausea and vomiting Belly pain Diarrhoea Skin that looks yellow – This is called “jaundice” Cough Fast heart rate or breathing When malaria becomes severe, it can cause symptoms such as: Confusion Hallucinations Seizures Dark or bloody urine Most types of mosquito that are encountered will not carry the malaria parasite and if an individual is bitten it does not mean that they will contract malaria. The risk of malaria can be reduced by preventing mosquito bites. Mosquitoes most often bite between dusk and dawn. People are advised to stay indoors during this period, or cover exposed skin with light clothing or insect repellents. Remember to spray one’s ankles. Burning anti-mosquito coils and ensuring netted screens are kept closed will significantly reduce your risk for contracting insect bites. All of the accommodation available in Kruger is fitted with netted screens. Malaria prophylactic drugs can be taken that will further decrease the chances of contracting malaria. It is a difficult decision whether or not to take malaria prophylactics when visiting the Kruger National Park. The risk of contracting malaria needs to be weighed up against the side effects of the malaria prophylactic medication, and all the drugs available have various side effects. The choice of the appropriate drug that an individual should use is a decision that should be made in consultation with a medical doctor. There are three types of malaria prophylactic medications available for the strains of malaria occurring in South Africa, namely Doxycycline, Atovaquone/Proguanil and Mefloquine. It is also important to know that taking malaria prophylaxis does not guarantee that an individual will not contract malaria, it decreases the risk of contracting the disease. Malaria should be excluded in anyone who presents with unexplained fever within 12 to 35 days after entering a malaria area. A blood test is the most accurate, although rapid tests are available that are also very accurate. View More View More MY PROJECT & PICTURE TO SHARE 1 Attractions South Africa is a treasure trove of attractions waiting to be explored. From the stunning landscapes of Table Mountain in Cape Town to the wildlife-rich Kruger National Park, there's something for everyone. Don't miss the vibrant culture of Johannesburg and the breathtaking scenery along the Garden Route. Whether you're seeking adventure, relaxation, or cultural experiences, South Africa has it all! View More 2 Wildlife & The big 5 Discover the breathtaking wildlife of South Africa, home to the iconic Five: lions, leopards, elephants rhinos, and. Each of these animals offers a unique glimpse into the rich biodiversity the region. Whether on a thrilling safari or exploring the stunning landscapes, South Africa's wildlife experience is truly unforgettable. Join us in celebrating the beauty and majesty of these incredible creatures! View More 3 Culture & Food South Africa is a vibrant tapestry of cultures, each contributing to its rich culinary landscape. From the spicy flavors of Cape Malay cuisine to the hearty dishes of traditional African fare, the country's food reflects its diverse heritage. Popular dishes include bobotie, a savory baked dish, and braai, a social barbecue tradition. With a variety of local ingredients and cooking styles, South African cuisine offers a unique and delicious experience for all. 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Traditional South African foods you need to try: Stunning landscapes, diverse wildlife, dramatic mountain ranges and attractive beaches make South Africa a very inviting holiday destination. The country is also a melting pot of a great diversity of cultures which is why it’s fondly nicknamed ‘The Rainbow Nation’, and it’s this cultural diversity which has had a very strong influence on South African food over the centuries. This in turn has given traditional South African dishes very unique and interesting flavours.South Africa has grown to be one of the top travel destinations in the world, and with good reason—the country offers visitors unparalleled wildlife viewing, stunning scenery, and fascinating history. However, there’s something else South Africa also offers visitors and locals alike—some of the best food you can get on the continent! If you’re planning to visit or move to South Africa, it’s well worth exploring the wide range of local cuisine this country has to offer. Here are some delicious South African foods you shouldn’t miss out on trying! FOOD CULTURE IN SOUTH AFRICA The food culture in South Africa is really big and plays a very important part in South African tourism and local daily life. This is why you should take the time to indulge yourself in South African food culture in order to learn more about the rich diversity of the land itself that provides the food and how together with the local people it all influences the various flavours. When visiting South Africa there are many traditional food dishes one should try, however, there are a few that will stand out and which you will really need to try before you go home. So in order to help you discover the food in South Africa, I have compiled this food guide with an insight into South African cuisine as well as local produce that can sometimes only be found in this part of the world. And if you are really adventurous and brave enough, you might want to try Mopane Worms , which is a very traditional South African food that is more popular in the rural areas. Perfect Biltong Recipe—South African Beef Jerky I must apologise for calling biltong “South African beef jerky”, because this is a far superior product. If you’ve ever tried biltong, you’ll know exactly what I mean—none of that sugary, rubbery stuff-it-in-a-dehydrator rubbish here, please! Like a lot of biltong lovers, I was introduced to this culinary treasure as a child, and the addiction has stuck. I’ve been making my own for a few years, gradually tweaking the recipe and feeding it to people with a “how is it, honestly?”, and plenty of willing feedback. I’m confident that this fool-hardy recipe sticks with the traditional roots of the dried meat, whilst adding a little refined finesse—it does not disappoint. Biltong was originally created by Dutch pioneers in South Africa, “Voortrekkers”, who needed reliable food sources on their long treks across the continent. The method and spice mix hasn’t changed much in hundreds of years, but a few variations have appeared recently, like ‘piri piri’ biltong and the use of additional ingredients like worcestershire sauce and dried chillies. Curing process Opinions vary on curing methods, spice mixes and drying conditions, and there is a lot of misinformation around, so trial and error has been my friend. Some recipes call for several stages of curing and washing off spices, reapplying them, etc—this is not necessary. I don’t like to throw away good spices, so I coat once, leave to cure in the fridge, pat dry, then hang with no additional stages. Why wash off and waste all that good flavour? It’s easy to over-salt biltong, making it almost unbearable to eat in bigger quantities (let’s face it, who’s going to only eat a little biltong?), and too much salt can leave a burning sensation, so many recipes call for the salt to be washed off with a water/vinegar solution. My answer? Use less salt! Vinegar does a perfectly good job of sterilising the meat without mountains of salt. The salt is an excellent flavour enhancer and should definitely be included—just a little less to avoid the need for washing. Temperature and airflow What we’re trying to achieve when drying biltong is to concentrate the flavour of the beef by removing a lot of the moisture, similar to ‘dry aging’. A combination of good airflow and relatively cool temperatures are the key to successful biltong making. Contrary to popular belief, heat is not required to make biltong—neither does it make for a better product. As a perfect example of this, the Italians make a beautiful beef product called ‘Bresaola’, which is very slowly air dried at cold temperatures, so as to achieve an even dryness and texture. Although heat doesn’t add to the quality of the product, it can be used to increase air circulation around the meat, by means of a temperature gradient (heat rises!). Having said that, don’t be tempted to try and make it in the oven—biltong takes several days to dry, and most ovens won’t go low enough to dry the meat slowly enough to avoid cooking it. What you’re looking for is a slow drying process with gentle airflow. Many DIY biltong makers will use a ‘biltong box’ with a fan and a lightbulb in to create good air circulation. The key is to draw air around the meat without the airflow being too strong, to avoid ‘case hardening’, whereby the outside becomes overly tough, and the texture gradient falls off too quickly. How to dry biltong I made my first biltong by hanging it from a piece of wood jammed into a window frame beside a cool window, with a fan on low to circulate air. That’s really all you need to make it. If you want a little more control, you can upgrade to a biltong box or other drying box. I’ve since upgraded to an old fridge with the mechanics removed, holes in the bottom, and a fan drawing air past the meat. The airflow is just enough to draw away moisture, but not too fast so as to avoid over drying the outside of the meat. What you’re looking for is cool conditions with good airflow. Room temperature in most houses is fine, but air flow can be a problem. What you want is a good steady stream of air running past the meat, but not too strong. Try to create these conditions in whatever way you see fit. Just make sure you have a little air flow, or the meat can gather mould—I’m sorry to say this has happened to me in the past! If you want to have complete control over drying conditions, either making or buying a ‘biltong box’ might be the best option for you. You can pick them up pretty cheap online. Doneness—How long does it take to dry? I like my biltong a little tough, but still wet in the middle. Some like theirs tough like old leather. Getting it right is down to trial and error. The easiest way to measure dryness is with your fingers. Thoroughly wash and dry your hands, and squeeze the flattest sides of the meat in with your fingers. If there is any give in the meat, there’s still moisture in the middle. Most likely, what you’re looking for is a really tough consistency with just a little bit of give. Leave it too long and you’ll have some tooth-bustingly tough biltong on your hands. That said, it’s fairly forgiving and a day or two over won’t do too much harm. Wet biltong – a slight crust and still wet in the middle If you’re impatient and can’t wait for your biltong to dry, plan ahead and cut some thinner pieces to hang with the rest—these will keep you going while you wait for the thicker stuff to be ready. If you’re really savvy, you might vary the thickness of slices from thin to thick allow for consistent grazing over the drying process (highly recommended). If you find that you’ve cut your biltong early and it’s wetter than you’d like, use clean fingers to rub a little salt and vinegar on the exposed end and hang it back up. Fat on or fat off? This comes down to personal preference. It’s important to note that, while your biltong will shrink by around half the size when dried, the fat doesn’t shrink at the same rate as the muscle. I like a little fat because it helps carry flavour, but I tend to remove most of it before hanging. Large chunks of fat can be a little unpleasant to deal with when eating biltong. Biltong ingredients Every biltong maker has their own preference on spice mix. If you don’t know what you like, I suggest making a few thinner, quick drying pieces to experiment with. Many home biltong makers add a lot of ingredients to their biltong, thinking that adding more will lead to a better result, but in reality they’re muddying the clarity of the flavour and masking the star of the show—good quality meat! Vinegar Traditionally, brown vinegar has been used to make biltong. It really has a recognisable flavour. Some recipes call for balsamic or cider vinegar. I recommend brown vinegar for the best flavour, with cider vinegar coming in a close second. I’ve used cider vinegar a lot, purely because I have a large batch I made at home. Salt Salt is a brilliant flavour enhancer and preservative. It kills bacteria on the outside of the meat, and helps to draw moisture out. It’s tricky to get the salt quantity right. My recipe uses the smallest amount of salt required to make a safe cure, based on the weight of the meat. My local butcher goes way overboard with salt on their biltong. I sometimes use them in case of emergency biltong shortage, so I’m not sure how to break it to them… Coriander Coriander seed is the signature spice that makes biltong instantly recognisable. It’s best to toast the seeds to release the oils for flavour, but also because the oil suppresses bacterial growth. Black pepper Black pepper and beef are a pair made in heaven. Just don’t overdo it—biting into a lump of peppercorn is not a pleasant experience! You want roughly 1/4 pepper to 3/4 coriander seed for a good balance. In most cases, flies aren’t a problem, but pepper has the added benefit of detering them. Brown sugar Brown sugar has a caramel and molasses flavour that adds complexity to the meat, without masking it. The sugar helps with drying through osmosis, latching onto the water molecules and ‘wicking’ them away. It’s not a traditional ingredient if we’re going full purist, but it balances the saltiness well. Too much sugar is really unpleasant though—you’re walking dangerously close to beef jerky territory and I’d really recommend against it. Biltong is a savoury snack, not a desert! Bicarbonate of soda Some recipes call for the addition of bicarbonate of soda. This might seem a little odd, but it has scientific reasoning. The bicarb neutralises the acid in the vinegar, but also acts as a meat tenderiser. It slows the contraction of the proteins, leaving the final product still dry, but less tough. Bicarb has a pretty unpleasant taste, so it’s important to keep the quantity low. If you’re using a good cut like silverside or toprump, you won’t need it at all. Cutting methods Biltong slices cut with a sharp knife If you’ve ever tried cutting over-dried biltong, you’ll know how tough it can be—tough as old boots! In desperation, I’ve taken to resting a knife on top of some over-dried biltong and hitting it with a camping mallet (not recommended, and not only because I upset the neighbours and smashed the chopping board!). There are a lot of creative, almost ceremonial devices on cutting biltong, but I think nothing beats a good, sharp knife. If you want something a little more fancy, there are biltong cutters (a board with a hinged knife attached), biltong knives (traditional knives made for purpose), hand crank mechanical cutters, and at the high end, expensive elecric cutters, mostly used by butchers and biltong suppliers. Dealing with mould Check your biltong every day for mould. If conditions are particulary humid or hot, there’s a chance you might experience this problem. If you see the first signs of mould appearing—white dots or furry mould—use a clean cloth with some vinegar and dab/wipe it off. Be sure to get it all or it’s likely to spread again. If you’ve not checked for a while and found your biltong totally covered, sadly the best place for it is the bin. Good airflow will help to avoid such catastrophes in future. Storing your Biltong After your biltong has dried to your preferred consistency, you can continue to store it hanging in a well aerated space indefinitely. Shops that sell biltong will often hang it and leave it out, and these are ample storage conditions—just try to make sure none of the pieces are touching. It will continue to dry slowly, but it will also keep for a long time this way. If you’ve cut your biltong and want to store it, wrap it in a few paper bags and store it in the fridge. The paper will allow excess moisture to continue leaving the meat, discouraging mould growth. I can’t give accurate advice on how long to store it this way, but I think it’s safe to say that no sane person is going to leave biltong uneaten for more than a few days. It’s just too delicious! Case hardening If there is too much air flow around your biltong, the outside can firm up really quickly, leaving the middle soft. If the case hardening is severe, the tough outer layer can prevent moisture from leaving the middle. If you find that you’ve been testing your biltong for readiness for 2-3 weeks and it just doesn’t seem to be drying in the middle, this may be your problem. If you suspect that case hardening is your problem, I recommend cutting through the end of the meat and checking it. If you’ve got a really raw centre and thick, tough outer surface, give it a try and see if you like the texture. If you don’t, the first option is to vacuum pack the biltong and store it in the fridge for one week to one month, depending on severity. This will balance out the gradient. If you don’t have access to a vacuum sealer, stick your biltong in a paper bag and place it in the fridge for a few days. Rub a little salt on the cut ends to protect them. This should go some way towards fixing the problem. It’s worth noting that the thicker you cut your initial beef cuts, the slower the drying process must be to avoid case hardening, so try cutting thinner next time. However, the best solution to prevent case hardening from occurring is to change your drying setup to reduce air flow. You still need a little air movement, but the slower it dries, the more even the moisture gradient will be from inside to out. So without further ado, here’s my tried and tested biltong recipe. Once you’ve given it a try, please let me know how you like it, and if there are any variations to the traditional ingredients you swear by, no matter how strange! Oh, I also added an extra function to the recipe that allows you to change quantities based on meat weight – don’t say I don’t spoil you! 😉 Print Perfect Biltong Recipe A Biltong recipe that produces consistent results with an authentic, traditional spice mix Course Snack Cuisine South African, Zimbabwean Keyword Biltong, Curing, Dried meats Prep Time 30 minutes minutes Cook Time 5 days days How much does your meat weigh (grams)? Ingredients Meat 2000 g Beef—silverside or toprump Curing spice mix 5 Tbsp Brown (malt) or cider vinegar 2.5 Tbsp Coarse salt (2% of the meat weight) 2 tsp Ground black pepper 2 Tbsp Coriander seed 1.5 Tbsp Brown sugar (optional) Instructions Toast the coriander seeds in a dry pan, then grind down in a pestle and mortar or spice grinder. It should be mostly powder, with a few pieces of seed shells left in. Using a sharp knife, following the grain of the meat, cut into 1 inch (2.5cm) thick lengths and place in a non-metallic container. Combine all the spices and sprinkle into the meat. Sprinkle the vinegar on and rub everything in thoroughly whilst turning the meat with your hands. Cover the container and let your biltong cure for 24 hours in the fridge, turning and rubbing through the meat occasionally. Remove the meat from the container and pat dry with kitchen towels, taking care not to remove too much of the spice. Add a hook to the thickest end of each length. Plastic-covered paper clips make for a cheap solution. Hang in your biltong box, or in a well aired, ventilated space with a fan blowing gently to increase air flow. Do not point a fan directly at the meat (to avoid case hardening). Make sure none of the pieces are touching. Place some newspaper below the meat to catch any liquid. Drying times will vary with humidity, airflow and temperature. Test the readiness of your biltong every couple of days by squeezing the sides together with clean fingers. If you feel any give in the meat, it’s still ‘wet’ inside. Once ready, cut into thin slices with a sharp knife and enjoy some of the best meat you’ll ever eat. Notes Note:- if using cheaper cuts of game or beef, add 1 tsp of bicarbonate of soda per kg to tenderise the meat. Note:- if you don’t have any coarse salt and need to substitute with table salt, double-check that it’s not iodised salt – iodine leaves a bitter taste in the mouth. South African Bobotie Traditionally, Bobotie is an Indonesian dish that was probably brought to South Africa by the Dutch. It consists of a sweet and spicy mince curry topped with an egg mixture. Nowadays, there are various recipes and ways to prepare South African bobotie. In general, the main ingredients are bay leaves, some dried fruit (I always use raisins), fruit chutney and curry powder. The sweetness of the chutney and dried fruit contrasts very nicely with the tangy flavour of the curry powder. Typically it is served with yellow basmati rice and some sambals. Discover how to make traditional South African bobotie here . Bobotie is real traditional food in South Africa and very popular. I have cooked it many times for tourists and it is always one of the highlights of the trip. It is also called a ‘Cape Malay curry’ or ‘Cape Malay bobotie’ because when it was taken to South Africa it was adopted by the Cape Malay community who mainly live in Cape Town . Bobotie has become a signature dish in South Africa, mixing local and exotic flavours. South African bobotie South African bobotie is a fruity and spiced minced meat dish covered with a creamy egg custard. Often considered as South Africa's national dish, this Cape Malay curry has a perfect balance of spice and sweetness. Prep Time10 minutes mins Cook Time50 minutes mins Total Time1 hour hr Course: Main Course Cuisine: South African Servings: 4 Author: Sabine Cook ModePrevent your screen from going dark Ingredients 1½ pound (or 700 grams) beef mince 1 large onion finely diced 2 cloves garlic minced ⅔ cup (or 100 grams) raisins 3 tablespoons apricot jam 2 slices white bread remove crusts ½ cup (or 125 ml) full cream milk 2 tablespoons flaked almonds 2 tablespoons cooking oil Spices 1 tablespoon turmeric 1 teaspoon ground cumin ½ teaspoon ground cinnamon ¼ teaspoon cayenne pepper 2 teaspoons curry powder mild 1 teaspoon dried herbs oregano and basil mix pepper to taste salt to taste Egg custard 3 eggs ½ teaspoon turmeric ½ teaspoon ground cumin salt to taste Instructions Preheat the oven to 365°F or 185°C. Take 2 bowls. Soak the crustless slices of bread in the milk. Soak the raisins in water. Set both bowls aside. In a large pan or skillet, heat cooking oil and sauté the onions over medium heat for 5 minutes until translucent. Add all the spices, minced garlic and ground beef while stirring regularly to break down into small grains. Cook for about 10 minutes until brown. Add the apricot jam and mix well. Meanwhile, squeeze the milk out of the bread with your hands, but preserve the milk in a separate bowl to use for the egg topping. Drain the water from the raisins. Add the raisins, bread and almond flakes to the mixture and stir well together. Cook for another 5 minutes on medium heat. Transfer the mixture into an oven dish. Use the back of a spoon to press the beef mixture down and flatten well to make the top smooth. The egg topping needs to stay on top and not disappear into the meat. In a mixing bowl, whisk together the eggs, turmeric, cumin, salt and the milk that was used to soak the bread. Pour the egg mixture over the meat, arrange the bay leaves on top. Put in the oven and bake for 20 minutes until the egg custard is set. Serve immediately with yellow rice and tomato salad. Bunny Chow Bunny Chow Bunny Chow originates from Durban, which is on the east coast of South Africa. It was created by the large Indian immigrant population in the Durban area and served for lunch. A Bunny Chow has nothing to do with a rabbit but consists of a hollowed out quarter or half loaf of bread filled up with a tasty Indian curry made from beans or meat (mutton, beef or chicken). The bread is used as a dish to hold the curry, which is then broken off into small pieces and used to dip in the curry. Nowadays, Bunny Chow has become very popular around South Africa as a staple food of the country and is even booming in the United Kingdom. ▢ 1/2 cup canola or cooking oil ▢ 1 medium onion ▢ 2 teaspoons minced garlic ▢ 1 teaspoons minced ginger ▢ 1 cinnamon stick ▢ 1 Tablespoon curry powder or more ▢ 2-3 curry leaves diced ▢ 3 green cardamom pods ▢ 1 1/2 teaspoon paprika ▢ ½ teaspoon cayenne pepper optional ▢ 2 medium tomatoes diced ▢ 1 pound chicken thighs or breast cut in bite-sized pieces lightly crushed ▢ 8 ounce or less potatoes cleaned and cut into cubes ▢ 1 15 ounce can chickpeas rinsed and drained ▢ 11/2 cup or more chicken broth or water ▢ Salt and pepper to taste Koeksister Koeksisters (Afrikaner) This sweet treat consists of deep-fried dough soaked in syrup. Another dish originating from the Dutch settlers, it now comes in two varieties. The Afrikaans braided version is crispy on the outside and very syrupy on the inside, and the Cape Malay version is soft and spicy, covered in coconut and usually unbraided. We celebrate National Koeksister Day on 23 June. Malay koeksister Where did the name come from? There are two theories as to the origin of the name. The word “koek” means cake in both. “Sister” either refers to sisters making them or it is derived from a Dutch word meaning “sizzle” which refers to the sizzling sound made when the dough is being fried. Potjiekos Potjiekos is another traditional and popular South African food. Potjiekos means ‘food out of a pot’, or just ‘pot food’. It is a stew cooked in layers but not stirred in a three legged cast iron pot over an open fire. The whole idea of this way of preparation is slow cooking. Potjiekos may take up to three hours to cook and sometimes even more, depending on the meat one is using, and the size of the pot. One single pot can be big enough to feed up to 100 people and take 24 hours to cook. Any type of meat, fish or vegetables can be used for this dish. It’s a fun way of cooking, where everyone sits around the fire and pot, and has a drink, or 2 or 3, until the food is ready. I love cooking in a potjie pot since there is so much opportunity for variation and so many flavours one can try out. It’s a very relaxing way of cooking where everyone enjoys the aromas coming out the pot while socialising and having a drink together. The South African Braai A braai is the South African answer to a barbecue. However, it’s more than just grilling on coals, a South African braai is a way of life. Almost every South African loves to braai, it’s a very social activity, but you need to beware that the whole ritual comes with some rules. Generally, the men are in charge of the braai and all gather around the fire, while the women are preparing the rest of the food in the kitchen. Any type of meat can be used; boerewors, beef steak, pork chops, game meat/venison and lamb. Very nice on any braai is Karoo Lamb, which has a very authentic South African flavour. It’s so popular that they even proclaimed a National Braai Day on the 24th of September, claiming every South African should braai on that day. (Heritage Day) Braaibroodjies Braaibroodjies are grilled cheese sandwiches prepared on the braai, South African style. They are a traditional side dish to any South African barbecue. For many people around the world, a toasted cheese sandwich is something to eat for a quick meal or light lunch. In South Africa it forms an integral part of the South African braai experience. Traditional braaibroodjies are made with cheese, tomato, onion, apricot chutney or apricot jam and butter and then grilled to perfection in a closed braai grid over a medium hot fire. Chakalaka Take your taste buds on an adventure with this homemade chakalaka recipe – a spicy, savory relish that’s perfect as a condiment or side dish, and it’s also delicious on its own! South African Relish Chakalaka is a flavorful vegetable relish. It is a staple in South African cuisine that’s popular for its spicy, savory taste. It is made from colorful ingredients like tomato, bell peppers, onion, carrots, and chili. It is also very versatile as it can be served with nearly any meal. How to make Chakalaka Heat the oil in a large pan, add the onions and sauté them until they become translucent. After, stir in the minced garlic, ginger, and curry powder Add the grated carrots, green and red pepper, and mix well, and cook for about a minute. Add the diced tomatoes. Stir to combine, cover, and cook over low heat for about 5 to 10 mins or till the mixture is thick but still moist. Stir in the baked beans and leave to simmer for another 5 minutes. Cooking Tips Adjust the heat to mild or high to suit your taste and preferences. You can make chakalaka without chili flakes if you want. How to serve Chakalaka This recipe is versatile. It can go with almost anything. Pair it with the following: Crusty bread White rice South African Mielie pap Barbecues French toast Custard Peri-peri Chicken Pot Roast Mashed potatoes Braai Biltong Braai - Potjiekos - Pap Braai Braai A braai is a Southern African tradition. The word means “barbecue” or “roast” in Afrikaans. Braais originated with the Afrikaner people, but these days most South Africans have one regularly. More than a meal, it is a social experience as family and friends gather around and chat, while the food is cooked on a wood or charcoal fire. South Africans traditionally love meat and meats that are commonly braaied include sausages, boerewors, lamb chops, steak and chicken. However, braais are not restricted to meat. Other foods that are regularly braaied include potatoes, corn on the cob, marshmallows and braaibroodjies – grilled cheese, tomato and onion sandwiches made on the braai. The braaied food is normally served with sides like salads, garlic bread, pap and tomato chutney. Braais are known as Shisa Nyama in the townships . The Zulu phrase literally means to "burn meat". Potjiekos Potjie kos (cc: Chrstphr.jones - Wikimedia Commons) Potjiekos (small-pot food) is food that is slow-cooked over a fire in a 3-legged cast iron pot called a potjie. It originated with the Voortrekkers in the 1800s and has been part of South African culture since. Almost anything can be cooked in a potjie, and the resulting dish is delicious and flavourful. My personal favourite is chicken curry. Like braais, potjiekos gatherings are also social events. Pap (Maize Meal) Pap and boerewors Pap (pronounced pup) is a staple food for many South Africans, the way rice is in many parts of Asia. It is a starchy porridge-style dish made from a type of maize known as mielies, which was originally brought by the Portuguese to Africa. It can be eaten for breakfast with milk and sugar or as part of a main meal with a vegetable or meat dish. It is often eaten with chakalaka, a spicy vegetable relish, or boerewors. Gatsby - kota - Vetkoek Gatsby Fully loaded Gatsby A Gatsby is a family-sized stuffed roll that originated in the Cape Flats region of Cape Town in 1976. A local fish and chips shop owner had to feed a group of laborers. Since he had run out of fish, he improvised with whatever he had left and filled a Portuguese loaf with chips (French fries), polony and achar (hot Indian pickle). The huge roll was then divided among the labourers. These days it is served in a foot-long loaf, and filled with fried fish, chicken, masala steak, eggs, and/or sausages. Where did the name come from? The Great Gatsby movie (the original) was being screened in cinemas at the time and the word Gatsby was used by one of the labourers to describe the sandwich as a winning dish. According to UrbanDictionary.com , Gatsby means “excessively extravagant, cool, stylish”. Kota A kota is similar to a bunny chow in that it also consists of a quarter loaf (kota) of bread which is hollowed out and then refilled However, whereas a bunny chow has a curry filling, the kota loaf is stuffed with a combination of processed meats like polony, viennas, and Russian sausages, as well as achar, deep-fried chips, egg, and cheese. To the health-conscious, it may sound like a heart attack on a plate (or in this case, a quarter loaf), but it does rate high up in the popularity stakes. Did you know that Nando’s, which specialises in Portuguese-African food and is one of the most popular food franchises in the world, was started in South Africa in 1987. There are over 300 stores in South Africa, so you don’t have to look far to find one here. Amagwinya/Vetkoek Amagwinga / Vetkoek Vetkoek (fat cake) is a popular fried yeast dough eaten as a snack. It is usually filled with a savoury filling like mince curry or a sweet filling like jam. It also has its origins with the Dutch settlers who preferred deep frying their dough balls - as it was easier to make and lasted longer than traditional bread. SOUTH AFRICAN MILK TART (MELKTERT) An indulgent South African dessert also known as South African Milk Tart. It’s a traditional sweet pie with a flaky crust and cinnamon dusting. It can be served with a cup of tea or served as dinner! You will love every bite. South African Milk Tart Yield: servings Prep Time: 45 minutes minutes Cook Time: 30 minutes minutes Total Time: 1 hour hour 15 minutes minutes This traditional South African dessert is creamy and delicate. Make it for Easter, Mother’s Day or teatime any day! ingredients Sweet Shortcrust Pastry 6 ounces butter softened ½ cup 100g sugar 1 egg 2 cups 300g all-purpose flour pinch salt ¼ teaspoon 1.25ml pure almond extract Filling 4 cups 950ml milk 1 tablespoon 0.5 ounces butter ½ cup 100g sugar 2 eggs 3 tablespoons 24g cornstarch 3 tablespoons 24g all-purpose flour 1 teaspoon 5ml pure vanilla extract pinch salt 1 tablespoon 14.3g cinnamon instructions For the crust Cream the butter and add the sugar. Beat in the egg and almond extract. Stir in the flour and salt. Knead until a soft dough has formed. Chill for 10 minutes. Roll the dough out onto a lightly floured surface and layer it into a greased pie dish. Cover with a sheet of parchment paper and fill the void with pie weights. Bake blind at 350 degrees for 15 minutes. Remove parchment and pie weights. Allow crust to cool completely on a wire rack. For the filling In a heat proof bowl, whisk together the eggs, sugar, cornstarch, flour and vanilla. Set aside. In a medium size saucepan, heat the milk and butter at medium setting. Do not bring to a rolling boil. Add about a fourth of the milk to the egg mixture, whisking to incorporate it evenly. Pour the mixture back into the saucepan with the remainder of the milk. Return to heat and stir constantly until it thickens. Do not boil! Pour the filling into the pie crust and let cool completely. Refrigerate until serving. Sprinkle with cinnamon before serving. Bobotie Bobotie is a delicious South African dish made with minced meat cooked with spices such as curry powder, herbs, and dried fruit before being covered with an egg and milk combination and baked until set. This recipe is sure to delight and please your taste buds!!! This classic dish from South Africa, Bobotie (pronounced ba-bo-tea), is made with ground beef seasoned to perfection, and a creamy, decadent topping. It is rich, savory, spicy, aromatic, and zingy. A comforting meal, full of the flavors of Africa! Ingredients Units Scale 3 slices of bread 1 cup + 1/2 cup milk, divided 2 tablespoons olive oil 2 large onions, roughly chopped 4 teaspoons medium curry powder 1 teaspoon dried herbs (whatever you’ve got around – oregano, basil, marjoram, etc.) 1 teaspoon ground cumin 1/2 teaspoon ground turmeric 2 garlic cloves, finely chopped 1 1/2 pound ground beef 1/2 cup fruit chutney 1 tablespoon apricot jam Zest and juice of one medium lemon, divided 4 teaspoons tomato paste Salt and pepper 2 large eggs 4 bay leaves Cook Mode Prevent your screen from going dark Instructions Preheat your oven to 350°F. Soak the bread in 1 cup of milk. Heat the olive oil in a wide skillet set over medium heat. Once the oil is hot, add the onions, and cook until soft. Add the curry powder , mixed herbs, ground cumin , turmeric, and garlic, and stirring constantly, allow to cook for a minute or two until the garlic is soft. Add the ground beef, and cook, stirring frequently to break up any big chunks, until browned. Once the beef is browned, remove the skillet from the heat, and stir in the chutney, apricot jam , all the lemon zest, half the lemon juice, tomato paste, and salt and pepper to taste. Mix well, give it a taste, and add more lemon juice, salt, and pepper as desired. It should be delightfully zingy! Squeeze the milk from the bread, reserving the milk for later, and smooshing and tearing the bread into small pieces. Mix the bread into the beef mixture, and spread evenly into an oven-proof dish. Strain the milk that has come from the bread, and add the remaining 1/2 cup of milk. Beat in the eggs, and season with 1/4 teaspoon salt and pepper to taste. Pour this over the meat, and decoratively scatter the bay leaves on top. Bake, uncovered, at 350°F for 45 minutes, or until golden brown. Authentic Boerewors Recipe – South African Sausages No matter where they settle in the world, South Africans will find a fellow countryman who can make boerewors, or they will learn to make it themselves – that’s how much they miss their traditional sausage. Boerewors, translated from Afrikaans, a language derived from the Dutch settlers, means farmer’s sausage; the word boer means farmer. It has a rather crumbly texture and was made in the past by individual farmers and hunters. Boerewors on braai with pap inside the Dutch oven. Photo by Harry Cunningham on Unsplash South Africans don’t like the meat for their boerewors ground to a fine texture and, at barbeques around the world where South Africans are present, there will be passionate discussions on the taste, spicing and texture of the boerewors. If you call it a sausage, a South African might look at you and say, “It’s not a sausage, it’s boerewors,” with the implication that it’s way above other beef and pork sausages. Boerewors is most often cooked outdoors at a ‘braai’, and that means it’s not a quick switch-on-the-gas type of barbeque where you cook, eat and leave. It’s a whole afternoon or evening event of constructing the perfect wood or charcoal fire which must be at just the right heat. It may take some time to get to the correct temperature, and will involve drinking copious amounts of beer and brandy, with the conversation getting louder and louder, and the stories taller. Finally, the braai master and his assistants will announce that the fire is ready, meaning whoever is doing the side dishes better have their act together because the meat won’t take more than around half an hour. Most boerewors these days in the cities and towns are made from beef, but for hunters with access to venison and wild boar, the possibilities are endless in creating boerewors that are a crowd pleaser. One of the tastiest ones I have ever had was made by a farmer friend from a mixture of venison – duiker and warthog – rather an unusual combination, but it was perfect. Go to any South African supermarket, and there will be a large range of boerewors – some have bacon added, cheese, and garlic, and some are really spicy with the addition of peri-peri – a type of chili common in Mozambique, a neighboring country on the East Coast of Africa. Spicing Boerewors The spices used in a traditional boerewors recipe will include coriander, allspice, cloves, and nutmeg among others. Now it depends on how much of a purist you are – some people believe that spices should be freshly ground for the best flavor so they will buy whole cloves to grind, whole nutmeg to grate, and dry roast their coriander seeds before crushing them. Other people use commercially ground spices as you see in this picture. The easiest option is to buy a ready mixed boerewors spice pack, and just add it to the meat. The pack comes with a handy guide to tell you how much spice to add per pound of meat. Perhaps once you get into making boerewors, try the different methods and see if you can detect a difference in the taste, and let us know in the comment section. Cooking Boerewors When you cook boerewors on the braai (barbeque), you do not cut it into individual sausages like you do with pork sausages – it is cooked whole in a coil and only after cooking is it then cut into suitable lengths. The casing should not be damaged during cooking otherwise the juices will leak out and it will be dry. Often the boerewors are placed inside a grilling basket to make turning the whole coil easier on the braai. Cooking Time Boerewors takes around 20 minutes whether it is cooked over hot coals on a braai (BBQ), fried in a pan on the stove, or grilled or baked in the oven. The braai masters will test by cutting off a small piece from the tail of the coil and inspecting it. If it still shows signs of pinkness it needs to be cooked a bit longer but definitely not too long or it won’t be as tender. This sampling is part of the process of braaiing the perfect boerewors, and not ‘stealing’ bits of meat off the grill! Earning the Boerewors Label How do sausages get classified at boerewors? In South Africa it can’t be sold as authentic stuff unless it has: ✅ 90% meat content – beef, pork, lamb, or goat ( no other type of meat) ✅ 30% or less fat The following are not allowed as ingredients: ❌ offal (excludes the casing) ❌ mechanically removed meat ❌ soy or vegetable protein ❌ color additives Various spices, permitted additives, and some starch, such as maize meal may be added. These measures were taken to ensure boerewors remains as true to the original as possible. If a product is labeled ‘wors’ then it’s not genuine boerewors – the special label of ‘boerewors’ being attached only to sausages that have passed the requirements regarding content. Farmers and hunters make their own boerewors, sometimes using venison from kudu, eland or springbok. Their wors is mixed with pork – from domestic, wild pig or warthog. According to the current South African legislation that defines boerewors, it’s not boerewors, but is probably the most authentic way it was made back in the days of the pioneers. Instead, if it is sold it must be labeled with the name of the predominant meat used – for example kudu wors. If you are a hunter then go ahead and use your venison for making ‘boerewors’ – the texture and the spicing are just as important as the meat, and it must include some pork for the required taste and fat content. Refining Your Skills Once you start making boerewors at home, you may want to tweak the recipe until everyone agrees on the taste, spiciness, and texture. Then you can start experimenting by adding cheese or garlic, or whatever customized flavor you wish to create. Super-Secret Tips from a South-African The meat for boerewors should not be frozen – fresh is best. The pork fat is necessary – a certain amount of fat is good as it makes the product tastier and juicier. Some recipes call for the addition of spek – the Afrikaans word for bacon. The smokiness of the bacon gives an additional flavor to the boerewors, which is then marketed as spekwors. The bacon can be obtained in chunks from your local butcher, and is sometimes sold as ‘speck’ (note the difference in spelling to the Afrikaans word), although genuine speck, a lightly smoked Italian ham, is made from the deboned leg of pork rather than belly fat. Chunks of cheese may sometimes be added – to make kaaswors. This is absolutely delicious served warm with the cheese melting into the meat. Boerewors Casing Cleaned intestines are usually used for the casings , and come packed with salt which needs to be rinsed off before carefully threading the casing onto your sausage stuffer. Boerewors is a fairly thick sausage so a 36 mm (1.4 inches) casing or one close to these dimensions is good to use. Equipment If you are an old hand at making various sausages then you won’t want to know about equipment as you’ll have your own. If you have never done this before then you will need a meat grinder/sausage stuffer. I prefer this all-in one-version that is fairly sturdy to get the job done. If you are not sure about which meat grinder brand to buy, then this video gives you the reviewer’s five best options, which may help you make a choice: If your meat grinder doesn’t come with a sausage stuffer attachment, you may need to buy a separate vertical sausage stuffer which is probably better than the ones that are horizontal. This is mainly because, unless you have super long arms, it’s hard to turn the handle and control the sausage at the same time, making it more of a two-person job. Boerewors Recipe Print Recipe Pin Recipe Ingredients 4.5 lbs. beef = 2.5 kgs, top round roast or brisket, silverside 2.5 lbs. fatty pork cut = 1.1 kgs, shoulder, neck or belly 50 ml coriander seeds 1/2 teaspoon nutmeg fresh grated, scant 1/2 teaspoon 1/4 teaspoon ground cloves 1.5ml 1 teaspoon ground allspice 5 ml 5 teaspoons salt = 25 ml 1 teaspoon fresh ground black pepper 125 ml Malt (dark) vinegar 50 ml Worcestershire sauce 1 pack wide sausage casing Instructions Trim the beef and pork, discarding any sinew, and trim into longish pieces about 3 inches wide. This just makes it easier for the meat grinder (South Africans call it a mincer) to process. Place all your trimmed meats in a large container. Put the meat mix through the grinder on a large blade. Dry roast the coriander seeds in a pan on medium heat, stirring to make sure they don’t burn, then remove from the heat when they are a golden brown color. Crush the seeds coarsely in a food processor or use a mortar and pestle. Add the dry spices, the vinegar and the Worcestershire sauce to the meat, or if using a readymade boerewors spice mix then follow the instructions on the pack, then add to the meat. Mix and leave in the fridge for two hours for the flavors to absorb. Put through the grinder on a medium size blade which enables the spices to be incorporated through the meat. Use your sausage stuffer to fill the casings with the boerewors mix. Roll your coils of boerewors neatly, ready to braai, and the extra can be bagged and frozen until you need them. Popular South African food South African Boerewors Boerewors is a typical South African sausage often packed as a continuous spiral. The word is derived from Dutch and means ‘farmers sausage’. It is made from lean minced meat, usually beef, but can also be made from game meat or pork or a combination of various meats. What makes Boerewors so special is the use of a blend of authentic flavours and spices, like nutmeg, coriander, black pepper and cloves mixed in with the meat. It comes with so many different variations and flavours. Basically, one can say that no two South African boerewors’s taste the same. It is very popular at any South African braai, and is a common street food at festivals and sports events. Cape Malay Chicken Curry If you are looking for Malay chicken curry, you should try this Cape Malay chicken curry recipe. Using tomatoes, instead of coconut milk, brings a subtle tang to the dish that is quite delicious. This Malaysian chicken curry is mild enough for everyone to enjoy. I made this cape Malay chicken curry recipe not long ago and thought I can start training myself making curries more often with this recipe. As far as I know, this is not an authentic Malaysian chicken curry. The name Cape comes from the Western Cape province in South Africa where a good number of Malaysians dwell, and whom originated this recipe. Ingredients 4 tbsp oil 1 medium onion, finely chopped 2 tbsp ginger, finely chopped 1 tsp chili flakes, or fresh hot peppers to taste 1 1/2 tsp coriander seeds 2 tsp fennel, ground, or 4 tsp whole fennel seeds 1 1/2 tsp ground cumin 1 tsp turmeric 1/2-1 tsp black pepper, coarsely ground 15 cardamom pods , whole pods 1/2 tsp cinnamon 1 tbsp garam masala 14 oz can crushed tomatoes , or diced tomatoes 1 1/2 lb chicken pieces 2 tsp garlic, finely chopped 2 tsp brown sugar 1 tbsp lemon juice 2 -3 tsp salt Instructions Put the 7 spices — from the coriander seeds down to the garam masala — in a mortar and pestle. Pound them together so the cardamom pods burst and the whole thing becomes a mess of spices. Discard the skin of cardamom pods. Continue to pound the spices until they become like a powder. Heat the oil in a pot, add the onion and ginger over fairly high heat, and stir occasionally for a few minutes. Add the chili flakes and spices and stir for 2 minutes. You might need to add more oil (Spices slurp up oil as they fry) Add the can of crushed tomatoes and stir. Cook until everything bubbles up together. Add the chicken pieces, and stir to coat well, keeping heat high until everything is bubbling away. Turn the heat down, put on a lid, and simmer for about 20 minutes. Add the garlic, sugar, lemon juice and salt to the curry. Cover with lid but leave a small opening for a steam to escape; simmer for 15 minutes or longer. Taste the sauce, and adjust seasoning according to your taste. Near the end of cooking, skim off extra oil/fat with a spoon, as it collects in corners of the pot, if needed. Serve the curry warm with rice. Peppermint Crisp Peppermint Crisp fridge tart Print Prep time 4 hours 30 mins Total time 4 hours 30 mins Looking for that long-lost delicious Peppermint Crisp pudding recipe that you remember from your South African childhood? Well, you’ve found it! Author: Jeanne Horak-Druiff Recipe type: Dessert Cuisine: South African Serves: 6-8 Ingredients 250ml Orley Whip or whipping cream, whipped to soft peaks 2 packets of Tennis biscuits (although you will probably use less) 375g tin of caramelised condensed milk or dulce du leche 20ml caster sugar 3 Peppermint Crisp chocolate bars, crushed 3-4 drops of peppermint essence (more, if you like it minty) Instructions Whip the Orley Whip and then add the caramelised condensed milk, castor sugar and peppermint essence. Beat until well mixed and then stir in ⅔ of the crushed Peppermint Crisp. Place a layer of whole tennis biscuits in a buttered 29x19x5cm dish. Spoon ⅓ of the caramel mix over the biscuits and spread evenly. Continue in layers, finishing with a layer of filling on top. Refrigerate for at least 4 hours. Decorate by sprinkling the remainder of crushed peppermint crisp on top. Cut into squares and serve. Notes SUBSTITUTIONS: You can substitute double or whipping cream for Orley Whip, but the outcome may be even richer than this pudding already is. I used Elmlea, a half-dairy cream available in the UK. For caramelised condensed milk, you can use tinned Carnation Caramel; dulce du leche; or you can make your own by boiling a tin of normal sweetened condensed milk for 3 hours (warning: may be hazardous!!). The Tennis biscuits may prove problematic. Best suggestions I have seen are Nice biscuits, McVitie's coconut rings, Shirley Coconut Biscuits - or digestive biscuits or enev ginger nuts at a push. Peppermint Crisp is also manufactured and available in Australia and New Zealand (and via Amazon at a price) but really has no exact substitute. You could try Peppermint Aero or Cadbury's Mint Crisp. Vetkoek and Curried Mince If there is anything quintessentially South African it must be vetkoek and curried mince! I challenge you to find a single South African that doesn’t like vetkoek, it is such a versatile vehicle for all kinds of toppings. Curried mince, chicken mayonnaise, golden syrup, strawberry jam…you can just about add anything to vetkoek and it will be delicious. Granted it isn’t the most healthy of food considering it is deep fried but this is the type of food you make once in a while, perhaps for a large crowd or maybe just for a lazy sunday evening supper but one thing is for certain. There will NEVER be any leftovers when you do make them. I have developed this vetkoek and curried mince recipe to be as easy as possible. The dough is made the night before and left in the fridge to proof so there is no kneading. If you do want to use the dough straight away then by all means just do a quick 5 minute knead and then let sit in a warm place for 40 minutes. The mince is made cape malay style with a hint of sweetness and a mild curry flavour. I add a bit of Mrs Balls Chutney to mine to amp up the flavour but you can use any type of chutney you have on hand or even just some smooth apricot jam. I’m going to break this post into two recipes. One for the vetkoek and the other for the curried mince if you would like to make it as a filling. A traditional vetkoek (fried dough) recipe paired with an amazing curried mince that is sure to please everyone. Vetkoek can be paired with all kinds of fillings both savoury and sweet. Author: Daryl Prep Time: 30 minutes Cook Time: 30 minutes Total Time: 60 minutes + proofing time Yield: 8 Category: Mains Method: Frying Cuisine: South African Ingredients For the vetkoek 5 cups all purpose flour (plus additional for dusting) 10ml salt 30ml sugar 7g packet of instant yeast 2 cups lukewarm water Oil for deep frying For the curried mince 500g minced beef 15ml olive oil 1 large onion diced 3 cloves of garlic finely minced 5ml ground ginger 2.5ml smoked paprika 5ml black pepper 5ml ground coriander 2.5ml ground cumin 15ml mild curry powder 30ml tomato paste 30ml chutney or smooth apricot jam 1/2 cup water 1 medium potato diced 1 cup frozen diced mixed peas and carrots Salt to taste Instructions For the vetkoek Add the flour, sugar, yeast and salt into a bowl Slowly add the water whilst mixing until you have a shaggy dough transfer to a floured surface and bring the dough together No need to knead unless you want to use the dough immediately. If using the dough on the same day knead briefly for 5 minutes and then cover and let proof for 40 minutes If leaving overnight, transfer the dough to a bowl and cover with plastic wrap. Let proof in the fridge overnight When ready to make the vetkoek pre-heat your oil in a large heavy based pot to 180 degrees c (350 defrees f) divide dough into equal size pieces. I aim for a ball just under a tennis ball size flatten the ball so that when cooking it doesn’t take too long to cook the interior Place each flattened ball into the oil and cook until golden, flip as needed until each side is golden brown. Place on a cooling rack and allow any excess oil to drain. Repeat the cooking process until all the dough is cooked For the curried mince In a medium pot heat oil on high heat Add the mince and fry until browned (this may take a while) Add the chopped onions and fry until soft Add the garlic, ginger, paprika, black pepper, ground coriander, ground cumin and curry powder and cook for 5 minutes stirring constantly Add the tomato paste and cook for another 2 minutes Add the chutney or jam and water and lower the heat to low Add salt to taste Cover and simmer for 30 minutes Add the potatoes, and mixed veg and mix through. Cover and cook for an additional 30 minutes Curry should be thick with very little water left, if not uncover and simmer until you reach the desired consistency To serve Cut the vetkoek in half and fill with the slightly cooled curried mince mixture or any savoury mixture of your choice (chicken mayo, ham and cheese) For dessert spread golden syrup or jam onto the vetkoek and enjoy! Sosaties (South African lamb and apricot kebabs) Sosaties are traditional South African meat skewers usually served as appetizers or snacks on the side of other dishes. Sosaties are a classic part of a South African braai (BBQ) and for good reason - these marinated kebabs are delicious! Prep Time10 minutes mins Cook Time10 minutes mins Total Time20 minutes mins Course: Main Course Cuisine: South African Servings: 4 (skewers, approx - may serve less) Calories: 214kcal Author: Caroline's Cooking Save Ingredients For marinade ¼ onion 1 clove garlic grated or finely chopped 1 teaspoon ginger (fresh) grated or finely chopped 3 tablespoon apricot jam 3 tablespoon wine vinegar (white or red - I used white) 1 tablespoon curry powder (eg Madras) ½ tablespoon ground cumin ¼ teaspoon salt For rest of skewers 1 lb lamb leg diced - can also use shoulder 16 dried apricots approx ½ onion US Customary - Metric Instructions Finely chop the onion then soften it in a little oil in a small pan until it is becoming translucent but not browning. Add the garlic and ginger and cook a minute then add the vinegar, jam, curry powder, cumin and salt. Mix well then remove from heat and leave to cool. Dice the lamb into relatively large dice (around 1 ½-2 inch/ 4-5cm dice), trimming excess fat or sinew. Mix the cooled marinade through the lamb then cover and leave a few hours or overnight, refrigerated. Soak the apricots in hot water to soften for around 15-20 minutes. Thread the meat onto skewers along with the soaked dried apricots and chunks of onion, putting one or other between each chunk of meat. Cook on a grill/bbq until the meat is cooked through then serve. Video Sosaties Nutrition Calories: 214kcal | Carbohydrates: 28g | Protein: 17g | Fat: 4g | Saturated Fat: 1g | Cholesterol: 45mg | Sodium: 201mg | Potassium: 648mg | Fiber: 3g | Sugar: 20g | Vitamin A: 2745IU | Vitamin C: 17.1mg | Calcium: 43mg | Iron: 2.9mg Yellow Rice recipe Yellow rice is eaten with the Cape Malay dish called Bobotie. Ingredients 2 cups of rice ¾ cup raisins, soaked in water for 20 minutes, then drained 1 teaspoon of turmeric a dash of salt 2 sticks of cinnamon Instructions on how to make it Place all the ingredients, including the raisins in about 750ml of water, bring to the boil and simmer for 15 to 20 minutes. If there is still excess water in the pot when the rice is tender, pour it out carefully. Dot the rice with a few blobs of butter and give it a sprinkling of cinnamon sugar (come on Penny, a little sugar and a little cinnamon powder, mixed together). Buttermilk Rusks recipe This is a traditional yeast-baked rusk - great for dunking in your tea or coffee early in the morning when you watch the sun rise as the boer trekkers did every morning when they traveled from the Cape to the Transavaal. If the rusks are to be kept for a long time, do not substitute margarine for the butter. Ingredients 375g butter 500g sugar 2 extra large eggs 1,5kg self-raising flour 30ml (2 tablespoons) baking powder 500ml (2 cups) buttermilk or plain drinking yogurt Instructions on how to make it Preheat oven to 180°C. Cream the butter and sugar together very well. Add the eggs, one at a time. Sift the flour and baking powder together, and add this to the creamed mixture, using a fork to mix. Add the buttermilk or yogurt, using a little milk to rinse out the carton. Mix well with a fork and then knead lightly. Pack lightly rolled, golf ball sized buns of the dough into the greased bread pans close together, and bake for 45-55 minutes. Place the pans in the middle of the oven, with a sheet of brown paper on the top shelf to protect the buns from becoming browned too quickly. Remove the paper after the buns are well risen and cooked through, to brown the tops. Reduce the heat to the lowest possible setting. Turn out the buns on to cake racks, cool them and separate them, using 2 forks. Pack them on wire racks or on cooled oven racks – air must circulate. Place them in the cool oven, leaving the door ajar, for 4-5 hours, or overnight, to dry out South African Pepper Steak Pie Recipe The South African Pepper Steak Pie Recipe is a traditional dish from the vibrant and diverse culinary landscape of South Africa. This flavorful recipe is known for its rich history and is a favorite among locals and visitors alike. South Africa, with its blend of cultures and traditions, has given rise to a unique fusion of flavors in its cuisine. One of the standout dishes in this culinary tapestry is the South African Pepper Steak Pie Recipe. This dish holds a special place in the hearts and kitchens of many South Africans, reflecting the country’s diverse heritage. Additionally, the South African Pepper Steak Pie Recipe often features a variety of vegetables and protein sources such as beef, lamb, or chicken. These ingredients contribute to a well-balanced meal that provides essential nutrients like protein, vitamins, and minerals. The use of aromatic spices like cloves, cinnamon, and cardamom not only enhances the flavor but may also offer health benefits, such as anti-inflammatory properties. South African Cheese Scones Recipe South African Cheese Scones recipes are a baked pastry often enjoyed as a snack or appetizer. They are characterized by their fluffy texture and cheesy, slightly tangy taste. Historically, South Africa’s traditions have been influenced by various cultures, including Dutch, British, Indian, and indigenous African cuisines. The cheese scone recipe is a testament to this fusion. The use of cheese, a staple in many Western diets, combines with indigenous ingredients and techniques, creating a unique South African twist on a classic British pastry. Equipment Mixing bowl Baking sheet Pastry cutter or fork Grater (for cheese) Measuring cups and spoons Whisk or wooden spoon Pastry brush (optional) Ingredients 1 cup flour 1 tsp baking powder 1 tsp salt 1/2 cup milk 2 tbsp mayonaise 1 cup cheese 1/2 cup chives Instructions Preheat oven to 400F. Spray a 12 cup muffin pan with cooking spray. Mix ingredients until blended. The batter should have a drop scone consistency. Spoon batter into muffin cups until 3/4 full. Bake for 20-25 minutes, until golden brown. Remove from oven. Allow to cool for 5 minutes and turn out onto a cooling rack, or into a lined basket. Serve warm, with finely shaved smoked ham or apricto preserves (South Africans like the combination of savory and sweet). South African Pumpkin Fritters Recipe South African Pumpkin Fritters recipes are a delightful dish that holds a special place in South African culture. These fritters, commonly known as “Pampoenkoekies” in Afrikaans, are a part of the country’s heritage. Their history dates back to the early Dutch settlers who brought their cooking traditions to the region in the 17th century. The South African Pumpkin Fritters recipe is made from a simple yet wholesome combination of grated pumpkin, flour, sugar, and a hint of spices such as cinnamon and nutmeg. These ingredients are mixed together to form a thick batter, which is then spooned into hot oil and fried until golden brown. The result is a crispy, golden exterior that encases a soft and tender interior. The South African Pumpkin Fritters recipes are more than just a tasty treat; they are also a reflection of the country’s cultural influences. South Africa’s culinary traditions have been shaped by the indigenous people, Dutch, Malay, Indian, and other communities who have made this land their home. The South African Pumpkin Fritters recipe, with their blend of sweet and spicy flavors, showcases this fusion. Historically, South African Pumpkin Fritter recipes were prepared during special occasions and celebrations, such as weddings and festivals. They symbolize unity and togetherness, as they are often shared among family and friends. Equipment Pots, Pans and Cooking Equipment Needed for The South African Pumpkin Fritters Recipe Top Ways to Make A Better South African Pumpkin Fritters Recipe Best Way to Store Leftovers From The South African Pumpkin Fritters Recipe Tips and Tricks For Easier Creation Ingredients 2 cups pumpkin cooked 1/2 cup all-purpose flour 1/2 teaspoon salt 1 teaspoon ground cinnamon 2 teaspoons baking powder not soda 2 tablespoons sugar granulated 2 large eggs oil for frying sugar cinnamon flavor Instructions 1.The dry ingredients should be combined in a food processor. If you don't have a food processor, just use a bowl to combine everything. 3.Whether using a food processor or a mixing bowl, add the eggs and process until a thick batter develops. When tested with a spoon, the batter should nearly retain its form. If the batter is overly thick, a drop or two of milk should do the trick. If the mixture is too thin, which shouldn't happen, add a little more flour. Put oil in a pan and turn the heat up to medium-high. Drop heaping spoonful of batter into the pan. Make sure they're not touching. Since some of the batter will inevitably be left on the spoon, don't expect very large fritters. Fry one side until it is firm and brown, then flip it over and do the same. Although a non-stick pan eliminates the need for oil or butter, even a small amount of oil yields better results. The fritters will rise and retain their form while cooking, but they will deflate a little as soon as you remove them from the pan. Lightly pressing on the fritters should reveal whether or not they are done. When finished, they have a tendency to bounce back. No batter should be escaping from the sides, so if you're worried, press down even more. Sprinkle with heaps of crunchy cinnamon-flavored sugar and serve warm as a side dish or dessert. Notes Maintain consistent oil temperature while frying for even cooking.Use a spoon or ice cream scoop for uniform fritter sizes.Flip fritters gently to avoid splattering hot oil.Ensure the batter is well-mixed to incorporate all ingredients.Adjust sugar and spice levels to suit personal preferences.Test oil readiness by dropping a small piece of batter; it should sizzle and float.Serve fritters immediately for the best taste and texture. South African Oxtail Potjiekos Recipe The South African Oxtail Potjiekos recipe is a renowned and flavorful dish rooted in the country’s culinary heritage. This hearty and aromatic dish has a history dating back to the early days of Dutch settlers in South Africa, and it continues to be a beloved choice for gatherings and special occasions across the nation. Oxtail Potjiekos, often simply referred to as “Potjiekos,” embodies the essence of South African cuisine, showcasing a richblend of flavors and a cooking method that brings people together around a communal pot.The South African Oxtail Potjiekos recipe is a South African dish with Dutch origins. Oxtail, a flavorful and gelatinous meat, is slow-cooked in a traditional cast-iron potjie over an open flame. This dish’s charm lies in its rich flavors, blending spices like cloves and bay leaves with tomatoes and red wine, creating a mouthwatering sauce that clings to the tender oxtail. Equipment Cast-iron potjie pot (traditional) Large cooking pot (alternative) Cooking utensils (e.g., wooden spoon) Cutting board knife Plate or tray for meat preparation Stove or open flame for cooking Ingredients 2 whoe onions Cut into rings 4 tbsp cooking oil 1/8 Cup wheat Flour 1 tsp salt 1 tsp pepper 4 1/2 lbs beef Oxtail Cut into about 5 cm long pieces 1/2 cup vinegar White Wine 3/4 cup Sugar brown 5 carrots Cleaned and cut into large chunks 4 potatoes Cleaned and cut into quarters 1 pkt Oxtail soup powder Instructions Put some flour in a bag and season it with salt and pepper powder. To ensure that the oxtail is evenly coated with the seasoned flour, place the pieces in the bag and shake vigorously. 3.Cook the floured oxtail in oil that has been warmed in a skillet. To ensure even browning, turn the oxtail pieces while they cook. Throw all of this into a big saucepan and set it aside. Fry the sliced onions in the same pan until they are golden. Bring water to a boil in a saucepan, then add the oxtail. When the oxtail has softened, about 2 hours, add the fried onions and continue simmering. Put the sugar and vinegar into the pot. Add the soup powder and the sliced carrots and potatoes to the pan. Keep the vegetables in the oven for another 15 minutes. Notes Brown the oxtail meat for added flavor.Use a lid on your potjie pot for even cooking.Stir occasionally to prevent sticking.Add vegetables and herbs for depth of flavor.Adjust seasoning gradually to taste.Simmer over low heat for tender meat.Skim off excess fat during cooking. South African Melktert Recipe The South African Melktert recipe is a South African dessert that holds a special place in the country’s heritage. It’s a creamy and delightful treat that has been enjoyed for generations. In South African households, Melktert is often prepared for special occasions and family gatherings. It’s a sweet and comforting dessert that brings people together.This dessert has an interesting historical background. It is believed to have been influenced by Dutch and Indonesian culinary traditions, as these cultures have had a significant impact on South African cuisine. The name “Melktert” translates to “milk tart,” and this dish lives up to its name with its rich and creamy filling. Equipment Mixing bowls Whisk or mixing spoon 9-inch pie or tart pan Measuring cups and spoons Rolling pin (for pastry) Cooling rack Ingredients Sucre Patee (Pastry Crust) 1 1/2 cups all-purpose flour 1/3 cup sugar confectioner’s powdered ¼ teaspoon salt 9 Tablespoons butter unsalted 1 large egg yolk Milk filling 2 1/4 cups milk 2 tablespoon butter 2 tablespoons flour 3-4 tablespoons cornstarch 1/2 cup sugar 2 Large eggs 2 teaspoons vanilla extract ½ teaspoon almond extract optional ½ teaspoon cinnamon ½ teaspoon nutmeg or replace with cinnamon Instructions Crust Pastry Prepare a 9-inch pie pan with a detachable bottom by buttering or spraying it thoroughly. Put away for now. Put the flour, salt, and sugar into a food processor and pulse a few times to combine. Add the butter and pulse until a dough-like consistency is reached. The dough will barely come together after adding the egg yolk and pulsing. Take the dough out and lay it on the counter; knead it briefly to bring together all the pieces. Minimal dough handling is optimal. If the dough is overworked, it will become tough. The dough is done when it can be shaped into a ball with very little further moisture. Be extremely gently as you press the dough into the prepared pie pan, beginning in the middle and working your way outward and up the edges until the pan is completely lined with pastry. Put the pie pan in the freezer for at least 30 minutes; if time is short, use a brick and bake it with beans to keep the dough from rising. Put a rack in the middle of the oven and preheat it to 400 degrees Fahrenheit (205 degrees C). If you want a dry and golden crust, bake it for 20–25 minutes. Put apart Filling Milk Stir together the butter, nutmeg, and milk in a saucepan set over medium heat; bring to a boil, then turn off the heat. Whisk together the eggs, flour, cornstarch, sugar, vanilla extract, and almond extract in a separate basin. In a pot, stir gently to avoid lumps. Bring the pan back to the heat source, and whisk continually until bubbles form in the mixture. Preparation time is roughly 5-6 minutes. Take off the stove and ladle the filling into the prebaked pastry casing. Cinnamon powder, please. Put in the fridge and wait to serve. Notes When making the custard, constantly stir to prevent lumps.Allow the custard to cool slightly before pouring it into the pastry crust.Sprinkle cinnamon or nutmeg on top for added flavor.Serve the Melktert at room temperature for the best taste and texture.For a decorative touch, use a fine sieve to dust powdered sugar on the top. South African Cheese Scones Recipe “We are a couple who has visited and sampled food in every country in the world. We strive to get a local recipe for every dish we place on our blog. Some we have cooked in our kitchen but most we enjoyed in the restaurants and streets of the world. Our thoughts and opinions are based on the food we loved the most, and you may find them and others you will fall in love with as well. Please enjoy the recipe and comment below.” These South African Cheese Scones are characterized by their fluffy texture and rich, cheesy flavor. They embody a fusion of influences, including Dutch, British, and indigenous African culinary traditions. Key ingredients include cheddar cheese, buttermilk, and butter. These are combined to create a dough that is gently mixed to maintain its lightness. Once baked, the scones have a golden-brown exterior and a soft, cheesy interior. The South African Cheese Scones recipes are a great snack, often served warm with butter or chutney. They hold a special place in South African culture, enjoyed at tea time or as a side dish with stews and soups. Whether made at home or savored in local eateries, these scones are a testament to the nation’s diverse heritage. Equipment Mixing bowl Baking sheet Pastry cutter or fork Grater (for cheese) Measuring cups and spoons Whisk or wooden spoon Pastry brush (optional) Ingredients 1 cup flour 1 tsp baking powder 1 tsp salt 1/2 cup milk 2 tbsp mayonaise 1 cup cheese 1/2 cup chives Instructions Preheat oven to 400F. Spray a 12 cup muffin pan with cooking spray. Mix ingredients until blended. The batter should have a drop scone consistency. Spoon batter into muffin cups until 3/4 full. South African Cheeza Recipe The South African Cheeza Recipe, also known as South African Cheese and Corn Bread, is a delightful culinary creation with a rich history and some health benefits worth noting. This dish is a fusion of flavors and cultures, combining elements from both African and European culinary traditions.The combination of corn and cheese in this dish creates a satisfying and flavorful meal that’s not only delicious but also provides essential nutrients. However, it’s important to enjoy it in moderation, especially if you’re watching your calorie intake. Equipment a. Oven b. Baking dish c. Mixing bowls d. Whisk e. Measuring cups and spoons f. Grater or shredder g. Knife and cutting board h. Serving platter or dish Ingredients 12 slices Bacon 6 Spring Onions 6 slices Wheat Bread ⅜ cups Mayonnaise tngy 3 cups Cheddar Cheese Grated and roughly grated Instructions Crumble the bacon once it has been fried. Separate the green and white sections of the spring onion and chop them into small pieces. Warm up the bread in a toaster. Combine the mayonnaise, cheese, spring onions, and bacon in a bowl and stir to combine. Put the buttered toast on a baking sheet and top it with Cheeza. To get a bubbling, golden sauce, grill it for a while. Notes Use high-quality cheese for enhanced flavor.Grate the cheese fresh for better melting.Mix corn and cheese thoroughly for even distribution.Preheat the oven for consistent baking.Adjust seasoning to taste.Experiment with different cheese varieties.Customize with herbs or spices for a unique twist. BACK TO THE TOP OF THE PAGE

Banknotes and Coin The South African Reserve Bank (SARB) released the upgraded Mandela banknotes and fourth decimal coin series on 3 May 2023. The upgraded banknotes and fourth decimal coin series have new designs and enhanced security features that utilise the latest technological advancements to protect the integrity of our currency and maintain public trust. The upgraded banknotes continue to pay homage to South Africa's first democratically elected president, Nelson Mandela, with his portrait featured on the front of all five denominations while the Big 5 animals are depicted as a family. The fourth decimal coin series is based on the theme of deep ecology, which celebrates the interconnectedness of humans and other living organisms as an integral part of the environment. OLD SOUTH AFRICAN BANK NOTES The South African rand The South African rand, or simply the rand, (sign : R; code : ZAR is the official currency of the Southern African Common Monetary Area : South Africa , Namibia (alongside the Namibian dollar ), Lesotho (alongside the Lesotho loti ) and Eswatini (alongside the Swazi lilangeni ). It is subdivided into 100 cents (sign: "c"), and a comma separates the rand and cents. The South African rand is legal tender in the Common Monetary Area member states of Namibia , Lesotho , and Eswatini , with these three countries also having national currencies: (the dollar , the loti and the lilangeni respectively) pegged with the rand at parity and still widely accepted as substitutes. The rand was also legal tender in Botswana until 1976 when the pula replaced the rand at par. Etymology The rand takes its name from the Witwatersrand ("white waters' ridge" in English, rand being the Afrikaans (and Dutch ) word for 'ridge '), the ridge upon which Johannesburg is built and where most of South Africa's gold deposits were found. In English and Afrikaans (and Dutch), the singular and plural forms of the unit ("rand") are the same: one rand, ten rand, and two million rand. History See also: South African pound The rand was introduced in the Union of South Africa in 1961, three months before the country declared itself a republic .[2] A Decimal Coinage Commission had been set up in 1956 to consider a move away from the denominations of pounds, shillings, and pence; it submitted its recommendations on 8 August 1958 It replaced the South African pound as legal tender, at the rate of 2 rand to 1 pound, or 10 shillings to the rand. The government introduced a mascot, Decimal Dan, "the rand-cent man" (known in Afrikaans as Daan Desimaal). This was accompanied by a radio jingle to inform the public about the new currency. Although pronounced in the Afrikaans style as /rʌnt/ in the jingles when introduce the contemporary pronunciation in South African English is /rænd/ . Brief exchange rate history 1961–2000 Value of the South African rand to the United States dollar from 1975 to 2015 by the blue columns: The percentage rate of change year-on-year is shown by the black line. One rand was worth US$ 1.40 (R0.72 per dollar) from the time of its inception in 1961 until late 1971, and the U.S. dollar became stronger than South African currency for the first time on 15 March 1982. Its value thereafter fluctuated as various exchange rate dispensations[clarification needed ] were implemented by the South African authorities. By the early 1980s, high inflation and mounting political pressure combined with sanctions placed against the country due to international opposition to the apartheid system had started to erode its value. The currency broke above parity with the dollar for the first time in March 1982. It continued to trade between R1 and R1.30 to the dollar until June 1984, when the currency's depreciation gained momentum. By February 1985, it was trading at over R2 per dollar, and in July of that year, all foreign exchange trading was suspended for three days to try to stop the depreciation. By the time that State President P. W. Botha made his Rubicon speech on 15 August 1985, it had weakened to R2.40 per dollar. The currency recovered somewhat between 1986 and 1988, trading near the R2 level most of the time and breaking beneath it sporadically. The recovery was short-lived; by the end of 1989, the rand was trading at more than R2.50 per dollar. As it became clear in the early 1990s that the country was destined for Black majority rule and one reform after the other was announced, uncertainty about the country's future hastened the depreciation until the level of R3 to the dollar was breached in November 1992. A host of local and international events influenced the currency after that, most notably the 1994 general election , which had it weaken to over R3.60 to the dollar, the election of Tito Mboweni as the governor of the South African Reserve Bank , and the inauguration of President Thabo Mbeki in 1999, which had it quickly slide to over R6 to the dollar. The controversial land reform programme that was initiated in Zimbabwe , followed by the September 11, 2001 attacks , propelled it to its weakest historical level of R13.84 to the dollar in December 2001. 2001–2011 Two generations of older notes and coins, later replaced with the "Big Five " notes, which were in turn replaced to show the face of Nelson Mandela in 2012 This sudden depreciation in 2001 led to a formal investigation and a dramatic recovery. By the end of 2002, the currency was trading under R9 to the dollar again, and by the end of 2004, it was trading under R5.70. The currency softened somewhat in 2005, trading around R6.35 to the dollar at the end of the year. At the start of 2006, however, the currency resumed its rally and, as of 19 January 2006, was trading under R6 to the dollar again. However, the rand weakened significantly during the second and third quarters of 2006 (i.e., April through September). In sterling terms, it fell from around 9.5% to just over 7%, losing some 25% of its international trade-weighted value in six months. In late 2007, the rand rallied modestly to just over 8%, only to experience a precipitous slide during the first quarter of 2008. This downward slide could be attributed to a range of factors: South Africa's worsening current account deficit, which widened to a 36‑year high of 7.3% of gross domestic product (GDP) in 2007; inflation at a five-year high of just under 9%; escalating global risk aversion as investors' concerns over the spreading impact of the sub-prime crisis grew; and a general flight to "safe havens", away from the perceived risks of emerging markets. The rand depreciation was exacerbated by the Eskom electricity crisis, which arose from the utility's inability to meet the country's rapidly growing energy demands. 2012–present A stalled mining industry in late 2012 led to new lows in early 2013. In late January 2014, the rand slid to R11.25 to the dollar, with analysts attributing the shift to "word from the US Federal Reserve that it would trim back stimulus spending, which led to a massive sell-off in emerging economies."In 2014, South Africa experienced its worst year against the US dollar since 2009, and in March 2015, the rand traded at its worst since 2002. At the time, Trading Economics released data that the rand "averaged R4.97 to the dollar between 1972–2015, reaching an all time high of R12.45 in December 2001 and a record low of R0.67 in June of 1973." By the end of 2014, the rand had weakened to R15.05 per dollar, partly due to South Africa's consistent trade account deficit with the rest of the world. From 9–13 December 2015, over four days, the rand dropped over 10% due to what some suspected was President Jacob Zuma's surprise announcement that he would be replacing the Finance Minister Nhlanhla Nene with the little-known David van Rooyen . The rapid drop in value stemmed when Zuma backtracked and announced that the better-known previous Minister of Finance, Pravin Gordhan , would instead be appointed to the post. Zuma's surprise sacking of Nene damaged international confidence in the rand, and the exchange rate was volatile throughout much of January 2016 and reached an all-time low of R17.9169 to the US dollar on 9 January 2016 before rebounding to R16.57 later the same day. The January drop in value was also partly caused by Japanese retail investors cutting their losses in the currency to look for higher-yield investments elsewhere and due to concerns over the impact of the economic slowdown in China , South Africa's largest export market. By mid-January, economists were speculating that the rand could expect to see further volatility for the rest of 2016. By 29 April, it reached its highest performance over the previous five months, exchanging at a rate of R14.16 to the United States dollar. Following the United Kingdom voting to leave the European Union, the rand dropped in value over 8% against the US$ on 24 June 2016, the currency's largest single-day decline since the 2008 economic crash. This was partly due to a general global financial retreat from currencies seen as risky to the US dollar and partly due to concerns over how British withdrawal from the EU would impact the South African economy and trade relations. In April 2017, a Reuters poll estimated that the rand would remain relatively stable for the rest of the year, as two polls found that analysts had already factored in a possible downgrade to "junk" status. At the time, Moody's rated South Africa two notches above junk status.[22] When President Jacob Zuma narrowly won a motion of no confidence in South Africa in August 2017, the rand continued to slide, dropping 1.7% that day. In September 2017, Goldman Sachs said that the debt and corruption of Eskom Holdings was the biggest risk to South Africa's economy and the exchange rate of the rand. At the time, it had no permanent CEO, and Colin Coleman of Goldman Sachs in Africa said the company was "having discussions on solutions" on finding credible management. In October 2017, the rand firmed against the US dollar as it recovered from a six-month low. Reuters noted, "South Africa is highly susceptible to global investor sentiment as the country relies on foreign money to cover its large budget and current account deficits." On 13 November 2017, the rand fell by over 1% when the budget chief, Michael Sachs, stood down from his position in Zuma's administration. In October 2022, the rand sank to its lowest point in two years, reaching R18.46 to the US dollar on 25 October 2022. Coins Main article: Coins of the South African rand A 5 rand bimetallic coin issued in 2004. Coins were introduced in 1961 in denominations of 1⁄2, 1, 2+1⁄2, 5, 10, 20, and 50 cents. In 1965, 2-cent coins replaced the 2+1⁄2 cent coins. The 1⁄2 cent coin was last struck for circulation in 1973. The 1 rand coin for circulation was introduced in 1967, followed by 2 rand coins in 1989 and 5 rand coins in 1994. Production of the 1 and 2-cent coins was discontinued in 2002, followed by 5-cent coins in 2012, primarily due to inflation having devalued them, but they remain legal tender. Shops normally round the total purchase price of goods to the nearest 10 cents. To curb counterfeiting, a new 5-rand coin was released in August 2004. Security features introduced on the coin include a bimetal design (similar to the €1 and €2 coins , the Thai ฿10 coin , the pre-2018 Philippine ₱10 coin , the British £2 coin , and the Canadian $2 coin ), a specially serrated security groove along the rim and microlettering. On 3 May 2023, the South African Reserve Bank announced that a new series of coins would be released. These will have the same denominations as the previous series. The 10c will feature an image of the Cape Honey Bee, the 20c the Bitter Aloe, the 50c the Knysna Turaco , the R1 the Springbok , the R2 the King Protea , and the R5 the Southern Right Whale . Banknotes The first series of rand banknotes was introduced in 1961 in denominations of 1, 2, 10, and 20 rand, with similar designs and colours to the preceding pound notes to ease the transition. They bore the image of what was believed at the time to be Jan van Riebeeck , the first VOC administrator of Cape Town . It was later discovered that the original portrait was not, in fact, Van Riebeeck at all, but a portrait of Bartholomeus Vermuyden had been mistaken for Van Riebeeck. In 1966, a second series with designs that moved away from the previous pound notes was released. Notes with 1, 5, and 10 rand denominations were produced with predominantly one colour per note. A smaller 1 rand note with the same design was introduced in 1973, and a 2 rand note was introduced in 1974. The 20 rand denomination from the first series was dropped. The practice of having an English and an Afrikaans version of each note was continued in this series. The 1978 series began with denominations of 2, 5, 10, and 20 rand, with a 50 rand introduced in 1984. This series had only one language variant for each denomination of note. Afrikaans was the first language on the 2, 10, and 50 rand, while English was the first on the 5 and 20 rand. A coin replaced the 1 rand note. Rand banknotes and coins. South African ATM showing R50 and R100 banknotes. In the 1990s, the notes were redesigned with images of the Big Five wildlife species. 10, 20, and 50 rand notes were introduced in 1992 & 1993, retaining the colour scheme of the previous issue. Coins were introduced for the 2 and 5 rand, replacing the notes of the previous series, mainly because of the severe wear and tear experienced with low-denomination notes in circulation. In 1994, 100 and 200 rand notes were introduced. The 2005 series has the same principal design but with additional security features, such as colour-shifting ink on the 50 rand and higher and the EURion constellation . The obverses of all denominations were printed in English, while two other official languages were printed on the reverse, thus using all 11 official languages of South Africa . In 2010, the South African Reserve Bank and commercial banks withdrew all 1994 series 200-rand banknotes due to relatively high-quality counterfeit notes in circulation. In 2011, the South African Reserve Bank issued defective 100 rand banknotes which lacked fluorescent printing visible under UV light . In June, the printing of this denomination was moved from the South African Bank Note Company to Crane Currency's Swedish division (Tumba Bruk ), which reportedly produced 80 million 100 rand notes. The South African Reserve Bank shredded 3.6 million 100-rand banknotes printed by Crane Currency because they had the same serial numbers as a batch printed by the South African Bank Note Company. In addition, the notes printed in Sweden were not the correct colour and were 1mm short. On 11 February 2012, President Jacob Zuma announced that the country would be issuing a new set of banknotes bearing Nelson Mandela 's image. They were entered into circulation on 6 November 2012. These contained the same denominations of 10, 20, 50, 100, and 200 rand. In 2013, the 2012 series was updated with the addition of the EURion constellation to all five denominations. On 18 July 2018, a special commemorative series of banknotes was released in commemoration of the 100th anniversary of Nelson Mandela's birth. This series includes notes of all denominations, 10, 20, 50, 100, and 200 rand. These notes will circulate alongside the existing notes. The notes depict the standard face of Nelson Mandela on the obverse. Still, instead of the Big Five animals on the reverse, they show a younger Mandela with different iconic scenes relating to his legacy. These scenes comprise the rolling hills of the Eastern Cape , featuring Mandela's humble birthplace of Mvezo (10 rand); the home of Mandela in Soweto , where he defined his political life alongside other struggle icons (20 rand); the site where Mandela was captured near Howick , following 17 months in hiding, where a monument to him has been erected (50 rand); the place of Mandela's 27-year imprisonment at Robben Island , showing a pile of quarried limestone (100 rand); the statue of Mandela at the Union Buildings in remembrance of when he was inaugurated there in 1994 (200 rand). On 3 May 2023, the South African Reserve Bank announced that a new series of banknotes would retain the image of Nelson Mandela on the obverse while showing the Big 5 in a family depiction on the reverse. This series contains the same denominations of 10, 20, 50, 100, and 200 rand. South Africa Currency 10 Rand banknote 1961 Jan van Riebeeck South Africa Currency 10 Rand banknote 1961 Jan van Riebeeck South Africa Currency 10 Rand banknote 1961 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. At the top are the name of the bank in Afrikaans and English: "Suid-Afrikaanse Reserwebank" and "South African Reserve Bank". An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria TIEN RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria TEN RAND For the South African Reserve Bank". An Allegory of Hope at lower left corner - seated allegorical female with an anchor symbolizes hope of Voortrekkers for best and richer future. Vignette of pioneers and covered wagons train drawn by bulls rolls across plain (Voortrekkers or Voor-trekkers) at bottom center. (The basic motive was taken after the colored illustration from Ian D. Colvin's book "South Africa", published by London publisher "Caxton Pub. Co." in 1909. The illustration made by G. S. Smithard and J. S. Skelton). At the lower right corner of the banknote depiction of a lemon tree (Citrus limon). On the left from Lemon tree are two Golden Wildebeest (male - forehead and female - on background). Signature: President Governor - Dr. Michiel Hendrik de Kock (29 January 1898 — 18 September 1976) was the third Governor of the South African Reserve Bank. His term of office was from 1 July 1945 to 30 June 1962. Reverse: The South Africa's iconic ship "Dromedaris" at center. The face value of the banknote in words, in English and Afrikaans, are at the top and in arabic numerals "10" in ornate guilloche are at lower corners. The name of the bank in Afrikaans and English: "Suid-Afrikaanse Reserwebank" and "South African Reserve Bank" at left and right. The "Dromedaris" was one of the three ships (Dromedaris, Rejiger and De Goede Hoop) landed by Jan van Riebeeck at the future Cape Town site on 6 April 1652 and the Reijger on 7 April 1652 and then commenced to fortify it as a way station for the Dutch East India Company (VOC "Vereenigde Oost-Indische Compagnie") trade route between the Netherlands and the East Indies. The primary purpose of this way station was to provide fresh provisions for the Dutch East India Company fleets sailing between the Dutch Republic and Batavia, as deaths en route were very high. The arrival of Van Riebeeck marked the beginning of permanent European settlement in the region. Watermark: Portrait of Jan van Riebeeck and the wavy lines along the borders of banknote. Size: 170 x 97 mm. Colour: Green and brown on multicolored underprint. 1961-1965 South African Currency 20 Rand banknote 1962 Jan van Riebeeck South African Currency 20 Rand banknote 1962 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria TWINTIG RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria TWENTY RAND For the South African Reserve Bank". At the left part of the banknote depicted the vignette represents the South African animals: Antelope Springbok, Chacma Baboon, Burchell's zebra and Golden Wildebeest Bulls. At the bottom right corner of the banknote are Zulu woman with child, carrying a vessel on top of her head. Signature: President Governor - Gerard Rissik (21 February 1903 – 4 October 1979) was the fourth Governor of the South African Reserve Bank. His term of office was from 1 July 1962 to 30 June 1967. Reverse: The Line Conveyors at South Africa gold mine, Witwatersrand Basin. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. The face value of the banknote in arabic numerals "20" in ornate guilloche at each corners. Watermark: Portrait of Jan van Riebeeck and the wavy lines along the borders of banknote. Size: 170 x 97 mm. Colour: Brown-violet. 1961-1965 South Africa Currency 1 Rand banknote 1967 Jan van Riebeeck South Africa Currency 1 Rand banknote 1967 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Many Afrikaners view van Riebeeck as the father of the Afrikaner nation. The King Protea flower on the background at center, at bottom right corner and across all the field of the banknote (Proclaimed as South Africa's national flower in 1976, the king protea (Protea cynaroides) is a flowering bush as beautiful and unique as the country itself.). At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria EEN RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria ONE RAND For the South African Reserve Bank". Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: Two South African merino sheep are staying near the plow. Behind them is a corn field. Landscape of corn field and farmhouse and mountain range in the background. A lemon tree (Citrus limon) and tobacco plant at left. The national flower of South Africa - Giant or King Protea, pineapple, watermelon, pear, grapes and other fruits and vegetables at right. The face value of the banknote in arabic numerals "1" in ornate guilloche at upper right and bottom left corners. Watermark: Springbok - national animal of South Africa and mascot for many national sport teams. Size: 126 x 64 mm. Colour: Dark reddish brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. 1966-1975 South African Currency 5 Rand banknote 1967 Jan van Riebeeck South African Currency 5 Rand banknote 1967 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Many Afrikaners view van Riebeeck as the father of the Afrikaner nation. The Voortrekker Monument at center. Vignette of pioneers and covered wagons train drawn by bulls rolls across plain (Voortrekkers or Voor-trekkers) at bottom right corner. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank". An inscriptions: "I promise to pay the bearer on demand at Pretoria FIVE RAND For the South African Reserve Bank" & "Ek beloof op aanvraag te betaal aan toonder te Pretoria VYF RAND Vir die Suid-Afrikaanse Reserwebank". The face value of the banknote in words at center: in English "FIVE RAND" and in Afrikaans "VYF RAND". The face value of the banknote in arabic numerals "5" in ornate guilloche at bottom left, upper right and left corners. Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: Factory with industrial freight train. The face value of the banknote in arabic numerals "5" in ornate guilloche at upper right and left corners. Watermark: Portrait of Jan van Riebeeck. Size: 134 × 70 mm. Colour: Purple on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. 1966-1975 South Africa Currency 10 Rand banknote 1967 Jan van Riebeeck South Africa Currency 10 Rand banknote 1967 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Many Afrikaners view van Riebeeck as the father of the Afrikaner nation. The Union Buildings in Pretoria at center. (The Union Buildings form the official seat of the South African Government and also house the offices of the President of South Africa). The Springbok at bottom right, national animal of South Africa and mascot for many national sport teams. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom part of the banknote. An inscriptions: "I promise to pay the bearer on demand at Pretoria TEN RAND For the South African Reserve Bank" & "Ek beloof op aanvraag te betaal aan toonder te Pretoria TIEN RAND Vir die Suid-Afrikaanse Reserwebank". The face value of the banknote in words at center: in English "TEN RAND" and in Afrikaans "TIEN RAND". The face value of the banknote in arabic numerals "10" in ornate guilloche at upper right and bottom left corners. Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: The Table Bay and Table Mountain with Van Riebeeck’s three ships at his arrival on April 6, 1652: the "Dromedaris", "Reijger" and "Goede Hoop" first time reaching the cape of Good Hope. The face value of the banknote in arabic numerals "10" in ornate guilloche at upper right and left corners. Watermark: Springbok - national animal of South Africa and mascot for many national sport teams. Size: 140 x 76 mm. Colour: Dark green and brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. 1966-1975 South African Currency 2 Rand banknote 1978 Jan van Riebeeck South African Currency 2 Rand banknote 1978 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. A vignette representing the infrastructure of the country: electric power transmission towers. The face value of the banknote in arabic numerals "2" in ornate guilloche at left and right. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria TWEE RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria TWO RAND For the South African Reserve Bank". The face value of the banknote in words at center: in Afrikaans "TWEE RAND" and in English "TWO RAND". Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: A vignette representing the manufacturing of the country: Oil refinery plant of "Sasol Limited". The face value of the banknote in arabic numerals "2" are on left side and in lower right corner. Watermark: Portrait of Jan van Riebeeck. Size: 120 x 57 mm. Colour: Blue on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 5 Rand banknote 1978 Jan van Riebeeck South Africa Currency 5 Rand banknote 1978 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Large Diamond at center. The face value of the banknote in arabic numerals "5" in ornate guilloche at left and right. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom part of the banknote. An inscriptions: "I promise to pay the bearer on demand at Pretoria FIVE RAND For the South African Reserve Bank" & "Ek beloof op aanvraag te betaal aan toonder te Pretoria VYF RAND Vir die Suid-Afrikaanse Reserwebank". The face value of the banknote in words at center: in Afrikaans "VYF RAND" and in English "FIVE RAND". Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: A vignette representing the diamond mining of the country: Diamond mine at center. On right side is the city skyscraper skyline, as parallel between diamonds mining and wealth and civilization. On left side is the small stylized model of hydrocarbon atoms. The face value of the banknote in arabic numerals "5" are on left side and in lower right corner. Watermark: Portrait of Jan van Riebeeck. Size: 127 x 63 mm. Colour: Purple on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 10 Rand banknote 1978 Jan van Riebeeck South African Currency 10 Rand banknote 1978 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. The King Protea flower at center (Proclaimed as South Africa's national flower in 1976, the king protea (Protea cynaroides) is a flowering bush as beautiful and unique as the country itself.). The face value of the banknote in arabic numerals "10" in ornate guilloche at left and right. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria TIEN RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria TEN RAND For the South African Reserve Bank". The face value of the banknote in words at center: in Afrikaans "TIEN RAND" and in English "TEN RAND". Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: A vignette representing the agriculture of the country - Livestock: the South African merino sheep and Afrikaner bull. The face value of the banknote in arabic numerals "10" in ornate guilloche at left. Watermark: Portrait of Jan van Riebeeck. Size: 134 x 70 mm. Colour: Green on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 20 Rand banknote 1990 Jan van Riebeeck South Africa Currency 20 Rand banknote 1990 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Groot Constantia manor house, a historic building at center (Groot Constantia is the oldest wine estate in South Africa and provincial heritage site in the suburb of Constantia in Cape Town, South Africa). The face value of the banknote in arabic numerals "20" in ornate guilloche at left and right. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom part of the banknote. An inscriptions: "I promise to pay the bearer on demand at Pretoria TWENTY RAND For the South African Reserve Bank" & "Ek beloof op aanvraag te betaal aan toonder te Pretoria TWINTIG RAND Vir die Suid-Afrikaanse Reserwebank". The face value of the banknote in words at center: in Afrikaans "TWINTIG RAND" and in English "TWENTY RAND". Signature: Dr. Chris Stals (born 13 March 1935) was the seventh Governor of the South African Reserve Bank, serving from 8 August 1989 to 7 August 1999. He succeeded Dr. Gerhard de Kock who had died in office. Reverse: The Table Bay and Table Mountain with Jan van Riebeeck’s three ships at his arrival on April 6, 1652: the "Dromedaris", "Reijger" and "Goede Hoop" first time reaching the cape of Good Hope. The (old) Coat of Arms of South Africa between 1910 and 2000, with the Latin motto "Ex Unitate Vires" - "From Unity, Strength" (also translated as "Unity Creates Strength"). "Ex Unitate Vires" was South Africa's motto until 27 April, 2000, when the new Coat of Arms and motto were adopted. Variations of the old motto were common in many Afrikaner and South African institutions, often in Afrikaans ("Eendrag maak mag") or Dutch ("Eendragt maakt magt" in old orthography, "Eendracht maakt macht" in modern orthography). Watermark: Portrait of Jan van Riebeeck. Size: 144 x 77 mm. Colour: Brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 50 Rand banknote 1984 Jan van Riebeeck South African Currency 50 Rand banknote 1984 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Close-up of male Transvaal Lion head in under-print at center, as member of "The Famous Big Five animals of Africa". The face value of the banknote in arabic numerals "50" in ornate guilloche at left and right. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria VYFTIG RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria FIFTY RAND For the South African Reserve Bank". The face value of the banknote in words at center: in Afrikaans "VYFTIG RAND" and in English "FIFTY RAND". Signature: Dr. Gerhard de Kock (14 February 1926 — 7 August 1989) was the sixth Governor of the South African Reserve Bank. He was the son of Dr. Michiel Hendrik de Kock, who was the third Governor of the South African Reserve Bank. Dr. de Kock was the first (and only) Governor of the South African Reserve Bank to die in office. His term was from 1 January 1981 until his death on 7 August 1989. Reverse: The vignette represents the South African animals at the watering, likely at Orange River: a giraffe, zebra, wildebeest, greater and lesser kudu. Crimson sun over a mountain range. The palm trees at the lower right corner. The face value of the banknote in arabic numerals "50" in ornate guilloche at left. Watermark: Portrait of Jan van Riebeeck. Size: 147 x 83 mm. Colour: Red on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 10 Rand banknote 1999 White Rhinoceros South Africa Currency 10 Rand banknote 1999 White Rhinoceros South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a White Rhino head at right and a vignette of a White Rhinoceros mother and her Rhino baby in the African Savanna at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round geometric figure with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom. The face value of the banknote in arabic numerals "10" at center, in numerals and words: in English "TEN RAND" at right and Afrikaans "TIEN RAND" along the left side of the banknote. Signature: Chris Stals - President Governor of the South African Reserve Bank. (Dr. Christian Lodewyk Stals, better known as Chris Stals (born 13 March 1935) was the seventh Governor of the South African Reserve Bank, serving from 8 August 1989 to 7 August 1999. He succeeded Dr. Gerhard de Kock who had died in office). Reverse: The theme of this banknote reverse is Agriculture: Close-up of a Ram head at left. Lower are South African merino sheep on the pasture and mountains in the background, the windmill at lower left corner. Above are three contour image of sunflowers. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom. The face value of the banknote in arabic numerals "10" at center, in numerals and words: in English "TEN RAND 10" at right and Afrikaans "TIEN RAND 10" along the left side of the banknote. Watermark: White rhino and electrotype 10. Size: 128 × 70 mm. Colour: Dark green and dark blue on brown and multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 20 Rand banknote 1993 African Savanna Elephant South African Currency 20 Rand banknote 1993 African Savanna Elephant South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of an African Bush Elephant head at right and a vignette of the African Bush Elephant family walking in the bush at center (The African Bush Elephant, also known as the Savanna Elephant). Outline drawings of round brilliant cut at the bottom. Outline drawing of round brilliant cut with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "20" at center, in numerals and words: in English "TWENTY RAND" at left and Afrikaans "TWINTING RAND" along the right side of the banknote. Signature: Chris Stals - President Governor of the South African Reserve Bank. (Dr. Christian Lodewyk Stals, better known as Chris Stals (born 13 March 1935) was the seventh Governor of the South African Reserve Bank, serving from 8 August 1989 to 7 August 1999. He succeeded Dr. Gerhard de Kock who had died in office). Reverse: The theme of this banknote reverse is Surface mining industry - Open-pit mining. On the upper part of the banknote are three graphic image of round brilliant cut. Outline drawing of round brilliant cut with coinciding register, as security measure at lower right corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "20" at center, in numerals and words: in English "TWENTY RAND 20" at left and Afrikaans "TWINTING RAND 20" along the right side of the banknote. Watermark: African Bush Elephant and electrotype 20. Size: 134 × 70 mm. Colour: Deep brown and red-brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. BANK NOTES OF MANDELA South Africa Currency 50 Rand banknote 1992 Transvaal Lion South Africa Currency 50 Rand banknote 1992 Transvaal Lion South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of male Transvaal Lion head at right and a vignette of the two Transvaal lionesses and cub drinking at water hole. Outline drawings of various round geometric shapes at the bottom. Outline drawing of stylized model of hydrocarbon atom with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "50" at center, in numerals and words: in English "FIFTY RAND" at right and Afrikaans "VYFTIG RAND" along the left side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Manufacturing - Sasol oil refinery at the bottom part of the note. On the upper part of the banknote are stylized model of hydrocarbon atoms. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "50" at center, in numerals and words: in English "FIFTY RAND 50" at right and Afrikaans "VYFTIG RAND 50" along the left side of the banknote. Refining capacity in South Africa is 250 million barrels/year, or about 700 thousand barrels/day, Including 500 thousand barrels/day of crude oil and 195 thousand barrels/day of synthetic liquid fuels from coal. It is interesting that the South African "Sasol" is the pioneer of the Fischer-Tpropsha producing synthetic fuel using this synthesis conversion of the gasified coal since 1955. Watermark: Transvaal lion and electrotype 50. Size: 140 × 70 mm. Colour: Maroon, brown and deep blue-green on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 100 Rand banknote 1999 Cape Buffalo South African Currency 100 Rand banknote 1999 Cape Buffalo South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a Cape Buffalo head at right and a vignette of the two African or Cape Buffalos in the African Savannah at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round brilliant cut with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "100" at center, in numerals and words: in English "ONE HUNDRED RAND" at left and Afrikaans "EEN HONDERD RAND" at right. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote is Tourism. A herd of zebras on the African savanna at the bottom. On the upper part of the banknote are four graphic image of round brilliant cut. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "100" at center, in numerals and words: in English "ONE HUNDRED RAND 100" at left and Afrikaans "EEN HONDERD RAND 100" at right. Watermark: The African buffalo or Cape buffalo and electrotype 100. Size: 146 × 70 mm. Colour: Blue on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 200 Rand banknote 1994 African leopard South Africa Currency 200 Rand banknote 1994 African leopard South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a Leopard head at right and a vignette showing a leopard lying above the branch of a tree at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round geometric figure with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom. The face value of the banknote in arabic numerals "200" at center, in numerals and words: in English "TWO HUNDRED RAND" at right and Afrikaans "TWEE HONDERD RAND" along the left side of the banknote. Signature: Chris Stals - President Governor of the South African Reserve Bank. (Dr. Christian Lodewyk Stals, better known as Chris Stals (born 13 March 1935) was the seventh Governor of the South African Reserve Bank, serving from 8 August 1989 to 7 August 1999. He succeeded Dr. Gerhard de Kock who had died in office). Reverse: The theme of this banknote reverse is Transport and Telecommunications. The Bloukrans Bridge at center. On left side is a big satellite dish, symbolizing telecommunication. Centered, above, are three images: Left one reminds a the turbine of an aircraft, centered image - stylized wheel of car/truck/tractor and right one reminds the wheel of an Electric locomotive - as symbols of Transport. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom. The face value of the banknote in arabic numerals "200" at center, in numerals and words: in English "TWO HUNDRED RAND 200" at right and Afrikaans "TWEE HONDERD RAND 200" along the left side of the banknote. Watermark: The African leopard (Panthera pardus pardus) and electrotype 200. Size: 152 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. Bloukrans Bridge The Bloukrans Bridge is an arch bridge located near Nature's Valley, Western Cape, South Africa. Constructed between February 1980 and June 1983, the bridge stands at a height of 216m above the Bloukrans River. Its central span is 272m and the bridge is 451m in length in total. Its primary use is that of a road bridge, carrying national route N2. Bloukrans Bridge is the site of the world's highest commercial bridge bungee jumping, Bloukrans Bridge Bungy, operated by Face Adrenalin since 1997. The Bloukrans River below forms the border between the Eastern Cape and Western Cape provinces and is located in the Tsitsikamma region of the Garden Route. The Famous Big Five animals of Africa Africa is an environment with a diverse fauna and flora, that captures the hearts and minds of all who visit this beautiful content. A few animals, however, has been awarded a very special award, the Big Five. The famous Big Five refers to five of Africa's greatest wild animals - the Lion, Leopard, Elephant, Rhino, and Buffalo. The term "Big Five" was originally coined by hunters, and referred to the five most difficult animals to hunt on foot in Africa. The Big Five wasn't chosen for their size, but rather for the difficulty in hunting them, and the degree of danger involved. The term is still used today in most tourist and wildlife guides, and are usually high on the priority list and a real treat for many a visitor to African game reserves. African Elephant The African Elephant is a very large herbivore with thick, almost hairless skin. The upper incisors of the elephant forms long curved tusks of ivory. The African Elephant is difficult to spot because despite its large size, they are able to hide in tall grass, and more likely to charge than other species. Lion The Lion is a large carnivorous feline, with a short tawny coat and a tufted tail. Males have magnificent heavy manes around their necks and shoulders. Considered by many the best of the Big Five, lions are very dangerous animals, and would attack if given a chance. Cape Buffalo The African Buffalo is a large horned bovid. Buffalos are considered the most dangerous of the Big Five, reportedly having caused many hunter deaths. Buffalos are known as the "Black Death" in Africa, with wounded animals reportedly ambushing and attacking its pursuers. Rhinoceros Rhinoceros (also called Rhino for short) are large, thick-skinned herbivores with one or two upright horns on the nasal bridge. Rhinos are able to reach one tonne or more in weight. Rhinos are listed as "critically endangered" by the IUCN Red List, as they are killed by humans for their valuable horns, which are made of keratin, and wrongly believed by some to act as an aphrodisiac, amongst other things. Leopard The Leopard is a large, carnivorous feline with either tawny fur with dark rosetto-like markings, or black fur. Leopards are very difficult to spot as they have nocturnal feeding habits and secretive nature. Leopards are also extremely wary of humans, and will take flight in the face of danger. South African Currency 10 Rand banknote 2005 White Rhino South African Currency 10 Rand banknote 2005 White Rhino South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Obverse: Close-up of a White Rhino head at right and a vignette of a White Rhinoceros mother and her Rhino baby in the African Savanna at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round geometric figure with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "10" are in top left and lower right corners and in words: in English "TEN RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Agriculture: Close-up of a Ram head at left. Lower are South African merino sheep on the pasture and mountains in the background, the windmill at lower left corner. Above are three contour image of sunflowers. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in Swati "liBhangi lesiLulu leNingizimu Afrika" at the bottom. The face value of the banknote in arabic numerals "10" are in top left and lower right corners, in numerals and words: in English "TEN RAND" along the right side of the banknote. Watermark: White rhino and electrotype 10. Size: 128 × 70 mm. Colour: Dark green and dark blue on brown and multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South Africa Currency 20 Rand banknote 2005 African Bush Elephant South Africa Currency 20 Rand banknote 2005 African Bush Elephant South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of an African Bush Elephant head at right and a vignette of the African Bush Elephant family walking in the bush at center (The African Bush Elephant, also known as the Savanna Elephant). Outline drawings of round brilliant cut at the bottom. Outline drawing of round brilliant cut with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "20" are in top left and lower right corners and in words: in English "TWENTY RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Surface mining industry - Open-pit mining. On the upper part of the banknote are three graphic image of round brilliant cut. Outline drawing of round brilliant cut with coinciding register, as security measure at lower right corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in Tswana "Banka-kgolo ya Aforika Borwa " and in Southern Ndebele "lBulungelo-mali eliKhulu leSewula Afrika" at the bottom. The face value of the banknote in arabic numerals "20" are in top left and lower right corners, in numerals and words: in English "TWENTY RAND" along the right side of the banknote. Watermark: African Bush Elephant and electrotype 20. Size: 134 × 70 mm. Colour: Deep brown and red-brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South African Currency 50 Rand banknote 2005 Transvaal Lion South African Currency 50 Rand banknote 2005 Transvaal Lion South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of male Transvaal Lion head at right and a vignette of the two Transvaal lionesses and cub drinking at water hole. Outline drawings of various round geometric shapes at the bottom. Outline drawing of stylized model of hydrocarbon atom with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "50" are in top left and lower right corners and in words: in English "FIFTY RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Manufacturing - Sasol oil refinery at the bottom part of the note. On the upper part of the banknote are stylized model of hydrocarbon atoms. At the top are the name of the bank in Xhosa "iBhanki enguVimba yoMzantsi Afrika " and in Venda "Bannga ya Vhukati ya Afurika Tshipembe" at the bottom. The face value of the banknote in arabic numerals "50" are in top left and lower right corners, in numerals and words: in English "FIFTY RAND" along the right side of the banknote. Refining capacity in South Africa is 250 million barrels/year, or about 700 thousand barrels/day, Including 500 thousand barrels/day of crude oil and 195 thousand barrels/day of synthetic liquid fuels from coal. It is interesting that the South African "Sasol" is the pioneer of the Fischer-Tpropsha producing synthetic fuel using this synthesis conversion of the gasified coal since 1955. Watermark: Transvaal lion and electrotype 50. Size: 140 × 70 mm. Colour: Maroon, brown and deep blue-green on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South Africa Currency 100 Rand banknote 2005 African Buffalo South Africa Currency 100 Rand banknote 2005 African Buffalo South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a Cape Buffalo head at right and a vignette of the two African or Cape Buffalos in the African Savannah at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round brilliant cut with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "100" are in top left and lower right corners and in words: in English "ONE HUNDRED RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote is Tourism. A herd of zebras on the African savanna at the bottom. On the upper part of the banknote are four graphic image of round brilliant cut. At the top are the name of the bank in Northern Sotho "Panka ya Resefe ya Afrika Borwa " and in Tsonga "Banginkulu ya Afrika-Dzonga" at the bottom. The face value of the banknote in arabic numerals "100" are in top left and lower right corners, in numerals and words: in English "TWO HUNDRED RAND" along the right side of the banknote. Watermark: The African buffalo or Cape buffalo and electrotype 100. Size: 146 × 70 mm. Colour: Blue on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South African Currency 200 Rand banknote 2005 African Leopard South African Currency 200 Rand banknote 2005 African Leopard South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a Leopard head at right and a vignette showing a leopard lying above the branch of a tree at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round geometric figure with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "200" are in top left and lower right corners and in words: in English "TWO HUNDRED RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Transport and Telecommunications. The Bloukrans Bridge at center. On left side is a big satellite dish, symbolizing telecommunication. Centered, above, are three images: Left one reminds a the turbine of an aircraft, centered image - stylized wheel of car/truck/tractor and right one reminds the wheel of an Electric locomotive - as symbols of Transport. At the top are the name of the bank in Zulu "iBhange-ngodla laseNingizimu Afrika" and in Sotho "Banka ya Sesiu ya Afrika Borwa " at the bottom. The face value of the banknote in arabic numerals "200" are in top left and lower right corners, in numerals and words: in English "TWO HUNDRED RAND" along the right side of the banknote. Watermark: The African leopard (Panthera pardus pardus) and electrotype 200. Size: 152 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. Bloukrans Bridge The Bloukrans Bridge is an arch bridge located near Nature's Valley, Western Cape, South Africa. Constructed between February 1980 and June 1983, the bridge stands at a height of 216m above the Bloukrans River. Its central span is 272m and the bridge is 451m in length in total. Its primary use is that of a road bridge, carrying national route N2. Bloukrans Bridge is the site of the world's highest commercial bridge bungee jumping, Bloukrans Bridge Bungy, operated by Face Adrenalin since 1997. The Bloukrans River below forms the border between the Eastern Cape and Western Cape provinces and is located in the Tsitsikamma region of the Garden Route. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South Africa Currency 10 Rand banknote 2012 President Nelson Mandela South Africa Currency 10 Rand banknote 2012 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "10" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TEN RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The White Rhinos on the background at center. Across all field of banknote are ornaments and leaping antelopes. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of White Rhino and another White Rhino in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 10. Size: 128 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 20 Rand banknote 2012 President Nelson Mandela South African Currency 20 Rand banknote 2012 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "20" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TWENTY RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African bush elephants on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of African bush elephant and another African bush elephant in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 20. Size: 134 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 50 Rand banknote 2012 President Nelson Mandela South Africa Currency 50 Rand banknote 2012 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "50" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "FIFTY RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The Transvaal lions on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of Transvaal Lion and another Transvaal Lion in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 50. Size: 140 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 100 Rand banknote 2012 President Nelson Mandela South African Currency 100 Rand banknote 2012 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "100" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "ONE HUNDRED RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African buffalo on the background at center. Across all field of banknote an ornament and Prehistoric fishing scenes. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of African Buffalo and another African Buffalo in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 100. Size: 146 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 200 Rand banknote 2013 President Nelson Mandela South Africa Currency 200 Rand banknote 2013 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "200" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TWO HUNDRED RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African leopards on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes with dogs. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of African Leopard and another African Leopard in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 200. Size: 152 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 10 Rand Commemorative banknote 2018 Nelson Mandela Centenary South African Currency 10 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "10" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TEN RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The White Rhinos on the background at center. Across all field of banknote are ornaments and leaping antelopes. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Birth" - Mvezo. The 10 Rand note portrays the humble rural hamlet of Madiba’s birthplace, Mvezo. The small Eastern Cape village solidified its place in the history books by being the official hometown of Nelson Mandela. While Mandela spent most of his childhood in the nearby town of Qunu, a time he describes as the “happiest moments of his childhood”, the honour bestowed upon Mvezo is commemorated by the Madiba Birthplace Museum. Mandela grew up in Qunu after his father was ousted as the chief of Mvezo. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 10. Size: 128 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 20 Rand Commemorative banknote 2018 Nelson Mandela Centenary South Africa Currency 20 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "20" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TWENTY RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African bush elephants on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Life" - Soweto. Nelson Mandela moved into his Soweto home in 1946. The 20 Rand note depicts the humble home at 8115 Orlando West, on the corner of Vilakazi and Ngakane Streets. The story of Mandela’s Soweto home is bittersweet; following his marriage to Winnie Madikizela, the struggle leader was in constant state of flux, evading the apartheid police and intelligence agencies, while being consumed by his commitment to the liberation struggle. In those years, Madiba seldom saw the inside of his Soweto home. Mandela returned here for a brief 11 days after his release from Robben Island in 1990. The house now operates as a museum, honouring the legacy of Madiba, managed by the Soweto Heritage Trust. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 20. Size: 134 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 50 Rand Commemorative banknote 2018 Nelson Mandela Centenary South African Currency 50 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "50" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "FIFTY RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The Transvaal lions on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Capture" - Howick. The 50 Rand note represents a place of pain in the life of Mandela. While the area is now a site for celebration, featuring a commemorative steel sculpture revealing a portrait of the struggle icon, on 5 August 1962 it became the site of Mandela’s capture. Mandella was travelling in disguise as the chauffeur of the car he drove and was on the R103 road between Durban and Johannesburg. Apartheid police and intelligence agencies had been on his trail for 17 months, eventually catching up to him on this stretch of road near Howick in KwaZulu-Natal. Then Nelson Mandela Capture Site is now home to a mammoth steel structure, comprised of 50 steel columns, which reveal a portrait of Madiba when viewed from a certain angle. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 50. Size: 140 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 100 Rand Commemorative banknote 2018 Nelson Mandela Centenary South Africa Currency 100 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "100" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "ONE HUNDRED RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African buffalo on the background at center. Across all field of banknote an ornament and Prehistoric fishing scenes. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Struggle" - Robben Island. A pile of rocks on Robben Island, where the great liberator was imprisoned from 1964–1982. Mandela spent 18 years on the stark island, working in a lime quarry, busting rocks as part of his forced labour. While on the island, he was permitted one visit and one letter every six months. While enduring physical and psychological torture at the hands of white warders, at night he persevered with his studies for an LLB degree which he was obtaining from the University of London. In April 1982, Mandela was transferred to Pollsmoor Prison in Tokai, Cape Town. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 100. Size: 146 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 200 Rand Commemorative banknote 2018 Nelson Mandela Centenary South African Currency 200 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "200" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TWO HUNDRED RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African leopards on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes with dogs. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Destiny" - Union Buildings. This 200 Rand note represents the moment Mandela was inaugurated as South Africa’s first democratically elected president in 1994. The image on the note is that of a bronze statue situated at the Union Buildings, unveiled to close the official 10-day mourning period for the much loved former state president, who died at his Johannesburg home on 5 December 2013. South African sculptors André Prinsloo and Ruhan Janse van Vuuren were responsible for creating the statue. According to Prinsloo, the sculptors considered various poses like the Raised Fist Salute, but in the Spirit of Reconciliation, the current open arm pose was suggested. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 200. Size: 152 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. BACK TO THE TOP OF THE PAGE

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WILDLIFE PARKS The most incredible national parks in South Africa for wildlife From snow-capped mountains and the Bushveld to sub-tropical beaches and the Kalahari, South Africa is a mind-bogglingly diverse country. Showcasing an astonishing array of landscapes, the country's national parks and game reserves are great places to experience true wilderness and get close to Africa's famous wildlife. If you include private reserves, South Africa has hundreds of national parks and game areas. In some reserves, the focus is on wildlife encounters, while others are primarily wilderness sanctuaries or hiking areas. Here are the best national parks to add some natural wonder to your South Africa itinerary. Kruger National Park Best national park for wildlife watching Kruger National Park is one of the world's greatest wildlife-watching destinations. Some of Africa's most iconic species – elephant, lion, leopard, cheetah, rhino, buffalo, giraffe, hippo and zebra – share the bushveld with a supporting cast of 136 other mammals and more than 500 bird species. Beautiful granite kopjes (hills) pepper the south, while the Lebombo Mountains rise from the savanna in the east, and tropical forests cover northern parts of this 7520 sq mile park. Yes, we concede that Kruger can sometimes become crowded with safari groups. And yes, you may have to wait in line to see those lions around a kill. On the flip side, Kruger's vast network of roads makes this one of Africa's most accessible parks, and it's well suited for families. You can explore with your own vehicle or join a huge range of guided wildlife safaris, and accommodation is plentiful and great value. Leopard close encounters are just one of the thrills that may be waiting in Kruger National Park . Royal Natal National Park Best national park for mountains Fanning out from some of the loftiest summits in the Drakensberg mountains, 30 sq mile Royal Natal National Park has a presence that far outstrips its modest size. With some of the Drakensberg’s most dramatic and accessible scenery, the park is crowned by the sublime Amphitheater, a 5km (3 mile) wall of cliffs and canyons that’s spectacular from below and even more dramatic when viewed from above. Here, the Tugela Falls drop 945m (3100ft) in five stages; the highest level often freezes in winter. Looming behind is Mont-aux-Sources at 3282m (10,768ft), the source – hence the name – of the Tugela, Elands and Western Khubedu Rivers. This last river eventually becomes the Senqu (Orange) River and flows all the way to the Atlantic. The park is renowned for its excellent day walks and more ambitious multiday hiking opportunities. The lush, green landscapes of Tugela Gorge draw hikers to the Drakensberg mountains. Golden Gate Highlands National Park Best national park for sunsets Just before the darkness erases the remaining flecks of color from the sky, something magical happens in Golden Gate Highlands National Park. The jagged sandstone outcrops fronting the foothills of the wild, maroon-hued Maluti Mountains glow golden in the dying light. The lemon-yellow rays may silhouette a lone kudu standing still in a sea of mint-green grasses before the sky explodes in a fiery collision of purple and red. Golden Gate Highlands National Park might not boast any of the Big Five, but it does feature some fantastic sunsets. There are plenty of animals in the park, however, including grey rheboks, blesboks, elands, oribi antelope, Burchell’s zebras, jackals, baboons and numerous bird species, including the rare bearded and Cape vultures and the critically endangered bald ibis. The park is popular with hikers on long treks, but there are also shorter walking trails. The tumbling hills of Golden Gate Highlands National Park are prime hiking country. Table Mountain National Park Best national park for activities Stretching from Signal Hill to Cape Point, Table Mountain National Park is a natural wonder, and the most recognizable natural feature in South Africa. The surrounding national park covers granite and sandstone mountains, giant-boulder-strewn beaches and shady forests. For the vast majority of visitors, the main attraction is the 1085m-high, table-flat plateau, the top of which can easily be accessed by cableway from the outskirts of Cape Town. The park is the setting for an impressive range of adventure activities including hiking, abseiling, mountain biking, rock climbing, paragliding, bird and wildlife watching, snorkeling and diving. Head to the top of Table Mountain on the cableway for South Africa's most famous views. Kgalagadi Transfrontier Park Best national park for desert landscapes A long, scorched highway leads between crimson dunes from Upington to Kgalagadi Transfrontier Park, one of the world’s last great, unspoiled ecosystems. As soon as you enter this magical park, tucked away alongside Namibia in the Northern Cape and spilling into southwest Botswana, you’ll see why the journey was well worth the effort. The Kgalagadi is a wild land of harsh extremes and frequent droughts, where shifting red and white sands meet clusters of spiky thorn trees and bone-dry riverbeds. Yet despite the desolate landscape, the park teems with wildlife. From prides of black-maned lions to packs of howling spotted hyenas, there are some 1,775 predators here. It’s one of the best places in the world to spot big cats, especially cheetahs. Add in giant, orange-ball sunsets and black-velvet night skies studded with twinkling stars, and you’ll feel like you’ve entered the Africa of storybooks. The Cape fox is just one of many less familiar predators that can be found in Kgalagadi Transfrontier Park . Cederberg Wilderness Area Best national park for hiking Some of the Western Cape's finest scenery can be found in the desolate Cederberg Wilderness Area. Here, craggy peaks climb to around 2000m (6560ft), harboring weird rock formations, well-preserved rock art produced by the San people, and clear mountain streams. It's excellent terrain for hiking and rock climbing. Cederberg isn't known for its wildlife, though you might glimpse a baboon, a bat-eared fox or one of the small antelopes that hop amongst the rocks. Elusive leopards roam the crags at night, but you'd be extremely lucky to see one. The region is better known for its plant life – mountain fynbos (shrubby vegetation with fine leaves) abounds, and wildflowers erupt in spring. Vegetation varies with altitude, with the eponymous cedar stands growing between 1000m (3280ft) and 1500m (4920ft). This is also the only place in the world where rooibos (red bush) grows and is processed into tea. Climb through caves and rock formations in Cederberg Wilderness Area . Mapungubwe National Park Best national park for history Stunningly stark, rocky landscapes reverberate with cultural intrigue and throng with wandering wildlife at Mapungubwe National Park. A Unesco World Heritage site, Mapungubwe contains South Africa’s most significant Iron Age site, plus animals ranging from black and white rhinos to meerkats and the rare Pel’s fishing owl. The wildlife-watching is excellent, as is the birdwatching, and lions, leopards and elephants are commonly spotted. But the park is as much about history as wildlife – archeological finds uncovered in the 1930s are displayed at the excellent Interpretation Center, and the site itself can be visited on a tour. Mapungubwe National Park offers big landscapes, ancient sites, wildlife and more . Blyde River Canyon Nature Reserve Best national park for rock formations The stunning Blyde River Canyon Nature Reserve is centered on the 26km (16 mile) Blyde River Canyon, where epic rock formations tower above forested slopes, and birds' eye views abound at the dramatic meeting of the Drakensberg Escarpment and the Lowveld. It's one of the world's largest canyons and one of South Africa’s most impressive natural sights. Most visitors drive along the canyon’s edge, where the Panorama Route (mostly Route 532) offers plenty of viewpoints where you can stop and gaze in awe, including the Three Rondavels, Bourke’s Luck Potholes and God’s Window. If you have enough time, however, the canyon is even better explored on foot, with numerous walking trails. Gaze down on the world's third largest canyon at Blyde River Canyon Nature Reserve . iSimangaliso Wetland Park Best national park for coastline The iSimangaliso Wetland Park, another Unesco World Heritage site, incorporates a broad range of landscapes from the Mozambique border to Maphelane, at the southern end of Lake St Lucia. With the Indian Ocean on one side and a string of lakes on the other, this park protects five distinct ecosystems, covering everything from offshore reefs and beaches to lakes, wetlands, woodlands and coastal forests. Loggerhead and leatherback turtles nest along the park’s shores, and whales and dolphins appear regularly offshore. On land, the park is occupied by numerous mammals, including antelopes and zebras, but the showstoppers are the reserve's 800 hippos and 1200 Nile crocodiles. During the holiday season, big crowds gather on the ocean beaches for everything from diving to fishing. Addo Elephant National Park Best national park for elephant watching The jewel in Eastern Cape's crown is Addo Elephant National Park, South Africa's third-largest national park. It protects what remains of the once-huge elephant herds that used to roam the Eastern Cape. When Addo was proclaimed a national park in 1931, there were only 11 elephants left; today there are more than 600 in the park, and you’d be very unlucky not to see some. A day or two at Addo is a highlight of any visit to this part of the Eastern Cape, not only for the elephants but also for chances to spot lions, zebras, black rhinos, Cape buffaloes, spotted hyenas and myriad birds. This is also one of the few parks in Africa to boast the "Big Seven," thanks to sightings of great white sharks and southern right whales (in season) off the coastal section of the park. Elephants drinking at a water hole in Addo Elephant National Park . Namaqua National Park Best national park for wildflowers Flower-seekers flock to the small, remote Namaqua National Park each spring, when the shrubland and old wheat fields are transformed into vivid color by the annual wildflower bloom. There are short nature trails and drives with viewpoints, and plenty of spots where you can stop to photograph the flowers. For the rest of the year, the national park is largely forgotten, although that does make it a peaceful place for a hike. It's also a good destination for birdwatching, home to many small, colorful bird species. Most Dangerous Animals In South Africa That Are Deadly With a wide range of unique ecosystems and animals, South Africa is one of the most diversified nations in the world. There are many unusual animal species that most people are unfamiliar with that can be found in South Africa. Hippos, black mambas, African buffalos, and, shockingly, mosquitoes are only a few of the most dangerous animals in South Africa. This article lists the top 15 dangerous wildlife in South Africa along with some practical safety advice in case you ever find yourself in their habitat. Contents show What are the Most Dangerous Animals In South Africa? Here are 15 dangerous animals that you should know about before going to this beautiful country: 1. Hippopotamus Habitat: Water bodies; rivers, lakes, mangrove swamps, freshwater habitats, and estuarine waters. The biggest hippos concentration may be in South Africa, particularly in the iSimangaliso Wetland Park. They are the most dangerous animal you will encounter in the nation because of their extreme aggression toward people. Their territorial nature prevents them from tolerating humans approaching them or their habitat. In Africa, hippopotamuses are thought to claim the lives of 500 humans annually. This borderline deadly animal frequently makes headlines for the wrong reasons, such as when it viciously mauls defenseless people or snaps a boat in half with its strong jaw. A hippo is alleged to have murdered three adults and badly injured a kid in South Africa in 2015. 2. Cape Buffalo (also African Buffalo) Habitat: Coastal savannas, mountains, woodlands, swamps, lowland floodplains, meadows, wetlands, etc. The Cape buffalo is the largest bovine native to South and East Africa, often known as the “Inyati.” Because they are so harmful to people and animals, they are frequently referred to as the “Black Death.” Each year, 200 individuals are said to die as a result of their attack. The Cape buffalo spread some epidemic diseases, including rift valley fever and bovine tuberculosis. Avoid strolling beside a Cape buffalo since it is nearly hard to stop one once it starts charging at you. 3. Black Mamba Habitat: Rocky hills, lowland forests, semi-arid savannas, light and open woodlands, scrub, mountain peaks, etc. Fun fact: A black mamba’s skin can be gray, brown, or olive. They are so named because when they feel threatened, the inside of their mouths turns blue-black. The black mamba is a poisonous snake that is indigenous to Southern Africa and is regarded as the deadliest snake in the world. Naturally shy animals, black mambas almost always try to flee when approached. However, if cornered, these snakes will become aggressive and strike repeatedly. You may want to avoid conflict with them because they are extremely quick snakes that can move at rates of up to 12.5 miles per hour. 4. Mosquito Habitat: Water, forests, plants, trees, tall grasses, artificial structures, ponds, swamps, marshes Probably the most harmful animal in Africa is the little mosquito. Each year, they infect more than 70 million people with various potentially fatal diseases like Yellow, dengue, West Nile, Zika, and malaria. The number of malaria cases worldwide increased from 229 million in 2019 to 241 million in 2020, according to the most recent World malaria report. The expected number of malaria-related deaths was 627,000 in 2020. There is a risk of contracting malaria, a potentially fatal illness, from these insects in various parts of South Africa. The far north of Kwa Zulu-natal Province, which borders Mozambique, White River, and the northeastern Province of Limpopo, are among the nation’s high-risk locations. 5. Lion Habitat: Open plains, thick bush, savanna, shrublands, grasslands, dense scrub, dry thorn forest. Throughout history, people have revered the beautiful South African lion as representing strength, courage, and power. They are the largest and friendliest of all African cats (they once roamed Europe, Asia, and much of Africa.) The lion subspecies in South Africa are called the Southern African lions, Panthera leo melanochaita. They are the remaining lions in South Africa that can still be seen in the wild in some parts of the country after the Cape lion was essentially driven to extinction in the 1860s. There are over 13,000 lions in South Africa, but only about 2,300 are wild; the rest are in game reserves and captivity. The 19,623 square kilometer Kruger National Park is one of Africa’s largest game reserves and is situated in the northeast of the country, near the borders of Zimbabwe and Mozambique, and is home to the majority of wild lions in South Africa. Smaller populations can be found in the Addo Elephant National Park in the Eastern Cape (about 25), the border region with Botswana (about 40), and Hluhluwe-Imfolozi Park in KwaZulu-Natal (about 120). Despite their reputation for being extremely violent, lions usually avoid hunting people when they encounter them. Nevertheless, lions have been killing people in the wild, particularly when starving. The lion may also strike if it feels threatened and aggravated by the human. The sad event when an American woman was killed by a lioness that came at her through the car window while trying to capture some shots while on safari in South Africa in June 2015 serves as a warning that lions are apex predators that prey on people. 6. Nile Crocodile Habitat: Brackish streams, dams, freshwater, flowing rivers, mangrove swamps, tidal lakes. The Nile crocodile is one of the most dangerous creatures in South Africa. It naturally occurs in the nation and is a fearsome freshwater predator, maybe the second-largest living reptile in the world after saltwater crocodiles. They can attack and kill practically any animal that comes into touch with this violent kind of crocodile. The Nile crocodile has a ferocious bite that is unmatched by any other animal and may kill or seriously injure large prey. The Nile crocodile is a dangerous crocodilian species that kills hundreds of people yearly. They are among the largest reptiles on Earth, and their size makes them extremely dangerous when provoked, even though they are not hostile toward humans unless provoked first. It is better to avoid provoking them because they can eat and swallow people whole if given a chance. 7. Transvaal thick/fat-tailed scorpion Habitat: Sand, shrubs under rocks and logs. One of the largest scorpions in South Africa is the Transvaal thick-tailed scorpion, which is found in the provinces of KwaZulu-Natal, Limpopo, and Gauteng. It can reach a maximum length of 90 to 140 millimeters and have a thick, prolonged tail. The thick-tailed scorpion has lighter pincers and is often dark brown to black. It lives in a bushveld habitat, typically found under rocks, logs, and other debris. The South African thick tail and enormous deathstalker are other names for this big species of scorpion. Although the kurtoxin venom of the Transvaal thick-tailed scorpion is extremely dangerous, it also has significant medical use. It is one of the deadliest in Southern Africa and has a neurotoxic venom that, if left untreated, can kill. 8. Sac spider Habitat: Forest, under vegetation, bark, debris, etc. Because they consume flies and mosquitoes, spiders may appear harmless to people, yet some species can bite you painfully. There are certain venomous spiders in South Africa. Their bites can aggravate existing medical conditions in some persons, especially the elderly, children, and those with compromised immune systems and allergies. According to legend, sac spiders are the most dangerous spiders in South Africa. They are extremely toxic and aggressive spiders that can seriously hurt people. Their venom can also have harmful effects on cells and nerves. Although sac spiders are to blame for 70–80% of all reported spider bites in South Africa, they have not been connected to any significant cases of spider envenomation there. Keep your environment clean and regularly to prevent the sac spiders from spotting a place to hide. Please ensure a booster tetanus shot if you are ever bitten by one. 9. Puff Adder Habitat: Savannas, grasslands Due to its widespread distribution, frequent appearance in densely populated areas, and aggressive nature, the clever Puff Adder is considered the deadliest snake in Africa and is to blame for most snakebite fatalities in the continent. It is widely accessible in South Africa. The average length of a puff adder is around 1.0 m, while larger species can grow up to 190 cm in total length. Male puff adders are often larger and longer than females. The average length of a puff adder is around 1.0 m, while larger species can grow up to 190 cm in total length. The color pattern of a puff adder differs depending on where it is found, but you can identify one by the two distinct dark bands on its head—one on the crown and the other between the eyes. It is a slow-moving snake species that hides via camouflaging, yet it may move at a startlingly fast rate when irritated. Despite having less toxicity than a black mamba, puff adders bite more people and result in over 32,000 fatalities yearly. Because it will puff out its body to appear larger than it is when directly threatened by a predator or a person, this gigantic snake earned its moniker. The puff adder was given the scientific name arietans, which means “striking violently,” by the German naturalist Blasius Merrem in 1820 because, during a strike, the puff adder moves so quickly and strikes its prey with such a powerful force with its long fangs penetrating deeply, that preys are frequently killed by the physical trauma alone. This species’ bites can cause serious local and systemic symptoms in humans. Bite symptoms can be categorized into two groups, those with little to no surface extravasation and those with hemorrhages visible as ecchymosis, bleeding, and swelling, depending on the severity and type of local effect. Both situations involve excruciating pain and tenderness, but the latter also features compartment syndrome and widespread superficial or deep necrosis. Serious bites result in substantial bleeding or coagulation in the afflicted muscles, which causes limbs to become immovably flexed. Humans may also experience shock, edema, watery blood seeping from puncture wounds, nausea, vomiting, subcutaneous bruising, blood blisters that may form quickly, and painful swelling of the local lymph nodes in response to bites. In most cases, swelling goes down within a few days, except for the region next to the bite site. Additionally, reported symptoms include hypotension, weakness, wooziness, and moments of semi-consciousness or unconsciousness. Necrosis spreads if it is not carefully managed, causing muscle, skin, and subcutaneous tissue to become detached from healthy tissue and slough with serous effusion. 10. Chacma Baboon Habitat: Trees, savannas, sub-desert, steppes, high, rocky outcrops, woodlands. One of the biggest monkey species, the Chacma baboon, is found mostly in Southern Africa, with substantial populations in Mozambique, Namibia, and Botswana. These baboons are so violent and deadly that they don’t get along well with people. They would aggressively retaliate against their predators if threatened. A single glance reveals all you need to know about a Chacma baboon. It can spread some infections to people and is large and frightening. These baboons pose several possible health dangers for people. Even though killings by Chacma baboons of people are sporadic, it is nonetheless possible. 11. Red Lionfish Habitat: Shallow and artificial coral reefs, holes and crevices, tropical waters, and all marine habitats. The red lionfish is a natural component of the coastal ecology of South Africa – It is one of the most invasive creatures on Earth that behaves violently. The fish is easily identified by its venomous spiky fins, which are unusual among reef-dwelling fishes along the American East coast and the Caribbean. This feature serves as a form of protection for the fish, making it challenging for predators to eat it. The highly strong venom from a lionfish’s spiky fins can induce serious allergic reactions in people, including chest pain, a drop in blood pressure, tongue swelling, shivering, nasal congestion, or lightheadedness. Other symptoms include extreme pain, nausea, vomiting, fever, breathing problems, convulsions, dizziness, redness in the affected area, headache, numbness, paresthesia (pins and needles), heartburn, diarrhea, and sweating systemic effects that it may potentially produce. Very young children, the elderly, people with weakened immune systems, and people who are allergic to the venom of red lionfish are more likely to die. Even though their venom seldom kills healthy adults, some species contain enough venom to cause excruciating pain for several days. The lionfish is quite dangerous, despite being stunning with a body color that acts more as a warning than a plea for human friendship. 12. Black Rhinoceros Habitat: Tropical and subtropical grasslands, savannas, bushlands, mountains, moorlands, dry forests, deserts, and xeric shrublands Nearly 98% of the black rhino population, popular in South Africa, is concentrated in just four nations: Kenya, Namibia, Zimbabwe, and South Africa. Currently, it is thought that the Black Rhino species faces a major threat. Actually, only three of the four subspecies of black rhinoceros remain on the planet, with the West African black rhinoceros being officially declared extinct in 2011. Although black rhinos are smaller than white rhinos, adults can still grow to a height of 1.5 meters and weigh 1.4 tonnes. The black rhino is different from the white rhino, also known as the “square-lipped” rhino, by having trumpet-shaped and more rounded ears, a smaller head that is typically held high, and a prehensile upper lip (hence the alternate name of “hook-lipped” rhino), which it uses to feed on various herbaceous plants and twigs of woody plants (they have a particular liking for acacias.) Rhinos can defend their territory. However, they are rarely violent until provoked. They may protect themselves by charging if they feel threatened. Both black and white rhinos will retaliate by attacking anyone they see as a threat, but black rhinos are far more aggressive than white rhinos. 13. Black Widow Spider Habitat: Dark areas; crevices and woodpiles, hollow logs, loose barks, trees, bushes. In South Africa, black widow spiders are prevalent, especially in the Western Cape. They are not particularly aggressive spiders, but if threatened or mistreated, they may bite as a last resort. In contrast to the male widows, which have too-small mouthparts, the female black widow has long, sharp fangs that may puncture human flesh. A black widow bite may not hurt right away, but with time, the pain will spread up your limbs to your lymph glands. The bite will significantly impact blood pressure, resulting in weakness, leg pain, cramps, stiffness of the abdominal muscles, and profuse sweating. Make sure you go to the hospital to get treated if the dreadful black widow spider bites you. Even though black widow bites can be fatal, no deaths have been recorded in South Africa in the past 50 years due to the rarity of these attacks. 14. African Elephant Habitat: Tropical forests, grasslands, wetlands, shrublands, savannas The largest terrestrial animal at the moment is the African elephant, which may weigh up to 7000 kg. It can crush a person to death with its weight. They can hurt you even though they are primarily herbivores and won’t attack people for food. However, there are man-eating elephants in India, so this isn’t always the case. Human attacks by elephants are becoming more frequent. Elephant assaults on people have occurred 412 times in the last 15 years (2000–2020), resulting in 274 fatalities and 138 injuries. African elephants are typically non-aggressive creatures, although they may attack if they feel frightened, helpless, tormented, or provoked. It is best to stay away from an enraged elephant. 15. Great White Shark Habitat: Temperate coastal and offshore waters. Great white sharks are very dangerous marine mammals that have killed more people than any other shark species. They represent the most significant danger to human surfers in the nation. Reports show that the great white shark murdered six people in 2020.10 Although the reason these sharks attack people is still unknown, a study concluded that this is because great white sharks confuse people for their prey. Due to the presence of seals, which are a white shark’s preferred meal. Dyer island is one of South Africa’s locations with the densest known Great white shark populations. Capetown, Sodwana Bay, and Protea Banks are places where you can find these great white sharks and other large pelagic sharks, so be careful when you are in these areas. South Africa Wildlife Safety Tips In South Africa, many dangerous animals are borderline deadly, so it is vital to follow safety rules while traveling in nature. Some of these tips include: Never approach any wild animal, including predators: Dangerous animals may be unpredictable and aggressive; they can bite, attack, and kill if provoked or threatened. Some of these animals may carry diseases transmitted through bites or scratches from their teeth or claws (such as rabies). Do not run if you encounter a predator: If you have time to think, identify the animal and determine whether it is dangerous or not. If so, do not approach but instead find cover where you can wait until help arrives. Always stay in your car when driving through game reserve areas: If you are driving through a game reserve area, keep your windows up and doors locked. Please do not leave your car to take photos of animals or take selfies with them. If you’re not sure what to do, ask someone who works at the park for advice before heading out onto the road. Do not attempt to feed a wild animal: Do not feed wild animals like spotted hyenas, jackals, etc., as this can make them addicted to human food, which makes them more likely to attack humans. Wild animals are not pets and should not be treated as such. Keep your distance! Avoid swimming in crocodile-infested rivers or lakes: The Crocs are very aggressive and will attack you if they feel threatened by your presence. Frequently Asked Questions Are there any dangerous animals found in South Africa? South Africa is renowned for its naturally stunning landscapes and for having a sizable area of wildlife-rich protected land. South Africa is home to a wide variety of animals and insects, some of which are fairly harmful. The African buffalo, great white shark, brown widow spider, boomslang, Gaboon viper, common ostrich, bearded vulture, and others are examples of these hazardous animals. The Big five are quite significant. This phrase, which is synonymous with safaris, exudes a strong sense of adventure and excitement. What are the big 5 then? This is a reference to some of the most hazardous animals in Africa, such as Cape buffalo, African lions, leopards, and rhinoceroses. Big Five safaris in South Africa What Are The Big 5 Animals? The Big Five animals of Africa: the African Elephant, Cape buffalo, black rhinoceros, African lion, and African leopard. The term Big Five was initially used to refer to the five most difficult and dangerous African animals to hunt on foot. The term was coined by ‘gentlemen hunters’ who moved to Africa in search of the wildlife trophies. The animals included the African elephant, Cape buffalo, black rhinoceros, African lion, and African leopard. The hunting of these magnificent beasts has often led to the serious injuries and death of the hunters. Following the independence of African states, the term was increasingly used by the tour companies and governments to promote tourism in their respective countries. They are also the target of conservation efforts due to declining populations and habitat destruction. 5. African Elephant The elephant is the largest land mammal and is known for its brute strength. The animal’s characteristic features include a long trunk, large head, tusks, and wide and flat ears. They are found across a wide variety of habitats including savannah, grasslands, swamps, highlands, and forests. A seasoned hunter will typically be on the lookout for recently fallen trees while tracking these beasts. Today, about 450,000-700,000 elephants roam the African continent up from an estimated 100,000 that were recorded at the turn of the century. The increase in population has been as a result of serious conservation measures such as the ban of poaching and fencing of habitats. While hunting elephants is generally frowned upon, officials from countries such as Zimbabwe have argued that capital raised from hunting licenses are critical to the funding of conservation projects. 4. Cape Buffalo The Cape buffalo, also known as the ‘black death’ among hunters, is a wild herbivore with similar characteristics as the domestic cow. This magnificent animal measures between 8 feet and 11 feet from head to tail and has a greyish-black hide that is often riddled with scars from previous fights and encounters with predators. They are mainly found along river beds and plains. The animals usually move in herds and congregate to fend off predators. Cape buffalos are not considered endangered as there are 900,000, most of which are in protected areas. Hunting of buffalos has caused little stir in the conservation world due to their stable population with experts only advocating for sustainable hunting practices. 3. Black Rhinoceros The black rhinoceros is a large herbivore with two horns on its naval bridge. It is smaller compared to the white rhino which has a square lip. The rhino is a favorite among game hunters and tends to charge aggressively at their attacker. Obtaining a hunting license is extremely difficult because black rhinos are classified as critically endangered species. There are around 5,000 rhinos which can be found in the wooded grasslands and acacia savannahs of Africa. Most of them are found in refuge areas where there are protected from poachers who threaten to drive them to extinction due to the high price of the rhino horn in the black market. Hunting rhinos is a subject to controversy with those in support arguing that the practice raises the capital needed to undertake conservation projects. 2. African Lion The lion is a large muscular carnivore in the cat family and is the most feared predator on the African savannah. A male lion has a mane on its head, neck, shoulders, throat, and chest area. A mature lion is 6-7 feet long excluding the tail. Lions are found in grasslands and dense scrubland. Hunting a lion can be extremely dangerous as they are known for their cunning predatory skills and unpredictability. Today, lions are considered endangered with a population of just 20,000 representing a 43% decline in their population in the last two decades. Fencing and the banning of poaching are the primary methods used to protect lions from external threats. Hunting captive lions in countries such as South African has led to controversy with some members of the Professional Hunting Association deeming it unethical for defying the rules of fair chase and endangering the species. 1. African Leopard The leopard is a large carnivore in the cat family that is closely related to the lion. It is around 84 inches long and weighs between 110 to 200 pounds. It is distinguishable by its white and yellowish coat riddled with black spots. Leopards can be found in open grassland and woodland. They are difficult to track and hunt due to their ability to camouflage and stark their aggressor and prey. Leopards can get extremely aggressive when confronted. Leopards are classified as vulnerable due to their decreasing population now set at 700,000. Human-wildlife conflict is the main threat to these animals hence fencing and banning poaching are the preferred methods of conservation. South Africa recently included a 7-year rule to guide the hunting of leopards. The rule has however come under fire with conservationists arguing the rule does little to conserve the species and encourages the unethical vice. Conclusion South Africa is one of the most fascinating places in the world to visit. It has numerous exotic species that live in various habitats all around the nation. It is crucial to abide by the safety precautions recommended in this article if you encounter any of these most dangerous animals in South Africa. Protecting the Big Five in South Africa The Big Five are a big deal. Synonymous with safaris, this term carries with it a distinct whiff of excitement and adventure. It wasn’t always about merely spotting animals, however – the phrase goes back to the Colonial Era and was once a hit list rather than a safari checklist. So, what are the Big Five and how did these animals come to be revered above the rest? Introducing the Big Five Big Five refers to African lions, leopards, rhinoceros, elephants, and Cape buffalo. The phrase today is usually used to market safaris, but was first coined by big-game hunters more than 100 years ago. In the nineteenth and early twentieth centuries, everyone from European royalty to American presidents wanted to bag an African hunting trophy. The larger and more unpredictable the beast, the better – which is how the Big Five became famous. The Big Five may be dangerous, but they aren’t invincible. African lions , leopards , and elephants are all classed as Vulnerable by the International Union for the Conservation of Nature. The black rhinoceros is Critically Endangered and the Southern white rhino is Near Threatened, while the Northern white rhino is on the verge of extinction. The Cape buffalo is of the least concern in terms of conservation, but this also makes it the most popular animal to hunt. Hunting, poaching, and habitat loss combined mean the Cape buffalo’s population is also on the decline. Where can you find the Big Five? South Africa is a premier destination for viewing the Big Five . Around 80 percent of Africa’s remaining wild rhino population live in South Africa, according to CITES, along with an elephant population of approximately 12,000 – a major recovery from a mere 120 in 1920. There are roughly 20,000 lions left in South Africa (down from 200,000 at the turn of the twentieth century), while leopard numbers are estimated at around 4,500. Tourists have a good chance of seeing the Big Five in many of South Africa’s national parks and private reserves. To get a closer look and better understanding of the Big Five, a volunteer program is a great alternative to a safari. Volunteering in a wildlife reserve in the Kruger Area will give you plenty of opportunities to observe the animals in their natural habitat. No safari tour can compare to monitoring the behavior of elephants and rhinos alongside an expert conservation team! The Big Five then and now: How has game hunting changed since colonial times? There is still an active trade in legal hunting in Africa . South Africa is the biggest game hunting destination in the world. This practice however has undergone significant changes in implementation and public perception over the last century. Four of the Big Five can be hunted in South Africa – the Department of Environmental Affairs (DEA) banned leopard hunting in 2016. A lioness is typically the cheapest of the ‘set’ to bag, costing around $9,000 to hunt, while a white rhino can cost more than $125,000, says a report by the Natural Resources Committee. Back in colonial times, big game hunting had connotations of aristocracy and glamour. Today, game hunting still belongs to the elite and privileged, thanks to the hefty price tags, but for the most part associations of prestige and sportsmanship have been stripped away. Outside of hunting cliques, public opinion leans towards disgust over the killing of the Big Five. Given the widespread disapproval and population perils facing the Big Five, game hunters have shifted the way they present the practice. Supporters insist that hunting is helping to protect, rather than destroy, the animals. The Influence of Big Five game hunting on South Africa’s economy and conservation Remember Cecil the lion? This big cat’s death and subsequent photo of a dentist gloating over his body triggered outrage around the world and deeper examination of big game hunting in Africa. Arguments surrounding modern game hunting are heavily polarized. Defenders of game hunting say it can aid conservation efforts by generating revenue necessary to protect animals and their habitat – in many areas, land would be used for agriculture if it wasn’t for commercial hunting. Hunters also argue that they are helping to control animal populations and support local communities by providing jobs and income. This in turn could motivate people to protect animals from poaching. Critics argue that minimal profits reach local communities, and that whether or not hunting supports conservation relies on the appropriate management of funds raised and sustainable allocation of animal quotas. Inadequate monitoring makes these factors difficult to control. Either way, trophy hunting is big business in South Africa . According to Africa Check, around 8,500 trophy hunters visit South Africa each year, compared to 9.5 million tourists. These hunters spend more than the average tourist, averaging around $10,000 per hunting trip. Trophy hunting generates an estimated $100 million a year, says South Africa’s DEA. Game hunting might help conservation when managed appropriately, but there are ways to help the Big Five that are much more appealing to animal lovers. What can you do to help preserve the Big Five? Wildlife lovers can assist in conservation efforts, either as tourists or volunteers. Tourists who come to shoot the Big Five with a camera lens rather than a weapon play an important role in conservation. The safari industry generates income to protect parks and reserves, provides jobs for locals, and incentivizes wildlife conservation . Volunteering with animals in South Africa is an even more direct way for you to help in thier conservation. Wildlife conservation centers and safari reserves act as hubs for education, provide refuge for orphaned and injured creatures and facilitate breeding programs to ensure the future of the Big Five. Volunteer program fees at these centers contribute toward running costs, and volunteers themselves return home as ambassadors for animal conservation. Sound good? We might have just the ticket for you. GoEco’s Big Five Volunteer Programs GoEco offers several options for animal lovers keen to enounter the Big Five in an ethical and sustainable way. You can choose to carry out research on elephants , contribute to wildlife conservation efforts by adding your own snaps to a photographic database, or geo-track elusive species . Each project is structured around learning more about and protecting Africa’s unique and beautiful animals. Volunteering in South Africa is a great opportunity for personal and professional growth. You’ll develop practical skills and gain comprehensive wildlife knowledge, all while living in some of the continent’s most stunning wilderness areas. If you’re feeling the call of the wildlife and want to get directly involved in Big Five conservation, reach out to us today to find out more about volunteering with South African animals. Sources: http://www.cites.org/sites/default/files/eng/cop/11/prop/20.pdf http://www.panthera.org/cat/lion http://africacheck.org/factsheets/factsheet-how-much-does-hunting-contribute-to-african-economies/ http://iopscience.iop.org/article/10.1088/1748-9326/aa854b/pdf http://www.savetherhino.org/rhino_info/rhino_population_figures http://conservationaction.co.za/resources/reports/effects-trophy-hunting-five-africas-iconic-wild-animal-populations-six-countries-analysis/ http://www.nytimes.com/interactive/2015/08/10/world/africa/africa-big-game-hunting.html http://conservationaction.co.za/resources/reports/effects-trophy-hunting-five-africas-iconic-wild-animal-populations-six-countries-analysis/ http://www.thedodo.com/does-hunting-help-conservation-1389284014.html http://en.wikipedia.org/wiki/Big_five_game http://businesstech.co.za/news/lifestyle/127055/how-much-it-costs-to-hunt-the-big-five-in-south-africa/ http://www.reuters.com/article/us-safrica-leopards/big-5-off-the-cards-as-south-africa-closes-2016-leopard-hunting-season-idUSKCN0WF07C

THE VOORTREKKERS The Battle - Andries Pretorius and his men advance After the fall of Port Natal Port Natal Andries Pretorius arrived from Graaff-Reinet. On 25 November 1838 Pretorius took over leadership as Commandant-General of the Voortrekkers in Natal. He immediately re-organised the Voortrekkers and started to prepare a retaliatory attack on the Zulu. On Sunday, 9th December, Pretorius and his followers made a vow to God that in the case of victory; they would build a church to honour God and they would tell there children to observe a day of thanksgiving. (Recent research has put a question mark over the vow and its existence as 'thanksgiving' was not commemorated in the years immediately following the battle, but the church was built). The Pretorius party crossed the Ncome (Buffalo) River, and on Saturday 15 December, they reached a tributary (Thukela). Their scouts reported that a large AmaZulu force was advancing (10 000-20 000 Zulu warriors). The Zulu army was led by Dingane's generals Dambuza (Nzobo) and Ndlela kaSompisi. After the scouts had given the warning the Voortrekkers moved there wagons into a laager (circular formation) in the best strategical position possible, between a deep pool in the river and a donga (a large ditch). The Voortrekkers force consisted of 470 men. There were only two gaps in the laager and in each, a canon was placed. 16 December 1838: The Battle At dusk on the 15th December the Amazulu had already begun to circle the laager. A heavy mist surrounded the laager and only lifted in the early hours of the morning, this made visibility poor. At dawn on the 16th December 1838 the Zulu warriors equiped with assagais and shields swept towards the laager. To be able to use their assagais effectively they had to come as close as possible to the defenders. The Voortrekkers were equiped with far superior weaponry and responded to the Zulu advancement with musket and cannon fire. Eyewitnesses and writers differ slightly on the exact details of the battle, but at dawn when the first Zulu attack began, the firing was apparently so heavy that the Zulu warriors could not be seen through the smoke. The main shortcoming of the Voortrekkers weapons was the lengthy reloading times. The first Zulu attack had scarcely been repulsed when a second was launched, this time the Zulu warriors almost reached the laager... Meanwhile hundreds of warriors were hiding in the donga. Sarel Cilliers and 80 others attacked them during a short lull in the fighting. When the Zulu's, who had withdrawn about 50 yards from the laager, failed to launch a third attack, Pretorius sent some men to draw them out to seal the victory. Pretorius' cavalry met with determined resistance from the Zulu Warriors, and it was only after a third sortie that the Zulu's were put to flight, pursued by the Voortrekkers. At midday the pursuit was called off. More than 3000 corpses were counted around the laager. Only, 3 Voortrekkers (including Pretorius himself) were wounded, none were killed. The Ncome River became red with the blood of the slain. Hence the battle became known as the battle of "Blood River". After this defeat, the Zulu kingdom never really recovered. Dingane's half-brother Mpande allied with Pretorius to defeat Dingane, who was eventually killed by the Swazi as he tried to regroup further north. Europeans now increasingly began to dictate the nature of Zulu politics. Timeline of Land Dispossession and Segregation in South Africa 1800-1899 The nineteenth century was a period of several events whose socio-political and economic impact profoundly changed South Africa and the African continent. Colonial conquest and rapid land dispossession was accelerated during this period. Conversely, fierce resistance was launched by African people in response to their loss of land, livestock and political power. As voortrekkers moved away from the Cape Colony to escape British rule, they fought, seized and occupied land while dispossessing Khoi, San and African communities in the process. This opened up the interior of South Africa to further colonial conquest. The British in turn, pursued the voortrekkers by annexing more land and at times even claiming it back from the voortrekkers. In some instances, land dispossession was achieved by stealth through “treaties” which colonists claimed were signed by leaders of communities. The mineral revolution which exploded during the century further contributed to land dispossession as the white colonial government sought to force Africans off their land to become cheap labourers in the newly established mines in Kimberley and the Transvaal. 1803 February, The British returns the Cape Colony to the Batavian Republic. The new administration reinforces the colonial government’s claims to the frontier zone in the east and vows to restore the European dominated social order. Subsequently, the district of Uitenhage is established with Ludwig Alberti as the landdrost and several white farmers who had deserted the area due to attacks by the Khoi and Xhosa return. May, A peace settlement is reached between the Batavian government and Khoisan after the parties fought over issues of land and livestock raids. 1809 1 November, The Caledon Code is promulgated as an attempt to regulate the relationship between the Khoikhoi and the colonists. In terms of the Act, each Khoikhoi within the confines of the colony had to have a fixed place of residence and carry a valid passes should they move from one place to another. 1811-12 The British assisted by about 700 men of the Cape Regiment drive an estimated 20 000 Xhosa people, men, women and children over the Fish River from Zuurveld in the Fourth War of Dispossession. They then establish 27 military garrisons along the River to prevent Xhosa people from returning and station more British troops in Grahamstown and Cradock. 1813 The freehold land tenure under a perpetual quitrent system is introduced. It replaces the old system of the loan farms. 1814 Cape Governor Sir John Cradock changes the system of land tenure from leasehold to freehold for white farmers. Prior to this period, farmers paid little for the land nor made major developments as they recognized that they did not own the land. This measure was introduced to allow for a denser population of white people on the eastern border to act as buffer against black people. 1817 Lord Charles Somerset meets the Ngqika, a Xhosa chief, at the Kat River and is forced to cede land between the Fish and Keiskamma Rivers to the British. 1818 The British invade Xhosa territory by attacking Ndlambe and seize 23 000 cattle marking the outbreak of the Fifth War of Dispossession. Subsequently, those Xhosa people whose cattle had been seized rally behind Makhanda ka Nxele who leads an attack of 6000 warriors on Grahamstown. 1825 Landdrost Andries Stockentroom begins issuing temporary permits allowing white farmers to graze their livestock north of the Orange River, but they are not allowed to trade or erect buildings. This changes later in the decade as farmers stop asking for permission and simply inform the magistrate. 1828 Ordinance 49 of 1828 is passed. The Ordinance allows the government to source labourers from ‘Frontier Tribes’. All black workers were given passes for the sole propose of working and all contracts over a month long were to be registered. 1829 January, Maqoma raids Bawana a Thembu chief forcing the latter’s followers to flee across into territory seized by the colonists. Stockenstroom orders the expulsion of Maqoma from the Kat River Valley and establishes a settlement for landless Khoikhoi to create a buffer zone between the Xhosa and white settler farmers, and to consolidate territory seized by the colonists. Maqoma responds by increasing cattle raids on white farms forcing them to informally allow him to return to the territory. 1834-35 21 December, The Xhosa launch an attack on the British after Xhoxho was injured by a British patrol sparking the Sixth War of dispossession. Other long standing grievances such as loss of land, cattle also fuel the rebellion. A massive herd of 276 000 stock was seized by the Xhosa fighters and 456 farms are destroyed. The British retaliate and later murder Hintsa, and Colonel Harry Smith annexes the area between Keiskama and Kei renaming it Queen Adelaide Province. 1835 May, Benjamin D’Urban proclaims the annexation of what he called Queen Adelaide Province which was land extending to the Kei River, and announces his intention to fight the Xhosa and expel them across the river. He appoints Harry Smith to incorporate African chiefdoms into the newly proclaimed province. 1836 October, The British abandon their annexation of the Queen Adelaide Province and hand the seized land back to the Xhosa. 1837 The voortrekkers under the leadership of Hendrik Potgieter defeat the Ndebele under Mzilikazi at the Marico River and seize vast tracts of land between the Limpopo and Vaal Rivers. 1838 16 May, The voortrekkers led by Andries Pretorius fight and defeat the Zulu at the banks of the Ncome River (“Battle of Blood River) and dispossess them of their land. Subsequently, they establish the Republic of Natalia. 1845 Two parties of voortrekkers arrive near areas settled by Pedi people and establish a settlement at Ohrigstad. 5 July, King Sekwati and Boer leader Hendrik Potgieter ‘sign’ a peace treaty. The treaty becomes a subject of dispute between the Boers and Pedi. The former claim the treaty gave them full ownership and title to a large area of Pedi lands, while the latter claim treaty merely allocated land on which trekkers could settle without relinquishing his people’s ownership to the land. When trekkers offer cattle as payment to acquire more land to establish a farming settlement Sekwati refuses their offer. 1846 A Land Commission is appointed to demarcate locations for Africans in Natal. The commission recommends that seven large locations be set apart for the settlement of black people.As a consequence, Theophilus Shepstone the Commissioner of Native Affairs moves an estimated 80,000 African people to 'Locations' in different parts of the country. 26 July, King Mswati signs a treaty with voortrekkers as a way of protecting his kingdom against Zulu invasion. He grantstrekkers the right to lands bounded by the Oliphants River in the North and the Crocodile and Elands River in the South. The land covered areas settled by the Pedi, Ndzundza Ndebele and several Sotho speaking groups. 1847 The British colonial administration displaces the Korana and /Xam from their lands to increase grazing pastures for sheep. This results in the raid of the settler farmer’s livestock by the Korana and other San groups whose lives had been disrupted. 1848 10 February, A Land Government Commission established during the year states that the extent of land recommended by the 1846 - 47 Commission is excessive. The commission apportions land to white settlers. 1850 Sir George Grey confiscates land from black African people leaving them to search for work in farms. 1852 The British under Sir George Cathcart attack the BaSotho under king Moshoeshoe. 1853 November, A resolution taken by the Volksraad enables District Commandants to grant land for occupation by Africans on condition of ‘good behaviour’. However, the under the resolution there was no individual title, Africans had to use the land communally, chiefs were regarded as trustees of the tribe. However, power over the land still remained the hands of the white government. 1855 18 June, Resolution 159 is adopted by the Transvaal government. It prohibits anybody who was not a burgher from owning land and also prohibits Africans from having burger rights. 1856 Voortrekkersdeclare an independent Zuid-Afrikaansche Republiek (ZAR) and lay claim to the Transvaal and the land up to the Limpopo River. 1857 29 April, Lieutenant General Scott issues a Proclamation offering vacant crown lands which are between 300 and 3000 acres. This increases land speculation by white settlers who in turn after purchasing the land lease it to Africans at yearly rental of five shillings. 1858 The First Basotho Boer War breaks out as avoortrekkercommando attacks Thaba Bosiu. In response, the Sotho mobilise an army of 10 000 warriors who raid unprotected settler farms and defeat the voortrekkersand force them to retreat. The Tlhaping /Kora of the Tswana ethnic group raid outlaying Boer farms sparking retaliation by the voortrekkers, who in turn seize thousands of cattle, behead a Chief and carry away women and children as apprentices. 1864 April, The Natal Native Trust is created enabling the British colonial government to place under its control all the unalienated location land in Natal. This land was to be held in trust for the African population with the Executive Council of Natal acted as trustees. 1865 J.H Brand launches an attack on Thaba Bosiu but the voortrekkers are repulsed. They then besiege the Mountain and resort to a ‘scorched earth’ policy burning crops, villages and seizing livestock. King Moshoeshoe refuses to surrender and appeals for British protection. 1866 The voortrekkers go to war with the BaSotho in order to seize the fertile Caledon Valley, and defeat the BaSotho. They force them to ‘sign’ the Treaty of Thaba Bosiu under which the BaSotho lost all of their land north of the Caledon River, and a large area in the northwest. June, Thirteen beacons are erected to fix a boundary between Swaziland and the South African Republic taking some of the kingdom’s land, and despite objections by the Swazi, the beacons become a recognized boundary which was accepted by both the voortrekkers and the British. 1867 Village raids of the Venda conducted by voortrekkerarmies in the Transvaal spark a rebellion led by king Makhado. The voortrekkersare defeated and pushed out of lands which they had occupied. Makhado also destroys the settlers’ settlement at Schoemansdal. War breaks out between BaSotho and voortrekkersafter king Moshoeshoe refuses to give up land to them. 1868-9 The first Korana rebellion breaks out after /Xam speaking San groups joined forces with the Korana to halt the advance of the white settler famers who were increasingly taking over their land and grazing pastures. 1870 February, Ruiters and 25 followers are captured bringing to an end active operations against the Korana. All three captured chiefs, Kivido, Rooy and Ruiters are tried, convicted and imprisoned on Robben Island. 1876 July, The South African Republic declares war on the Pedi which ends in defeat for the Afrikaner owing to combination of Pedi ingenuity and division within the combined Afrikaner force. 1877 The British occupy the South African Republic and in terms of the Article 21 of the Pretoria Convention appoint a Commission to investigate land ownership by Africans. Amongst its members are S.J.P. Kruger, Vice-President of the Transvaal State, George Hudson, British Resident, and H.J. Schoeman Native Commissioner for Pretoria and Heidelberg. The Committee recommends that Africans can purchase or acquire land in any manner; however the transfer of that land should be registered on their behalf in the name of a Native Location Commission. The Second Korana War which lasts until the following year breaks out around the Orange River after the Korana and San launch livestock raids on settler farms. Subsequently, more Korana chiefs are arrested and imprisoned on Robben Island, and the British propose to enlist the landless communities as servants. 1878 Xhosa people who had settled in the Prieska region south of the Orange River, ally with the Kora and San to launch an attack on white farms in the southern districts of Griqualand. As the attacks spread they are joined by the Griqua and Tlhaping. Loss of land to white settlement and loss of authority by chiefs over their own people were primary causes of the rebellion. July, The colonial forces launch an attack and quell the rebellion Xhosa, Kora and San rebellion. 1879 Zulu warriors defeated the British in 1879 at the Battle of Isandlwana 22 January, The British forces are defeated by the Zulu impis at the Battle of Isandlwana. 28 November, The Pedi under the leadership of Sekhukhune are defeated by British forces leaving about 1000 Pedi warriors dead. Sekhukhune is captured and imprisoned in Pretoria. The Cape government annexes Fingoland (Mfenguland) and Griqualand west which constitutes two thirds of the territory between the Cape and Natal. 1882-3 White farmers lay a siege of Ndzundza-Ndebele for nine months who when faced with starvation are forced to surrender. Their fertile lands are seized and divided among the voortrekkers. Each war participant is given five families to use as servants who work for little or no pay on the farms. 1885 Gcalekaland and Thembuland are incorporated into the Cape Colony. 1887 After defeating the Zulu warriors at the Battle of Ulundi, the British formally annex Zululand to pre-empt simmering threat of the Zulu people fighting back to recover the loss of their territory. The kingdom is broken up into 13 chiefdoms by Garnet Wolseleyand placed under different chiefs each with a British resident. 1891 Squatting on crown lands by black people was prohibited by Volksraad Resolution No. 359. 1894 The Glen Grey Act (No. 25 of 1894) is passed. Under the Act, the alienation and transfer of land was to be approved by the governor. Subletting or subdivision of the land was prohibited and the principle of ‘one man one plot’ was to be applied, thus the rest of the people who were not allocated land were forced to go and find work out elsewhere. Although declared in the Glen grey District, itis immediately extended to the Transkeian districts of Butterworth, Idutywa, Ngqamakwe and Tsomo by Proclamation No. 352 of 1894. The Cape government incorporates Pondoland along the east coast. 1895 British Bechuanaland passes into the hands of the Cape Colony. The Act of Annexation makes special provision that no lands reserved for the use of Africans in the territory were to be alienated. Law No. 21 of 1895 prohibits farmers from employing more than 5 African householders on one farm without government permission. However, this proves to be ineffective as Land Companies repeatedly break the law. 1898 Voortrekker commandos underJoubert isolate the Venda chiefdoms and attack them one by one resulting in their defeat. Some of the Venda people are driven across the Limpopo River and their territory is incorporated into the Transvaal. Colonial conquest and resistance, Pre 1900 Several factors seemed to pave the way to apartheid, among them a colonial conquest, land dispossession, economic impoverishment, and exclusion from citizenship of Africans. Part one examines the historical roots of apartheid, from the colonial occupation of the Cape in 1652 through the creation of the Union of South Africa and the period between the formation of the Union and the Nationalist Party coming into power - (1910-1948). Jan van Riebeeck and his expedition of Dutch Calvinist settlers landed at the Cape on 6 April 1652. van Riebeeck had received a commission from the Dutch East India Trading Company (VOC) to establish a refreshment station for passing ships. The station was to supply the ships travelling East, to obtain spices and other goods, with fresh fruit, vegetables and meat. The settlers grew the vegetables and fruit themselves, but meat was obtained through trade with the indigenous population (mainly Khoikhoi) derogatorily referred to as “natives”. From the beginning their relationship with the Khoikhoi was antagonistic and trade with them for slaughter stock soon degenerated into raiding and warfare. In 1657, the colonial authorities started a process of allotting farms to European settlers (“free burghers”) in the arable regions around Cape Town, where wine and wheat became the major products. As the port developed the need for labour increased. In response to the colonists’ growing demand for labour, the VOC imported slaves from Angola, Mozambique, Madagascar, and South East Asia. Soon more Dutch settlers arrived followed by settlers from all over Europe. The colony gradually expanded along a frontier at the expense of the Khoikhoi, Xhosa, and other indigenous peoples, a process similar to the one that unfolded in North America, Australia and New Zealand. Slavery and early colonisation in South Africa In South Africa, destruction of Khoi societies produced an underclass of domestic and farm workers, but their ability to earn a decent wage was severely curtailed by the Dutch East India Company's use of slaves. Little is known of the lives of ordinary people at this time, but archival evidence reveals glimpses of slaves’ struggles against harsh conditions imposed by their white oppressors. Eventually, Great Britain pronounced the emancipation of slaves in the Cape Colony in 1833, but the draconian Master and Servant laws replaced slavery that preserved a social hierarchy in which race closely corresponded to class. Colonial conquest by the Netherlands until 1795, before it fell to the British Crown, before reverting to Dutch Rule in 1803 and again to British occupation in 1806, stimulated limited if uneven capitalist growth. Expansion from the Cape, the Trek Boers and the Great Trek The Great Trek. By the beginning of the eighteenth century, the Cape settlers were expanding their territory northeast. The Trek Boers seeking fresh grazing for their cattle, primarily, led this expansion. These cattle farmers had no fixed dwelling places and many led a semi-nomadic existence, moving ceaselessly between summer and winter pastures. As most trek farmers had large families, the system encouraged swift expansion. The Cape Government had done nothing to hinder expansion inland since it provided a source of cheap meat. As the trekkers’ expansion increased, they inevitably came into conflict with, first, the Khoikhoi and later the Xhosa people into whose land they were encroaching. This marked the beginning of the subjugation of the Tembu, Pondo, Fingo and Xhosa in the Transkei. The Xhosa in particular fought nine wars spanning a century, which gradually deprived them of their independence and subjugated them to British colonial rule. In the towns, tension was also increasing between settlers and the Dutch authorities, with the former becoming increasingly resentful at what they perceived as administrative interference. Soon the districts of Swellendam and Graaff-Reinette pronounced themselves independent Republics, though this was short-lived - in 1795 Britain annexed the Cape Colony. This development and, in particular, the emancipation of slaves in 1834, had dramatic effects on the colony, precipitating the Great Trek, an emigration North and Northeast of about 12 000 discontented Afrikaner farmers, or Boers. These people were determined to live independently of colonial rule and what they saw as unacceptable racial egalitarianism. The early decades of the century had seen another event of huge significance - the rise to power of the great Zulu King, Shaka . His wars of conquest and those of Mzilikazi - a general who broke away from Shaka on a northern path of conquest - caused a calamitous disruption of the interior known to Sotho-speakers as the difaqane (forced migration); while Zulu-speakers call it the mfecane (crushing). Shaka set out on a massive programme of expansion, killing or enslaving those who resisted in the territories he conquered. Peoples in the path of Shaka's armies moved out of his way, becoming in their turn aggressors against their neighbours. This wave of displacement spread throughout Southern Africa and beyond. It also accelerated the formation of several states, notably those of the Sotho (present-day Lesotho) and of the Swazi (now Swaziland). This denuded much of the area into which the Trekkers now moved, enabling them to settle there in the belief that they were occupying vacant territory. Of these Voortrekkers, about five thousand settled in the area that later became known as the Orange Free State (present day Free State). The rest headed for Natal (present day KwaZulu-Natal) where they appointed a delegation, under the leadership of Piet Retief to negotiate with the Zulu King, Dingaan (Shaka's successor), for land. Initially, Dingaan granted them a large area of land in the central and southern part of his territory but Retief and his party were later murdered at the kraal of Dingane. The newly elected Voortrekker leader, Andries Pretorius, prepared the group for a retaliatory attack and the Zulu were subsequently defeated at the famous Battle of Blood River , 16 December 1838, leading to the founding of the first Boer Republic in Natal. The discovery of Gold and Diamonds The discovery of diamonds (1867) and gold (1886) transformed South African from an agrarian society at the edge of world trade into a globally integrated industrial economy, which spurred wealth and immigration and intensified the subjugation of the indigenous inhabitants as well as the conflicts between the Dutch and the British. The mineral revolution led to the quick spread of European colonization into the interior. The period saw the making of magnates and migrants, of millionaires and bankrupts, shopkeepers and entrepreneurs. It also saw the emergence of a new working class, one that was deeply divided along both colour and social lines. Racist laws enabled the white-owned mining companies to control workers, keep wages very low and gain immense profits from the diamonds and gold that black miners extracted from the earth. Most African miners became migrant labourers, spending nine to eleven months of the year in the mines while their wives and children remained in the countryside. The Anglo-Boer War Anglo-Boer War, The Mafeking Siege, Boers surrounded Mafeking, with a Long Tom. 1899-1900. © WITS ArchiveThe Anglo-Boer war. The Voortrekkers in Natal moved northeast after the British defeated them in 1842. They settled north and south of the Vaal River and founded the independent Zuid Afrikaansche Republiek or Transvaal Republic. In 1854, the Contract of Bloemfontein was signed and the Boers founded the Republic of Orange Free State. British sentiment was strongly in favour of uniting their colonies with the Boer Republics into one union and thereby gaining control of the gold mines of Transvaal. The Boers not only opposed this proposal, they resented and resisted British encroachments. On 11 February 1899, war broke out between the two Boer Republics and the two British Colonies (the Anglo-Boer War). On 13 March 1900, the British occupied Bloemfontein, then Johannesburg and Pretoria on 1 September. The Boers continued a guerrilla war, which was countered by the British devastating Boer farms and placing their women and children in concentration camps where some 28 000 died. Although attempts at peace were made as early as March 1900, nothing significant was achieved until 1902. It was only on 31 May that a truce (the Peace Treaty of Vereeniging ) was signed between the Boers and the British. The former eventually accepted the peace conditions, including the loss of their independence. As far as the British were concerned, their victory seemed to pave the way for the establishment of the Union of South Africa. Most rural and urban Black people tried to stay neutral during the war. At the same time, the nature of hostilities made it difficult to avoid getting mixed up in the war, directly or indirectly. As warfare spilled across the countryside, many Black people found themselves in harm’s way. Some were pulled into participating in military operations by the warring sides; others chose to serve in the war effort to escape extreme rural poverty or in the hope of gain or reward. In addition, some became involved in hostilities against the Boers on their own account, defending themselves against invading commandos, seizing opportunities to settle old scores over land losses or harsh treatment, and seizing opportunities to plunder. According to Gilliomee and Mbenga (2007), the Anglo-Boer War (or South African War) remains the most terrible and destructive modern armed conflict in South Africa’s history. It was an event that in many ways shaped the history of 20th Century South Africa. The end of the war marked the end of the long process of British conquest of South African societies, both Black and White. King Dingane ka Senzangakhona Synopsis King of the Zulus (1828 – 1840) First name Dingane Last name ka Senzangakhona Date of birth 1795 Date of death February 1840 Location of death Lebombo Mountains Gender male Dingane ka Senzangakhona was born in 1795 to father Chief Senzangakhona and mother Mpikase kaMlilela Ngobese who was Senzangakhona's sixth and ‘great wife'. [i] Chief Senzangakhona married sixteen women in total and had fourteen known sons, daughters however were not recorded. Very little is known or recorded about Dingane’s childhood or early career. Instead, Dingane enters the record when on the 22 of September 1828 he, with the assistance of his half-brother Mhlangana and servant Mbopha, assassinated his brother and the then Chief of the Zulu – Shaka Zulu . Shaka, the son of Chief Senzangakhona’s third wife, had seized the Zulu chieftainship in 1816, and had thereafter extended the Zulu kingdom. Soon after the murder of Shaka, Dingane had his half-brother Mhlangana murdered and thus rose to the position of Chief of the Zulu. Dingane moved the royal homestead from Nobamba in the emaKhosini valley to a new inland location which he called Mgungundlovu from which he reigned until 1840. Following the death of both Shaka and Mhlangana and Dingane’s subsequent rise to power messages were relayed to neighbouring dependencies, such as the Europeans of Port Natal, to notify them of the change and assure them that the Zulu’s newest Chief was inclined towards peace and would not harm them. [ii] Shaka’s ‘grand army’ at the time was in the north and was due to return shortly to receive the news of their leaders death. Dingane thus recognised the need to assemble his own military support. Since the majority of Zulu men of military age were up north serving in the ‘grand army’ he had little option but to utilize the menials and herdboys who eventually formed the basis of his home guard regiment which he called uHlomendlini, meaning ‘this which is armed at home’. [iii] The regiment comprised of two companies, the younger men being in the Mnyama (black) section and the older men in the Mhlophe (white) section. Dingane was thus well prepared for the eventual return of the Zulu army who received the news in stunned silence. The warriors were promised peace, a life of ease and the enjoyment of their booty. Furthermore, they were promised the right to marry. The majority of the troops accepted these conditions and bowed to Dingane. The marshal of the army, Mdlaka, however objected. Mdlaka was subsequently strangled in his hut and succeeded by Ndlela as army general. ‘Dingane orders the killing of Piet Retief's party of Voortrekkers’ by Richard Caton Woodville, Jr. Source: Suid-Afrikaanse Geskiedenis in Beeld (1989) by Anthony Preston. Bion Books: Printed in South Africa. In 1829, shortly after consolidating his power, Dingane oversaw the relocation of the Zulu capital from the hut-city of Dukuza to the traditional Zulu valley near the Mkhumbane stream. This new capital he renamed Mgungundlovu, meaning ‘the secret plot of the elephant’, which referred to his own plot to assassinate Shaka. William Wood, interpreter to Zululand missionary Reverend Francis Owen, described Mgungundlovu as it was then: “The form of Dingane’s kraal was a circle, it was strongly fenced with bushes and had two entrances. The principal one faced the king’s huts, which were placed at the furthest extremity of the kraal, behind which were his wives’ huts. These extended beyond the circle which formed the kraal, but were also strongly fenced in. On the right-hand side of the principal entrance were placed the huts of Ndlela (Dingane’s captain) and his warriors; and on the left, those of Dambuza (another of his captains) with his men. The kraal contained four cattle kraals which were also strongly fenced and four huts erected on poles which contained the arms of the troops.” [iv] It is recorded that with Dingane in power, increased prosperity actually came to Zululand. The warriors of the Zulu army, who were now able to marry and set up their own homesteads, were gifted cattle and were thus able to settle down and enjoy the fruits of their victories – ‘a country bulging with looted cattle and captured women, who were set to work to till the fields and produce military reinforcements.’ [v] During his reign, Dingane was increasingly involved in trading activities with many of the Portuguese traders from early Port Natal. When on 18 February 1829, Dr Alexander Cowie, a former surgeon from the Cape, and Benjamin Green, a Grahamstown merchant, arrived at Dingane’s Nobamba kraal, they were met by a party of about forty Portuguese traders. The Portuguese traders had reportedly been visiting Dingane in an attempt to re-open trading relations and pay their respects to the Chief of the Zulus. Dingane was known to have on many instances traded heads of cattle and hides in exchange for rifles and gunpowder. On a trading expedition to the Zulus a trader by the name of Isaacs noted Dingane’s respect for both firearms and Europeans: ‘He at once acknowledged it to be his opinion that no power he had could combat with another that used firearms; but added, he did not believe any people could conquer the Zulus excepting Europeans.’ [vi] "Dingane in Ordinary and Dancing Dresses", by Captain Allen Francis Gardiner. Source: Allen Francis Gardiner - "Stamme & Ryke", deur J.S. Bergh, in samewerking met A.P. Bergh. Don Nelson: Kaapstad. 1984. Fearing the devastation that could follow a potential military clash with Europeans, as early as 1830, Dingane sent an expedition to the Cape in an attempt to establish good relations with the British. On 21 November 1830 the group reached Grahamstown and presented four tusks to the Civil Commissioner. John Cane, Dingane’s ambassador, relayed the message that Dingane wanted to live in peace with his neighbours, that he wished to encourage trade and would protect traders, and that he desired a missionary. In January 1832, the government at the Cape finally showed an interest in the affairs of Zululand and sent a well-known explorer Doctor Andrew Smith to investigate more. Smith was well received by Dingane and entertained him with his beautifully dressed women and dancing warriors. Upon his return to the Cape, Smith was reportedly very enthusiastic about Natal and boasted about the greenness and fertility of the region. Thus, in early 1834, the farmers of the Grahamstown and Uitenage region organized a so-called ‘commission trek’ to visit Natal and consider settlement. Twenty-one men and one women, using fourteen wagons, traversed the Natal midlands led by a certain Petrus Lafras Uys. [vii] Nearing the region of Dingane’s capital, the group sent a man named Richard King to meet with Dingane in person and request land. Dingane received the request with interest but demanded that the commission members themselves visit him. There seemed to be countless different obstacles which hindered the commission members from visiting Dingane personally. Uys himself was down with a fever and subsequently sent his younger brother, Johannes Uys, to meet with Dingane. Johannes soon returned with a report that Dingane had allegedly indicated that Natal was vacant and available for European settlement. Dingane and the Voortrekkers An illustration of Dingane’s Kraal by Margaret Cary Image source It was only in 1837 however, with the arrival of the Voortrekkers into the Natal region, that these negotiations would come to fruition. In October 1837 the group of Voortrekkers led by Piet Retief reached Port Natal where they were welcomed by the British ivory traders who occupied the area. On 19 October Retief sent a letter to Dingane as a sign of peace and to inform him that he’d be coming up to Mgungundlovu to discuss the question of land. Retief and the Voortrekkers described Dingane as a: 'robust, fat man, but well proportioned and with the regular features of a well-bred Zulu. There was nothing at all forbidding in his appearance. He was always smiling and was scrupulously clean, being well scrubbed every morning by some of his women in the royal bath, a depression in the ground near his hut. He was shaved every day as well. He hated hair on his head, and one of his women kept him as bald and clean-shaven as a new-born babe, by means of an exceedingly sharp axe. After his toilet, and being well rubbed with fat, he generally spent his day sitting in an armchair attending to business, drinking beer and playing with any new gew-gaws some European visitor might have given him, such as a telescope to watch his people around the kraal, or a magnifying glass to burn holes in the arms of his servants.’ [viii] Upon his arrival, Dingane entertained Retief and his men with dances, feasts and sham fights and discussions regarding the allocation of land commenced. From this point on sources differ greatly. Dingane supposedly declared that he was prepared to grant Retief an extensive area between the Tugela and the Umzimvubu as well as the Drakensberg, on condition that Retief restored to Dingane the cattle stolen from him by Sikonyela (the Tlokwa chief). Dingane felt that this would prove to him that Sikonyela and not the Voortrekkers had in fact stolen the cattle. Some sources claim that Dingane also demanded rifles. With the wisdom of hindsight, it seems that Retief was incredibly naive in his dealings with Dingane. What is also evident is that Dingane had experienced more than enough trouble from the handful of whites at Port Natal and probably never had any intention of allowing a large amount of heavily armed farmers to settle permanently in his immediate neighbourhood. The Voortrekkers obtained the cattle from the Sikonyela as per the deal with Dingane. Retief surrendered the cattle but refused to hand over the horses and the guns he had taken from the Tlokwa. In the meantime, however, Dingane’s agents, who had accompanied Retief to supervise the return of the cattle, reported that even before the land claim had been signed, Voortrekkers were streaming down the Drakensburg passes in large numbers. These allegations allegedly fueled a mistrust between Retief and Dingane. On the 6 February Dingane requested that Retief and his men visit his royal kraal without their guns to drink beer as a farewell gesture. This request was strictly in accordance with Zulu protocol - that nobody appeared armed before the King. Retief suspected no foul play and accepted the invitation. As soon as the Voortrekker party was inside the royal kraal, Dingane gave the order and his regiments overpowered Retief and his men, and took them up to a hill to be executed. Dingane subsequently sent out his warriors to kill the rest of the Voortrekkers awaiting Retief's return from Mgungundlovu. Hundreds of Voortrekkers were consequently killed at Bloukrans and Moordspruit which set off months of bloody conflict between the Voortrekkers and Dingane's Zulus. In response, Voortrekker leaders Hendrik Potgieter and Piet Uys sent out an expedition against Dingane, but were defeated at Italeni. The conflict culminated in the battle at the Ngome River on 16 December 1838, in which the Zulus suffered a severe defeat. The Ngome River was subsequently renamed Bloedriver or Blood River, referring to the deep red colour of the river filled with Zulu blood. The incident became known as the Battle of Blood River . Led by new Voortrekker leader Andries Pretorius , a Voortrekker commando went to Mgungundlovu to confront Dingane. But Dingane had burned down his whole kraal and the Zulus launched an attack on the command at the White Umfolozi River. In the meantime, the British occupied Port Natal (now Durban ). From there, they advanced on Dingane, but were defeated at the Tugela River. Dingane's warriors also attacked the settlement at Port Natal. In September 1839, another half-brother of Dingane, Mpande , defected with many followers to Natal. There, the Voortrekkers recognised his as the ‘Prince of the Emigrant Zulus'. On Christmas Eve 1839, the British garrison withdrew from Port Natal. Almost at once, the Voortrekkers hoisted the flag of the Republic of Natalia and made an alliance with Mpande's supporters to make a joint attack on Dingane. In February 1840, Mpande's forces finally decisively defeated Dingane on the Maqongqo hills. He fled north across the Phongolo River, where it is believed he met his death in the Lebombo Mountains at the hands of the Nyawo and his old enemy, the Swazi. Document 52 - LA. Jordaan, “A Critique of Mr. W. P. van Schoor’s.The Origin and Development of Segregation in South Africa” Discussion, It was during the course of a Memorial Lecture held under the auspices of a Cape Province Coloured teachers' organisation in October, 1950, to honour the memory of one of its members, that Mr. W.P. van Schoor propounded his ideas on a subject which was finally published in booklet form [....] Except for the acclamation of the author as a new historian" by the sponsors of the book, and a brief report on it in the local press, Mr. van Schoor's work passed without comment, discussion or analysis. This cannot surely be the end of a historical work which represents a radical and decisive departure from all the histories hitherto written on South Africa. For here is an author who has boldly undertaken the task of writing a short history from the point of view and in the interest of a general evolution of South African humanity to higher social and political forms. The author himself epitomises the function of historiography in the first and last sentence of his booklet: "A people desiring to emancipate itself must understand the process of its enslavement." [...] the author attempts to explain not only how the present South Africa evolved out of the past, but how the genesis of this country has created the complex and intricate problems, the solution of which falls four-square on the people of South Africa themselves. The book is therefore not merely a matter of academic interest, of historical draughtsman ship and accuracy in the presentation of our historical past. No. The author clearly sees in history the key to the understanding of the present which in turn is the indispensable guide to the future. That is why Mr. van Schoor's work is an entirely new approach to South African history. That is why it demands the attention of all those who are interested in the continued evolution of South Africa. It is indeed a reflection on the inspirers of the Memorial Lecture that, for reasons best known to them, they have remained silent on a work which they merely dismissed by an unwarrantable and meaningless eulogy. Mr. van Schoor has entered a field of study which has up to now been completely monopolised by the official historians in the service of the ruling classes and in the interests of the status quo. [....] In the appraisal of Mr. van Schoor's work I will use the author's own dictum [....] as the yardstick for the critique. Having read the book one must therefore ask oneself the following questions: Do we now understand the process of our enslavement? Do we understand the evolution of modem South Africa and the present national set-up in the light of this work? Do we have a better understanding and appreciation of the manifold problems which face the peoples of South Africa in their democratic strivings? What theoretical and political lessons can one draw from the author's analysis of the process of our enslavement? Does Mr. van Schoor indicate the course of South Africa's future evolution? [....] THE BANEFUL EFFECT OF THE AUTHOR'S ANTHROPOLOGICAL APPROACH TO OUR PROBLEMS 1.The Need for a Social Approach to History Political theory influences our political orientation, poses our practical tasks and clarifies our aims. It is the indispensable guide to political struggle. On the correctness of our theory depends the whole future of the liberatory movement. But what determines our political theory? The most painstaking historical and sociological analysis. Every political in the emancipatory movement, engaged in the interpretation of historical evidence and the assessment of the forces at work in society, must realise the cardinal importance of this work. Documentary evidence is the raw material out of which the historian reconstructs e past to explain the present. But it is impossible to understand the present if one merely regards history as a series of events. [....] it is the fundamental task of the historian to discover the laws and the forces which generate events and which lead to the rise and fall of special institutions. It is on this basis that history becomes a science, id the indispensable aid in the interpretation of the present. And it is on the basis of determining the general laws underlying the social changes that the future becomes predictable. [....] If politics is therefore the expression of fundamental class interests which have their basis in economy, then it is clear that economics is in the final reckoning the determining factor in social change. The question of race and colour, racialism and colour prejudice, while they often tend to have logic of their own, are finally merely the superstructure of basic class conflicts. The temptation every student of South African history should therefore learn to resist is the temptation to conceive of South Africa's evolution and the process of our enslavement in terms of anthropological entities. [....] in South Africa, beset as it is with multi-racial problems, it is a great inducement - incidently the easiest way -to explain the nature of our historical and political problems in terms of race, racialism and colour. For it is precisely in this country that social or class conflicts tend to coincide vim the lines of the race and colour. 2. The Author's Preoccupation with Racial Categories. The greatest weakness of Mr. van Schoor's book from which all its other weaknesses naturally flow is the author's inability to resist the temptation. The result is the other side of the coin of Herrenvolkism from which political poison can and must follow. While the official historians have hitherto attempted - and attempted with some degree of success - to paint the white whiter and the blacks blacker, Mr. van Schoor tries to paint the white black and blacks white. The result is the same. Not only does he not find any difference between the Dutch and the British policies in South Africa, not only does he regard the white workers, the white labour aristocrats and the mining magnates is a homogeneous white mass, but he proceeds on the basis of his racial approach to identify slaves with Hottentots, Hottentots with Bushman and the Bantu with the Cape coloured people. And how does he attempt to effect this? By approaching history in reverse. I am referring to his naive attempt to explain the past in the light of the present national set-up, rather than the present in the light of the past. [....] In his attempt to project preconceived political notions on to the historical past, the author forces historical facts into a political straightjacket and proceeds to write some questionable history. Let me illustrate. As a consistent democrat, the author rightly sees the political need for Non-European unity as the indispensable pre-requisite for the launching of a mass democratic movement. The only honest way of approaching such a question is to dwell on the indivisibility of Non-European oppression which has placed all the racial groups, Coloured, Indians, Malay and African in the camp of the oppressed. But the author seeks to "justify" the idea of Non-European unity by obliterating the lines of distinction between the Non-European racial groups and by transferring this idea into the historical past. Thus he writes that the institution of slavery "has had an extremely bad effect in retarding the Non-European struggle for liberation and is beginning to die out only now among the oppressed Non-European people of South Africa." It would therefore seem that the Non-European as a whole at one time existed in the state of slavery. History, however, has it that neither the Bantu, the Hottentots, the Bushman nor the Cape Coloureds were legally chattel slaves. Only a small percentage of the present black population, namely the Malays and a few Coloureds, has slave anteceÂdents. It was the policy of the Dutch not to enslave the indigenous people of South Africa. How this institution of slavery therefore hampered the struggle for liberation is difficult to understand. A number of anachronisms creep into the book in the author's attempt to explain the slow development of Non-European unity. Thus we hear that it was because of "their relatively privileged position as artisan slaves that the Malay slaves "developed an I attitude of aloofness." As if they had then as slaves to unite with the tribal Bantu groups! As if the need for Non-European unity arose not in recent years but in 1652! Then we are asked to accept the idea that the "bad heritage of subservience and inferiority to the ruling class is due to the "intermediate position of the Hottentots as household servants...together with an isolation from the black workers"! Why the Hottentots should have united with other blacks, and who were tribalists, not workers, then is difficult to understand. [....] 3, The Author's Tribal "Heroes": an Example to Democracy? The black chauvinist is as determined as the white chauvinist to create his stock of national heroes. [....] Thus at a time when the Non-Europeans cannot speak of any national heroes, Mr. van Schoor, in his attempt to give his racial approach to history a sort of moral sanction, turns the wheel of history back to fish out "national heroes" for the Non-Europeans. And from where? From the primitive Bantu and Hottentot tribes! It is difficult to understand why a consistent democrat like Mr. van Schoor should elevate a number of tribal chiefs to the position of "national heroes" and by implication deprecate the dissolution of the primitive tribal societies and the development of industrialism - the indispensable pre-requisite for a democratic society in South Africa. [....] The study of the movements of various Bantu tribes clearly reveals that each tribe was bent on territorial expansion which it tried to realise at the expense of the extermination of another. The Zulu king, Chaka, had during the early nineteenth century extended his domains by a rigorous military system and a terrible discipline. The neighbouring tribes, particularly the Xhosa, were forced to flee in the face of Chaka's expansionist policy and rule of terror. [....] Mr. van Schoor [...] eulogises the work of Chaka who had terrorised Gaika and Ndlambi. [....] One must certainly defend the tribes against the land robbery of the Dutch and the British, but to eulogise and hold up as an example the primitive chiefs is not the work of a modem democratic movement. To the black chauvinist van Riebeeck occupies the same place in South African history as the doctrine of "Original Sin" in theology. It is to this humble servant of a commercial company that all the ills of society are attributable. [....] And what is the upshot of it all? Every evil is laid at the door of the white man. [ ....] SOUTH AFRICA HAD NO FEUDAL PHASE IN ITS HISTORY. 1. The Author Leaves the Door Open for the "Feudal Theory" [...] having developed at a slow tempo under commercial capitalism from a half-way house to a commercial colony, the Africans were rudely torn away from their tribal mode of life and geared to a modem industrial machine as wage earners. The depend-ice of the mines on cheap labour made the task of expropriating the Africans from their tribal lands the unpostponable demand of the incipient capitalists. The disintegration of African tribal life was accordingly effected by taxation and wars and the subsequent need for European coinage and goods. In the course of a few decades after 1870, the Africans were violently hurled into the streams of capitalism by sword and fire. The Industrial Revolution in South Africa gave them no opportunity, no breathing space to settle down with the dissolution of tribal life as private landholders. Under the tremendous impact of capitalism, they were forced and absorbed into the economic veins of capitalism, bearing heavily the scars of tribalism. The Africans knew of no age between tribalism and the cash nexus. It must not, however, be taken to mean that industrial capitalism destroyed every vestige of the pre-1870 institutions. [....] In South Africa the industrialists have judiciously preserved the outer forms of chieftainship, tribal categories and combine and integrated these with modem industrial forms. But this preservation of the shells, ' the relics of the past are not the fundamental characteristics, the essence of the social order. They are mere incidentals, mere reminders of the past. The whole argument in Mr. van Schoor's book, as a few good passages indicate, rids to bear out the above argument. This is the author's best contribution. However, the author's characterisation of the Voortrekker republics, the African labourer and the migratory labour system, he draws certain unwarrantable conclusions which point the existence of feudalism at a certain stage in South Africa's development as well the existence of feudal elements today. One therefore gains the impression that he is living the door wide open for the theory that South Africa is feudal now seeking shelter from the intellectual storms. This makes it necessary to deal with some of his remarks on this subject. For from the theory South Africa was and is feudal, definite political conclusions must flow. On the political plane this theory wears the ballroom dress of the "agrarian" slogan, Thus according to the advocates of this theory, the fundamental political task is to rid society of the feudal stalactites and stalagmites and achieve for the people the full and legal ownership of their land, like the August 4th decrees of the French Revolution. The fundamental demand of the people, according to them, is therefore for land. [....] 2 What is Feudalism? [”¦] Feudalism is a state of society in which the political, economic and legal status of every individual came to be inextricably bound up with a contractual relationship based the tenure of land. [....] In the Boer pastoral communities no feudal system could emerge, because the pastoralists lived in a semi-nomadic state. For feudalism, to quote Franck-Brentano, is agriculture without movement. They held land from the Company on a system of rent, not military, clerical or labour services. The Hottentot and Bantu servants rendered labour services in return for food, not for grants of land. In point of fact, until 1828, the Hottentots could not own land or work a plot of land. Under feudalism, personal services to one's master had to be territorialized, that is, they had to be accompanied by a grant of land. The Hottentots were, in short, not medieval serfs. Politically, feudalism means the decentralisation of political power and its delegation to a number of strong feudal lords by the king. [....] The Voortrekker states were, on the other hand, centralized in the People's Council or Volksraad which made laws for all the Boers. Everyone came under the jurisdiction of the central authority. The local authorities - the Landdrost and field comets - merely carried out the instructions of the central authorities to whom they were responsible. The tendency was always in the nature of centralization, which is inimical to feudal political theory. A few liberal historians, notably De Kiewiet and Agar-Hamilton, are quick to draw comparisons between Voortrekker-Bantu relations and feudalism to show that the Boers established a stable system in which their relations with the blacks were based on reciprocity of rights and services. It is a pity that our "new historians" should fall into the same error, which is tantamount to the whitewashing of white-black relations. The liberal historians have subtly tried to see in the practice of a number of chiefs to place themselves under the protection of white farmers a resemblance to the feudal practice of "commendation". But this is precisely why it is not feudalism. "CommenÂdation" or "recommendation" was merely the means whereby the feudal system was built up in the course of centuries during which the weak and helpless placed themselves under the protection of the strong. It is not a feature of feudal society itself. The practice of "commendation" must, in a word, be discontinued to end chaos and anarchy and stabilise the feudal structure. The Voortrekkers could not carry the practice of "commendation" to a logical conclusion by integrating the Bantu into their pastoral economy. The very similarity of the Boer and the Bantu economies, based as they were on land and cattle, was hostile to such assimilation. Their interests were indeed so similar that they both constituted themselves into two armed camps. The result was territorial segregation. To be sure, Bantu children and adults were, through their chiefs, recruited as farm hands and domestic servants. But such services were not accompanied by grants of land. They were not feudalized. Some petty chiefs, on the other hand, seeking refuge from other tribal "heroes", were given temporary residence within the borders of the Transvaal Republic. But even the liberal historians have to admit that such protection as was offered them was a very insecure and hazardous one. At any time they could be expelled. Their temporary residence was therefore not part of perpetual feudal contracts, of feudal tenure and territorialisation. Feudalism offered three main obstacles to the free development of capitalist commodity production. The abrogation of these barriers constituted the historic mission of the capitalist class. Firstly, the capitalist entrepreneur was faced with the task of creating a proletariat [....] The solution of the first problem was the solution of the second: the creation of a home market for the mass-produced goods of the industrialists. [....] The third problem was political: how to absorb the scattered political power that existed under feudalism into the hands of a central authority which could legislate in the interests of the capitalist class. The creation of the centralized political state was finally achieved. In South Africa the mining magnates were faced with the same problems which were, however, complicated by the presence of a compact tribal system. They could not effectively achieve the expropriation of the Africans by an enclosure system. The indivisibility of primitive tribal communalism called for more bloody measures. Wars and taxation had to accomplish the dissolution of tribal life. The call for Confederation of the various provinces was not a mere move for white unity to crush the Africans, as Mr. van Schoor alleges it to be. It was a political move by the mining magnates to create a centralized authority which could protect and legislate in the interests of the capitalist economy. The South Africa Act, 1909, created the central state power. THE INDUSTRIAL REVOLUTION IN SOUTH AFRICA 1. Modern South Africa is Rooted in the Industrialisation of 1870 The foundations of modem South Africa were laid neither by the Dutch East India Company in 1652 nor by the British liberal Cape in 1806. The present-day society of this country has its roots in the Industrial Revolution which began with the opening up of the diamond mines in Kimberley and the gold mines on the Witwatersrand towards the end of the third quarter of the nineteenth century. [....] If twentieth century South Africa is not the product of either early Dutch society or the old liberal Cape, then neither is it the product of the patriarchal Voortrekker pastoral society. Moreover, neither is it a synthesis of the Voortrekker north and the liberal south. It is the creation of an entirely new economic system which, by its new techniques in the process of production, radically altered the old social relationships; evolved new classes rooted in the new process of production and produced a modem political structure to give expression to this change. Up to 1870 South African history is characterised by the slow tempo of her development; after 1870, this country took a tremendous leap which brought her within the course of a few decades into line with modem industrial forms. The introduction of new techniques for the exploitation of the mines is the driving force of this social revolution. The Cape Colony, the basis of whose subsistence was agriculture, commerce and pastoralism, had no policy of residential, social and political segregation within the orbit of commercial capitalism. Neither did it have a colour bar. It finally and legally recognised the equality of all races. And although social differentiation in practice tool: the form of colour, this is because class and colour lines coincided. The Hottentots and early Cape Coloureds, in addition to the detribalised Bantu on the eastern frontier, came to be the exploited class within the framework of political and legal equality. When therefore, one compares the present national set-up with the British Cape, then it is clear that British liberalism was a force before 1870. The Industrial Revolution reversed this trend of political and economic assimilation, and gradually abrogated the time-halÂlowed liberal policy of political and legal equality. The Voortrekker pastoral society, on the other hand, was economically and socially incapable of integrating the black into its subsistence economy lest it be consumed in the process. The very similarities of their respective modes of life, based as they were on land and cattle, precluded the possibility of such a development. The Boers therefore pursued a policy of what one can call territorial segregation. This segregation was based on the complete separation, socially and economically, of the Boers and the Bantu. Thus it has not connection with the modem system of social, residential and political segregation which flows from the integration and interdependence of black and white. [....] The essential basis for South Africa's rapid industrialisation since 1870 was the presence of a large permanently settled white population in this country at the inception of mining. British Imperialism had to consider this white element when it embarked upon the intensive exploitation of the country, before as well as after the discovery of gold and diamonds. Without this population in 1870, Great Britain would have occupied this country on military lines and administered it on the same lines as the South American states or West African colonies. There would have been no such constitutional progress of the various colonies to responsible government which formed the basis for Union and complete political autonomy. There would have been no industrial progress in the form of manufacturing industries. For without the whites, South Africa would still perhaps have been a large mining camp. The presence of a large white population is intimately bound up with the rapid industrialisation of modem South Africa. Let it be understood that Britain never really had it all her own way in South Africa. She was forced to grant the whites certain political and economic rights which would never have come, or at least come very much later, had they not been here in 1870. The Boers fought hard for and forced Britain after the Anglo-Boer War to give them those privileges which they today enjoy in the form of a colour bar, industrial and social, a labour aristocracy and a full democracy. Without them it is difficult to conceive the present-day South Africa with these social institutions. In an analysis of the modem colour bar, it is necessary to pose and answer the following questions clearly: What is the colour bar? How and where did it originate? How was it consolidated? What are the conditions for its elimination? All these questions are of vital importance to the democratic movement. Yet our author fails to answer any one of these questions. [....] 2, The Foundations of the Modern Colour Bar [....] The industrial colour bar and all its concomitants - social and political segregation -are the products of capitalist commodity production which began in Kimberley and on the Witwatersrand. The dependence of modern techniques of capital on labour called for the concentration of labour in the industrial centres. The Bantu had, in short, to be swung into the new industrial system. Skilled labour had to be imported from overseas. In this process of economic integration, economic circumstances, practice, white public opinion which were finally sustained by law, made a strict separation in the two types of labour employed; skilled work at high rates of pay was from the outset the monopoly of the whites; unskilled work at low rates of pay came to be associated with black labour. In the mining industry this practice finally received the sanction of the law by the Mines and Works Act of 1911. It was subsequently extended to other industries. This is the industrial colour bar. . . Mr. van Schoor merely sees the hand of Herrenvolkism in this arrangement. "In Kimberley," he says, "Rhodes and his associates developed a 'civilised' labour policy for imported Europeans and maintained African wages at the lowest level. Out of this arose the high ratio between skilled and unskilled rates of pay, unique in the world." We do not know in what respects this high ratio between skilled and unskilled rates of pay is unique in the world. What is unique is the fact that in South Africa a large group of people is excluded from occupying skilled jobs in a modem industry. There is no parallel anywhere else. To see in this arrangement merely race and colour is meaning-less. One must take into consideration the class interests of the mining capitalists who are mainly concerned with quick profits. According to our author it seems that the industrialists were bent from the outset on raising the wage rates of the whites and correspondingly lowering the wage rates of the Africans. This then raises the question whether this arrangement was the cause or result of prejudice or whether the two interacted to cement both. Let us understand that the Africans who appeared on the industrial field had no knowledge and skill in the use of modem instruments of labour. Unskilled work naturally fell to their lot in the formative stages of mining. Moreover, at the time of the opening of the diamond mines, the vast majority of the Africans came of their own accord in search of European goods and guns. The task of destroying African tribal life was not yet under way. Under such circumstances, the Africans worked for low wages. On the other hand. South Africa had no skilled whites to operate the complex machinery. Skilled artisans had to be imported. To induce them to come high wage rates were offered. This division between white labour and black labour was therefore made more emphatic because skilled labour from Europe had to work alongside black workers who had just appeared on the scene of civilisation. Thus the wages the African workers received in the early days of mining were about ten shillings per week with rations, while the white workers received from £4 to £5 per peek in the case of overseers and from £6 to £8 in the case of mechanics and engine drivers. When African labour was scarce their wage rates rose to even thirty shillings per week. Coloured artisans were also employed in skilled occupations. It is therefore clear that this division between black and white labours is attributable to the Objective, economic circumstances of the time, and not to racialism and colour prejudice. "The white workers," writes De Kiewiet, "stood out more sharply because they were for the most part not of South African birth." With the rapid dissolution of African tribal life after 1870 starving Africans appeared on the mines, eager to work at the lowest rates. This partly and temporarily solved the labour problem and depressed African wages still more. The gulf separating black from white wages consequently widened. 3. The Economic Interpretation of Colour Prejudice ...] While Mr. van Schoor finally says that the modem colour bar system "is essentially a British product", he wrongly attributes colour prejudice to the Voortrekkers. [....] The colour prejudice we know today is not the product of the Boers but of the peculiar conditions and circumstances under which the Industrial Revolution developed in this country. The pastoral semi-nomadic Boers had a military hostility and fear of a similar economic group which they could only distinguish from themselves by religion and colour. The two groups could not be integrated into one society because their economic habits were so similar. The colour prejudice we know today flows from the integration of black and white in an industrial society in which the preferential treatment of the whites by the British has revolutionised the whole psychology of the Boers. The Anglo-Boer War was a sharp lesson to the British that without granting concessions, privileges and rights to the Boers, her rule over South Africa with its teeming millions would be unstable. [....] Objective conditions themselves first inculcated the idea of colour prejudice into the white. The particular disposition of black labour, on the one hand, and white labour, on the other hand, produced the idea that the division between skilled and unskilled labour and high and low rates of pay was a natural, permanent and immutable one. They came to regard this division as a legitimate institution imposed from above, and not the product of the peculiar circumstances from below. Shortly after the inception of a diamond mining, the whites of this country developed a strong feeling of colour in relation to the productive process. De Kiewiet says that before "the diggers were themselves reduced by the capitalist mining companies to the state of employees, they had decided that no other place was open to the native than that of low-paid and unskilled labour". This colour prejudice rapidly become more intense when two important social forces arose out of the new techniques of production: a South African born white artisan class and a black proletariat. The Industrial Revolution in South Africa not only led to the dissolution of tribal life, it also dealt a death blow to the isolation, the particularize of the Boer subsistence economy. For when the demand for agriculture and pastoral products to feed the industrial population became great, the white farmer began to exploit their farms as fully as possible to produce for a large market. The demand for agricultural produce had even led the mining companies to speculate in land and buy large areas which they began to exploit to feed the industrial population. Land prices rose rapidly; many farmers could not adjust themselves to this revolution in agriculture and sold out. The new capitalist farmers, in order to exploit every available stretch of land, were less and Mess inclined to give the ruined whites refuge on their estates. The white bywoners, who had, because of land hunger, taken refuge on the estates of the big farmers, were evicted. Black labour was preferred to white labour on the farms. And so the exodus to the industrial areas began. There they were confronted by a mass of cheap black labour with whom they could not compete in unskilled work. Neither were they trained for skilled work. The Industrial Revolution had produced the "Poor White Problem". What does Mr. van Schoor say about the "Poor White Problem"? He writes: "...the inability to compete with Non-European labour in country and town was not simply due to the lack of training; it was due to an attitude of contempt for labour which was regarded as Kaffir work." This is a misunderstanding. The white employers of labour preferred the Bantu labourers to white labour. Economics overruled consideration of race and colour prejudice. With the inability of the impoverished whites to compete with the blacks in industry, with the gradual acquisition of technical skill by the black workers and their utilisation to a small extent as semi-skilled and skilled workers, and with the preference of the mining companies for cheap black workers, there was a loud public outcry against this stage of affairs. The impoverished whites began to place the blame for their economic ruination on the shoulders of the blacks. This fed colour prejudice. Public and political opinion grew for the protection of the whites in industry. The position was aggravated by the cleavage of interests between white employer and white worker whose high wage demands the former would not meet. For the higher the wage rates demanded by the white workers became, the more limited became their opportunities to find employment and the more blacks were conscripted. To be sure, the encroachment of the blacks on skilled occupations was very slight indeed. But so sensitive were the white workers to the idea of associating white labour with skilled jobs and high wages that they began political agitation for the preservation and consolidation of the status quo. [....] Their racialism, their colour prejudice, had an economic content - their demand for a place, a protected place, in industry. Their colour prejudice was not the cause for the separation if black and white in industry but the product and consolidator of it. [....] 4. The Consolidation of the Industrial Colour Bar Such is the genesis of the modem colour bar. Since its conception almost fifty years have elapsed during which it has shown no obvious signs of collapsing. On the contrary. it has permeated every industry which has developed in South Africa. It is being maintained despite the fact that the rationalisation in production which largely elimiÂnates the need for "skilled" operatives has developed at a rapid rate in South Africa. It is being maintained despite the fact that the African workers are becoming more and more acquainted with the production methods of modem industry and are capable of doing most of the so-called skilled work, or could do so with very little training. It is being maintained despite the fact that it is the chief source of annoyance and financial loss to the Chamber of Mines. Today, political expediency which had forced upon the Chamber of Mines the colour bar, is being mercilessly pounded by the laws of economic necessity which no longer sees the justification of the indefinite continuation of a while labour aristocracy. Profits are dwindling; cuts shall have to be made somewhere. This top-heavy social institution is being strained to the utmost. The economic base is now pounding the superstructure of political expediency, race and colour prejudice. After the Great War of 1914-18, however, the colour bar has become more rigid. Not only did the extension of the statutory colour bar to other industrial field-consolidate the labour status quo, but the increase in power and co-ordination of the white trade unions and the corresponding lack of organisation, lack of rights and docility of the black workers led to increased rates of pay and better working conditions for the white workers. "Segregation is more rigorous in the factory than in the mines," writes Mr. van Schoor. Is this really so? In the factory, to be sure, there is not the same rigorous enforcement of the statutory provisions of the colour bar. Non-European factory workers are more intimate with the technical processes of production and receive rates-of pay which are superior to those of the Chamber of Mines. The author, however, says that the "ratio of white to non-white wages in secondary industry" is evidently not decreasing. But a careful study of the wage rates of the two groups shows that there has been a definite narrowing of the gap. In 1915 the ratio was 4,85; in 1919 it was 4,84, and in 1924 it was 4,5. Then there was an increase to 4,27 in 1927, but in 1929 it fell to 4,08. In 1938 the ratio was 4,36 and it fell to 3,5 in 1944, rising to 3,47 in 1945. This decrease, slight though it is, proved that the economic demands of the Non-European workers are increasing. It vaguely foreshadows the future of the Industrial Colour Bar. In the gold mining industry the colour bar is rigidly being maintained. From 1911 to 1915 European wages amounted to an average of £330 annually. In 1920 European wages averaged £501 and then declined to £372 in 1923. In 1938 it was £404, and in 1947 it was £579. As regards Non-European wages, the average cash wages for 1911 was £28 5s.; for 1923 it-was £34 1s., and in 1938 £36 6s. "In 1938 both average cash wages of Natives and average European wages were almost 21,3% above the 1911 level." The gap is being maintained. For example, the average increase of European wages in the diamond industry was 23% from 1911 to 1938, and for Non-Europeans for the same period it was 11,7%. In the coal mining industry the average increase of European wages from 1911 to 1938 was 39,4%, and for Non-Europeans 37,3%.' In July 1918, the Chamber of Mines recognised the Status Quo Agreement, which reaffirmed the colour bar system in the mining industry. [....] In an attempt to modify this agreement, the Chamber of Mines precipitated the 1922 strike. [....] In 1926 the Mines and Works Act was amended to exclude Africans and Asiatics from acquiring certificates of competency to do skilled work. For already, in 1925, the Mining Regulations Commission had spoken of the competition of the African labourer which would lead to the elimination of the European worker "from the entire range of mining operations". There can be no doubt that the Chamber of Mines views the white worker with an ambivalence of emotions. For the conditions and circumstances under which the colour bar arose have vanished. Political considerations are, however, still stronger than the need to cut down on the heavy cost structure, either by reducing European wages or by replacing the whites in skilled jobs by black labour. But so great is the strength of the organised white working class, so strong their political voice, and so docile and rightless the unorganised workers that legislative and administrative measures are still the main props for the support of the colour bar in industry. 5. The Conditions for the Elimination of the Colour Bar What then are the conditions necessary for the elimination of the colour bar? For this is the fundamental task of the political movement for democracy: to bring the wage rates of the black worker to the level of Europeans and to eliminate the artificial barriers separating "skilled from unskilled" in industry. Two factors combine to this end: in the automatic process outside human agency and in the political struggle through human agency to bring about its abrogation. Mr. van Schoor only sees the former [....] The problem of raising the standards of life of the black workers does not enter the mind of the writer. Moreover, he ignores the rapid increase in the number of proletarians settled permanently in the towns where, it is clear, they will one day organise into a mighty social force and play the decisive part in the struggle of the abolition of the colour bar. [....] -The elimination of the industrial colour bar is inextricably bound up with the increase in the number of permanent black workers. For such a development will indubitably lead to the organiÂsation of the black proletariat and their participation as a force in the industrial struggles that lie ahead. Yet Mr. van Schoor only sees the objective factor of economic necessity. Such an automatic abolition of the colour bar is the dream of opportunism and the product of political abstentionism. The Non-Europeans have up to now been putty in the hands of the employers, not only because they are voiceless and voteless, but because they are not an organised force that can struggle for higher wages and better working conditions. But Mr. van Schoor must not consider that they will remain a permanent, docile mass, incapable of any struggle. Such an attitude of mind is already the beginning of capitulation to the status quo. This striking omission of the role of the liberatory movement to wrench away the props that support the colour bar is the beginning of defeatism, of lack of faith and optimism in the democratic struggle. History is made by people under definite conditions. That history will only be made when the proletariat steps into the political arena as an organised industrial force. 6 The Economics of Black Chauvinism Mr. van Schoor's anthropological approach once more reveals its baneful influence on author's assessment of black and white wages and the productive output of the respective labour groups. [....] He argues that "the European worker in secondary industry is deadweight." [....] We are therefore given to understand that the South African capitalists are not really interested whether the white workers produce new social values. It seems that racialism and colour prejudice overrule all economic considerations. According to Mr. van Schoor, the black workers alone contribute towards the productive output. In other words, technical skill, the economic planning commissions, the skilled overseers and engineers play no part in the productive output. All production is dependent - on whom? On the semi- and unskilled black workers who are not allowed to handle modern machinery freely. Thus we finally have the formulae: Skilled workers = unproductive; unskilled work = productive; white = unproductive; black = productive. Two statements on production prove that the author is not at all serious about the above statement: "When 80% of the population is forbidden to handle machinery, technical progress must necessarily slow." So? The Non-Europeans are not very productive after all! Technical skill is, after all, necessary to industry! The whites, after all, produce new values! [....] Even in a democratic society, skilled workers will have to be paid more than workers who are less skilled. For without this technical skill production will be slow, poverty will continue to haunt democracy and elementary needs will not be satisfied. Does the writer imagine that unskilled workers and manual workers can build a democratic society? The reason for the low productivity of this country lies in the fact that the Non-Europeans are not allowed to participate fully in the process of production. The abolition of the colour bar, therefore, also means a tremendous increase in production. 7. The Proletariat as the Greatest Force in the Country. [....] Since the opening of the mines, the establishment of factories and the beginning if capitalist agriculture, the areas allotted to the Africans have continually shrunk. The result is continued proletarianisation. Africans are forced by land hunger, the need for money to buy European goods and pay their taxes to seek work in the urban areas. The reserves were never set aside to sustain the Africans. Thus, before the depression of 1929-36, the income from production of African families in the reserves was £4 0s. Id. per annum. Today the reserves are a large creche for old woman and children and a short place of rest for the migratory workers. Since Union the African population has continued to flow from areas of predomiÂnantly African population to the urban centres and European farms. They go yearly from the reserves to the towns; from the towns back to the reserves; from the reserves to European farms and back to the reserves and from farms to the towns and back to the farms. This perennial movement is a unique characteristic of the black proletariat. It is our task to understand how conditions, administrative measures and economic forces dictate this complex migratory labour system. Once again Mr. van Schoor is unable to see the migratory labour system as a process of development. He simply says: "The Kimberley diamond mines gave rise directly to the vast system of migratory labour flowing between reserves and locations..." How and why this came about he is unable to tell us. Later we hear that, having been rendered homeless, the African was prevented from becoming a settled worker in the towns by the migratory labour system. Then he writes that this labour system also "prevents the settling down of a propertied (!) peasantry." The author here confuses cause and effect. The migratory labour system, contrary to the author, is not the cause of the inability of the Africans to become either a peasantry or a settled urban proletariat, but precisely the result of it. By various administrative measures the Africans are forbidden to settle permanently in urban centres. This is the meaning of the pass laws. After the expiration of his labour contract the pass laws forced him to return to the areas specially set aside for Africans. But here he cannot stay for long because the reserves were never meant to be self-sufficient areas. Poverty and land hunger compel him to seek work in the towns or on the white farms. The result is that he oscillates between reserves and urban areas for European farmers. [....] Yet, in spite of these administrative measures which prevent the emergence of a permanent urban African proletariat, the very poverty of live in the reserve, the increasing economic demands of the Africans, and the consequent desperate need to augment their frugal incomes, are leading to more and more Africans into the ranks of permanent urban dwellers. Their labour contracts and their stay in the industrial centres are becoming larger. The extension of the urban localities themselves bears testimony to this fact. [....] Mr. van Schoor: "...if the migratory labour system were to break down, it would at once polarise into a landed (!) peasantry in the country and an organised (!) working-class in the town. . ."[....] The author does not give us the conditions under which the migratory labour system would break down. He cannot see that the labour and economic needs of the industriÂalists would finally force them to abolish the migratory labour system and allow the migratory African workers to become an integral part of urban life. This is an inescapable development in our social evolution. The wheel of history cannot be turned back either to the revival of tribalism or the settling of the Africans on the land as small producers. Such a development is repugnant not only to the historic process and the development of industry but also to the democratic movement, which can only triumph on the basis of increased industrialisation. The African worker is not a proletarian in the true sense of the word. Firstly, he is not a permanent urban dweller and therefore does not form an integral part of industrial life, socially and culturally. Secondly, he is debarred by industrial legislation from participating in all the technical processes as a skilled and efficient worker. The development of capitalism will indubitable also lead to the development of a fully-fledged proletariat. Of the great importance to the liberatory movement is a strict understanding of the forces which are driving more and more Africans irresistibly forward into the capitalist economy as proletarians. The great task of the liberatory movement is to facilitate this development by its struggle for the abrogation of all the administrative measures which prevent the Africans from becoming a settled proletariat; by calling for the abolition of the Industrial Colour Bar to raise the living standards of the African and develop his technical skill; and by demanding political and civil rights to make him a full citizen of this country. [....] CONCLUSION [....] This analysis has attempted to show that the weakness in the book flow from a wrong orientation and approach to our social and political problems, an approach which, taking racial categories as its point of departure, has the tendency, though not always, to go to the other extreme of Herrenvolkism - black racialism. It is a tendency that is all too prevalent in Colonial countries where class oppression and exploitation assume the form of and coincide with race and colour. But it is precisely the task of the democratic movement to strip this Colonial oppression of its racial garb and reveal its class content. All the differences which this critique has with this book are consequential upon the author's anthropological approach. In many respects they are indeed slight, being a matter of emphasis, of underlying principles, of seeing the wood for the trees and objectivity. And although we have reached an important stage in Mr. van Schoor's work on the road to sociological clarification on our political problems, I still consider that our main task in the field of history at present is to deal with and refute the arguments of the official historians writing South Africa's past. They still reign supreme. We are grateful to Mr. van Schoor for having taken another step in this direction. For the clarification of our past is the condition for the clarification of our present, and the clarification of our present the condition for the clarification of political theory and our future. The leadership of the enslaved masses must first understand the process of enslavement before they can lead them on the road to emancipation.

SOUTH AFRICAN ART & CULTURE South African art has always taken on the unique flavour of the country, from the 4 000-year-old cave paintings of the San Bushmen – the richest collection of rock art in Africa – to the homegrown conceptual art movement that sprang up as apartheid came to an end in the 1990s. The San Bushmen, Africa’s oldest hunter-gatherers, lived in the massive Drakensberg range of mountains from 4 000 years ago until they were driven out by colonialists in the 19th century. Over that time, they created a vast body of art on the walls of caves and rock shelters – the largest and most concentrated group of rock paintings in sub-Saharan Africa. This rich collection prompted Unesco to inscribe the Drakensberg as a mixed natural and cultural world heritage site in 2000. The paintings, Unesco said, “represent the spiritual life of the San people” and are “outstanding both in quality and diversity of subject”. “The San people lived in the mountainous Drakensberg area for more than four millennia, leaving behind them a corpus of outstanding rock art, which throws much light on their way of life and their beliefs,” Unesco said. “The authenticity of the paintings, and their shelter and cave settings, as a reflection of the beliefs of the San peoples, are without question.” Colonial art ‘Elephants Charging over Quartos Country During the early colonial era, white South African artists tended to concentrate on depicting what they saw as a “new world”, in accurate detail. Artists such as Thomas Baines travelled the country recording its flora, fauna, people and landscapes – a form of reporting for those back in the metropolis. Towards the end of the 19th century, painters Jan Volschenk and Pieter Hugo Naude and the sculptor Anton van Wouw began to establish a locally rooted art. Their work – the first glimpse of an artistic vision that engaged with life as lived in South Africa – marked the moment the country began to acquire its own national identity, with the 1910 Union of South Africa marking the formal end of the colonial era. The 20th century and apartheid ‘An extensive view of farmlands In the first decades of the 20th century, the Dutch-born painter JH Pierneef brought a coolly geometric sensibility to the South African landscape; he also, in a way that fed into Afrikaner nationalist ideology, found it bereft of human inhabitants. By the 1930s, two women artists, Maggie Laubscher and Irma Stern, brought the techniques and sensibilities of post-impressionism and expressionism to South African art. Their bold colour and composition, and highly personal point of view, rather scandalised those with old-fashioned concepts of acceptable art. Yet younger artists such as Gregoire Boonzaier, Maud Sumner and Moses Kottler were rejoicing in this new spirit of cosmopolitanism. Irma Stern Museum: www.irmastern.co.za The apartheid years (1948-1994) witnessed a great diversity in South African art – ranging from landscape painting to abstract art. There was engagement with European and American currents, but also a fiercely local sense of what it meant to be an artist in this country during troubled times. Inevitably, black artists were largely neglected. It was left to white artists, endowed with training, resources and supportive galleries, to build a corpus of South African art. After World War II, returning soldiers and some immigrants brought European ideas to the local art world. In the 1940s, Jean Welz, for instance, born in Austria in 1900, brought a detailed, nuanced and sophisticated style to still lifes, portraits, nudes and landscape paintings. Maurice van Essche, born in Belgium in 1906, applied the modernist techniques of his teacher Matisse to specifically African subject matter. Impact of African forms Meanwhile, African forms themselves began to have an impact on the work of white artists. An awareness of art forms ranging from those of the ancient Egyptians to San Bushman rock art increasingly influenced South African artists from the 1950s onwards. Walter Battiss, for one, had developed an interest in rock art long before he became an artist in the 1930s. Until his death in 1982, Battiss returned repeatedly to the motifs and styles of San rock art. In Symbols of Life (1967), for instance, San-type figures and patterns become stylised into a kind of symbolic alphabet. Walter Battiss: walterbattiss.co.za Other artists found different ways of interacting with the visual stimuli of Africa, whether by adapting its outward forms or finding ways to incorporate its textures into the work. Alexis Preller, for instance, created fantastically detailed canvases influenced by the European surrealists of the 1920s and 1930s. Beginning in the late 1940s, Preller painted African scenes and themes such as The Kraal and Hieratic Women, but these were not realistic portraits of African life: instead, they were reinvented by Preller’s startling visual imagination. Cecil Skotnes, by contrast, took a leaf from Picasso’s book – the European art revolution instigated by the great Spaniard had, in part, been generated by his appreciation of African masks. Skotnes became South Africa’s master of the woodcut, bringing European modernism into fruitful collision with African styles. Meanwhile, a host of white artists were engaging with the South African landscape in interesting ways – though such formalism was increasingly criticised during the struggle against apartheid for its detachment from the political situation. Emerging black artists By contrast, black artists such as Gerard Sekoto and George Pemba concentrated on depicting their realities and environments in a direct, though forcefully expressionist, manner. From the 1930s onward, Sekoto portrayed urban African life in places such as Sophiatown and District Six, vital and tumultuous hotspots of an emerging though unacknowledged black culture. In Sekoto’s works of the early 1940s, such as Street Scene, bustling African figures are placed in the context of their often denuded environment, while Yellow Houses (the first work by a black artist bought by the Johannesburg Art Gallery), reduces the human presence, focusing instead on the environment itself. In Song of the Pick, naturalism gives way to severe stylisation: a rank of workers wield picks in unison, forming a powerful image of African labour; a white overseer’s figure is dwarfed, even threatened, by this phalanx of diggers. In 1947, Sekoto left for Paris. Illness and intermittent impoverishment meant that his work never again reached the heights it had in South Africa. George Pemba, by contrast, stayed in the township of Motherwell near Port Elizabeth, living into his 90s and patiently continuing to paint despite the lack of public acclaim. His often naively styled work focused on the simple lives of poor black people, humbly and sometimes humorously evincing their fundamental humanity, though he also treated themes such as the story of the Xhosa prophetess Nongqawuse of the 19th century. Increasingly, and inevitably, black artists began to give voice to a political sensibility that left behind the realist depiction of township life. Lack of resources meant that many had to rely on media other than oil-painting, but making a virtue of necessity gave added force to their work. Dumile Feni (known as Dumile), for instance, became a master of drawing, often in ballpoint pen. Dumile’s sense of anger and despair fed into work of extraordinary power; his distorted figures seemed to have been physically deformed by the very forces of society. Called “the Goya of the townships”, he painted his own version of Picasso’s Guernica, a cry of pain at human suffering. Dumile went into exile in 1968 and died in New York in 1991. Black artists such as Azaria Mbatha and John Muafangejo also made striking use of the accessible and relatively cheap medium of the linocut. In the 1980s and 1990s, artists such as William Zulu, Vuyile Cameron Voyifwa, Cyprian Shilakoe and others extended linocut work into what has become practically a subgenre of its own. Gerard Sekoto Foundation: www.gerardsekotofoundation.com George Pemba: www.georgepemba.co.za District Six Museum: www.districtsix.co.za Dumile Feni: www.dumile.org.za The outsiders’ view Meanwhile, the idiosyncratic Jackson Hlungwane, discovered by the mainstream community only late in his life, produced a vast body of sculpture in wood and built environments expressing his own highly individual religious world. It contains a multitude of creatures both mythical and real, as well as a large cast of characters. In this he has something in common with another “outsider artist”, Helen Martins, who obsessively peopled her small-town home – known as the Owl House – with sculptures of concrete and found objects, up to her suicide in 1976. Yet South Africa’s most successful “outsider” artist is perhaps the Russian emigre Vladimir Tretchikoff, who developed a distinctive style in which arch sentimentality was rendered with virtuoso formal exactitude. Tretchikoff had considerable commercial acumen, turning paintings such as The Dying Swan and Chinese Girl (also known informally as The Blue Lady) into prints and selling millions around the world. To the post-modern eye, Tretchikoff’s work, long scoffed at as the peak of kitsch, now has a distinctive ironic charm. From the 1960s on, many South African artists responded to developments in American and British art. The severe yet sensual work of Cecily Sash showed the impact of post-painterly abstraction and later “op art”; the playful surfaces of Helmut Starke and Kevin Atkinson opened the dialogue with pop art. A wide range of styles and modes were now available to South African artists, and the likes of Judith Mason and Andrew Verster extended the traditions of oil painting into personal expressions of life, society and the world around them. Apartheid in crisis: 1970s and 1980s As the apartheid state became more repressive in the 1970s and 1980s, many artists faced the harsh realities of South African life, sometimes obliquely, sometimes head-on. In the early 1980s, for instance, Paul Stopforth made a series of works dealing with police torture – the cause of the death of resistance heroes such as Bantu Steve Biko. And Robert Hodgins satirised figures of power in paintings that turned leaders into sinister but laughable echoes of Alfred Jarry’s mad king Ubu. In paintings, lithographs and sculpture, Norman Catherine developed the playful sensibilities of Walter Battiss into a disturbing private menagerie of threatening and threatened theriomorphs and larger-than-life human figures. The crowded collages, pastels and charcoals of Helen Sebidi spoke of the struggle of human life; her figures seem to battle upwards, towards the picture plane, as though they were drowning. William Kentridge used expressionist drawings and highly developed personal metaphors, symbols and characters to expose the hypocrisies and ironies of white South African life. More recently, he has employed his powerful drawing technique in “animated” films and installations, and the set design of Mozart’s The Magic Flute. Penny Siopis tackled femininity and history in dense, allusive paintings, and in installations, photographs and other conceptual works. In the 1980s, “resistance art” was increasingly recognised as a genre of expression directed at the white elite’s oppressive exercise of power. For example, trade union posters and T-shirts used imagery that had something in common with the Russian constructivists as well as African art. And anonymous artists placed images of state violence (or bewildering dream reflections) at traffic intersections. Judith Mason: www.judithmason.com Steve Biko Foundation: www.sbf.org.za Norman Catharine: www.normancatherine.co.za William Kentridge – Art21 Feature: www.pbs.org/art21/artists/william-kentridge Conceptual art of the 1990s Conceptual art in South Africa seemed to come into its own in the 1990s. Events such as the two Johannesburg Biennales (1995 and 1997) contributed to a new dialogue between local artists and currents from other countries. Media such as video, performance and installation took the place of painting. Jeremy Wafer, for instance, used photography, earth, and fibreglass sculpture to tackle issues such as borders and boundaries. The complex installations of Sue Williamson used found and reworked materials to speak of memory and history. Sandile Zulu made paintings out of the unpredictable marks of fire on surfaces, or created sculptural tableaux from natural materials. Even refuse was turned into suggestive assemblages and collages by Moshekwa Langa. Steven Cohen made drag into a form of sculpture-performance that addressed identity and marginality, while Kendell Geers interrogated the very process of artmaking itself. Other artists put a conceptual spin on traditional artforms: Jane Alexander, for example, took sculpture into new realms with disturbing figures that place the human form in extremis or subject it to frightening transformations, while Jo Ractliffe worked with photography to investigate personal and familial memory, death, decay and love. Hentie van der Merwe also used photographs, taken or found, to talk about the body in an age of HIV/Aids. Kendell Geers: kendellgeers.com Crafts: the reinvention of tradition traditional Ndebele beadwork. While the “high art” continues to blossom in South Africa, the market for crafts has expanded to include every possible form of traditional artwork. There is a host of work in traditional media on the market. Artists are constantly developing the repertoire of African crafts – from intricate and near life-size beaded wire sculpture to tableware, ornaments and embroidered cloth, to stunning costume jewellery, welded cast-iron objects, folk painting and more. At the same time, the status of the traditionally anonymous maker of craft works is changing: “folk art” has made inroads into “high art”. For example, in the 1990s the work of late ceramicist Bonnie Ntshalintshali went well beyond the confines of traditional African pottery, yet her exquisite creations could conceivably still be used at the dinner table. The Ndebele tradition of house-painting exploded with the advent of commercial paints, giving rise to artists such as Esther Mahlangu, whose adaptations of the highly coloured geometric designs adorned everything from cars to aeroplanes. Notwithstanding the appearance of celebrity “folk artists”, ordinary craft continues to thrive – the main examples being beadwork, pottery, basketry and wooden carving. South African Art The art of the peoples of South Africa is the oldest known art in the world, dating back over 100,000 years. The archeological discoveries there help scholars to date the evolution of cognition and intelligent progression. South African art in the modern era is influenced and molded by the trials of the South African people under apartheid and the years of European involvement in the area expressed in the found art of Africans making sense of modern traditions, and the Dutch influence on both white and black artists. With the many tribes, languages, cultures, and races of South Africa, there is a very diverse and eclectic art scene in historical and contemporary South Africa. South African Art Origins and Historical Importance: Blombos cave South African Art The very beginnings of art, not just for South Africa, but for the world, were found at the Blombos cave. This ancient art studio contained paint pots in the form of shells that were used to store mixed paints from disparate sources. This proved to archeologists that early man may have been more sophisticated than previously thought. Whatever it was that they painted, be it clothing, faces, or the walls of the caves, the South African climate, particular in this sea cave is not conducive to the permanent survival of art. What has been found of ancient South African art are the cave paintings of the Khoisan, San, and Bushman tribes dating to 10,000 BC. Other cave painters left behind scenes of hunting and domestic life, and also of spiritual and magical art. The colors used are derived from nature and are therefore mostly in earth tones such as black, yellow, red, orange, white, and gray. “The drawings don’t start with ‘a beautiful mark’. It has to be a mark of something out there in the world. It doesn’t have to be an accurate drawing, but it has to stand for an observation, not something that is abstract, like an emotion”. – William Kentridge Cave scenes portray battles and hunts, animals, dancing, and later, white hunters on horseback. The figures are shown in long forms in action and some figures that are either dancing or participating in the shamanic rituals are costumed in clothing in unusual patterns and prints and are often wearing masks. It is unknown if these are people drawn from life, or if these represent symbolic characters. The symbols, themes, and subjects of the South African cave paintings are similar to what is seen in cave and rock paintings all over the world. European Influence: The Boers, better known as the Dutch, and the English came to South Africa in the mid-19th century and the art of the Europeans that remained and the traditional art of the indigenous tribal people began to mix. The end of the 19th century spurred some artists to move away from this mixed art and begin studying art in realism , creating a unique art free from both European and native influences. Indigenous people South African Art Under European colonization, the native people suffered under racial segregation and prejudice. The English established museums, universities, art schools, and other education opportunities, but they were not ones open to the indigenous. However, white intellectuals and artists seeking inspiration from the art and culture of the African people sought them out and some artistic instruction was imparted by collaboration. As the tide of the world was changing to strive for respect of all peoples, the artists of South Africa, both white and black began to protest against apartheid, and against the cultural boycott on South Africa. Their success led to South African artists stepping up to a level global playing field. “I don’t know how one actually would define obscenity. I’m sure the definition is different according to the age one is living in”. – Jane Alexander South African Art Key Highlights: South Africa is home to the Thupelo Workshop, an annual workshop that brings artists from all over the world to share the diversity of artistic style, technique, and motivation with the global community of artists. The San culture are hunter-gatherers that are still in existence, but as their culture fades and there are fewer San artists, galleries are stepping in to help keep their art and culture alive. The lack of galleries on the Cape has given artists in that area freedom of expression without the restriction of pleasing the intellectual middle classes. The Ndebele tribe is known for its graphics geometric paintings on houses. The paints used were traditionally made from natural sources, but the Ndebele are now sometimes being supplied with commercial paints. Because of the rampant poverty in South Africa, poor artists use found media to create art. The talent and vision of the South African people is evident in the beauty they are able to create from these materials. For instance, baskets spiraling in vivid bright colors look to be made from highly died natural materials but are, in fact, made from telephone wires. South African Art Top Works: San Bushmen Rock Paintings – Drakensberg Mountains Elephants Charging over Quartos Country – Thomas Baines An Extensive View of Farmlands – JH Pierneef Pretoria Mural – Walter Battiss Song of the Pick – Gerard Sekoto The Rice Lady – Vladimir Tretchikoff The Conservationists Ball – William Kentridge The Butcher Boys – Jane Alexander Ndebele Beadwork Zulu Baskets BACK TO THE TOP OF THE PAGE

Places & Attractions South Africa is a country with a rich cultural heritage and diverse beauty. From the bustling city of Johannesburg to the stunning beaches of Cape Town, there are countless places to visit and attractions to see. Some of the must-visit places include Kruger National Park, Table Mountain, Robben Island, and the Apar Museum. Whether you're interested in history, wildlife, or simply soaking up the sun, South Africa has something for everyone. Click Here More Information ATTRACTIONS & PLACES TO VISIT western cape16 Castle-of-Good-Hope south-africa-cape-grace western cape16 1/14 The Union Building The Union Building in Pretoria, South Africa, is a landmark that has played a significant role in the country's political. Built in 1913, the building served as the administrative center for the Union of South Africa, which was formed in 1910. It was also the site of Nelson Mandela's presidential inauguration in 199, marking the end of apartheid and the beginning of a new era in South African history. Today, the Union Building remains an important symbol of democracy and freedom in the country. Suncity Casino Suncity in South Africa is a world-renowned resort and casino complex offers a unique blend of entertainment, relaxation and adventure. Located in the heart of the North West Province, Suncity boasts a range of luxurious hotels, restaurants, and attractions that cater to every taste and budget. Whether're looking for a romantic getaway, a family, or a thrilling experience, Suncity something for everyone. Cape Castle Capetown The Cape Castle in Cape Town is a historic that was built by the Dutch East India Company in the 17th century. It served as a strategic base for the Dutch to protect their trade route to the East. Over the years, the castle has been used for various purposes, including a prison and a military base. Today, it is a popular tourist attraction and a symbol of Town's rich history. Fish Hoek in Capetown Fish Hoek is a charming coastal town located in the southern of Cape Town, South Africa. The has a rich history dating back to the early1800s when it was first settled by Dutch farmers. Over the years, Fish Hoek has grown into a popular tourist destination, known for its beautiful, stunning scenery, and relaxed atmosphere. Whether you're looking to soak up the sun, explore the local culture, or simply unwind and relax, Fish Hoek has something for everyone. South Africa’s top 10 incredible attractions Ask anyone and they’ll tell you, South Africa boasts amazing tourist attractions that are worth visiting more than once. But where does one even start? Here’s a list of top 10 attractions that you should tick off your “to-do” list. 1) Table Mountain Sitting at 1,085m above sea level, you’re guaranteed incredible sunset views of Cape Town and surrounds on the new 7 Wonders of the World – the magnificent Table Mountain. Sprawling with indigenous plants such as the Protea and wildlife including adorable Dassies (rock badgers), Table Mountain is the ideal spot to witness nature at its best. Get a bird’s eye view of the city below from the Table Mountain Cable Way. 2) Cradle of Mankind Imagine what life was like in South Africa millions of years ago. Now you can when you visit the Cradle of Mankind in Gauteng, just northwest of Johannesburg. This World Heritage Site is a treasure trove of fossilised history, and home to the remains of our ancestors – the Hominids. Go back in time and discover an ancient world of dinosaur fossils, hominid skeletons and evidence of their existence at the Maropeng Visitor Centre and the Sterkfontein Caves. 3) Robben Island Of course, a visit to the Cape Town (The Mother City) is not complete without a boat trip to Robben Island. One can almost feel the spirit of legendary Tata Madiba - Nelson Mandela on the island, where he spent 27 years in incarceration. Take a tour of his former prison cell and learn more about his years spent on the island with other struggle fighters. 4) The Cape Winelands Who doesn’t like to swirl and sip delicious and award-winning wines? Even if you’re not a wine connoisseur, everyone can appreciate a good glass of wine. There’s no doubt South Africa, particularly the Western Cape is gateway to incredible wines that’s made in centuries old vineyards across the province. From Stellenbosch to Franschoek, drive along the wine route and enjoy wine tasting along with food pairing to tickle your palate. 5) The Drakensberg Mountains Did You Know? The Golden Gate Highlands National Park is 2200 metres above sea level? Reaching a whopping 3482 metres above sea level, the Drakensberg Mountains covers a distance of over 1000 kilometres. Thabana Ntlenyana is its highest peak and can be found around the area bordering Lesotho. 6) The Kruger National Park Expect to see the 'King of the Jungle' in its natural domain, ruling over the savannah... and the roads. The Kruger National Park is a gateway into the wild, where visitors get to see the Big Five including lions and other fierce cats in their prime. 7) Soweto From the former home of legendary Nelson and Winnie Mandela to other prominent struggle fighters who fought for equality during apartheid, visit Soweto to get a real sense of South Africa’s past and an in-depth look into the lives of those who once lived there. Go on a Sowetan tour, including a visit to nearby taverns to enjoy local beer, braai (barbeque) and experience the vibe of the township. 8) Blyde River Canyon Travelling to Mpumalanga requires a stopover at the Blyde River Canyon. There’s so much to see at this incredible part of the province, including God’s Window – an attraction that will greet you with sweeping views of the valley below. 9) Sun City Resort In 1979 the Sun City Resort was built and houses the Valley of Waves. It’s situated along the border of the Pilanesberg National Park and is known for its casino entertainment, water theme park and renowned for its safari adventures. 10) Golden Gate Highlands National Park Situated in the enchanting Golden Gate National Park in the heart of the Free State and at the foot of the Drakensberg Mountains, it's the perfect place to find South Africa and yourself. From Stellenbosch to Franschoek, drive along the wine route and enjoy wine tasting along with food pairing to tickle your palate. One of the continent’s most popular countries to visit, South Africa boasts loads of epic scenery and amazing wildlife. Asides from safaris and nature spots, some parts are just as famed for their wines and whale-watching or surfing and shark cage diving. Occupying the southernmost end of Africa, the ‘Rainbow Nation’ is bordered by the Atlantic and Indian oceans. A biodiversity hotspot, it includes everything from dramatic deserts and gorges to savannahs, mountains and wine lands. Dotted all about the huge country are gigantic game parks and nature reserves home to the Big 5. While Cape Town and Kruger National Park dominate most peoples’ itineraries, almost every corner of South Africa has new and interesting things to do to offer. Visitors quickly discover that the rich history and colourful inhabitants ideally complement the top tourist attractions in South Africa, which creates an unforgettable experience. e to add your own text and edit me. It's easy. Top Tourist Attractions in South Africa One of the continent’s most popular countries to visit, South Africa boasts loads of epic scenery and amazing wildlife. Asides from safaris and nature spots, some parts are just as famed for their wines and whale-watching or surfing and shark cage diving. Occupying the southernmost end of Africa, the ‘Rainbow Nation’ is bordered by the Atlantic and Indian oceans. A biodiversity hotspot, it includes everything from dramatic deserts and gorges to savannahs, mountains and wine lands. Dotted all about the huge country are gigantic game parks and nature reserves home to the Big 5. While Cape Town and Kruger National Park dominate most peoples’ itineraries, almost every corner of South Africa has new and interesting things to do to offer. Visitors quickly discover that the rich history and colourful inhabitants ideally complement the top tourist attractions in South Africa, which creates an unforgettable experience. Table of Contents Sabi Sands Game Reserve Part of the Mpumalanga province, the sprawling Sabi Sands Game Reserve lies nestled in the northeast of the country. One of the most luxurious safari experiences you can have, its top-end lodges almost guarantee up-close encounters with incredible animals. Named after the two rivers that flow through it, the park was founded as a private game reserve in 1938. Now dedicated to conservation, it has hundreds of species of animals, birds and reptiles residing within its confines. The most sought after and special to see are, of course, the Big 5. As the upscale lodges employ expert guides and trackers, guests return raving about all the elusive animals they’ve seen. Thanks to their efforts, you can often watch leopards, elephants and lions roam about, right beside the jeep. It is these superb safaris and the five-star service that make the considerable outlay well worth it. Cape Agulhas, Western Cape The southernmost tip of the African continent, Cape Agulhas is where both the Atlantic and Indian oceans meet. Oft-overlooked in favour of Cape Point, which is much closer to Cape Town, it contains some absolutely stunning scenery. In addition, there is also a charming old lighthouse and a photo spot to prove you’ve been here. Fittingly named ‘Cape of Needles’ by Portuguese navigators, it overlooks a rough patch of sea renowned for winter storms and rogue waves. To protect the sailors and ships rounding the cape, a lonely lighthouse was built here in 1849. Its red-and-white striped tower now makes for some fantastic photos as does the large metal relief map of Africa nearby. There is also a scenic boardwalk to stroll along and rock pools to explore. Although it is nowhere near the country’s most impressive bit of coastline, we were still happy we stopped by while driving along the Garden Route. It was quite special seeing the oceans meet and their glittering waves stretching away endlessly into the distance. Surfing in Jeffreys Bay One of the best surf spots in the world, the laidback town of Jeffreys Bay can be found in the Eastern Cape, about an hour’s drive from Port Elizabeth. Known for its consistent swells, breaks and big waves, it hosts top-class surfing competitions each year. Since The Endless Summer surf documentary came out in the sixties, both expert and amateur surfers have flocked to J-Bay. It is most famed for its fast right-hand point break that sometimes continues for over a kilometre. At times, its waves also reach up to three metres in height with the Super Tubes stretch being the most popular. Even if you’re not into surfing or are fed up with falling off your board, Jeffreys Bay is still a nice place to spend some time. It has beautiful beaches full of pretty shells to lounge on before trying some of its delicious seafood restaurants. Addo Elephant National Park Also lying near PE (or Gqebera as the coastal city is now known) is the Addo Elephant National Park. One of the most popular places to visit in SA, it houses over 600 of the enormous animals. Whales and white sharks can also sometimes be spied in its waters. Established in 1931 to protect the area’s last eleven elephants, it is now the third-largest park in the country behind Kruger and Kgalagadi. Besides herds of zebra, antelopes and Cape buffaloes, you can also see rhinos, lions and leopards amidst the bush. Cute African penguins and Cape gannets form large breeding colonies along the coast and on its two offshore islands. Hiking and horseback riding about the park is a truly epic experience as is taking a night safari to see its nocturnal creatures. The only park in the world that boasts the ‘Big 7’, Addo definitely isn’t to be missed out on. Wildflowers of Namaqua A natural phenomenon like no other, the semi-desert area of Namaqua is transformed each spring when thousands of succulents seemingly shoot up over night. Watching the colourful wildflowers bloom in the remote region is now an increasingly popular activity. Spread across a large part of the Northern Cape, the biodiversity hotspot contains roughly 5,000 species of plant. Many of these are endemic to the area and can survive amidst all its dry and dusty landscapes. In August and September of the year, the biome changes dramatically for just several weeks thanks to the winter’s rains. During this period, succulents paint the desert a mesmerizing mix of colors with daisies and lilies seen next to aloes and even quiver trees. Cool rock formations and a diverse array of animals can also be seen from Namaqua’s scenic roads and trails. Sun City Resort If after all the sightseeing and safaris you’re looking to kick back and relax in style, then Sun City Resort is the place to go. At the ‘Las Vegas of South Africa’, guests can enjoy fun water parks, golf courses and a casino. Long a popular holiday and weekend destination, the resort opened in 1979 amidst the rolling mountains outside of Rustenburg. Nowadays, its four high-end hotels offer up all kinds of exciting family-friendly activities and exhilarating watersports. Asides from rides and water slides, you can quad bike and water ski or try your luck at the casino. It also has plenty of fine dining options while scintillating shows and events take place all the time. As it only lies two hours drive from Pretoria and Johannesburg, the luxury resort makes for a great getaway. Boulders Penguin Colony As Boulders Beach is located so close to Cape Town, you must go and see its adorable African penguins. Here you can watch the entire colony nest, feed, play and swim about without a care in the world. Since the first two breeding pairs arrived at the beach in 1982, the tiny birds’ numbers have swelled considerably. Around 3,000 now inhabit its sheltered sands and hulking great granite boulders. From its boardwalk, you can see the colony of black-and-white birds bustle about bask in divine views over False Bay. Although a bit pricey for international visitors, the fee does go to protecting their natural habitat and raising awareness about the endangered African penguins. Ride the Blue Train An unforgettable (yet expensive) way to see more of the country is to book a lavish suite aboard the Blue Train. As it is advertised as a ‘five-star hotel on wheels’, expect to pay top dollar for its elegant lounges, fine dining cars and butler service. One of the world’s most luxurious train journeys, the 1,600 kilometer-long line connects Cape Town to Pretoria. Since 1923, countless presidents, politicians and even members of royal families have ridden along the historic route. While relaxing in its carpeted compartments, you can see some of South Africa’s most spellbinding scenery outside the window. In some suites, guests can even sit and soak in a bubble bath as the train trundles along the tracks Kgalagadi Transfrontier Park Straddling the border between SA and Botswana is the Kgalagadi Transfrontier Park; one of the world’s largest wildlife preserves. Its endless desert landscapes and golden grasslands are home to massive herds of wildebeest and springbok. Here too you can also spy some of the cunning lions, cheetahs and leopards that prey on them. As it lies largely within the southern Kalahari Desert, the park is quite arid. Only sparse vegetation and dried out river beds punctuate its rolling dunes and open plains. Despite its inhospitable nature, KTP is a haven for local wildlife. This is thanks to its hundred or so waterholes that giraffes, gemsbok and eland all congregate around. The only park of its kind in Africa, it was founded in 2000 to protect animals and birds migrating between the two countries. Although you may not see as much wildlife as in Addo and Kruger, the park is still well worth visiting. This is because its bleak but beautiful scenery makes sightings even more special. Apartheid Museum, Johannesburg A harrowing place to visit, the Apartheid Museum covers a hugely important yet horrific part of South Africa’s past. The well-done displays and oral testimonies really highlight the daily atrocities and inhumanity of the racist system. Only opened in 2001 (just seven years after multiracial elections were finally allowed), it occupies a concrete complex in the center of Johannesburg. Once you walk through its racially-segregated entrance, you’ll find rooms packed with photos, videos and artifacts to explore. These chronicle the rise and fall of Apartheid, how races were classified and just what the country’s constitution now includes. Its exhibits will evoke a wide range of emotions, leaving you exhausted but upbeat at the end. As Apartheid’s impact is still sadly seen (and felt) wherever you go in SA, you really have to spend at least half a day here. This will help you better understand all the peoples and places you visit. iSimangaliso Wetland Park Another spot to enjoy for completely different reasons is the iSimangaliso Wetland Park along the east coast of KwaZulu-Natal. After two and a half hours drive from Durban, its idyllic bays, beaches and reefs really are a treat to explore. Home to Africa’s largest estuarine system, its name fittingly means ‘a miracle’ or ‘something wondrous’ in the Zulu language. We certainly found its beauty captivating as savannas and mangrove forests border pristine beaches and waters teeming with life. Here you can see huge numbers of hippos and crocodiles as well as the odd leopard, white rhino and elephant. Playful dolphins and pods of whales can sometimes also be spotted just offshore. Whale-Watching in Hermanus If you want to see more of the majestic mammals, then Hermanus is one of the best places to head. From atop of the popular seaside town’s craggy cliffs, visitors often see whales migrating all along Walker Bay. Memorable boat trips and sea kayak excursions to get an even closer look are also popular things to do in Hermanus. Located just off the Garden Route, the cute little town lies around ninety minutes’ drive southeast of Cape Town. From as early as June through til December, southern right, humpback and minke whales can all be sighted. Watching them slowly swim along its dramatic coastline is an amazing experience you won’t forget anytime soon. Other than sightseeing cruises and walking along its surrounding cliffs, you can visit the Old Harbour Museum and Whale Museum. The town also hosts the annual Hermanus Whale Festival. This celebrates the start of the calving and mating season that occurs in its shallow waters and sandy coves. Robben Island Certainly the most famous historic site in South Africa, Robben Island is where Nelson Mandela was imprisoned for 18 years. Now a museum, it offers up a fascinating look at the lives of the inmates during Apartheid. On tours, it is usually ex-prisoners themselves who actually take you around the cell blocks. Discovered by Bartolomeu Dias in 1488, the isolated island was later fortified and used as a prison by the Portuguese, British and Dutch. From 1961, the South African government kept political prisoners here who opposed Apartheid. They were sadly often beaten, fed poor food and forced to work in quarries, particularly in the early years. While the tours conducted by the former political dissidents sound super interesting, we didn’t manage to make it ourselves. On our last day in Cape Town, bad weather meant our short ferry from the Victoria and Alfred Waterfront was unfortunately cancelled. Just be aware this can happen if you’re on a tight schedule. Blyde River Canyon In a country awash with stunning landscapes, scenery and nature, the Blyde River Canyon still manages to stand out. Part of the Mpumalanga province, it is often visited alongside the nearby Kruger National Park by tourists traveling up from Johannesburg. Stretching 26 kilometers in length, the colossal canyon is named after the winding river that runs through it. Coating its steep sides and sweeping slopes are vast swathes of subtropical forest. Twinkling waterfalls also course their way down its stupendous rock formations. For the best panoramas of the canyon and river, head to either the Pinnacle Rock or God’s Window viewpoints. From up high, you can look out over distinctive rocky outcrops such as the Three Rondavels and Bourke’s Luck Potholes. For a different perspective, hike and horseback ride along the canyon floor or enjoy a relaxing cruise along the river. Hluhluwe-Umfolozi Game Reserve Just inland from both St. Lucia and the iSimangaliso Wetlands is another popular park to hit up: the Hluhluwe-Umfolozi Game Reserve. Mostly hilly, it boasts the Big 5 and one of the largest remaining white rhino populations in the world. The oldest nature reserve in Africa, it was established back in 1895 in what is now central KwaZulu-Natal. Thought to be a royal hunting ground during the days of Shaka, Hluhluwe-Umfolozi is renowned for its rich wildlife and world-class conservation efforts. Much less crowded than Kruger, it contains large numbers of lions, leopards and cape buffaloes. The stars of the show though have to be its wonderful white rhinos. Staying at the rustic Mpila Camp or luxury Rhino Ridge lodge overnight enables you to see even more amazing animals. Wake up early and head out to see everything from hyenas and hippos to crocodiles, cheetahs and wildebeest. Cape Winelands As South Africa is famed for its reds, whites and roses, make sure to take a trip around the Cape Winelands. Covering a large part of the Western Cape, all its fertile farms and vineyards produce some absolutely superb wines. At the heart of the picturesque area is the historic university town of Stellenbosch which is also well worth visiting. Thanks to its hot dry summers and cool wet winters, the region is perfect for growing grapes. Countless top-class wineries coat its plains with tours often taking you around a handful in one go. These allow you to enjoy your time at the attractive estates and not have to worry about driving back. The chic J.C Le Roux pairs some fine sparkling wines with creative food combinations, as does the award-winning Beyerskloof. Wherever you go, you’re guaranteed delicious drinks in a gorgeous setting. On top of all this, you can enjoy outstanding views of the Cape Fold Mountains rising above the region in the distance. Drive the Garden Route After seeing Cape Town and Stellenbosch, many people spend about a week driving along the delightful Garden Route. One of the top things to do in South Africa, it takes you past magnificent coastal scenery and peaceful little seaside towns. From Mossel Bay in the Western Cape, the perfectly paved road meanders its way 170 kilometres to Storms River in the Eastern Cape. While the Outeniqua and Tsitsikamma Mountains border it to one side, the other looks out over the ocean. Lining its shores are beautiful beaches, lagoons and tidal pools. As there is so much to do, everyone has a different itinerary. Stops at Plettenburg Bay’s beaches are almost a given though as is whale-watching and ambling around charming coastal towns. Knysna and Nature’s Valley are pretty popular as are shark cage diving trips and hiking Tsitsikamma National Park’s numerous trails. Durban’s Golden Mile A legendary stretch of sand, the Golden Mile is one of the main places in Durban where people relax and enjoy some exercise. Lining its long promenade are dozens of hotels and eateries as well as swimming pools, skate parks and surf spots. Bordered by the central business district, its wide, sandy beaches extend six kilometres or so in length. Overlooking them are lots of high-rises that mostly date to the seventies. Some arresting Art Deco architecture can still also be spied however alongside the busy boardwalk down below. For decades, tourists have flocked here for its flashy entertainment complexes and fun, family-friendly attractions. These include the excellent uShaka Marine World aquarium and Durban Funland amusement park. There is also the Suncoast Casino if you want to try your luck at some table games of slot machines. Victoria and Alfred Waterfront, Cape Town In contrast to the Golden Mile, the Victoria and Alfred Waterfront positively sparkles before your eyes. Immaculately maintained, the shopping and entertainment complex has a lively yet laidback feel. Adding to its appeal is the shimmering sea before it and iconic Table Mountain rising in the background. As one of Cape Town’s largest tourist attractions and most visited destinations, the Victoria and Alfred Waterfront invokes images of the earliest days of the harbor. Located right in the heart of Cape Town, you’ll find hundreds of upmarket shops and restaurants along with an excellent art museum, aquarium and African crafts market. Besides shopping, dining and enjoying some of its live entertainment, you can watch the boats come and go or snap photos of its picture-perfect waterfront. From here, you can hop on harbour tours and take trips to Robben Island. Drakensberg Mountains Reaching between 2,000 and 3,482 meters in height are the massive and majestic Drakensberg Mountains. One of the most rugged and wild parts of South Africa, it is known for its jaw-dropping peaks, buttes and death-defying drops. Meaning ‘Dragons’ Mountains’ in Afrikaans, the absolutely enormous escarpment stretches over a thousand kilometers in length. As well as encircling the central South African plateau, it forms the border with the landlocked Kingdom of Lesotho. Countless trails crisscross its steep slopes and sweeping valleys. Some of the most popular places to head are the awe-inspiring Amphitheater cliffs and Cascades series of waterfalls. The ginormous mountain range is also home to Tugela Falls which is impressively the second-highest waterfall in the world. Its dramatic 947 meter drop and all the stunning views make the arduous hike more than worth it. Table Mountain One of the most recognizable landmarks in South Africa, the marvelous Table Mountain towers over Cape Town and its coastline. Famed for its distinctive flat-topped plateau, it offers up some great hiking, rock climbing and wildlife viewing. The panoramas from its summit are also out of this world. Now protected as a national park, its prominent plateau is flanked by the equally arresting Devil’s Peak and Lion’s Head. Together with Signal Hill, they form the colossal City Bowl which creates a breathtaking backdrop to the coastal city. Getting the cableway down is an even more memorable experience. As it actually rotates, you enjoy unrivaled views over Cape Town, Table Bay and even Robben Island in the distance. Although it descends over a thousand meters to the city below, the ride only lasts five minutes in total. Kruger National Park Another of South Africa’s most popular attractions is the incredible Kruger National Park in the very northeast of the country. Its confines contain a staggering number of animals with the Big 5 regularly sighted amidst its scenic savanna, woods and grasslands. Now one of Africa’s largest game reserves, it was established in 1926 with Zimbabwe and Mozambique both bordering the park. It encompasses fourteen different ecozones, each of which have their own fauna, flora and landscapes for you to explore. On unforgettable hikes and safaris, you are almost sure to spot some of the thousands of lions, leopards, elephants and rhinos that inhabit its territory. Crocodiles and hippos can also be seen in its reflective lakes and rushing rivers. Dozens of camps are dotted about the park should you want to stay even longer. BACK TO THE TOP OF THE PAGE

SOUTH AFRICAN CULTURE - South African Culture, Customs, and Traditions The culture of South Africa is one of the most diverse in the world. The country boasts of an impressive eleven official languages and other several recognized languages, with each of the group having its own vibrancy and culture. A substantial majority of the South Africans still live in the rural areas where cultural traditions have survived. However, urbanization and adoption of new technology across the country have led to the decline in the traditional cultures. English and other foreign languages are slowly replacing the native languages. South African culture is not homogeneous but is rather a collection of cultures with different cultures being predominant in different regions. Some of the prominent cultures of South Africa include the Khoikhoi and San culture, Zulu, Ndebele, Xhosa , and Sotho cultures among other cultures. These cultures blend beautifully to give the country its unique identity on the globe. The People of South Africa South Africa has a population of approximately 55 million people comprising of diverse culture, religion, origin, and languages. Africans or South Africans and Bantu-speaking people form the major part of the population (approximately 35 million). Some ethnic groups are unique to South Africa while others like Basotho crossed the border into the country. Some of the major ethnic South Africans include Zulu, Basotho, Venda, Xhosa, Tsonga, Khoikhoi, Ndebele, and San. South Africa also hosts a number of refugees and asylum seekers, especially from Zimbabwe , Democratic Republic of Congo , and Somalia . The majority of refugees live in major cities including Pretoria, Durban, Johannesburg, and Cape Town. View More South African Languages The population of South Africa is composed of people from different backgrounds, speaking different languages. Eleven languages are considered the country’s official languages. The first official languages were English and Dutch. The majority of South Africans can speak more than one language. The language spoken by the majority of the people, especially native South Africans is Zulu which is spoken by 23% of the population followed by Xhosa and Afrikaans at 16% and 14% respectively. Zulu is the language of the Zulu people who number 10 million. It is understood by 50% of the total population. The Zulu language became an official language in 1994. The Xhosa language is spoken by 8 million people as the first language and over 11 million as a second language. The majority of Xhosa speakers live in Eastern Cape Province. Afrikaans evolved from the Dutch language and has adopted some words from other languages such as German and Khoisan. English is the most popular second language of the South Africans and the most commonly spoken language in the country. South African Tradition South African tradition is not homogenous but a blend of different traditions and cultures practiced by different ethnic groups in the country. Here are some examples of traditions and cultures as practiced by major ethnic groups in the country. Khoikhoi and San Khoikhoi and San were the original inhabitants of present-day South Africa. The KhoiSan were known as the “Bushmen” and were skilled hunters and trackers. Their tracking skills are still necessary for the fight against poachers. They are mainly nomads who live in desert regions of South Africa Zulus The Zulus are known for their shield-bearing warriors under the leadership of Shaka. They are also famous for their beadworks, grass huts, and basketry. The belief of the Zulu people is based on ancestral spirits which appear mainly in dreams and a supreme being who is rarely involved in the activities of the mortal. Use of magic is common among the Zulus and any tragedy or illness is blamed on the evil spirit. Xhosa Xhosa culture is popular for the complex dressing that portrays a person’s social status, position in the society, and whether they are married or not. They also have a strong oral tradition with stories of ancestral heroes. Ancestral worship is a common practice and young men have to undergo a rite of passage. Stick fighting is a common sport among the Xhosa among the young men looking after the cattle. Women mainly tend the crops and look after the home. Ndebele Ndebele are known for the skilled women who decorate their houses in beautiful geometric designs. The skills are hereditary and women are tasked with the responsibility of teaching their daughters. The shapes used in the decoration are inspired by their fashioned beadwork. Ndebele women are distinguished from other South African women by the neck rings and the striking traditional blankets. Sotho The culture of the Sotho people differs from those of the Ndebele, Xhosa, and Zulus in several ways, especially on how they organize their villages. The Sotho homes are organized into villages rather than scattered settlements. The villages are further organized into age-sets. Each of the age-set is given a specific responsibility and the age-set graduate from one responsibility to another. They also allow their sons to marry from their kin, especially from the maternal side. Their traditional folk art includes pottery making, beadwork, decoration of houses, and weaving. Venda The Venda culture and tradition is built on mythical beliefs and water. They believe that lakes and rivers are sacred and that rains are controlled by Python God. Lake Fundudzi is one of the sacred places among the Venda and hosts the annual rites. Traditional healers known as Sangoma are believed to have access to the spirits and ancestors. Venda’s art has also been influenced by the belief in the spirit world. Cattle are considered a sign of wealth while agriculture is the main economic activity. Modern Day South African Tradition The younger generation from the above cultures is relocating to the city in search of a “better” life. However, in the city, they tend to abandon their traditions and culture for the western culture and lifestyle. Over time, a unique culture that combines the western culture and the traditional cultures have been developed. This new culture is evident in art, music, and food View More Culture of South Africa South Africa is known for its ethnic and cultural diversity. Almost all South Africans speak English to some degree of proficiency, in addition to their native language, with English acting as a lingua franca in commerce, education, and government. South Africa has twelve official languages, but other indigenous languages are spoken by smaller groups, chiefly Khoisan languages . Members of the middle class, who are predominantly white and Indian but whose ranks include growing numbers of other groups, have lifestyles similar in many respects to that of people found in Western Europe , North America , Australia and New Zealand . The Apartheid state legally classified South Africans into one of four race groups , determined where they could live , and enforced segregation in education, work opportunities, public amenities and social relations. Although these laws were abolished by the early 1990s, the apartheid racial categories remain ingrained in South African culture, with South Africans continuing to classify themselves, and each other, as belonging to one of the four defined race groups (blacks, whites, Coloureds and Indians) making it difficult to define a single South African culture that doesn't make reference to these racial categories View More Art Main article: Art of South Africa Eland , rock painting , Drakensberg , South Africa The oldest art objects in the world were discovered in a South African cave. Dating from 75,000 years ago, these small drilled snail shells could have no other function than to have been strung on a string as a necklace. South Africa was one of the cradles of the human species. One of the defining characteristics of the human species is the creation of art (from Latin "ars", meaning worked or formed from basic material). The scattered tribes of Khoisan peoples moving into South Africa from around 10,000 BC had their own fluent art styles seen today in a multitude of cave paintings. They were superseded by Bantu and Nguni peoples with their own vocabularies of art forms. In the 20th century, traditional tribal forms of art were scattered and re-melded by the divisive policies of apartheid . New great forms of art evolved in the mines and townships: a dynamic art using everything from plastic strips to bicycle spokes. The Dutch-influenced folk art of the Afrikaner Trekboer and the urban white artists earnestly following changing European traditions from the 1850s onwards also contributed to this eclectic mix, which continues to evolve today. One form of art developed during the period of apartheid. This new characterisation was termed "township art" and became common in the 1960s and 1970s. This art style tended to depict scenes from everyday life of poor black individuals in South Africa.[8] Common visual elements in this art style are dilapidated houses, women washing clothes, penny whistlers, and black mother-and-child tableaux. Oracles of the Pink Universe by Simphiwe Ndzube, 2021 Contemporary South Africa has a vibrant art scene, with artists receiving international recognition. The recent "Figures and Fictions" exhibition of South African photography at the Victoria and Albert Museum in London included the work of Mikhael Subotzky , Zanele Muholi , David Goldblatt , Zwelethu Mthethwa and Guy Tillim . Contemporary South African artists whose work has been met with international acclaim include Marlene Dumas , William Kentridge and John Smith. South African art is the visual art produced by the people inhabiting the territory occupied by the modern country of South Africa . The oldest art objects in the world were discovered in a South African cave. Archaeologists have discovered two sets of art kits thought to be 100,000 years old at a cave in South Africa. The findings provide a glimpse into how early humans produced and stored ochre – a form of paint – which pushes back our understanding of when evolved complex cognition occurred by around 20,000 – 30,000 years. Also, dating from 75,000 years ago, they found small drilled snail shells which could have no other function than to have been strung on a string as a necklace. South Africa was one of the cradles of the human species. The scattered tribes of Khoisan and San peoples moving into South Africa from around 10000 BC had their own art styles seen today in a multitude of cave paintings. They were superseded by Bantu and Nguni peoples with their own vocabularies of art forms. In the present era, traditional tribal forms of art were scattered and re-melded by the divisive policies of apartheid . New forms of art evolved in the mines and townships : a dynamic art using everything from plastic strips to bicycle spokes. In addition to this, there also is the Dutch -influenced folk art of the Afrikaner Trek Boers and the urban white artists earnestly following changing European traditions from the 1850s onwards, making for an eclectic mix which continues to evolve today. Paleolithic rock art Main article: San rock art San rock paintings, Perdekop Farm, (Mossel Bay , South Africa) The pre-Bantu peoples migrating southwards from around the year 30,000 BC were nomadic hunters who favoured caves as dwellings. Before the rise of the Nguni peoples along the east and southern coasts and central areas of Africa these nomadic hunters were widely distributed. It is thought they entered South Africa at least 1000 years ago. They have left many signs of life, such as artwork (San paintings) depicting hunting, domestic and magic-related art. There is a stylistic unity across the region and even with more ancient art in the Tassili n'Ajjer region of northern Africa, and also in what is now desert Chad but was once a lush landscape. The figures are dynamic and elongate, and the colours (derived probably from earthen and plant pigments and possibly also from insects) combine ochreous red, white, grey, black, and many warm tones ranging from red through to primary yellow. Common subjects include hunting, often depicting with great accuracy large animals which no longer inhabit the same region in the modern era, as well as: warfare among humans, dancing, domestic scenes, multiple images of various animals, including giraffes, antelope of many kinds, and snakes. The last of these works are poignant in their representation of larger, darker people and even of white hunters on horseback, both of whom would supplant the San peoples. Many of the "dancing" figures are decorated with unusual patterns and may be wearing masks and other festive clothing. Other paintings, depicting patterned quadrilaterals and other symbols, are obscure in their meaning and may be non-representational. Similar symbols are seen in shamanistic art worldwide. This art form is distributed from Angola in the west to Mozambique and Kenya , throughout Zimbabwe and South Africa and throughout Botswana wherever cave conditions have favoured preservation from the elements. Contemporary art in South Africa The contemporary art scene in South Africa is as diverse and vibrant as the population and vast cultures in the country. Contemporary artists in South Africa have adopted new media technologies to produce varied and creative bodies of work, as seen in the work of Dineo Seshee Bopape and CUSS Group. Their art gives insight into the pressing issues of South African society. On a global scale, contemporary South African art is relevant and sought-after. A charcoal and oil on canvas work by leading South African contemporary artist William Kentridge was sold on auction for R3,5 million in London in 2012. Black art post-apartheid The Bantu Education Act of 1955 barred Black South Africans from receiving formal art training during the years of apartheid and as a result, the artistic movements that had originated from this community have, until recently, been distinctly classified as “craft” rather than “art.” Informal art centers, that were funded by European states, became one of the few avenues in which Black South Africans could receive some form of artistic development. Throughout this time period from 1947 to the mid-1990s, the first practitioners to receive this informal training began passing down their knowledge to younger generations of practitioners. However, the traditional canon of African art, categorized as “fine art” had been formed in the 20th century by European and U.S. art audiences. South Africa's inequality gap is larger than that of other countries in the world so the audience for art is primarily the rich and not those who are subject to the artistic expression, giving these higher socio-economic groups a gatekeeper status in deciding what is classified as art. After the Soweto Riots of 1976, a new social consciousness emerged that retaliated against the government's policy of segregation and effectively reexamined the classification of certain Black South African artworks. One of the first artistic styles to receive critic attention was Venda sculpting because it aesthetically appealed to white patrons while also maintaining its “artistic manifestations of ethnic diversity.” These sculptures would be considered “transitional art” rather than “craft” and would gain access into fine art galleries. Other Black artistic expressions such as beadwork, photography, and studio arts have also begun to be slowly integrated into canonical South African art forms. The Johannesburg Biennale's Africus (1995) and Trade Routes (1997) had a significant impact on the cultural awareness of new South African art. These events were among the first exhibitions that revealed the “new South African art” to the international community, but also other local South Africans. This gave Black South African artists a new platform to express the effects to which apartheid had influenced society. In the post-apartheid regime, artists have now been given an apparatus to protest social issues such as inequality, sexuality, state control over the personal realm, and HIV/AIDS. However, the emphasis to embody many of these social issues within Black South African art has a led to a stereotype that many young artists are now trying to escape. International pressure has been said to once again demand a level of ‘authenticity’ within South African art that portrays discourse on the topic of apartheid. Scholar Victoria Rovine goes as far as to state that “these exhibitions represent a South Africa that seeks liberation not from apartheid itself but from apartheid as an already predictable subject for artistic production.” Furthermore, although South African art is not always political, conversations stemming from its interpretation are rarely apolitical and the high demand for apartheid symbols by private collectors have raised concerns over the collection of the art for the sake of nostalgia. See also Culture of South Africa List of South African artists South Africa Outline of South Africa View More Architecture See also: Architecture of Johannesburg and Cape Dutch architecture Gateway to the Castle of Good Hope , the oldest building in South Africa Old Dutch church in Ladismith The architecture of South Africa mirrors the vast ethnic and cultural diversity of the country and its historical colonial period. In addition, influences from other distant countries have contributed to the variety of the South African architectural landscape. Herbert Baker , among the country's most influential architects, designed the Union Buildings in Pretoria . Other buildings of note include the Rhodes memorial and St George's Cathedral in Cape Town , and St John's College in Johannesburg . Cape Dutch architecture was prominent in the early days (17th century) of the Cape Colony , and the name derives from the fact that the initial settlers of the Cape were primarily Dutch. The style has roots in medieval Holland, Germany, France and Indonesia. Houses in this style have a distinctive and recognisable design, with a prominent feature being the grand, ornately rounded gables, reminiscent of features in townhouses of Amsterdam built in the Dutch style . The rural landscape of South Africa is populated with traditional and European-influenced African architecture . View More Literature Main article: Literature of South Africa Olive Schreiner , the author of The Story of an African Farm (1883) There are 11 national languages in South Africa. South Africa's unique social and political history has generated a rich variety of literatures, with themes spanning pre-colonial life, the days of apartheid, and the lives of people in the "new South Africa". Many of the first black South African print authors were missionary-educated, and many wrote in either English or Afrikaans . One of the first well known novels written by a black author in an African language was Solomon Thekiso Plaatje 's Mhudi , written in 1930. Notable white English-language South African authors include Nadine Gordimer who was, in Seamus Heaney 's words, one of "the guerrillas of the imagination", and who became the first South African and the seventh woman to be awarded the Nobel Prize for Literature in 1991. Her novel, July's People , was released in 1981, depicting the collapse of white-minority rule. Athol Fugard , whose plays have been regularly premiered in fringe theatres in South Africa, London (The Royal Court Theatre ), and New York City. Olive Schreiner 's The Story of an African Farm (1883) was a revelation in Victorian literature: it is heralded by many as introducing feminism into the novel form. Alan Paton published the acclaimed novel Cry, the Beloved Country in 1948. He told the tale of a black priest who comes to Johannesburg to find his son, which became an international best-seller. During the 1950s, Drum magazine became a hotbed of political satire, fiction, and essays, giving a voice to urban black culture. Afrikaans-language writers also began to write controversial material. Breyten Breytenbach was jailed for his involvement with the guerrilla movement against apartheid. Andre Brink was the first Afrikaner writer to be banned by the government after he released the novel A Dry White Season about a white South African who discovers the truth about a black friend who dies in police custody. John Maxwell (JM) Coetzee was also first published in the 1970s, and became internationally recognise in 1983 with his Booker Prize -winning novel Life & Times of Michael K . His 1999 novel Disgrace won him his second Booker Prize as well as the 2000 Commonwealth Writers' Prize . He is also the recipient of the Nobel Prize for Literature in 2003. English writer J. R. R. Tolkien , author of The Hobbit , The Lord of the Rings and The Silmarillion , was born in Bloemfontein in 1892. Poetry Main article: South African poetry South Africa has a rich tradition of oral poetry . Several influential African poets became prominent in the 1970s such as Mongane Wally Serote , whose most famous work, No Baby Must Weep, gave insight into the everyday lives of black South Africans under apartheid. Another famous black novelist, Zakes Mda , transitioned from poetry and plays to becoming a novelist in the same time period. His novel, The Heart of Redness won the 2001 Commonwealth Writers Prize and was made a part of the school curriculum across South Africa. View More Cinema Main article: Cinema of South Africa While many foreign films have been produced about South Africa (usually involving race relations), few local productions are known outside South Africa itself. One exception was the film The Gods Must Be Crazy in 1980, set in the Kalahari . This is about how life in a traditional community of San (Bushmen) is changed when a Coke bottle, thrown out of a plane, suddenly lands from the sky. The late Jamie Uys , who wrote and directed The Gods Must Be Crazy, also had success overseas in the 1970s with his films Funny People and Funny People II, similar to the TV series Candid Camera in the US. Leon Schuster 's You Must Be Joking! films are in the same genre, and hugely popular among South Africans. Schuster's most successful film internationally is Mr Bones, which was also the best performing film locally at the time of its release, grossing 35m USD. This was surpassed by the sequel, Mr Bones 2: Back from the Past. The most high-profile film portraying South Africa in recent years was District 9 . Directed by Neill Blomkamp , a native South African, and produced by Peter Jackson , the action/science-fiction film depicts a sub-class of alien refugees forced to live in the slums of Johannesburg in what many saw as a creative allegory for apartheid . The film was a critical and commercial success worldwide, and was nominated for Best Picture at the 82nd Academy Awards . Another notable film that was produced in South Africa is Chappie . Other notable exceptions are the film Tsotsi , which won the Academy Award for Foreign Language Film at the 78th Academy Awards in 2006 as well as U-Carmen e-Khayelitsha , which won the Golden Bear at the 2005 Berlin International Film Festival . View More Music Main article: Music of South Africa Enoch Sontonga There is great diversity in music from South Africa. Many black musicians who sang in Afrikaans or English during apartheid have since begun to sing in traditional African languages, and have developed unique styles called Kwaito and Amapiano . Of note is Brenda Fassie , who launched to fame with her song "Weekend Special", which was sung in English. More famous traditional musicians include Ladysmith Black Mambazo , while the Soweto String Quartet performs classic music with an African flavour. White and Coloured South African singers are historically influenced by European musical styles. South Africa has produced world-famous jazz musicians, notably Hugh Masekela , Jonas Gwangwa , Abdullah Ibrahim , Miriam Makeba , Jonathan Butler , Chris McGregor , and Sathima Bea Benjamin . Afrikaans music covers multiple genres, such as the contemporary Steve Hofmeyr and the punk rock band Fokofpolisiekar . Crossover artists such as Verity (internationally recognised for innovation in the music industry) and Johnny Clegg and his bands Juluka and Savuka have enjoyed various success underground, publicly, and abroad. Don Clarke who wrote Sanbonani, a local hit for P J Powers , and Hotline in 1986 wrote much of the music for Leon Schuster 's films including Till You're Free Again which he recorded for the film Frank and Fearless in 2018. Rap-rave group Die Antwoord have also found international success. The South African music scene includes Kwaito and Amapiano , new music genres that had developed in the mid-1980s and late 2010s, and have since developed to become a popular socio-economic form of representation among the populace. However, some argue that the political aspects of Kwaito have since diminished after Apartheid, and the relative interest in politics has become a very minor aspect of daily life. Others argue that in a sense, Kwaito is in fact a political force that shows activism in its apolitical actions. Today, major corporations like Sony , BMG , and EMI have appeared on the South African scene to produce and distribute Kwaito music. Due to its popularity, as well as the general influence of DJs, who are among the top 5 most influential types of people within the country, Kwaito has taken over radio, television, and magazines. South African rock music is a very popular subculture, especially within the Johannesburg region. The alternative rock and metal band Seether gained international popularity in the early 2000s, with five of their albums achieving Gold or Platinum certification in the United States. Four other rock bands, KONGOS , Civil Twilight , Prime Circle , the Parlotones and have also achieved success abroad in the late 2000s. While metal bands such as Vulvodynia have achieved moderate success in the 2020s. View More Cuisine Main article: South African cuisine An array of traditional South African cuisine The cuisine of South Africa is heavily meat-based and has spawned the distinctively South African social gathering known as a braai . A variation of the barbecue, braais often feature boerewors or spicy sausages, and mielies (maize ) or Mielie-meal , often as a porridge, or pearl millet , a staple food of black South Africans. Pastries such like koeksisters and desserts like melktert (milk tart) are also universally popular. Meat on a traditional South African braai Indian food like curry is also popular, especially in Durban with its large Indian population. Another local Indian Durban speciality is the "bunny", or bunny chow , which consists of a hollowed-out loaf of white bread filled with curry. The Portuguese community has also made its mark, with spicy peri-peri chicken being a favourite. The South African Portuguese-themed restaurant chain Nando's now has restaurants in the United Kingdom, United States, Canada, Australia, Ireland, New Zealand, Malaysia, Kenya and the United Arab Emirates. Bunny Chow Close-up view of a plate of Bunny ChoW No culinary journey in South Africa is complete without trying a “bunny”. Don’t worry, it’s not an actual rabbit. A bunny chow is a hollowed-out half or quarter loaf of bread filled with curry, typically served with a bit of salad, or sambal, on the side. It originated in Durban, South Africa, in the 1940s, and was created by Indian migrant workers as a convenient and transportable lunch. The loaf can be filled with various curries such as chicken, beef, mutton, bean, or vegetable, depending on personal preference. The bread serves as both a “container” for the curry and as an accompaniment to be eaten with it! Bunny chows are eaten throughout the country these days, and has become a street food classic that’s enjoyed by people from all walks of life. Bobotie Bobotie with some yellow rice served with a salad Considered by many to be South Africa’s national dish, there are many versions of bobotie, most based on treasured recipes that have been passed down through generations. It’s believed that the first recipe for bobotie dates back to a 1609 Dutch cookbook. After it made its way to South Africa, it was adopted and refined – or arguably perfected – by the Cape Malay community, ultimately turning it into a South African dish. Bobotie is made from savoury spiced minced meat (beef, lamb, pork, chicken, or even ostrich) that’s baked with an egg and milk topping. Various spices, curry powder, bay leaves, apricot jam, dried fruits, and nuts are added, depending on the recipe. You typically eat it with slightly sweet yellow rice with raisins added to it, desiccated coconut, blatjang (chutney), and sambals. Biltong Three different types of biltong on a wooden platter | Photo credit: Getty Images Biltong is a quintessential and hugely popular snack with meat-loving South Africans. In fact, it’s gained popularity worldwide for its delicious, salty taste. The word biltong is derived from the Dutch words “bil”, meaning meat or rump, and “tong”, meaning tongue, which is often the shape of the pieces of meat used to make biltong. The meaty snack has its origins in the Great Trek era, when Dutch settlers, or Voortrekkers, moved from the Cape Colony into the interior of South Africa. They needed a reliable way to preserve meat during their long journeys, and viola – biltong was born! It’s superficially similar to American beef jerky, but that’s where the common ground ends. To make it, skilled butchers marinate strips of beef in a mixture of vinegar, salt, sugar, and spices like pepper and coriander, depending on personal taste. The marinated meat is then hung out to air-dry. Today, biltong remains a beloved South African snack, cherished for its unique flavour and versatility. It’s available in every butcher shop, corner café, petrol station, and supermarket, and you can even try venison options like kudu and gemsbok (oryx). Potjiekos Top view of a pot of potjiekos | Photo credit: Getty Images Potjiekos is another dish that was developed by the Voortrekkers during the Great Trek. It’s a stew-like South African dish cooked outdoors over an open fire in a round, three-legged cast-iron pot, known locally as a potjie (little pot). It’s an extremely versatile dish that people adapt to personal preferences and tastes. As with many South African dishes, everyone has their own recipes and techniques. It’s also an efficient and delicious way of preparing a large amount of food with minimal effort. In essence, potjiekos is a slow-cooked stew, featuring a mix of vegetables, meat, and spices. It sits atop hot coals for hours, simmering to perfection in its own juices. A wide variety of meats are suitable for a potjie, but people often opt for less expensive cuts. Potjiekos is famous for the range of delicious and complex flavours it develops and the exquisite tenderness of the meat cooked this way. Enjoying a potjie with friends and relatives perfectly embodies the spirit of the communal sharing of food so integral to South Africa’s food culture and cuisine. The South African Braai: Pap en Vleis/Shisa Nyama Spread of a typical braai with meat, braaibroodjies, and corn | Photo credit: Getty Images In Afrikaans, “pap en vleis” means maize porridge served with meat. “Shisa nyama” is the Zulu equivalent, with “shisa” meaning hot or burnt (i.e. cooked over an open fire) and “nyama” meaning meat. However, no matter where you go in South Africa, people call it braai. Whether you try it at a friend’s house or at a shisa nyama restaurant, the essence remains the same: it’s flame-grilled meat. However, it’s also South Africa’s favourite excuse to get together for social gatherings. Depending on who’s cooking, the meat is served with pap, cornbread, or another starch, along with chakalaka, a spicy relish, or more conventional sides like potato salad and garlic bread. Another local favourite is mielies (corn on the cob). At any given South African braai, you might come across lamb, boerewors (South African sausage), beef, chicken, pork, kudu, springbok, eland, warthog, ostrich, or even seafood. Often, the meat is marinated beforehand in the braai chef’s secret basting. The South African braai is an indelible part of South Africa’s food culture, resonating perfectly with the country’s love of good food enjoyed with family and friends. Vetkoek Mini vetkoek with mince curry filling | Photo credit: Getty Images A delightful treat, vetkoek or “fat cake”, is a traditional South African pastry, it’s a South African dish that you absolutely must try. Originally made as a way to use up leftover bread dough, it’s become a much-loved dish on its own, similar to the Dutch oliebol and the Xhosa amagwinya. Vetkoek is essentially a deep-fried bread dough ball best served hot. It can be served on its own, often just sprinkled with sugar, but it’s also served cut open and filled with delicious toppings. These include savoury mince mixtures, curries, cheese, butter, tuna and mayonnaise, or jam for a sweet version. Ideally, vetkoek should be crispy on the outside and delectably soft inside! Umngqusho, Isitambu, or Samp and Beans Bowl of samp and beans on a wooden platter | Photo credit: Getty Images Umngqusho, a highly prized staple in traditional Xhosa culture, is extremely nutritious and packed with flavours. Reputedly one of Nelson Mandela’s favourite dishes, samp and beans is made from slowly cooked sugar beans and crushed maize kernels, known as samp. It’s flavoured with chilli, onions, leeks, stock blocks, and butter or fat, and is a comforting and satisfying meal. Often served as a meal on its own, it can also be paired with other dishes like chicken, beef, mutton, or lamb stews. It’s traditionally served with umleqwa, a “hardbody chicken”, or lamb curry. Chakalaka Traditional South African chakalaka, a popular spicy side dish or relish | Photo credit: Getty Images This spicy, delicious, and versatile vegetable relish is reputed to have originated in Johannesburg. As the story goes, migrant mine workers from Mozambique used various ingredients like tomatoes, beans, and chilli to create a flavoursome Portuguese-style relish to eat with their pap. Many variations of the dish exist, with different versions including carrots, green peppers, onions, cabbage, and even butternut and sweetcorn. Flavourings like garlic and curry paste are used to add some oomph, and it can be served hot or cold. Make sure to ask how spicy it is before you take a bite – some chefs can be a little too generous with the chilli! It can be served with bread, rice, pap, and other starches, and as an accompaniment to stews and curries, adding a spicy kick to every bite. Melktert Traditional South African melktert | Photo credit: Getty Images For many South Africans, traditional melktert or milk tart conjures up images of home and childhood comfort food enjoyed with loved ones. It’s a South African sweet pastry that can be served with tea or coffee, or as a dessert after a meal. Many South African bakers have jealously-guarded secret family recipes that originated in the Dutch colonial era in South Africa. The main components of a melktert are a sweet pastry crust and a deliciously creamy custard filling made from milk, sugar, and eggs. It can be served hot or cold, but is traditionally served cold with a generous sprinkling of cinnamon. Melktert is a much-loved staple at every church fête, home industries outlet, and supermarket in South Africa. We even have a National Melktert Day on 27 February! Koeksisters Sweet koeksisters covered in syrup | Photo credit: Getty Images This is a diabolically sweet and addictive treat for serious sugar fans only! Koeksisters are twisted or braided deep-fried doughnut-like pastries. After deep-frying, the pastries are soaked in ice-cold syrup that has been left in the fridge overnight, which includes cinnamon, lemon, and ginger. This process ensures maximum absorption of the syrup while the outside of the koeksister remains crispy. Koeksisters have a rich history dating back to the arrival of Dutch settlers in 1652. The name koeksister is derived from the Dutch/Afrikaans word “koek”, meaning cake. It’s interesting to note that another spicy and delicious, often coconut-covered version called “koe’sister”, exists in the Cape. This can be traced back to Indonesian, Malay, and Arabian culinary traditions. Both of these delectable sweet pastries have become deeply entrenched cultural icons in South African cuisine. Has this glimpse into South Africa’s cuisine and culinary traditions piqued your interest and awakened a desire to see – and taste – South Africa for yourself? We wouldn’t blame you. At Discover Africa, after all these years, we’re still amazed at the wealth of experiences South Africa has to offer its visitors. Whatever your dream safari holiday, rest assured that South Africa’s varied cuisine will enrich any South African trip. Wine Main article: South African wine South Africa has developed into a major wine producer, with some of the best vineyards lying in valleys around Stellenbosch , Franschhoek , Paarl and Barrydale . South African wine has a history dating back to 1659, and at one time Constantia was considered one of the greatest wines in the world. Access to international markets has unleashed a burst of new energy and new investment. Production is concentrated around Cape Town , with major vineyard and production centres at Paarl , Stellenbosch and Worcester . There are about 60 appellations within the Wine of Origin (WO) system, which was implemented in 1973 with a hierarchy of designated production regions, districts and wards. WO wines must be made 100% from grapes from the designated area. "Single vineyard" wines must come from a defined area of less than 5 hectares. An "Estate Wine" can come from adjacent farms, as long as they are farmed together and wine is produced on site. A ward is an area with a distinctive soil type and/or climate, and is roughly equivalent to a European appellation. View More Education Main article: Education in South Africa The heart of the Rhodes University campus Learners have twelve years of formal schooling, from grade 1 to 12. Grade R is a pre-primary foundation year. Primary schools span the first seven years of schooling. High School education spans a further five years. The Senior Certificate examination takes place at the end of grade 12 and is necessary for tertiary studies at a South African university . Public universities in South Africa are divided into three types: traditional universities, which offer theoretically oriented university degrees; universities of technology (formerly called "Technikons "), which offer vocational oriented diplomas and degrees; and comprehensive universities, which offer both types of qualification. Public institutions are usually English medium, although instruction may take place in Afrikaans as well. There are also a large number of other educational institutions in South Africa – some are local campuses of foreign universities, some conduct classes for students who write their exams at the distance-education University of South Africa and some offer unaccredited or non-accredited diplomas. Public expenditure on education was at 6.1% of the 2016 GDP. Under apartheid , schools for blacks were subject to discrimination through inadequate funding and a separate syllabus called Bantu Education which was only designed to give them sufficient skills to work as labourers. Redressing these imbalances has been a focus of recent education policy; see Education in South Africa: Restructuring . See also: Matriculation in South Africa ; High school in South Africa Scouting South Africa has also had a large influence in the Scouting movement, with many Scouting traditions and ceremonies coming from the experiences of Robert Baden-Powell (the founder of Scouting) during his time in South Africa as a military officer in the 1890s-1900s. Scouts South Africa (then known as Boy Scouts of South Africa) was one of the first youth organisations to open its doors to youth and adults of all races in South Africa. This happened on 2 July 1977 at a conference known as Quo Vadis View More Society Gender roles Main article: Women in South Africa Further information: Feminism in South Africa Sexual orientation Main article: LGBT rights in South Africa South Africa enacted same-sex marriage laws in 2006 allowing full marriage and adoption rights to same-sex couples. Although the Constitutional and legal system in South Africa theoretically ensures equality, social acceptance is generally lacking, especially outside of urban areas. Lesbian women from smaller towns (especially the townships ) are often victims of beating or rape. This has been posited, in part, to be because of the perceived threat they pose to traditional male authority. Although evidence of hatred may influence rulings on a case-by-case basis, South Africa has no specific hate crime legislation; human rights organisations have criticised the South African police for failing to address the matter of bias-motivated crimes. For example, the NGO ActionAid has condemned the continued impunity and accused governments of turning a blind eye to reported murders of lesbians in homophobic attacks in South Africa; as well as to so-called "corrective" rapes , including cases among pupils, in which cases the male rapists purport to raping the lesbian victim with the intent of thereby "curing" her of her sexual orientation. Science and technology Main article: Science and technology in South Africa Several important scientific and technological developments have originated in South Africa. The first human-to-human heart transplant was performed by cardiac surgeon Christiaan Barnard at Groote Schuur Hospital in December 1967. Max Theiler developed a vaccine against Yellow Fever, Allan McLeod Cormack pioneered x-ray Computed tomography , and Aaron Klug developed crystallographic electron microscopy techniques. These advancements were all (with the exception of that of Barnard) recognised with Nobel Prizes . Sydney Brenner won most recently, in 2002, for his pioneering work in molecular biology . Mark Shuttleworth founded an early Internet security company Thawte , that was subsequently bought out by world-leader VeriSign . Elon Musk was born in South Africa. South Africa has cultivated a burgeoning astronomy community. It hosts the Southern African Large Telescope , the largest optical telescope in the southern hemisphere. South Africa is currently building the Karoo Array Telescope as a pathfinder for the $20 billion Square Kilometer Array project to be built in South Africa and Australia. View More Sports Main article: Sport in South Africa The Springboks in a bus parade after winning the 2007 Rugby World Cup The Proteas at the Oval in 2008 The most popular sports in South Africa are association football , rugby , and cricket . Other sports with significant support are field hockey , swimming , athletics , golf , boxing , tennis , netball and softball . Although association football commands the greatest following among the youth , other sports like basketball , surfing , judo and skateboarding are becoming increasingly popular. Famous combat sport personalities include Baby Jake Jacob Matlala , Vuyani Bungu , Welcome Ncita , Dingaan Thobela , Corrie Sanders , Gerrie Coetzee , Brian Mitchell and Dricus du Plessis . Footballers who have played for major foreign clubs include Lucas Radebe and Philemon Masinga , (both formerly of Leeds United ), Quinton Fortune (Atlético Madrid and Manchester United ), Benni McCarthy (also first-team coach at Manchester United ) (Ajax Amsterdam , F.C. Porto , Blackburn Rovers and West Ham United ), Aaron Mokoena (Ajax Amsterdam, Blackburn Rovers and Portsmouth ), Delron Buckley (Borussia Dortmund ) and Steven Pienaar (Ajax Amsterdam and Everton ). South Africa has also produced 1979 Formula One World Champion, Jody Scheckter , along with his son, two time Indycar Series race winner, Tomas Scheckter , who led the most laps in both his first two Indianapolis 500 starts during the 2002 and 2003 running of the race. In MotoGP , notable racers include Brad Binder and his younger brother, Darryn Binder . Durban Surfer Jordy Smith won the 2010 Billabong J-Bay competition making him the No. 1 ranked surfer in the world. Famous cricket players include Herschelle Gibbs , Graeme Smith , Dale Steyn , Jonty Rhodes , Jacques Kallis , JP Duminy , Quinton de Kock , Faf du Plessis , Keshav Maharaj , Kagiso Rabada , David Miller and AB de Villiers , etc. Most of them have also participated in the Indian Premier League . South Africa has also produced numerous world class rugby players, including Francois Pienaar , Joost van der Westhuizen , Danie Craven , Frik du Preez , Naas Botha , Bryan Habana , Siya Kolisi , Cheslin Kolbe , Duane Vermeulen , Eben Etzebeth and Makazole Mapimpi . South Africa hosted and won the 1995 Rugby World Cup and won the 2007 Rugby World Cup in France as well as the 2019 Rugby World Cup in Japan, and the 2023 Rugby World Cup , again in France. It followed the 1995 Rugby World Cup by hosting the 1996 African Cup of Nations , with the national team going on to win the tournament. It also hosted the 2003 Cricket World Cup , the 2007 World Twenty20 Championship , and it was the host nation for the 2010 FIFA World Cup , which was the first time the tournament was held in Africa. FIFA president Sepp Blatter awarded South Africa a grade 9 out of 10 for successfully hosting the event. In 2004, the swimming team of Roland Schoeman , Lyndon Ferns , Darian Townsend and Ryk Neethling won the gold medal at the Olympic Games in Athens, simultaneously breaking the world record in the 4x100 freestyle relay. Penny Heyns won Olympic Gold in the 1996 Atlanta Olympic Games . Swimmer Tatjana Smith (née Schoenmaker) won gold and silver medals at both the Olympic Games and the Commonwealth Games. In golf, Gary Player is generally regarded as one of the greatest golfers of all time, having won the Career Grand Slam , one of five golfers to have done so. Other South African golfers to have won major tournaments include Bobby Locke , Ernie Els , Retief Goosen , Trevor Immelman and Louis Oosthuizen . View More View More BACK TO THE TOP OF THE PAGE

GAUTENG Gauteng Some of South Africa’s largest cities are in Gauteng, including Johannesburg and Pretoria. This province is the economic hub of South Africa. Gauteng is the smallest but wealthiest of South Africa’s provinces . It is the most densely populated of the provinces. The province borders the Free State Province , Limpopo , Mpumalanga and the North-West Province. Towns and Cities The main cities are Johannesburg, Pretoria, Centurion, Midrand, Germiston, Roodepoort, Krugersdorp, Kempton Park and Vereeniging. The main towns include Heidelberg, Magaliesburg, Soweto and Vanderbijlpark. Gauteng (/xaʊˈtɛŋ/ khow-TENG , Sotho: [xɑ́.úˈtʼèŋ̀] ; Sotho-Tswana for 'place of gold'; Zulu : eGoli or iGoli [îːˈɡóːlì] ) is one of the nine provinces of South Africa . Situated on the Highveld , Gauteng is the smallest province by land area in South Africa . Although Gauteng accounts for only 1.5% of the country's land area, it is the most populous province in South Africa , with more than a quarter (26%) of the national population; the provincial population was approximately 16.1 million, according to mid-year 2022 estimates. Highly urbanised, the province contains the country's largest city, Johannesburg . Gauteng is the wealthiest province in South Africa and is considered the financial hub of South Africa; the financial activity is mostly concentrated in Johannesburg. It also contains the administrative capital, Pretoria , and other large areas such as Midrand , Vanderbijlpark , Ekurhuleni and the affluent Sandton . The largest township, Soweto, is also found in this province. Politically, it is the closest contested province between the ANC and the DA in South Africa. Etymology The name Gauteng is derived from Sotho-Tswana gauta, meaning 'gold'. There was a thriving gold industry in the province following the 1886 discovery of gold in Johannesburg . In Sesotho , Setswana and Sepedi the name Gauteng was used for Johannesburg and surrounding areas long before it was adopted in 1994 as the official name of the province. History A snippet of text showing the Sesotho word "Gaudeng" (modern Gauteng) in Jacottet's A practical method to learn Sesuto: with exercises and a short vocabulary , published in 1906 Gauteng was formed from part of the old Transvaal Province after South Africa's first multiracial elections on 27 April 1994. It was initially called Pretoria –Witwatersrand –Vereeniging (PWV) and was renamed "Gauteng" on the 28th of June 1995, the same day two other provinces were renamed. The term "PWV" describing the region existed long before the establishment of a province by that name,with the "V" sometimes standing for "Vaal Triangle " rather than Vereeniging. At the Sterkfontein caves, some of the oldest fossils of hominids have been discovered, such as Mrs. Ples and Little Foot . Events in this area were not written down until the 19th century; information from before that time is lost or difficult to confirm. The first records are from the early 19th century, when settlers originating from the Cape Colony defeated chief Mzilikazi and started establishing villages in the area. The city of Pretoria, established in 1855 as the capital of the South African Republic , witnessed rapid growth until the discovery of gold in the Witswatersrand area in 1886, which led to the founding of Johannesburg.[12] [15] Despite slower development compared to Johannesburg, Pretoria maintained significance, notably due to its pivotal role in the Second Boer War . The nearby town of Cullinan gained international acclaim in 1905 when the largest diamond ever discovered, the Cullinan Diamond , was mined there. Many events crucial to the anti-apartheid struggle happened in present-day Gauteng, such as the Freedom Charter of 1955, Women's March of 1956, Sharpeville massacre of 1960, the Rivonia Trial of 1963 and 1964, the little Rivonia Trial of 1964, the Soweto Uprising of 1976 and Sharpeville Six of 1984. The Apartheid Museum documents this era. Law and government Gauteng is governed by the Gauteng Provincial Legislature , a 73-person unicameral legislature elected by party-list proportional representation . The legislature elects one of its members as Premier of Gauteng to lead the executive, and the Premier appoints an Executive Council of up to 10 members of the legislature to serve as heads of the various government departments. The provincial government is responsible for the topics allocated to it in the national constitution , including such fields as basic education, health, housing, social services, agriculture and environmental protection. The most recent election of the provincial legislature was held on 8 May 2019 , and the African National Congress (ANC) won 50.19% of the vote and a 37-seat majority in the legislature. The official opposition is the Democratic Alliance , which won 27.45% of the vote and 20 seats. Other parties represented are the Economic Freedom Fighters with eleven seats and the Freedom Front Plus with three seats. The Inkatha Freedom Party and African Christian Democratic Party hold one seat each.[16] Premier David Makhura of the ANC was re-elected as premier on 22 May 2019, at the first meeting of the legislature after the general election.Makhura resigned from the position on 6 October 2022 and Panyaza Lesufi of the ANC was elected to replace him. In the 2024 South African general election , held on 29 May, the ANC received 34% of the vote, while the DA received 28%. The Gauteng Division of the High Court of South Africa , which has seats in Pretoria and Johannesburg, is a superior court with general jurisdiction over the province. Johannesburg is also home to the Constitutional Court , South Africa's highest court, and to a branch of the Labour Court and Labour Appeal Court . Geography The undulating hills that form part of the rural areas in the province just north of Johannesburg. Although Gauteng is a heavily urbanised province, much of its area is extensively cultivated for agriculture. Gauteng's southern border is the Vaal River , which separates it from the Free State . It also borders on North West to the west, Limpopo [10] to the north, and Mpumalanga [10] to the east. Gauteng is the only landlocked province of South Africa without a foreign border. Most of Gauteng is on the Highveld , a high-altitude grassland (circa 1,500 m or 4,921 ft above sea level). Between Johannesburg and Pretoria , there are low parallel ridges and undulating hills, some part of the Magaliesberg Mountains and the Witwatersrand . The north of the province is more subtropical , due to its lower altitude and is mostly dry savanna habitat. Witwatersrand area Further information: Witwatersrand In the southern half of Gauteng, the Witwatersrand area is an older term describing a 120 km wide oblong-shaped conurbation from Randfontein in the West to Nigel in the East, named after the Witwatersrand , a geologically and economically important series of low ridges and their associated plateau that greater Johannesburg developed on. This area is also often referred to simply as "Witwatersrand", "the Rand" or "the Reef" (archaic, after the gold reefs that precipitated the development of the area), and was the "W" in PWV, the initial name for Gauteng. It has traditionally been divided into the three areas of East Rand (governed by the Ekurhuleni Metropolitan Municipality ), Central Rand (approximately today's Johannesburg Municipality ) and West Rand Climate The climate is mostly influenced by altitude. Even though the province is at a subtropical latitude, the climate is comparatively cooler, especially in Johannesburg , at 1,700 m (5,577 ft) above sea level (Pretoria is at 1,330 m or 4,364 ft). Most precipitation occurs as brief afternoon thunderstorms; however, relative humidity never becomes uncomfortable. Winters are crisp and dry with frost occurring often in the southern areas. Snow is rare, but it has occurred on some occasions in the Johannesburg metropolitan area Cities and towns Cities and towns See also: List of cities and towns in Gauteng Alberton Atteridgeville Benoni Boksburg Bronkhorstspruit Brakpan Carletonville Centurion Cullinan Edenvale Ga-Rankuwa Germiston Hammanskraal Heidelberg Henley on Klip Johannesburg Kempton Park Krugersdorp Mabopane Mamelodi Magaliesburg Meyerton Midrand Nigel Parkhurst Pretoria Randburg Randfontein Roodepoort Rosebank Sandton Soshanguve Soweto Springs Tembisa Vanderbijlpark Vereeniging Administrative divisions Gauteng municipalities Main article: List of municipalities in Gauteng The Gauteng Province (as of May 2011) is divided into three metropolitan municipalities and two district municipalities . The district municipalities are in turn divided into six local municipalities : District municipalities Sedibeng District Emfuleni Lesedi Midvaal West Rand District Merafong City Mogale City Rand West City Metropolitan municipalities Tshwane Metropolitan Municipality (Pretoria ) Johannesburg Metropolitan Municipality Ekurhuleni Metropolitan Municipality The former Metsweding district consisting of Nokeng Tsa Taemane and Kungwini in the North of the province was incorporated into Tshwane in 2011. Demographics Population density in Gauteng <1 /km² 1–3 /km² 3–10 /km² 10–30 /km² 30–100 /km² 100–300 /km² 300–1000 /km² 1000–3000 /km² >3000 /km² Dominant home languages in Gauteng Afrikaans English Ndebele Xhosa Zulu Pedi Sotho Tswana Swati Venda Tsonga No language dominant As of the 2022 census , Gauteng had a population of 15,099,422, an increase of 23.0% from the last census in 2011 . Despite being the smallest province by area, it has the highest population of any South African province, with 24.3% of the total South African population. As of 2022, there are 5,318,665 households in Gauteng. The population density is 831/km2. The density of households is 155.86/km2. About 22.1% of all households are made up of individuals. The average household size fell slightly between the 2011 census and 2022 census, from 3.1 to 2.8 persons. The province's age distribution was 23.6% under the age of 15, 19.6% from 15 to 24, 37.9% from 25 to 44, 15.0% from 45 to 64, and 4.0% who are 65 years of age or older. The median age is 27 years. For every 100 females there are 101.2 males. For every 100 females age 18 and over, there are 102.3 males. BACK TO THE TOP OF THE PAGE Languages Languages According to the 2022 census , in Gauteng, the most spoken languages at home were: Zulu : 23.1% of residents, Sesotho : 13.1%, Sepedi : 12.6%, Setswana : 10.4%, English : 9.2%, Afrikaans : 7.7%, Xitsonga : 7.0%, IsiXhosa : 6.7%, IsiNdebele : 3.1%, Tshivenda : 2.4%, SiSwati : 0.9%, South African Sign Language : 0.02%, Other languages: 4.3%. Religion 86.1% of residents are Christian, 4.3% have no religion , 1.6% are Muslim, 0.1% are Jewish, and 0.7% are Hindu . 6.0% stated Traditional African religions as their faith. Educational Attainment 8.4% of residents aged 20 and over have received no schooling, 11.2% have had some primary, 5.5% have completed only primary school, 34.3% have had some high education, 28.0% have finished only high school, and 12.6% have an education higher than the high school level. Overall, 40.6% of residents have completed high school. Economic Status 56.1% of housing units have a telephone and/or mobile phone in the dwelling, 41.5% have access to a phone nearby, and 2.3% have access that is not nearby or no access. 82.8% of households have a flush or chemical toilet. 84.2% have refuse removed by the municipality at least once a week and 2.6% have no rubbish disposal. 47.2% have running water inside their dwelling, 83.6% have running water on their property, and 97.5% have access to running water. 73.2% of households use electricity for cooking, 70.4% for heating, and 80.8% for lighting. 77.4% of households have a radio, 65.7% have a television, 15.1% own a computer, 62.1% have a refrigerator , and 45.1% have a mobile phone. 25.8% of the population aged 15–65 is unemployed. The median annual income of working adults aged 15–65 is R 23 539 ($3,483). Males have a median annual income of R 24 977 ($3,696) versus R 20 838 ($3,083) for females. According to the 2022 census , in Gauteng, the most spoken languages at home were: Zulu : 23.1% of residents, Sesotho : 13.1%, Sepedi : 12.6%, Setswana : 10.4%, English : 9.2%, Afrikaans : 7.7%, Xitsonga : 7.0%, IsiXhosa : 6.7%, IsiNdebele : 3.1%, Tshivenda : 2.4%, SiSwati : 0.9%, South African Sign Language : 0.02%, Other languages: 4.3%. Religion 86.1% of residents are Christian, 4.3% have no religion , 1.6% are Muslim, 0.1% are Jewish, and 0.7% are Hindu . 6.0% stated Traditional African religions as their faith. Educational Attainment 8.4% of residents aged 20 and over have received no schooling, 11.2% have had some primary, 5.5% have completed only primary school, 34.3% have had some high education, 28.0% have finished only high school, and 12.6% have an education higher than the high school level. Overall, 40.6% of residents have completed high school. Economic Status 56.1% of housing units have a telephone and/or mobile phone in the dwelling, 41.5% have access to a phone nearby, and 2.3% have access that is not nearby or no access. 82.8% of households have a flush or chemical toilet. 84.2% have refuse removed by the municipality at least once a week and 2.6% have no rubbish disposal. 47.2% have running water inside their dwelling, 83.6% have running water on their property, and 97.5% have access to running water. 73.2% of households use electricity for cooking, 70.4% for heating, and 80.8% for lighting. 77.4% of households have a radio, 65.7% have a television, 15.1% own a computer, 62.1% have a refrigerator , and 45.1% have a mobile phone. 25.8% of the population aged 15–65 is unemployed. The median annual income of working adults aged 15–65 is R 23 539 ($3,483). Males have a median annual income of R 24 977 ($3,696) versus R 20 838 ($3,083) for females. Life expectancy Life expectancy Gauteng is the province with the second highest life expectancy in the country in 2019 with females having a life expectancy of 69 years and males having a life expectancy of 64 years. Urban conurbation Historically described as the PWV complex, the urban conurbation of Gauteng, referred to as the Gauteng City Region, contains the major urban populations of Johannesburg (7,860,781 as of 2011), Pretoria (1,763,336), Vereeniging (377,922), Evaton (605,504) and Soshanguve (728,063), coming to an urban population of over 11 million. Thomas Brinkhoff lists a "Consolidated Urban Area" in Gauteng as having a population of 13.1 million as of January 2017. The future governmental plans for the region indicate the gradual urbanisation and consolidation towards the creation of a megalopolis that connects these metros. The GCRO is a collaboration between the Universities of Johannesburg and Witwatersrand, the city of Johannesburg, Gauteng Provincial Government, and SALGA-Gauteng. The GCRO's purpose is to collect information and create a database on the Gauteng City Region to provide to government, lawmakers and civil society an informed understanding of the fastest urbanizing region in Southern Africa. Economy Main article: Economy of Gauteng Gauteng is considered the economic hub of South Africa and contributes heavily in the financial, manufacturing, transport, technology, and telecommunications sectors, among others. It also plays host to a large number of overseas companies requiring a commercial base in and gateway to Africa . Gauteng is home to the Johannesburg Stock Exchange , the largest stock exchange in Africa. Some of the largest companies in Africa and abroad are based in Gauteng, or have offices and branches there, such as Vodacom , MTN , Neotel , Microsoft South Africa and the largest Porsche Centre in the world. Although Gauteng is the smallest of South Africa's nine provinces—it covers a mere 1.5% of the country's total land area, the province is responsible for a third of South Africa's gross domestic product (GDP). Gauteng generates about 10% of the total GDP of sub-Saharan Africa and about 7% of total African GDP. Gauteng has the highest GDP and GDP per capita of all South Africa's provinces. Gauteng is also the province with the most taxpayers and the highest average taxable income per taxpayer according to the South African Revenue Service . Transport Sandton Gautrain Station in August 2010 SANRAL , a parastatal, is responsible for the maintenance, development and management of all national road networks in South Africa.. SANRAL is responsible for instituting the Gauteng Freeway Improvement Project, which was met with a lot of opposition due to the tolling of Gauteng motorists. Many important national routes run through Gauteng such as the N1 , N3 , N4 , N12 , N14 and the N17 . Johannesburg is quite dependent on freeways for transport in and around the city. The R21 , R24 , R59 , M1 and M2 all run through Johannesburg while the R80 connects Pretoria Central to Soshanguve. The Gauteng Freeway Improvement Project led to a large decrease in traffic congestion when construction finished 2011–2012. Cape Town , for the first time in decades, is now the most congested city in South Africa. PUTCO , the largest commuter bus operator in South Africa, services the Gauteng area extensively. The bus rapid transit system Rea Vaya also serves to transport people from Johannesburg's southern neighbourhoods into and around the CBD . In an interview, Parks Tau stated that by 2040, Johannesburg will be dominated by pedestrians and public transport as opposed to the use of private transport or informal transport, such as minibus taxis. Gautrain and Metrorail both service the province's public transport sector where trains are concerned and Gautrain offers a bus service that transports commuters to and from various train stations and predetermined bus stops. Metrorail trains are considered one of the most cost-effective methods of transportation in and around Gauteng. The O. R. Tambo International Airport , Rand Airport , Lanseria International Airport , Wonderboom Airport and Grand Central Airport are located in Gauteng. There is a large informal transport sector in Gauteng, consisting of thousands of minibus taxis , which many of the urban and rural population makes use of. However, it is noted that taxis are often unsafe as their drivers ignore the rules of the road and the vehicles are often not roadworthy . The City of Johannesburg stated that: "major initiatives are under way to completely reform the taxi industry and provide more comfort and safety to customers." In March 2017, it is reported that Gauteng alone has 4,7 million registered vehicles under the "GP" abbreviation via the eNatis system. Education University of Pretoria 's Old Arts Building Gauteng is a large center of learning in South Africa, and it has many universities and educational institutions of higher learning. Universities Monash University South Africa Campus Tshwane University of Technology University of Johannesburg Sefako Makgatho Health Sciences University University of Pretoria University of South Africa University of the Witwatersrand Vaal University of Technology Colleges African Leadership Academy CTI Education Group Damelin Lyceum College Midrand Graduate Institute Rabbinical College of Pretoria St Augustine College of South Africa Milpark Education Stadio In 2002, the Gauteng Department of Education founded an initiative called Gauteng Online in an attempt to get the entire province to utilize a wide assortment of electronic and telecommunications systems. In 2007, this initiative was handed over to the Gauteng Department of Finance. In the 2013 national budget speech, it was announced that the Gauteng Department of Education would be granted over R 700 million to improve education and to alleviate issues concerning the overcrowding in schools, a shortage in teaching staff and transport for poor pupils. In 2017/2018, the Gauteng Provincial government spent R 42.4 billion on education which accounted for 38% the province's total expenditure. Conservation Although Gauteng province is dominated by the urban areas of Johannesburg and Pretoria, it has several nature reserves. Gauteng is home to the Cradle of Humankind UNESCO World Heritage Site which includes the Sterkfontein caves and the Wonder Cave Kromdraai . Johannesburg is home to the largest human-made urban forest in the world. Botanical gardens Walter Sisulu National Botanical Garden Johannesburg Botanical Garden Pretoria National Botanical Garden Nature reserves Rietvlei Nature Reserve Suikerbosrand Nature Reserve Groenkloof Nature Reserve Dinokeng Game Reserve Private and municipal reserves Kromdraai Conservancy Krugersdorp Nature Reserve Rietvlei Nature Reserve Wonderboom Nature Reserve Provincial reserves The Maropeng visitors centre at the Cradle of Humankind Main article: Gauteng Department of Agriculture, Conservation, Environment and Land Affairs There are 5 provincial reserves managed by the Gauteng Department of Agriculture, Conservation, Environment and Land Affairs: Abe Bailey Nature Reserve Alice Glockner Nature Reserve Marievale Bird Sanctuary Roodeplaat Nature Reserve Suikerbosrand Nature Reserve Sport Loftus Versfeld Stadium, one of Gauteng's various stadia and venue for the 2010 FIFA World Cup Gauteng is home to many stadiums and sporting grounds, notably Soccer City , Ellis Park Stadium , Odi Stadium , Loftus Versfeld Stadium , Lucas Moripe Stadium , Giant Stadium , Orlando Stadium , Johannesburg Stadium , the Wanderers Stadium and SuperSport Park . Several teams from Gauteng play in the country's top-level association football (more commonly referred to as soccer) league, the Premier Soccer League (PSL), including Mamelodi Sundowns , SuperSport United , Kaizer Chiefs and Orlando Pirates . The national squad Bafana Bafana 's home stadium is Soccer City in Johannesburg. During the 2010 FIFA World Cup , the first ever world cup held by an African nation, Gauteng's stadia hosted many games. The first ever FIFA world cup match on African soil took place at Soccer City on 11 June 2010. Along with Soccer City, Loftus Versfeld Stadium and Ellis Park Stadium hosted matches in Gauteng. Rugby , or more accurately rugby union , is a popular sport in South Africa, and in Gauteng in particular. Two rugby teams from Gauteng participate in the Southern Hemisphere Super Rugby championship: the Pretoria -based Bulls , and the Johannesburg -based Lions (previously the Cats). Three Gauteng-based teams play in the country's domestic competition, the Currie Cup : the Blue Bulls from Pretoria, the Golden Lions from Johannesburg and the Falcons from the East Rand . In 1995, South Africa hosted the 1995 Rugby World Cup and proceeded to win the tournament at Ellis Park Stadium on 24 June 1995. The events surrounding the world cup formed the basis of the story for the movie Invictus . Many South African universities take part in the Varsity Rugby league. Of these, the Gauteng universities include the University of Pretoria, the University of Johannesburg and the University of the Witwatersrand. Cricket is also widely popular among all cultural groups in the country, and is the only sport to feature in the top two among all of South Africa's major ethnic/racial groups. The Highveld Lions represent both Gauteng and North West in the country's three domestic competitions—the first-class SuperSport Series , the List A one-day MTN Domestic Championship and the Twenty20 Standard Bank Pro 20 Series . Many marathons take place in Gauteng, such as the Gauteng Marathon, the Arwyp Medical Centre 15 km Nite Race and the Trisport Joburg City Triathlon. Gauteng's favourable weather conditions throughout the year make it an ideal hub for sports and other out door activities. This makes golf , horse racing and swimming very popular. The Vaal River facilitates water sports in the forms of jet skiing, water skiing and motor boating.[82] Adventure sports are also quite popular in Gauteng, particularly skydiving, paragliding and hang-gliding. The amusement park Gold Reef City is situated in Gauteng,as is the Johannesburg Zoo [84] and the Pretoria Zoo . Botanical gardens in the province include the Pretoria and Walter Sisulu national botanical gardens maintained by the South African National Botanical Institute as well as the Johannesburg and Manie van der Schijff botanical gardens. The Ticketpro Dome and the Gallagher Convention Centre , which are both popular events and expos venues, are also located within Gauteng. The province also has a Formula One racetrack, the Kyalami Circuit . The most recent F1 race at the venue was in 1993. BACK TO THE TOP OF THE PAGE

HISTORY & PLACES A history of the South African Constitution 1910-1996 … The New Constitution was negotiated between May 1994 and October 1996 in the country's first democratically elected … dispensation was not new, and was in fact as old as SouthAfrica itself. The Constitution was not a product solely of negotiation in the Constitutional Assembly. Experiences in other parts ofthe world played a role in its development, and many of its provisions are the realisation of years of struggle and are imbued with historical significance. Thehistoryof this constitutional development spans nine decades between two major milestones, both peace treaties that ended … Click Here uMkhonto weSizwe (MK) in exile … Introduction Following British victory in theSouth African War , the Union ofSouthAfrica was forged in 1910 under the British Commonwealth. The Union brought together the defeated independent Boer … handicaps”¦ Whilst Botswana accepts that we are part ofthe Southern African economic complex and that the harsh fact ofhistory and geography cannot be obliterated, for obvious reasons, we have to maintain normal friendly relations with South … A brief history on South African prisons and prisoners … Introduction In 1948 the National government was voted into power and instituted apartheid. This lead to an increase in the number of people being incarcerated due to petty and severe apartheid laws. Between the 1960s and the unbanning ofthe liberation … Act and other security legislation such as the Internal Security Act , the Sabotage Act and the Terrorism Act . Thehistoryofthe Pretoria Central Premises There are six prisons on one premise each built at different times. The first prison … The Trotskyist Groups in South Africa - A Retrospective View by Baruch Hirson (Encyclopedia of Trotskyism On-Line: Revolutionary History: Volume 4, No. 4, 1993, South Africa) … THEHISTORYoftheSouth African Trotskyists during the 1930s and into the next decade was never made available or discussed with new recruits. … Deployment of Racism in South Africa by Rooha Variava … Contents Chapter 1: Theoretical Debates and Methodological Controversies Chapter 2: Questions Method Chapter 3: The Constitution of Black as ‘Other’ Chapter 4: The Black as Uncivilized Chapter 5: The Management of Blacks Chapter 6: The Blacks; Political … origin: racial attributes. In MacCrone's analysis, for example, racism is interpreted in psychologistic terms, and its history and practice are seen as the product ofthe irrational and tradition-bound psychology ofthe Afrikaner. Positing the … South African Defence Force (SADF) … Early years ThehistoryoftheSouth African Defence Force (SADF) can be traced to the 1660s. When Jan van Riebeeck landed at the Cape in 1652, he had with … Book 6: Negotiation, Transition and Freedom - Bibliography … From the book: Book 6: Negotiation, Transition and Freedom commissioned by The Department of Education African National Congress. Address to the Nation by ANC President Nelson Rolihlahla Mandela, on the Assassination of Martin Thembisile (Chris) Hani , 10 April 1993. Online: http:www.anc.org.za/ancdocs/history/mandela/1993/sp930410.html Alexander, N. An Ordinary Country. Issues in the Transition from Apartheid to Democracy in … ‘Wash Me Black Again’: African Nationalism, the Indian Diaspora, and Kwa-Zulu Natal, 1944-1960 by Jon Soske … ‘Wash Me Black Again’: African Nationalism, the Indian Diaspora, and Kwa-Zulu Natal, 1944-1960 Jon Soske Doctor of Philosophy Graduate Department ofHistory University of Toronto 2009 ABSTRACT My dissertation combines a critical historyofthe Indian diaspora’s political … Webinar Programme: Red Lives. Convenor: Arianna Lissoni … Dawood Seedat: The Communist who insisted that there was 'no middle road to freedom’ by Goolam Vahed Department ofHistory University of KwaZulu-Natal - vahedg@ukzn.ac.za One ofthe most remarkable figures ofthe Communist Party of … Bibliographical note and further reading … From the book: A Documentary Historyof Indian South Africans edited by Surendra Bhana and Bridglal Pachai For the serious researcher investigating any aspect ofthe … Chapter 5 - The Indian Tobacco Workers Strike of 1920: A Socio-Historical Investigation by Evangelos A. Mantzaris … From: Labour Struggles in SouthAfricaThe Forgotten Pages 1903 - 1921 by Evangelos A. Mantzaris The struggle of tobacco workers in SouthAfrica is a topic much neglected by historians and social scientists alike. In Johannesburg and … in Cape Town in 1906, which resulted in the workers establishing the first socialist-oriented co-operative society in thehistoryofSouth African Labour is the best example of this militancy. 1 In this paper we will examine the struggles ofthe … Address on Accepting an Honarary Doctorate from the Russian Academy of Sciences Moscow, 30 April 1999 … It is indeed a very special honour to receive not one Honorary Doctorate but two, and not from one prestigious institution of learning but two! I will always cherish this association with the great intellectuals of a renowned tradition of scientific endeavour. I will do so knowing that it is no personal … the imposed divisions of centuries to live out together the consequences ofthe profound but simple fact that, complex as history may have made our society, we are one people with one destiny. In doing so they are opening the way to knowledge in … THE FIRST SETTLERS 1497 - 1699 1497 24 December, A flotilla of three Portuguese ships under the command of Capt Vasco da Gama sailed up the eastern seaboard of southern Africa, and moored overnight in the lee of a … Stavenisse , reached the bay. The following day it managed to sail over the sand bar at its entrance, thereby becoming thefirst ship to moor in the Bay of Natal. Timeline: Durban 1700 - 1899 1736 A hunting party headed by Hermanus Hubner journeyed … hippo tusks, buffalo hides, cattle and grain. 7 August, At a meeting with Fynn and Farewell, Shaka granted the English settlers an area about Port Natal of about 6500 km² in extent. Upon his return, on 24 August, Farewell hoisted the Union … THE GREAT TREK Great Trek 1835-1846 … TheGreatTrek was a movement of Dutch-speaking colonists up into the interior of southern Africa in search of land where they could establish their own homeland, independent of British rule. … December 16 and the Construction of Afrikaner Nationalism … The date, December 16, holds a special significance in South African history. On this day in 1838, the Voortrekkers fought a … abolition of slavery that sparked a unique event that would transform the former Dutch colonists into a new ‘volk’ – theGreatTrek ). The British outlawed slavery in 1834. Without slaves, the burghers could not survive as farmers, and the Dutch Cape … BATTLE OF BLOOD RIVER December 16 and the Construction of Afrikaner Nationalism … The date, December 16, holds a special significance in South African history. On this day in 1838, the Voortrekkers fought a battle for survival against Dingaan’s Zulu army, and were victorious. Later, the day was commemorated as part ofthe Afrikaner nationalist project. This article traces some ofthe main events that make up the history ofthe Afrikaner … Dundee … TheBattleofBloodRiver Heritage Site in KwaZulu-Natal represents a unique way of Historic storytelling because there are 2 separate … Political changes from 1750 to 1820 … Britain takes control ofthe Cape Once revolutionary armies of France invaded Holland in 1795, the British feared that the French would take … Under the directive of Andries Hendrik Potgieter, the trekkers attacked the Ndebele group. The Voortrekkers won thebattle against the Ndebele warriors and the Ndebele moved north of Limpopo. A group of trekkers led by Piet Retief split from … ANGLO ZULU WAR The Prince Imperial of France dies in the Anglo-Zulu War of 1879 … Joseph Napoleon, who studied in England at the Royal Military Academy and joined the British forces, was killed in the Anglo-ZuluWar when he and a British reconnaissance party were attacked by about forty Zulus in the vicinity of Itelezi Mountain and … Prince Eugene Napoleon is killed during Anglo-Zulu War … Joseph Napoleon, who studied in England at the Royal Military Academy and joined the British forces, was killed in the Anglo-ZuluWar when he and a British reconnaissance party were attacked by about forty Zulus in the vicinity of Itelezi Mountain and … Click Here Click Here Click Here Click Here ANGLO BOER WAR Small Title First Anglo Boer War … Causes of the War The First Anglo-Boer is also known as the First Transvaal War of Independence because the conflict arose between the … (ZAR). The Boers had some help from their neighbours in the Orange Free State. There were several causes of the First Anglo-BoerWar. The expansion of the British Empire. Problems within the Transvaal government. The British annexation of the … Second Anglo-Boer War - 1899 - 1902 … 'South African War ( a.k.a. the Anglo-BoerWar) remains the most terrible and destructive modern armed conflict in South Africa’s history. … both Black and White'. - Gilliomee and Mbenga (2007). The Causes A number of interrelated factors led to the Second Anglo-BoerWar. These include the conflicting political ideologies of imperialism and republicanism, the discovery of gold on … SIENER VAN RENSBURG Small Title … Jacobus Hercules de la Rey was the sixth child of Adrianus Johannes and Adriana (van Rooyen). He was born near Winburg on 22 October 1847. After the Battle of Boomplaats, the British confiscated their farm … War I and openly expressed his desire for the restoration of the Boer republic. On August 2nd many burghers congregated at SienervanRensburg's house where the seer told them he had seen a vision of a world on fire, bulls fighting, and blood pouring from a … GENERAL DE LA REY Small Title General De la Rey releases General Lord Methuen after his wounds are treated … Towards the end of the Second South African War (Anglo-Boer War 2), GeneralDeLaRey released General Lord Methuen after his wounds were treated. After only travelling 29 kilometres Methuen's party was … General De la Rey protests British mistreatment of women and children … diseases and in many instances, death. The scorched earth policy had been implemented by March 1901. On 16 August 1901, DelaRey, a Boer general, had protested against the inhumane conditions to which women and children in the camps were being exposed. This … THE VOORTREKKERS Small Title The Battle - Andries Pretorius and his men advance … After the fall of Port Natal Port Natal Andries Pretorius arrived from Graaff-Reinet. On 25 November 1838 Pretorius took over leadership as Commandant-General of theVoortrekkers in Natal. He immediately re-organised theVoortrekkers and started to prepare a retaliatory attack on the Zulu. … Timeline of Land Dispossession and Segregation in South Africa 1800-1899 … The nineteenth century was a period of several events whose socio-political and economic impact profoundly changed South Africa and the African continent. Colonial conquest and rapid land dispossession was accelerated during this period. Conversely, fierce resistance was launched by African people in response to their loss of land, livestock and political power. As voortrekkers moved away from the Cape Colony to escape British rule, they fought, seized and occupied land while … Click Here Click Here Click Here Click Here VOORTREKKER MONUMENT The Voortrekker Monument is located just South of Pretoria, in South Africa. This massive granite Structure is prominently located on a Hilltop, and was Built to commemorate the Voortrekkers who left the Cape Colony between 1835 and 1854. The idea to Build a Monument in Honour of God, was first discussed on 16 December 1888, when President Paul Kruger of the South African Republic attended the Day of the Covenant Celebrations at Blood River in Natal. However, the movement to actually Build such a Monument only started in 1931 when the Sentrale Volks Monument Komitee (SVK) (Central People's Monuments Committee), was formed to bring this idea to fruition. Construction started on 13 July 1937 with a sod turning Ceremony performed by Chairman of the SVK, Advocate Ernest George Jansen, on what later became known as Monument Hill. On 16 December 1938 the cornerstone was laid by three descendants of some of the Voortrekker leaders: Mrs. J.C. Muller (Granddaughter of Andries Pretorius), Mrs. K.F. Ackerman (Great-granddaughter of Hendrik Potgieter) and Mrs. J.C. Preller (Great-granddaughter of Piet Retief). The Monument was inaugurated on 16 December 1949 by the then-prime minister D. F. Malan. The total construction cost of the Monument was about £ 360,000, most of which was contributed by the South African Government. SOUTH AFRICAN FLAGS This article lists the flags of the various colonies and states that have existed in South Africa since 1652, as well as other flags pertaining to South Africa, including governmental, military, police and provincial flags. Historical flags (1652–1928) See also: South Africa Red Ensign Many flags were used in South Africa prior to political unification in 1910. The original Dutch East India Company colony at the Cape of Good Hope (1652–1795) flew the Dutch flag, with the VOC logo in the centre. This flag was also flown during the period of Batavian Republic rule (1803–06). The Boer Republics , i.e. the Orange Free State (1854–1902), the South African Republic (1857–1902), Stellaland (1882–85), Goshen (1883–85), the Nieuwe Republiek (1884–88), and the Klein Vrystaat (1886–1891) had their own flags. Several derived from the Dutch flag. The British colonies that existed in the 19th century flew the British flags, and from the early 1870s some, i.e. Natal , Cape Colony , and later the Orange River Colony and the Transvaal , added their own colonial flag badges. The Union of South Africa, formed in 1910, initially used a red ensign defaced with a badge depicting the Union coat of arms. The first South African national flag, introduced in 1928, superseded it. SOUTH AFRICAN CULTURE Guest Houses and Art Galleries. The spectacular Swartberg Pass , is one of the most dramatic and scenic Mountain Passes in SouthAfrica! (This Pass starts just outside Town.) HISTORY Founded in 1762, Prince Albert's History is deeply rooted in South … was voted the Western Cape winner in the prestigious: ' kykNET Kwêla & Rapport - ‘Town of the Year’ , competition. ART AND CULTURE The Town reflects a rich blend of cultures, including influences from the early Khoisan People , Dutch Settlers The culture of South Africa is one of the most diverse in the world. The country boasts of an impressive eleven official languages and other several recognized languages, with each of the group having its own vibrancy and culture. A substantial majority of the South Africans still live in the rural areas where cultural traditions have survived. However, urbanization and adoption of new technology across the country have led to the decline in the traditional cultures. English and other foreign languages are slowly replacing the native languages. SOUTH AFRICAN TRIBES South Africa is a diverse country with a rich cultural heritage. One of the fascinating aspects of this heritage is the presence of numerous tribes across the nation. These tribes have played a significant role in shaping the country’s history, culture, and social fabric. Let’s explore some of the notable tribes in South Africa: Zulu The Zulu tribe is one of the largest and most prominent ethnic groups in South Africa. With an estimated population of over 11 million, the Zulu people have a rich and powerful history. Known for their warrior culture and vibrant traditions, the Zulu tribe has a strong sense of identity and community. Click Here Click Here Click Here Click Here South Africa’s top 10 incredible attractions 1) Table Mountain Sitting at 1,085m above sea level, you’re guaranteed incredible sunset views of Cape Town and surrounds on the new 7 Wonders of the World – the magnificent Table Mountain. ... 2) Cradle of Mankind ... 3) Robben Island ... 4) The Cape Winelands ... 5) The Drakensberg Mountains ... 6) The Kruger National Park ... 7) Soweto ... 8) Blyde River Canyon ..

South African films This is a chronology of major films produced in South Africa or by the South African film industry . There may be an overlap, particularly between South African and foreign films which are sometimes co-produced; the list should attempt to document films which are either South African produced or strongly associated with South African culture. Please see the detailed A-Z of films currently covered on Wikipedia at Category:South African films . Afrikaans Movies Afrikaans Movies Play Video Share Whole Channel This Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Search videos Search video... Now Playing The Millennium Menace (1999) (HD 1080p) 01:22:41 Play Video Now Playing Klein Karoo 2 ( Movie ) #Tim Theron #Leandie du Randt #Nicole Fortuin #Bennie Fourie 01:37:37 Play Video Now Playing Platteland Full Movie 02:01:29 Play Video 1911 The Great Kimberley Diamond Robbery Adventure English South Africa's first dramatic feature. 1916 De Voortrekkers Harold Shaw Dick Cruickshanks , Goba Historical epic South Africa's Afrikaner The Birth of a Nation depicts Boer pioneers' northward expansion An Artist's Dream Denis Sanbry Dick Cruickshanks Romantic drama Animation 1919 Allan Quatermain Lisle Lucoque Ray Brown, George Taylor Adventure 1931 Sarie Marais Joseph Albrecht Billy Mathews Afrikaans First South African film with sound 1948 Die kaskenades van Dr. Kwak Pierre de Wet Pierre de Wet, Gert van den Bergh, Paula Styger ComedyAfrikaans 1949 African Jim Donald Swanson Daniel Adnewmah, Dolly Rathebe , The African Inkspots, Sam Maile, Dan Twala Kom saam, vanaand Afrikaans Sarie Marais Francis Coley Johann Nell, Helen Faul, Anna Cloete AfrikaansRemake of 1931 film of the same title 1950s Zonk! 1951 Alles sal Regkom Pierre de Wet Al Debbo Daar doer in die bosveld J amie Uys ComedyAfrikaans The Magic Garden Song of Africa 1952 Altyd in my drome Pierre de Wet Al Debbo Musical comedy Afrikaans 1955 Matieland! Pierre de WetSteyn de Jager, Wynona Cheyney, Frederik Burgers Romantic comedy Afrikaans 1956 Come Back, Africa Lionel Rogosin Bloke Modisane , Miriam Makeba DocumentaryEnglish, Fanakalo , Afrikaans , Zulu Die Wildeboere J.O.O. OlwagenRiaan Fouche, Valerie Ferreira Romantic comedy Afrikaans 1960s6 Doodkry is min Jamie Uys Jan Bruyns, Sann de Lange, Tommie Meyer Drama Afrikaans Written by Jamie Uys 1962 Lord Oom Piet Jamie Uys , Bob Courtney, Madeleine Usher Comedy English/Afrikaans 1963 The Anatomy of Apartheid Antony Thomas Documentary English Kimberley Jim Emil Nofal Jim Reeves , Madeleine Usher , Clive Parnell Musical comedy English Death Drums Along the River Lawrence Huntington Richard Todd , Marianne Koch , Albert Lieven Crime adventure English English-West German co-production by Harry Alan Towers 1965 Dingaka Jamie Uys Ken Gampu , Stanley Baker , Juliet Prowse , Bob Courtney Drama Afrikaans, English All the Way to Paris Jamie Uys Jamie Uys , Joe Stewardson , Emil Nofal ComedyEnglish Ride the High Wind / African Gold David Millin Darren McGavin , Maria Perschy Coast of Skeletons Robert Lynn Richard Todd , Dale Robertson , Heinz Drache Crime adventureEnglish-West German co-production by Harry Alan Towers Sandy the Seal Robert Lynn Marianne Koch , Heinz Drache Animal dramaEnglish-West German co-production by Harry Alan Towers The Second Sin David MillinGert van den Bergh , John Hayter, James WhiteActionEnglish The Naked Prey Cornel Wilde Cornel Wilde, Ken Gampu , Patrick Mynhardt Adventure English, Afrikaans , Nguni languages Co-produced with U.S. 1966 1967 Kruger Miljoen eIvan Hall Ge Korsten, James White, Bob Courtney Action, War Afrikaans, English maybe a musical as well??? After You, Comrade Jamie Uys Seven Against the Sun David Millin Gert van den Bergh, John Hayter, Brian O'Shaughnessy Drama, WarEnglish The Cape Town Affair Robert D. Webb Claire Trevor , James Brolin , Jacqueline Bisset Drama, Thriller EnglishRemake of 1953 film Pickup on South Street The Jackals Robert D. WebbVincent Price , Diana Ivarson, Robert Gunner Adventure, Western English Remake of 1948 film Yellow Sky 1968 Oupa for Sale Richard Daneel Arthur Swemmer, Bill Brewer, Wena Naudé ComedyAfrikans, English Die Ruiter in die nag (Rider in the Night) Jan Perold Johan van Heerden, Brian O'Shaughnessy, Willie van Rensburg Drama, War English, Afrikaans Dr Kalie I van Hall Siegfried Mynhardt, Willie de Groot, Wena Naudé English, Afrikaans Majuba: Heuwel van Duiwe David Millin Anthony James, Kerry Jordan, Reinet Maasdorp War English, Afrikaans 1969 Dirkie (Lost in the Desert) Jamie Uys Wynand Uys, Jamie Uys, Pieter Haup fleisch Adventure Afrikaans, English Danie Bosman: Die verhaal van die Grootste Komponis Elmo De Witt Franz Marx, Min Shaw, Siegfried Mynhardt Drama Music Afrikaans Writer was Gilbert Gibson and producer Tommie Meyer Geheim van Nantes Dirk de Villiers Pieter Hauptfleisch, Nic de Jager, Leonie Ross Drama, Romance Afrikaans Producer was Tommie Meyer and writer was AP du Plessis Katrina Jans Rautenbach Katinka Heyns , Jill Kirkland , Don Leonard Drama, RomanceEnglish, Afrikaans 1970s Satan's Harvest George Montgomery, Tippi Hedren, Matt Monro Action Lost in the Desert Jamie Uys Wynand Uys , Jamie Uys, Pieter Hauptfleisch Adventure English, Afrikaans VickiI van Hall Sandra Britz , Leonie Ross , Johan Esterhuizen Romance Afrikaans Filmed in South Africa - Durban , Margate ; Rhodesia Shangani Patrol David Millin Brian O'Shaughnessy , Will Hutchins War Filmed in Rhodesia Stop Exchange Howard Rennie Arthur Swemmer, Charles Vernon, Ian Yule Comedy English 1972 Kaptein Caprivi Albie Venter Will Sealie, Norman C. Smith, Ken Hare Adventure, War Afrikaans, English Leatherlip Stuart Pringle Tim Hughes, Evon de Meistre, Bill Brewer, Tony Jay, Richard Loring, Eben Nel Adventure English Pikkie Sias Odendaal Leonora Nel, Pietie Meyer, Gabriel Bayman Drama Afrikaans Producer was Tommie Meyer and writer Beverley Peirce Those Naughty Angels Neil Hetherington Family Adventure English 1973 Aanslag op Kaprivi I van Hall Will Sealie, Ken Hare, Jannie Hanzen War Afrikaans Mr Kingstreet's War John Saxon , Tippi Hedren War Die Voortrekkers David Millin History, War Afrikaans Snip en Rissiepit Elmo de Witt Rod Alexander, Rika Sennett, Pieter Haupt fleisch Drama, Romance Afrikaans 1974 Animals Are Beautiful People Jamie Uys Paddy O'Byrne Comedy-documentary English Boesman and Lena Ross Devenish Athol Fugard Dans van die Flamink Ivan Hall Rod Alexander , Gaby Gertz , Anele Jonker , Sandra Britz Afrikaans Dooie Duikers deel nie Marius Wyers Funeral for an Assassin Ivan Hall Vic Morrow Crime English Ongewenste Vreemdeling Pens en Pootjies Dirk de Villiers , Joe Stewardson Al Debbo , Marié du Toit , Don Leonard , Joe Stewardson ComedyAfrikaans No Gold for a Dead Diver Harald Reinl Horst Janson , Monika Lundi , Hans Hass Jr, Marius Weyers , Sandra Prinsloo Adventure English West German co-production 1975 Dingetjie is Dynamite Tobie Cronje Eendag op 'n Reëndag Jans Rautenbach Katinka Heyns, Regardt van den Bergh, Mees Xteen, Mrga van Rooy, Jana Cilliers Drama, Romance Afrikaans My Liedjie van Verlange Will Roberts Will Roberts, Barry Trengove, Zuna Viljoen, Nerina Ferreira, Sann de Lange Drama, Music Afrikaans Based on the radio serial by C.F. Beyers-Boshoff Vreemde Wêreld Jürgen Goslar Sandra Prinsloo , Marius Weyers , Wolfgang Kieling Thriller Afrikaans West German co-production 1976 e'Lollipop Muntu Ndebele , Norman Knox Springbok Tommie Meyer Eckard Rabe , Percy Sieff, Sybel Coetzee Drama Afrikaans Jan Scholtz was the writer Albino Jürgen Goslar Trevor Howard , Christopher Lee , James Faulkner , Sybil Danning , Horst Frank Thriller , War English Filmed in Rhodesia during the Rhodesian Bush War Killer Force Val Guest Telly Savalas , Peter Fonda , Christopher Lee , Maud Adams , O. J. Simpson Thriller English 1977 Karate Olympiad / Kill or Be Killed I van Hall James Ryan (actor) Tigers Don't Cry Peter Collinson Anthony Quinn , Simon Sabela [fr ], John Phillip Law Forty Days Franz MarxPiero von Arnim, Ben Kruger, Annelisa Weiland Comedy, Drama Funeral for an Assassin Ivan HallVic Morrow, Peter van Dissel, Gaby Getz Drama English, Afrikaans Night of the Puppets Daan Retief Zoli Marki, Anna Cloete, Leonie Ross Plekkie in die Son William Faure Jana Cilliers, Regardt van den Bergh, Eckard Rabe Drama Afrikaans Grensbasis 13 Elmo De Witt Danie Joubert War Based on the opening skirmishes of the South African Border War 1980s The Gods Must Be Crazy Jamie Uys N!xau , Sandra Prinsloo , Marius Weyers , Louw Verwey Comedy English, Afrikaans, Juǀʼhoan , Ungwatsi Kiepie en Kandas Jan Scholtz Marigolds in August Ross Devenish Winston Ntshona , John Kani , Athol Fugard Drama English Entered in 30th Berlin International Film Festival 1981 Kill and Kill Again Ivan Hall James Ryan , Anneline Kriel Martial arts film My Country My Hat David Bensusan Regardt van den Bergh Nommer Asseblief Henk Hugo 1983 Siener in die Suburbs Francois Swart Marius Weyers , Louis van Niekerk, Sandra Prinsloo DramaAfrikaans Funny People II Jamie Uys Wolhaarstories Bromley Cawood Leon Schuster Geel Trui vir 'n Wenner Franz Marx Ben Kruger , Ray Storm , Claudia Turgas , Deon van Zyl , Dulsie van den Bergh 1984 Flashpoint Africa Francis Megahy Gayle Hunnicutt , Siegfried Rauch , James Faulkner Adventure English Boetie Gaan Border Toe Regardt van den Bergh Arnold Vosloo , Eric Nobbs, Frank Dankert Comedy, War Afrikaans You're in the Movies Emil Nofal Alain D. Woolf, Alan Field, Hal Orlandini Comedy English, Afrikaans 1985 Boetie Op Manoeuvres Regardt van den BerghArnold Vosloo, Janie du Plessis, Ian RobertsComedy, WarAfrikaans, English Jantjie Kom Huis Toe Dirk de VilliersCedwyn JoelWarAfrikaansFirst direct-to-television film released by SABC King Solomon's Mines J. Lee Thompson Richard Chamberlain , Sharon Stone , Herbert Lom , John Rhys-Davies Master Harold...and the Boys Michael Lindsay-Hogg Matthew Broderick , John Kani , Zakes Mokae DramaWritten by Athol Fugard , adapted from his 1982 play of the same title Nag van Vrees Jim Murray , Stanley Roup Skating on Thin UysPieter-Dirk Uys Pieter-Dirk UysComedy Vyfster: Die Slot Sias Odendaal Patrick Mynhardt Wie Die Laaste Lag Koos Roets You Gotta Be Crazy Emil Nofal Bill Flynn , Amanda Forrow 1986 Jock of the Bushveld Gray Hofmeyr Jocelyn Broderick , Michael Brunner Family film; based on the novel Liewe Hemel Genis William Egan Mountain of Hell David Bensusan Outlaw of Gor John Cardos Place of Weeping Darrell Roodt You Must Be Joking! Elmo De Witt Rina Hugo , Carike Keuzenkamp , Kallie Knoetze , Janine Pretorius , Leon Schuster , Mike Schutte Hidden Camera 1987 Across the Rubicon Lionel FriedbergPieter-Dirk Uys DocumentaryEnglish An African Dream John SmallcombeKitty Aldridge, John Kani , Dominic Jephcott DramaEnglish Kill Slade Bruce MacFarlane Murphy's Fault Robert Smawley No Hard FeelingsCharles Norton Nukie Sias Odendal , Michael Pakleppa Glynis Johns, Steve Railsback, Ronald FranceEnglish Operation Hit Squad Tonie van der Merwe Platoon Leader Aaron Norris Tony Pierce, Robert F. Lyons, Michael DudikoffVietnam War dramaEnglish Die Posman Anthony Wilson Skeleton Coast John Cardos Ernest Borgnine , Robert Vaughn , Arnold Vosloo Mercenary war dramaEnglish Tenth of A Second Darrell Roodt Tusks Tara Erica Moore 'n Wereld Sonder Grense Frans Nel Scot Scott WarAfrikaansGarnered controversy for its depiction of the South African Border War White Ghost Beau Davis Action, Adventure, WarEnglish You Must Be Joking! Too Leon Schuster , Lizz Meiring Hidden Camera Saturday Night at the PalaceRobert DaviesBill Flynn, John Kani , Paul SlabolepszyDramaEnglish Vengeance CopsIvan HallChris du Toit, Helga van Wyk, Dawid van der WaltAction, Crime Shaka Zulu 1988 Alien from L.A. Albert Pyun Accidents Gidi Amir Action/Thriller Act of Piracy John "Bud" CardosGary Busey , Belinda Bauer, Ray Sharkey Any Man's Death A Private Life (Jack & Stella) Francis Gerard Bill Flynn, Jana Cilliers Fiela se Kind Katinka Heyns Shaleen Surtie-Richards , Dalene Matthee Laser Mission Robbie Simpson Last Samurai Paul Mayersburg Let the Music Be Frans Nel Love Me Leave Me Alan Birkinshaw , Charles Marriott Lucky Strikes Back Joe Stewardson Lucky Dube The Most Dangerous Woman Alive Chris Marnham Mapantsula Oliver SchmitzThomas Mogotlane, Marcel van Heerden, Thembi MtshaliCrime, DramaScreened at the 1988 Cannes Film Festival Nightslave John Parr Lynda Marshall, Dominique Moser, Denis SmithHorrorEnglish Options Camilo Vila Out on Bail Brian Hessler , Gordon Hessler Paradise Road (Traitors) Jan Scholtz Quest for Love Helen Nogueira Jana Cilliers, Sandra Prinsloo Red Scorpion Joseph Zito Dolph Lundgren , T. P. McKenna , M. Emmet Walsh ActionEnglish Space Mutiny David Winters Cameron Mitchell Sci Fi Considered one of the best spoofs on Mystery Science Theater 3000 [1] [2] Terminal Bliss Jordan Alan Thrilled to Death Chuck Vincent Van der Merwe P.I. Regardt van den Bergh Anneline Kriel , Regardt van den Bergh Whispers Robert Bergman You're Famous Yehuda Barkan Hidden Camera Israeli co-production The Zambezi Kid Denis Scully 1989 A Dry White Season Euzhan Palcy Donald Sutherland , Janet Suzman , Zakes Mokae DramaEnglish Africa Express Bruce McFarlanePatrick Dollaghan, Karen Mayo-Chandler, Russel SavadierEnglish Passing Through: Woni Spotts, The First Black Woman to Travel to Every Country and Continent (1989 film)Nolan DavisWoni SpottsEnglish The Emissary Jan Scholtz[3] Ted Le Plat, Terry Norton, Robert Vaughn , André Jacobs , Patrick Mynhardt , Hans Strydom , Ken Gampu , Brian O'Shaughnessy , and Peter Krummeck [3] [4] [5] [6] ThrillerEnglishMade entirely in South Africa. Killer Instinct David Lister Joanna Weinberg Lambarene Gray Hofmeyr The Gods Must Be Crazy II Jamie Uys Have You Seen Drum Recently? Jürgen Schadeberg Miriam Makeba The Native Who Caused all the Trouble Manie van Rensburg Odd Ball Hall Jackson Hunsicker Oh Schucks.... It's Schuster! Leon Schuster Leon Schuster Okavango (Wild Country) Wayne Crawford , Danie Odendaal , Percival Rubens On the Wire Elaine Proctor Prey for the Hunter John Parr That Englishwoman Dirk de Villiers Veronica Lang Voices in the Dark Vincent Cox Lucky Dube Warriors from Hell Ronnie Isaacs Windprints David Wicht Marius Weyers 1990s TitleDirectorCastGenreLanguageNotes 1990 Agter Elke Man Franz MarxSteve Hofmeyr , Dulcie van den Bergh , Illse Roos, Annelize van der RystDramaAfrikaansA follow-up film to the South African TV series of the same name Circles in a Forest Regardt van den Bergh Ian Bannen , Brion James , Joe Stewardson Drama Nag van die 19de Oh Shucks! Here Comes UNTAG Leon Schuster Leon Schuster 1991 A.W.O.L. The Angel, the Bicycle and the Chinaman's Finger American Kickboxer Frans NelJohn Barrett, Keith Vitali , Brad Morris, Gavin Hood , Ted Le PlatAction, DramaEnglish 1992 Jock of the Bushveld Road to Mecca Sarafina! Darrell Roodt Leleti Khumalo , Whoopi Goldberg , Miriam Makeba , John Kani English Sweet 'n Short Leon Schuster Leon Schuster 1993 Friends Elaine Proctor Entered into the 1993 Cannes Film Festival There's a Zulu On My Stoep Leon SchusterLeon Schuster To the Death Darrell Roodt John Barrett, Michel Qissi, Robert Whitehead, Michelle BestbierActionEnglishSequel to American Kickboxer 1994 Ipi TombiTommie Meyer Jan-Michael Vincent , Henry Cele , O'Neil JohnsonDrama, MusicEnglishMovie of musical written by Bertha Egnos and Gail Lakier Redemption: Kickboxer 5 Kristine PetersonMark Dacascos , James Ryan, Geoff Meed, Greg LatterActionEnglishFinal installment of the original Kickboxer franchise. 1995 Cry, The Beloved Country Darrell Roodt James Earl Jones , Richard Harris , Charles S. Dutton EnglishBased on novel of the same name by Alan Paton Soweto Green: This is a 'Tree' Story David Lister John Kani , L. Scott Caldwell , Sandra Prinsloo , Casper de Vries Comedy, RomanceEnglish, Zulu, Afrikaans 1996 Anna 1997 Danger Zone Billy Zane , Robert Downey Jr. US and CAN Jump the Gun Panic Mechanic Leon Schuster 1998 African Violet Paljas Katinka Heyns 5 MNET All-Africa Film Awards, South African submission to 70th Academy Award for Best Foreign Film The Sexy GirlsRussell ThompsonJamie Bartlet, Tina Schouw, Ivan Lucas, Denise Newman, Peter Butler, Sylvia Esau, Nazley EssopThrillerEnglishApollo Film Festival 2001: Best Feature Film 1999 Aces Africa After the Rain Ross KettlePaul Bettany, Louise Lombard, Ariyon BakareDrama, Romance Millennium Menace Leon SchusterLeon Schuster, Desmond DubeComedyEnglish, Afrikaans The Man Who Would Kill Kitchener François Verster DocumentaryBiography of Fritz Joubert Duquesne . 1999 NTVA Silver Stone & Stone Craft Award A Reasonable Man Gavin Hood Gavin Hood, Nigel Hawthorne , Janine EserCrime drama thriller 2000s Angels in a Cage Jeremy Crutchley , Sylvaine Strike Apostles of Civilised Vice Zackie Achmat Hijack Stories Oliver Schmitz Tony Kgoroge , Rapulana Seiphemo Screened at the 2001 Cannes Film Festival Inside Out Long Night's Journey into Day: South Africa's Search for Truth & Reconciliation Glory Glory Paul Johannsen , Steven Bauer , Amanda Donohoe , Gideon Emery , Ana Alexander 2001 Mr Bones Leon Schuster Leon Schuster, David Ramsey , Faizon Love , Robert Whitehead , Jane Benney ComedyHighest-grossing film in South Africa on release. Diamond Cut Diamond Darrell Roodt Gary Daniels , Nick Boraine , Gideon Emery 2002 Amandla!: A Revolution in Four-Part Harmony Documentary Promised Land The Sorcerer's Apprentice David Lister Robert Davi , Kelly Le Brock , Gideon Emery A Lion's Trail François VersterDocumentary 2003 Adrenaline Amandla!: A Revolution in Four-Part Harmony God Is AfricanAkin OmotosoDramaEnglish Red Water Charles Robert Carner Lou Diamond Phillips , Kristy Sawnson , Gideon Emery Stander Bronwen HughesThomas Jane, David O'Hara, Dexter Fletcher, Ashley Taylor, Marius WeyersAction, Biography, CrimeEnglish State of Denial Wooden Camera 2004 Boy called Twist Kim Engelbrecht Cape of Good Hope Mark Bamford Debbie Brown , Eriq Ebouaney , Nthathi Moshesh , Gideon Emery Drum Taye Diggs A Case of Murder Clive Morris Steve Hofmeyr , Candice Hillebrand , Gideon Emery , Anthony Fridjhon , Ben Kruger , Nicky Rebello , Ramalao Makhene Forgiveness Zane Meas , Arnold Vosloo , Quanita Adams Gums and Noses Craig FreimondComedyEnglish Max and Mona Oh Shucks, I'm Gatvol! Leon Schuster Leon Schuster, Alfred Ntombela , Gerry the Clown , Bill Flynn The Story of an African Farm David Lister Yesterday Darrell Roodt , Leleti Khumalo Nominated for Academy Award for Best Foreign Language Film at the 77th Academy Awards Vadertjie Langbeen Hotel Rwanda Terry George Don Cheadle , Sophie Okonedo , Joaquin Phoenix History, DramaEnglish, French, KinyarwandaNominated for 3 Oscars, 18 wins & 38 nominations 2005 34 SouthMaganthrie PillayAz Abrahams, Rassol Hendriks, Ricardo Marnewick, LeeAnn Sayster, Marguerita Freeks, Stephan Roach, Oscar PetersenRoad MovieEnglish1st film to be directed by a black woman in South Africa. Opened at Pan African Film Festival, Sound Design by Albert Edmund Lord III EngagementCaroline Nicou Romantic comedy In My Country Mama Jack Leon Schuster Leon Schuster Red Dust Straight Outta BenoniTrevor ClarenceBrendan Jack, Gavin Williams, Colin Moss, Brett Goldin , Danny K ComedyEnglish The Flyer Revel FoxMarcel van Heerden, Ian Van Der Heyden, Craig Palm, Kim Engelbrecht Adventure, DramaEnglish Tsotsi Gavin Hood Presley Chweneyagae , Ian Roberts , Zola , Terry Pheto Afrikaans, English, Sotho, Tsotsitaal, Tswana, ZuluWon Academy Award for Best Foreign Language Film at the 78th Academy Awards U-Carmen eKhayelitsha Mark Dornford-May Won Golden Bear at the 55th Berlin International Film Festival 2006 Angels in the Dust Louise HogarthCon Cloete, Marion Cloete DocumentaryEnglish Bunny Chow J ohn Barker David Kibuuka, Kim Engelbrecht , Kagiso Lediga , Joey Yusef Rasdien, Jason Cope ComedyEnglishAlso billed as Bunny Chow Know Thyself and Bunny Chow: Know Thyself Don't Touch Number Ten Faith Like Potatoes Regardt van den Bergh Frank Rautenbach , Hamilton Dlamini Inspirational/Docu-Drama Son of Man Mark Dornford-May Running Riot Koos RoetsBill Flynn , Paul Slabolepszy Comedy Sekalli le Meokgo (Eng: Meokgo and the Stickfighter)Teboho MahlatsiMduduzi Mabaso, Terry PhetoDramaShort film 2007 Anner House Big Fellas Counting Headz: South Afrika's Sistaz in Hip Hop Vusi Magubane & Erin Offer Documentary Footskating 101 Ouma se Slim Kind Quinne Brown Poena is koning Tengers Michael Rix Animation 2008 50 Years! Of Love? Karin Slater , Steven Bartlo Documentary English Bakgat! Hansie Jerusalema Mr Bones 2: Back from the Past Gray Hofmeyer Leon SchusterComedyHighest-grossing film in South Africa on release. Skin Triomf Michael RaeburnLionel Newton, Vanessa Cooke, Eduan van Jaarsveldt, Paul LuckhoffDramaEnglish, AfrikaansBased on the novel by Marlene van Niekerk The World Unseen Shamim Sarif Lisa Ray , Sheetal Sheth Drama 2009 District 9 Neill Blomkamp Sharlto Copley Science fiction Nominated for Best Film at the 82nd Academy Awards Invictus Clint Eastwood Morgan Freeman , Matt Damon Drama non-fiction Jozi Shirley Adams Oliver Hermanus Denise Newman DramaEnglishReceived Best Film, Best Director, and Best Actress Award at the South African Film and Television Awards The Chameleon 2010s Bakgat! 2 The Cradock Four David ForbesMatthew Goniwe, Fort Calata, Sparrow Mkonto, Sicelo MhlauliDocumentaryA France-South Africa coproduction about the Cradock Four ; winner of best South African documentary at the 2010 Durban International Film Festival Egoli: Afrikaners is PlesierigBromley CawoodDavid Rees, Darren Kelfkens, Leandie du Randt , Christine Basson, Shaleen Surtie-Richards DramaEnglish, AfrikaansAlso known as Egoli: The Movie; based on the long-running South African TV show, Egoli: Place of Gold Five Roads to Freedom: From Apartheid to the World Cup Robin Benger & Jane Thandi Lipman Documentary I now pronounce you Black and White Oliver RodgerTyrel Meyer, Tina Jaxa, Nik RabinowitzComedy, RomanceEnglish JakhalsdansDarrell Roodt Theuns Jordaan, Elizma Theron, Janke Bruwer DramaAfrikaans Schuks Tshabalala's Survival Guide to South Africa Gray HofmeyrLeon Schuster, Alfred Ntombela, Sean Higgs ComedyEnglish, Afrikaans The Unforgiving Al OrrRyan Macquet, Craig Hawks, Claire OppermanHorrorEnglish Long StreetRevel FoxSannie Fox, Roberta Fox, David Butler LieflingBrian WebberLika Berning, Bobby van Jaarsveld, Elize Cawood MusicalAfrikaans Eternity Life, Above All Oliver Schmitz Drama Northern SothoWinner of Best Feature Film at the 5th annual South African Film and Television Awards Spud Donovan MarshJohn Cleese , Troye Sivan Comedy, DramaEnglish Visa/Vie Elan GamakerMélodie Abad, David Isaacs, Keren Tahor Comedy, RomanceFrench, English, Xhosa 2011 Beauty (Skoonheid) Oliver Hermanus Deon Lotz , Charlie Keegan DramaAfrikaans, EnglishCompeted in the Un Certain Regard at Cannes ; awarded Queer Palm at the Cannes Film Festival and Best Film at the 2012 South African Film and Television Awards The Bang Bang Club Steven Silver Taylor Kitsch , Ryan Phillippe , Malin Åkerman DramaEnglishco-produced with Canada Getroud Met RugbyAfrikaans How To Steal 2 Million Charlie VundlaJohn Kani , Hlubi Mboya, Menzi Ngubane, Terry Pheto , Rapulana Seiphemo The Imam and I Khalid ShamisDocumentaryEnglishPartly animated documentary about the director's maternal grandfather and anti-apartheid activist Imam Abdullah Haron LuckyAvie Luthra Sihle Dlamini, Jayashree Basavaraj DramaEnglish, Hindi, Zulu Man on GroundAkin OmotosoDramaEnglish, Zulu, Southern Sotho, Yoruba Mad CowMichael Wright, Michael J. RixEnglish Paradise Stop Jann Turner Rapulana Seiphemo, Kenneth Nkosi, Vusi KuneneComedyEnglish, Northern Sotho Night Drive Platteland Sean ElseAfrikaans 'n Saak van Geloof Diony KempenRobbie Wessels, Lelia Etsebeth, Riana NelDramaAfrikaans Skeem Timothy Greene Wandile Molebatsi, Kurt Schoonraad, Lilani Prinsen Comedy, CrimeEnglish State of ViolenceKhalo MatabaneFana Mokoena, Presley Chweneyagae, Neo NtlatlengDrama TokoloshKevin SinghGerald Beddeker, Willem Stephanus Beyers, Andrew DevadasHorrorEnglish Viva Riva! Djo Tunda Wa Munga Patsha Bay , Manie Malone, Diplome AmekindraDrama, ThrillerFrench, Lingala 2012 Adventures in Zambezia Wayne ThornleyJeremy Suarez , Abigail Breslin , Jeff Goldblum , Leonard Nimoy , Samuel L. Jackson Animation, Adventure, FamilyEnglishWon the Best South African Feature Film at the Durban International Film Festival in 2012. Won Best Animation at the South African Film and Television Awards and Best Animation at the 9th Africa Movie Academy Awards . Nominated for Best Music Score at 2013 South African Film and Television Awards and nominated for Best Music in an Animated Feature Production and best Voice Acting in an Animated Feature Production at the 2013 Annie Awards in California. Safe House Daniel Espinosa Denzel Washington , Ryan Reynolds Action thriller filmEnglishAmerican made film entirely filmed and set in Cape Town. Dredd 3D Pete Travis Karl Urban , Lena Headey , Olivia Thirlby Combat CoppositesOliver RodgerRob van Vuuren , Siv Ngesi ComedyEnglish Semi SoetJoshua RousAnel Alexander, Nico Panagiotopoulos, Sandra VaughnRomanceAfrikaans Mad BuddiesGray HofmeyrLeon Schuster, Kenneth Nkosi, Alfred NtombelaComedy Otelo Burning Sara Blecher Jafta Mamabolo Thomas Gumede, Sihle XabaDramaEnglish, Zulu Material Craig FreimondRiaad Moosa , Vincent Ebrahim Comedy, DramaEnglish Agter Die LigteNicholas Costaras, Joe Niemand Afrikaans Pretville Klein Karoo Regardt van den BerghTim Theron, DonnaLee Roberts , Hykie BergRomanceAfrikaans, English Sleeper's WakeBarry BerkDeon Lotz ThrillerEnglish Die Wonderwerker Katinka HeynsElize Cawood, Marius Weyers, Anneke Weidemann BiographyAfrikaans Verraaiers (Traitors)Paul EilersGys de Villiers, Viljie Maritz, Andrew Thompson WarAfrikaans Wolwedans in die skemer Jozua MalherbeRolanda Marais, David Louw, Gérard Rudolf, Desiré Gardner, Lelia Etsebeth, Jacques Bessenger ThrillerAfrikaans 2013 Angel of the Skies Christopher-lee dos Santos Nick van der Bijl, Ryan Dittmann, Jason Glanville, Brad Backhouse, Lillie Claire, Adam Boys,War, DramaEnglishNominated for Best Wardrobe and Makeup at 2014 SAFTA awards. As Jy Sing André OdendaalBobby van Jaarsveld , Leah van Niekirk, Bok van Blerk , Karlien van Jaarsveld, Katlego Maboe Comedy, Drama, MusicalAfrikaans Die Ballade van Robbie de Wee Darrell Roodt Neil Sandilands, Marno van der Merwe DramaAfrikaans Fanie Fourie's Lobola Henk PretoriusEduan van Jaarsveldt, Zethu Dlomo, Jerry Mofokeng Comedy, RomanceZulu, English, Afrikaans Four Corners Ian Gabriel Brendon Daniels , Jezriel Skei, Lindiwe Matshikiza Crime, ThrillerAfrikaans, EnglishAlso known as Die Vier Hoeke iNumber Number Donovan MarshSdumo Mtshali, Presley Chweneyagae, Israel Makoe , Owen Sejake Action, Crime, DramaReceived Best Director, Best Screenwriter and Best Editor Awards at the 2015 South African Film and Television Awards . Also known as Avenged Khumba Anthony SilverstonJake T. Austin , Steve Buscemi , Loretta Devine , Laurence Fishburne , Richard E. Grant Animation, Adventure, FamilyEnglishWon Best Animation at the Zanzibar International Film Festival and at the Africa Movie Academy Awards . Won Best Music Composition of a Feature Film and Best Animation at the 2014 South African Film and Television Awards . Won Best Feature at the Annecy Animation Festival 2013 A Lucky ManGordon ClarkLevi du Plooy, Jarrid Geduld, Keenan ArrisonDocumentary Drama Mandela: Long Walk to Freedom Justin Chadwick Idris Elba , Naomie Harris , Tony Kgoroge History, DramaAfrikaans, English, XhosaNominated for Golden Globe Awards and Critics' Choice Awards Musiek vir die AgtergrondSalmon de JagerJohn-Henry Opperman, Lizelle de Klerk, Brümilda van Rensburg , Ian Roberts , Neil SandilandsDrama, Music, RomanceAfrikaans, English Of Good ReportJahmil X.T. QubekaMothusi Magano, Petronella TshumaThrillerAfrikaans[14] To the Power of AnneRobert Anthony HaynesAnne Power, Ryan Flynn, Wim VorsterEnglish Shotgun GarfunkelJohnny BarbuzanoBryan van Niekerk, Asher Mikkel Stoltz, Eduan van JaarsveldtEnglish Jimmy in PienkHanneke SchutteLouw Venter, Terence Bridget, Gys de Villiers, Tinarie van Wyk LootsComedyAfrikaans Spud 2: The Madness ContinuesDonovan MarshJohn Cleese , Troye Sivan Comedy, DramaEnglish Zulu Jérôme Salle Orlando Bloom , Forest Whitaker , Tanya van Graan CrimeEnglishco-produced with France 2014 Faan se TreinKoos RoetsWillie Esterhuizen, Deon Lotz , Marius Weyers , Cobus Rossouw, Anel Alexander DramaAfrikaans, English Hollywood in my HuisCorne van RooyenChristia Visser , Edwin van der Walt, Nicola HanekomComedy, Family, RomanceAfrikaans, English KonfettiZaheer Goodman-BhyatLouw Venter, Nico Panagio, Casey B. Dolan, Kim Engelbrecht, Casper de Vries Drama, ComedyAfrikaans, English Leading Lady Henk PretoriusKatie McGrath , Bok Van Blerk , Gil Bellows Romantic ComedyEnglish, Afrikaans Love the One You Love Jenna Cato Bass Francis Chouler , Nelson Das Neves, Chiedza Mhende Comedy, Drama, Mystery, RomanceEnglish, Xhosa Pad na jou hartJaco SmitIvan Botha , DonnaLee Roberts Adventure, RomanceAfrikaans Spud 3: Learning to FlyJohn BarkerJohn Cleese , Troye Sivan , Caspar Lee Comedy, DramaEnglish The Two of Us Ernest NkosiDramaZuluAlso known as Thina Sobabili: The Two of Us Die WindpompEtienne FourieRoland Reed, Leandie du Randt, Marga van Rooy, Ian Roberts , Etienne Fourie Drama, Fantasy, RomanceAfrikaans 2015 Abraham (2015 film) Jans RautenbachDJ Mouton, Chantel PhilipusDramaAfrikaansMusic Riku Lätti Assignment Laszlo BeneNick Boraine , Jonathan Pienaar, Sandi Schultz, David Dennis Drama, ThrillerEnglish AyandaSara BlecherFulu Mugovhani, Sihle Xaba DramaEnglish Bond of Blood Christopher-lee dos Santos Marno van der Merwe, Sarah Kozlowski, Damian BerryDrama, FaithEnglish Ballade vir 'n Enkeling Quentin KrogArmand Aucamp, Jacques Bessenger, Zak Hendrikz DramaAfrikaans Chappie Neill BlomkampHugh Jackman , Sigourney Weaver , Sharlto Copley , Dev Patel Action, Sci-Fi, ThrillerEnglish Dis ek, Anna Sara BlecherCharlene Brouwer, Marius Weyers , Nicola Hanekom, Izel Bezuidenhout, Morne VisserDramaAfrikaans Dis Koue Kos, SkatEtienne FourieSean Cameron Michael , Frank Opperman , Anna-Mart van der Merle, Deon Lotz Comedy, Drama, RomanceAfrikaans The Endless River Oliver Hermanus Nicolas Duvauchelle , Crystal-Donna Roberts , Darren Kelfkens, Denise NewmanDramaEnglishCo-produced with France Hear Me Move Scottnes L. SmithNyaniso Dzedze, Wandile Molebatsi, Makhaola Ndebele Drama The Jakes Are Missing Neal Sundstrom, Denny Y. Miller, FigjamMampho Brescia, Pop Jerrod, Mpho Sebeng, Jody Abrahams, Nomzamo Mbatha Comedy, RomanceEnglish Last Ones Out Howard FyvieGreg Kriek, Christia Visser, Tshamano SebeAdventure, Drama, ThrillerEnglish Necktie YouthSibs Shongwe-La MerBonko Cosmo Khoza, Sibs Shongwe-La Mer, Colleen Balchin DramaEnglish, Zulu, Afrikaans 'n Pawpaw Vir My Darling Koos RoetsDeon Lotz , Deirdre Wohlhuter, Jana Nortier ComedyAfrikaans Die Pro Andre VeltsEdwin van der Walt , Reine Swart DramaAfrikaansBased on a novel by Jeanne Goosen Somer SonClinton LubbeReynald Slabbert, Juanita de Villiers, Bok van Blerk, Hanna Grobert, Reine Swart Romantic ComedyAfrikaans Strikdas Stefan NieuwoudtLeandie du Randt, Gys de Villiers, Kaz McFadden ComedyAfrikaans Tell Me Sweet Something Akin OmotosoThomas Gumede, Maps Maponyane Romance, ComedyEnglish TreurgrondAndre FrauensteinSteve Hofmeyr , Erica Wessels , Shaleen Surtie-Richards DramaAfrikaans TrouvoeteDarrell Roodt Lika Berning, Bouwer Bosch, Charlie Bouguenon, Paul du Toit, Stefan Ludik RomanceAfrikaans While You Weren't LookingCatherine StewartTerence Bridgett, Tina Jaxa DramaEnglish, Xhosa, Afrikaans 2016 AlchemistDavid SikhosanaDramaEnglish Alison Uga Carlini Alison Botha, Christia Visser, Zak Hendrikz, Francois Maree, De Klerk Oelofse Documentary, DramaEnglish Blood and Glory Sean ElseCharlotte Salt, Andre Jacobs, Josh Myers, Nick Cornwall, Greg Kriek, Deon Lotz Drama, WarAfrikaans, EnglishAlso known as Modder en Bloed Dora's Peace Konstandino Kalarytis Khabonina Qubeka , Danny Keogh , Hlubi Mboya , Ronnie Nyakale, Paballo Koza Action, Crime, DramaEnglish, Zulu Free State Salmon de JagerNicola Breytenbach, Andrew Govender, Leleti Khumalo , Deon Lotz , Mangesh Desai, Paul Ellers Drama, Family, RomanceAfrikaans, English Happiness is a Four-Letter Word Thabang MoleyaRomance, DramaEnglishBased on the Commonwealth Prize -winning novel by Nozizwe Cynthia Jele Jonathan: Die MovieSalmon de JagerRikus de Beer, Beáte Opperman, Paul Eilers, Brümilda van Rensburg ComedyAfrikaans Jou Romeo Andre WeltsRuan Wessels, Elani Dekker, Christopher van der Westhuizen, Row-Lean, Ruan Blum RomanceAfrikaans Kalushi Mandla DubeThabo Rametsi, Thabo Malema, Welile Nzuza Biography, Drama, ThrillerEnglishAlso known as Kalushi: The Story of Solomon Mahlangu Mignon "Mossie" van WykDarrell Roodt Erica Wessels, Paul du Toit, Deanre Reiners, Elzette Maarschalk, Tanika Fourie DramaAfrikaans Mrs. Right GuyAdze UgahDineo Moeketsi, Lehasa Moloi, Thapelo Mokoena, Tau Maserumule, Thando Thabethe RomanceEnglish My Father's War Craig GardnerEdwin van der Walt, Stian Bam, Erica Wessels, Fumani Shilubana DramaEnglish Nobody's Died Laughing Willem OelofsonPieter-Dirk Uys , Desmond Tutu , Vincent Ebrahim , Charlize Theron , F. W. de Klerk DocumentaryEnglishA documentary about the life of actor, comedian, and activist Pieter-Dirk Uys Noem My Skollie Daryne JoshuaDann-Jacques Mouton , Sandi SchultzDramaAfrikaansEnglish title: Call Me Thief Shepherds and Butchers Oliver Schmitz Steve Coogan , Andrea Riseborough , Robert Hobbs, Deon Lotz , Garion Dowds DramaEnglish, AfrikaansBased on the novel by Chris Marnewick Sink Brett Michael InnesAnel Alexander , Shoki Mokgapa, Jacques Bessenger, Amalia Uys , Asante Mabuza, Diaan Lawrenson DramaAfrikaansBased on the novel 'Rachel weeping' by Brett Michael Innes Sy Klink soos Lente Corne van RooyenAmalia Uys , Stiaan Smith, Bennie Fourie, James Cunningham, William Dunster, Bouwer BoschRomance, ComedyAfrikaans, English Twee Grade van Moord Gerrit SchoonhovenSandra Prinsloo , Marius Weyers , Shaleen Surtie-Richards DramaAfrikaans, English UitvluchtRegardt van den Bergh Albert Maritz, Carel Trichardt, Clara Joubert, Clyde Berning, Jill Levenberg , Stian Bam Drama, RomanceAfrikaans, English Vaya Akin Omotoso Warren Masemola, Harriet Manamela, Zimkhitha Nyoka, Phuti NakeneDramaZulu Verskietende Ster Darrell Roodt Hykie Berg, Deanre Reiners, Jana Strydom , Hannes van Wyk, Hanli Rolfes DramaAfrikaans Vir Altyd Jaco SmitLaré Birk, Ivan Botha , Elize Cawood, Nicky de Kock, Donnalee Roberts RomanceAfrikaans Vir die Voëls Quentin KrogSimoné Nortmann , Francois Jacobs, Lara Kinnear, Bennie Fourie, Elize Cawood, Neels van Jaarsveld, Nicola Hanekom RomanceAfrikaans The Whale CallerZola MasekoAmrainn Ismail-Essop, Sello Maake Ka-Ncube DramaEnglish Wonder Boy for President John Barker Kagiso Lediga , Ntosh Madlingzi, Tony Miyambo, Thishiwe Ziqubu ComedyEnglish Taking Earth Grant HumphreysRonan Quarmby, Brad Richards, Dick Sorenson, Marco Torlage and Barbara Harrison Sci FiEnglishProduced by Digital Forces, Grant Humphreys, Grant Knight , Michael Harrison 2017 AsinamaliMbongeni Ngena Drama, MusicalZuluAdapted from the play of the same name[16] Beyond the River Craig FreimondLemogang Tsipa, Grant Swanby, Israel Sipho Matseke Zulu , Emily Child DramaEnglish, Zulu BypassShane VermootenNatalie Becker , Hakeem Kae-Kazim , Greg Kriek, Deon Lotz ThrillerEnglish Catching FeelingsKagiso Lediga Kagiso Lediga , Pearl Thusi , Andrew Buckland, Akin Omotoso , Precious Makgaretsa Comedy, Drama, RomanceEnglish Finders KeepersMaynard KraakDalin Oliver, Neels Van Jaarsveld, Lise Slabber, Grant Swansby ComedyEnglish Five Fingers for Marseilles Michael MatthewsSesotho High Fantasy Jenna Bass Qondiswa James, Nala Khumalo, Francesca Varrie Michel, Liza Scholtz Comedy Hoener met die Rooi Skoene Koos RoetsLida Botha, Deon Lotz , Lizz Meiring, Dorette Potgieter Comedy, DramaAfrikaans Jagveld (English release title: Hunting Emma)Byron DavisLeandie du Randt, Neels van Jaarsveld, Tim TheronActionAfrikaans Johnny Is Nie Dood NieChristiaan Olwagen Rolanda Marais, Albert Pretorius, Ilana Cilliers, Ludwig Binge, Roelof Storm DramaAfrikaans Kalushi: The Story of Solomon MahlanguMandla DubeThabo Rametsi, Thabo Malema, Welile Ndzunza, Jafta Mamabolo, Louw Venter, Gcina Mhlophe, Fumani Shilubana, Pearl Thusi Biography, Drama, ThrillerEnglish Kampter reinLuhann JansenLouw Venter, Juanita de Villiers, Josias Moleele, Reine SwartComedyAfrikaans, English Keeping Up with the Kandasamys Jayan MoodleyJailoshini Naidoo , Maeshni Naicker, Mishqah Parthiephal , Madhushan Singh ComedyEnglishThe last film produced by Junaid Ahmed (together with Helena Spring) before his death in 2016. KrotoaRoberta DurrantCrystal-Donna Roberts , Armand Aucamp, Jacques Bessenger, Brendan Daniels, Deon Lotz DramaAfrikaans Liewe Kersfeesvader Etienne FourieMila Guy , Morné Visser, Adrienne Pearce , Milan Murray, Dean John Smith, Melt Sieberhagen, June van MerchDrama, ComedyAfrikaans The Little Kings Darrell James RoodtJustin Strydom, Jonathan Taylor, Lisa-Marie Schneider Drama, SportEnglish Meet the Radebes Simon MakwelaLuthuli Diamini, Mary Makhatho, Jolene Martin-Morgan, Nicholas NkunaDrama, ComedyEnglish Last Broken Darkness Christopher-lee dos Santos Sean Cameron Michael , Brandon Auret , Suraya Santos, Jonathan Pienaar , Brendan Murray, Ryan KrugerSci-fi, DramaEnglishWon best screenplay and best lead actor at Boston Sci Fi festival in 2017. Won best cinematography at South African Society of Cinematographers awards. ( SASC Visible spectrum gold award) in 2017. Nominated for best film, best sound design, best lead actress, best lead actor at 2020 South African indie film awards. Won best cinematography at 2020 South African indie film awards. Released theatrically in the USA in 2021 as 'Broken Darkness' by Vertical Entertainment . Oliver Tambo: Have You Heard from JohannesburgConnie Field DocumentaryEnglish Die Rebellie van Lafras VerweySimon BarnardTobie Cronjé, Chantell Phillipus, Cobus Visser, Albert Pretorius, Neels Van Jaarsveld, Lionel Newton DramaAfrikaansAlso known as Lafras Verwey She Is King Gersh KgamediKhabonina Qubeka, Aubrey Poo, Gugu Zulu, Khanyi Mbau, Mandisa Nduna MusicalEnglish Strike a Rock Aliki SaragasPrimose Sonti, Thumeka Magwangqana Documentary TessMeg RickardsChristia Visser, Nse Ikpe-Etim, Brendon Daniels , Dann-Jacques MoutonDramaAfrikaans Van Der MerweBruce LawleyRob van Vuuren , Chanelle de Jager, Reine Swart , Matthew Baldwin, Ian Roberts ComedyAfrikaans, English VaselinetjieCorné van RooyenMarguerite van Eeden , Nicole Bond, Shaleen Surtie-Richards , Royston Stoffels DramaAfrikaans, English Vuil WasgoedMorné du ToitBennie Fourie, Bouwer Bosch, Tim Theron, Nico Panagio, Stiaan SmithCrimeAfrikaans WinniePascale LamcheWinnie MandelaDocumentaryFor this film, Lamche won the Directing Award for World Cinema - Documentary at the 2017 Sundance Film Festival The Wound (Inxeba)John Trengove Nakhane Touré, Bongile Mantsai, Niza Jay Ncoyini, Thobani MseleniDramaXhosa, Afrikaans, English The Black Moses Moksh production (production company) | Trevor Shezi (director) TBADramaZulu, Afrikaans, English 2018 AyaKhalid EL-JelailatiDanica De La Rey, Richard Gau, Charlie Bouguenon, Keketso Montshiwa ThrillerEnglish Baby Mamas Stephina ZwaneSalamina Mosese, Kay Smith, Thembisa Mdoda, Dineo Ranaka ComedyEnglish Cut-Out Girls Nicola HanekomAtlanta Johnson, Keziah Gabriel, Cody Mountain, Meghan Oberholzer Drama, ThrillerEnglish Dominee TienieSalmon de JagerFrank Opperman, Henrietta Gryffenberg, Thapelo Makoena, Carel Nel, Deon Lotz Drama Ellen: The Ellen Pakkies Story Daryne JoshuaJill Levenberg , Jerrid Geduld, Elton Landrew, Clint BrinkDramaAfrikaans, EnglishAlso known as Ellen: The Story of Ellen Pakkies Farewell Ella Bella Lwazi Mvusi Jay Anstey, Sello Maake Ka-Ncube, Lionel Newton, Katlego Danke, Mary-Anne Barlow, Noluthando MejeDramaEnglish Frank & FearlessGray Hofmeyr Leon Schuster , Themba Ntuli, Kenneth Nkosi, Khanyi Mbau , Jennifer SteynComedy KanarieChristiaan OlwagenSchalk Bezuidenhout, Hannes Otto, Germandt Geldenhuys , Gérard Rudolf , Jacques Bessenger, Beer Adriaanse Drama, Musical, WarAfrikaansAlso known as Canary Mayfair Sara Blecher Ronak Patani, Rajesh Gopie, Wayne Van Rooyen, Jack Devnarain, Kelly-Eve Koopman, Ameera PatelAction, Crime, DramaEnglish Meerkat MaantuigHanneke SchutteAnchen du Plessis, Rika Sennett, Pierre van Pletzen, Themba Ntuli Drama, Science Fiction, FantasyAfrikaansAlso known as Meerkat Moonship Number 37 Nosipho DumisaIrshaad Ally, Monique Rockman, Ephraim Gordon, Danny Ross, Deon Lotz ThrillerAfrikaans RaaiselkindAndre VeltsDiaan Lawrenson, Deon Lotz , Anrich Herbst DramaAfrikaans The Recce Johannes Ferdinand Van ZylGreg Kriek, Christia Visser, Elsabé Daneel, Marius Weyers, Maurice Carpede Drama, WarAfrikaans, EnglishIdlewild International Film Festival 2019, Best Foreign Feature Drama, Idyllwild International Festival of Cinema, Best Actor - Feature Sew the Winter to My Skin Jahmil X. T. QubekaEzra Mabengeza, Kandyse McClure , Peter Kurth, Zolisa Xaluva, Bok Van Blerk Action, AdventureAfrikaans, English, Xhosa StroomopIvan BothaDonnaLee Roberts , Simoné Nortmann, Ilse Klink , Chanelle de Jager, Carla Classen, Armand AucampAction, AdventureAfrikaans, English Table Manners Leli MakiDiaan Lawrenson, Renate Stuurman, Neels Van Jaarsveld, Thabo Malema, Fiona Ramsey Comedy, DramaEnglish Thys & TrixQuentin KrogLeandie du Randt , Bouwer Bosch, Brendon Daniels Action, Adventure, ComedyAfrikaans The Tokoloshe Jerome PikwanePetronella Tshuma , Kwande Nkosi, Dawid Minaar, Harriet Manamela , Mandla Shongwe, Yule MasitengHorror, ThrillerEnglish, Zulu When Babies Don't Come Molatelo Mainetje-BossmanMolatelo Mainetje-BossmanDocumentary FeatureKhelobedu, English WonderlusJohan CronjeBeer Adriaanse, Marvin-Lee Beukes, Mila Guy, Edwin Van Der Walt, Simoné Nortmann Comedy, Drama, RomanceAfrikaans 2019 An Act of Defiance Jean van de VeldePeter Paul Muller, Antoinette Louw, Sello Motloung DramaEnglish Ander MensQuentin KrogBennie Fourie, Marlee van der Merwe, Frank Opperman, James BorthwickComedyAfrikaans Back of the Moon Angus GibsonRichard Lunkunku, Moneoa Moshesh, Lemogang Tsipa DramaZulu Bhai's Cafe Maynard KraakMehboob Bawa, Suraya Rose Santos, Siv Ngesi Romantic comedy, MusicalEnglishIn the style of Bollywood Buddha in Africa Nicole Schafer Enock Alu BiographyEnglish, Chinese Mandarin Deep End Eubulus TimothyCarishma Basday, Greg Kriek, Suraya-Rose Santos, Mahendra Raghunath, Robin SinghDrama, Romance, SportEnglish Fiela se Kind (2019)Brett Michael InnesZenobia Kloppers, Luca Bornman, Wayne Smith, Wayne van Rooyen, Cindy Swanepoel, Drikus Volschenk DramaAfrikaans Flatland Jenna Cato Bass Faith Baloyi, Nicole Fortuin , Izel Bezuidenhout DramaEnglish, Afrikaans Griekwastad Jozua MalherbeArnold Vosloo , Alex van Dyk, Tim Theron, Jody Abrahams Crime, DramaAfrikaansDramatisation of a true story The Harvesters Etienne Kallos Brent Vermeulen , Alex Van Dyk, Juliana Venter, Morne Visser DramaAfrikaans, EnglishOriginal title: Die Stropers Kandasamys: The Wedding Jayan MoodleyJailoshini Naidoo, Maeshni Naicker, Madhushan Singh, Mishqah ParthiephalRomance Kings of Mulberry Street Judy NaidooAaqil Hoosen, Shaan Nathoo, Neville Pillay, Rizelle Januk, Thiru NaidooComedyEnglish Knuckle CityJahmil X. T. QubekaBongile Mantsai, Thembekile Komani, Patrick Ndlovu, Faniswa Yisa, Siv Ngesi Drama, CrimeXhosaSouth Africa's entry for the 92nd Academy Awards (2020) in Best International Feature Film category[18] The Last Victims Maynard KraakSean Cameron Michael, Kurt Egelhof, Marno van der Merwe, Ashish Gangapersad, Jacobus Van Heerden, Mark Mulder Drama, Mystery, ThrillerEnglishInspired by true events film, has won 18 awards and 8 nominations around the world from 12 film festivals. The world Premiere was at Pan African Film Festival , Hollywood in 2019. Liewe LisaHendrik CronjeElani Dekker, Hendrik Cronje, Zane Meas, Barbara-Marie Immelman, Albert MaritzRomanceAfrikaans Love Lives HereNorman MaakeThando Thabethe, Lungile Radu, Andile Gumbi , Nomalanga Shozi, Zola NombonaRomanceEnglish Losing Lerato Sanele zuluConnie Chiume , Patrick Mofokeng , Ayanda Borotho , Tshimollo Modupe, Samela Tyelbooi and Kagiso Modupe Drama, Action, CrimeEnglish & AfrikaansNetflix film MatwetweKagiso LedigaAnastasia Augustus, Lungile Cindi, Mbeko Cindi, Karabo Dikolomela, Neo ErasmusAdventure, Comedy, DramaAlso known as Wizard Moffie Oliver Hermanus Kai Luke Brümmer , Ryan de Villiers Drama, Romance, WarAfrikaans, English The Seagull (Die Seemeeu)Christiaan OlwagenSandra Prinsloo , Marius Weyers , Gerben Kamper, Alyzzander Fourie, Deon Lotz DramaAfrikaans SkemersonPhilip RademeyerPietie Beyers, Elize Cawood, Anneke WeidemannDramaOriginal music score by Riku Lätti 8 ( The Soul Collector )Harold HölscherTshamano Sebe, Inge Beckmann, Garth Breytenbach, Keita LunaHorror, Fantasy, PeriodEnglish, TswanaOriginally entitled 8, British Horror Film Festival , UK.Best Feature Film, International Independent Film Awards, Best Narrative Feature, Seattle International Film Festival, Best Feature Film The Story of Racheltjie de BeerMatthys BoshoffStian Bam, Antoinette Louw, Marius Weyers , Sandra Prinsloo , Zonika de Vries DramaAfrikaans 3 Days to Go Bianca IsaacLeeanda Reddy , Lillette Dubey, Jailoshini Naidoo , Kajal Bagwandeen DramaEnglish Zulu Wedding Lineo SekeleoaneNondumiso Tembe, Darren Dewitt Henson, Carl Payne, Pallance Dladla RomanceEnglish 2020s Barakat Amy Jephta Vinette Ebrahim, Joey Rasdien, Mortimer Williams, Quanita Adams , Keeno Lee Hectormade Family dramaAfrikaans, EnglishFirst South African Muslim film My Father the Mover Julia JanschMthuthuzeli Stoan GalelaDocumentaryXhosaWinner of Best Documentary Short at 19th Annual Tribeca Film Festival Parable Beer AdriaanseJane de Wet , Michael Richard, Jay Hlatshwayo, Carla Classen, Thapelo Aphiri, Danny MeakerHorrorEnglishTV film RageJaco BouwerNicole Fortuin , Jane de Wet , Tristan de Beer, Carel Nel, Sihle Mnqwanzana, Shalima Mkongi, David ViviersHorrorAfrikaansTV film Stam Louw Venter Inge Beckmann, Gideon Lombard, Tarryn Wyngard, Niza Jay ThrillerAfrikaans Toorbos Rene van RooyenElani Dekker, Stiaan Smith, Ivan Abrahams, Ira Blanckenberg, Clare Marshall, Gretchen Ramsden DramaAfrikaansSouth Africa's entry for the 93rd Academy Awards (2021) in the Best International Feature Film category[18] Triggered Alastair OrrLiesl Ahlers, Reine Swart , Russell Crous, Cameron Scott, Steven John Ward, Suraya Rose Santos, Paige Bonnin, Kayla Privett, Michael Lawrence Potter Action, HorrorEnglish Die SMSMarshin CupidoChanelle de Jager, Lara Hattingh, Paul du Toit. Francois CoertzeThrillerFirst South African Feature Film directed by a director younger than 21 years old Vergeet My Nie Andre FeltsMarguerite van Eeden , Sean-Marco Vorster, Kenley Swart, Pietie Beyers, Amalia Uys, Fiona Ramsay RomanceAfrikaans, English 2021 Angeliena Uga Carlini Euodia Samson, Tshamano Sebe, Thapelo Mokoena , Colin Moss Comedy dramaEnglishNetflix film Briefly (Vlugtig)Marinus GubitzArno Greeff , Jane de Wet , Ernst van WykPsychological dramaAfrikaansFeature-length adaptation of the 2017 short film Daryn's GymBrett Michael InnesClifford Joshua Young, Carla Classen, Natasha Sutherland , Siv Ngesi , William Harding, Hlubi Mboya, Ayanda SeokaComedyEnglish, Xhosa Gaia Jaco BouwerMonique Rockman, Carel Nel, Alex van Dyk, Anthony Oseyemi HorrorEnglish, Afrikaans Glasshouse Kelsey Egan Jessica Alexander , Anja Taljaard, Hilton Pelser , Adrienne Pearce , Kitty Harris, Brent Vermeulen Dystopian, Sci-fi, ThrillerEnglish Good Life Bonnie RodiniErica Wessels, Sven Ruygrok, Jennifer Steyn , Michele Maxwell, Adam Neill, Leon Clingman, Joe Vaz, Danielle Cagnetta, Kiroshan Naidoo DramaEnglish Good Madam (Mlungu Wam)Jenna Cato Bass Chumisa Cosa, Nosipho Mtebe Thriller dramaEnglish, Xhosa I Am All Girls Donovan MarshErica Wessels, Hlubi Mboya , Deon Lotz , Mothusi Magano Mystery thrillerEnglishNetflix film Indemnity Travis Taute Jarrid Geduld , Gail Mabalane , Andre Jacobs, Louw Venter , Nicole Fortuin , Abdu Adams, Hlomla Dandala Action Kaalgat KarelMeg Rickards Christia Visser , Schalk Bezuidenhout Comedy, RomanceAfrikaans Little Big Mouth Gray Hofmeyr , Ziggy HofmeyrNay Maps, Amanda du-Pont , James Borthwick FamilyEnglishNetflix film Love, Lies and Hybrids Amanda LaneMeghan Oberholzer , Shamilla Miller , Alexander , RomanceEnglishTV film Umakoti WethuNozipho Nkelemba Fulu Mugovhani , Melusi Mbele, Kwanele Mthethwa, Duduzile Ngcobo DramaVenda, Zulu, EnglishShowmax film 2022 1960King Shaft, Michael MutomboZandile Madliwa, Sanda Shandu , Ivy Nkutha, Anele MatotiPeriod dramaEnglish African Moot Shameela Seedat DocumentaryEnglish, French, Portuguese, Swahili Amandla Nerina De Jager Lemogang Tsipa, Thabo Rametsi , I srael Matseke-Zulu DramaEnglish, Afrikaans, ZuluNetflix film Girl, Taken François Verster , Simon Wood DocumentaryEnglishIrish co-production Late Bloomer Amy Jephta Nicole Fortuin , Danny Ross, Monique Rockman, Tankiso Mamabolo, Kate PinchuckShowmax film Silverton Siege [20] Mandla Dube Noxolo Dlamini , Thabo Rametsi , Stefan Erasmus , Arnold Vosloo , Tumisho Masha , Michelle Mosalakae , Elani Dekker Action-thrillerEnglishNetflix film Sodium Day Riaz SolkerComing-of-age The Umbrella Men John Barker Jaques De Silva, Shamilla Miller , Keenan Arrison , Bronté Snell, Abduragman Adams, June van Merch, Kagiso Lediga , Joey Yusuf Rasdien Crime comedyEnglish, Afrikaans Wild is the Wind Fabian MedeaMothusi Magano , Frank Rautenbach , Chris Chameleon , Mona Monyane , Izel Bezuidenhout, Phoenix Baaitse, Deon Coetzee CrimeEnglishNetflix film You're My Favourite PlaceJahmil X.T. Qubeka Coming-of-age, road movieEnglish, XhosaAlso known as Valedictory 2023 The Honeymoon Bianca IsaacKajal Bagwandeen , Tumi Morake , Minnie Dlamini ComedyEnglish Kings of Mulberry Street: Let Love Reign Judy NaidooShaan Nathoo, Liam Dunpath, Hamish Kyd, Riyaad Nakooda, Kogie Naidoo, Kimberley Arthur FamilyEnglish 2024 Heart of the Hunter Mandla DubeBonko Khoza, Connie Ferguson , Tim Theron, Nicole Fortuin , Masasa Mbangeni, Sisanda Henna, Peter Butler, Deon Coetzee Netflix film See also List of Afrikaans-language films 1898 Pres. Paul Kruger filmed in front of his house in Pretoria, on his way to the council. 1916 De Voortrekkers (first Afrikaans film) 1931 Moedertjie (first full-length film with Afrikaans dialogue) Sarie Marais, musical (first South African film with sound) 1938 Bou van ’n Nasie, documentary (second film with Afrikaans dialogue) 1942 Lig van 'n Eeu, documentary 1944 Donker Spore, drama 1946 Geboortegrond, drama Die wildsboudjie, comedy Die Skerpioen, drama Pikkie se Erfenis, drama 1947 Pantoffelregering, comedy Simon Beyers, drama 1948 Die kaskenades van Dr. Kwak, comedy 1949 Sarie Marais, drama Kom saam, vanaand, musical (first musical in Afrikaans) 1950 Hier's ons weer, comedy 1951 Alles sal regkom, comedy Daar Doer in die Bosveld , comedy (first South African film in colour) 1952 Altyd in my drome, musical Hans-die-Skipper, drama Vyftig-vyftig, comedy Die Leeu van Punda Maria 1953 Inspan, adventure, drama 1954 ’n Plan is ’n Boerdery, romantic comedy Daar Doer in die Stad, drama, comedy 1955 Vadertjie