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Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event About Radio SAM Broadcaster Germany Radio SAM Broadcaster Germany is your go-to destination for the freshest and hottest music from around the world. Our team of experienced DJs and music producers work tirelessly to bring you the best of the best, so you can worry less and dance more. Tune in to our radio station and never miss a beat! The Team who runs this Radio Station ! We started off with Radio sam germany Andreas Dezius Radio Host & DJ Music Curator Executive Board member, Co-founder and former of Radio SAM Broadcaster Live Andre Radio Host & Social Media Manager Board member, Supporter and Advertiser. Designer Pamela Coetzee Radio Host & Social Media Manager Board member, Web Designer Andrew May Radio Host & Program Advertiser Board member,Advertiser Supporter. Welcome Tune-Into One of our Radio Stations and Enjoy the Music Were ever you GO... BACK TO TOP

Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, Hey There to All Friends and Fans RADIO SAM Germany is Running Worldwide Internet Radio Station ,South African Music and German Music based as a Online Music Radio Station ,from Germany ,and is also a South African and German Music Time shareing Homepage to share with People all around the World for Young and Old,It was founded in March 2014 in Germany. The Facebook Group was founded at the same time - South African Music, then got bigger and greater with our supporters ,friends and also visitors .Youtube Videos that we were shareing through Youtube . In April 2014 the Google Blogger was openened ,through the high visit of friends and visitors, Online around the world and Thankyou to our supporters AND FRIENDS. Die schönsten Schlager im Internet radio Das Radio SAM Germany von Andreas Dezius ist der Radiosender für Schlager Fans. Wenn Sie von einem Internetradio mehr erwarten als die Hits der 80er, 90er und die Charts von heute, dann schalten Sie unser Schlager Radio ein. Radio SAM Germany – das bedeutet Internetradio für die ganze Familie. Radio SAM Germany gibt all den Musikliebhabern eine Chance, die ihr Recht auf einen eigenen Musikgeschmack im anderen Webradios nicht durchsetzen können. Radio SAM Germany finden deutsche Schlager und Volksmusik endlich wieder ein neues Zuhause! Das Radio-Programm vom Radio SAM Germany bietet für jeden Schlagerfan genau das Richtige: Egal ob deutsche Schlager oder, Discofox oder Country, Party-Schlager oder Deutsch Rock, von volkstümlicher Musik bis zu schönen Oldies – auf Radio SAM Germany werden 24 Stunden pro Tag die besten deutschen und internationalen Schlager gespielt, und das an allen 7 Tagen der Woche. Moderne Musiktrends kommen und gehen, die Geschichte des deutschen Schlagers reicht jedoch bereits vom Ende des 19. Jahrhunderts bis in die Gegenwart des Radio SAM Germany. Seit jeher spiegelt die Schlagermusik den Wandel von Gesellschaft und Mentalität wider. Schlagermusik reagiert seit ihren Anfangstagen auf politische und gesellschaftliche Strömungen. So ist die Schlagermusik in der heutigen Zeit als kommerzielles Massenprodukt eng mit der modernen Industriegesellschaft und ihren technologischen Neuerungen verbunden. Das Radio SAM Germany von .FM ist ein Symbol dieser technologischen Neuerungen, denn wir senden nicht über UKW, sondern über das Internet. So ein Internetradio hat gegenüber dem klassischen FM-Radio viele Vorteile. Dank des Internets können Sie Ihr Schlager Radio nun überall auf der Welt genießen. Alles, was Sie benötigen, um in den Genuss von Schlagern über ein Internetradio zu kommen, ist ein Computer und ein schneller Internetzugang. Damit Sie das Radio SAM Germany ohne Störungen genießen können, empfehlen wir dazu einen DSL-Anschluss. Computer und Internetanschlüsse finden Sie heute nicht nur in jedem Haushalt, sondern auch in den meisten Hotels weltweit. Somit sind Schlagerfans keine Grenzen mehr gesetzt, wenn Sie nicht nur zu Hause, sonden auch im Urlaub ihr Schlagerradio hören möchten. Dabei spielt es keine Rolle, ob Sie sich auf Mallorca, in der Türkei, Ägypten oder in einem noch weiter entfernten Land befinden: Dank Internetradio bringen wir das Radio SAM Germany auch in den hintersten Winkel der Welt. Wer summt nicht besonders gerne im Urlaub eine bekannte Schlagermelodie vor sich hin? Dank Radio SAM Germany über das Internet haben alle Schlagerfans nun die Möglichkeit dazu! We support and promote our friends that was at that time playing in some of the local upcoming bands, and give our other local musicians a way through which they could share their music to their South African fans, and hopefully internationally. We are a dedicated and unique team of music lovers and professionals brought together from all walks of life and from all around the World, from all over South Africa, and Europa ,all with one thing in common... our love and passion for music! WE OFFER MUSIC , AN AUTO DJ AND DJS THAT WILL BE ADDED TIME BY TIME TO SHARE MUSIC WITH FRIENDS AND FAMILY NEWS,PICTURES,Djs ON A SATURDAY NIGHT ON Radio SAM Germany. All we ask is that you share or Homepage,Facebook Group,and Google Bloggers and be Kind to sighn into our Geustbook as return we add you a as friend on Facebook, and put an small partnet banner on our Page to help to share also your Homepage around the World ,Thankyou your Radio SAM Germany Team . Radio SAM Music is an online radio station sponsored by ZenoRadio allows you to listen to your favorite radio stations from around the world. , find your favorite radio station by country and listen by streaming or dialing a phone number to save data. With an expanding list of stations and new countries being added weekly, the new ZenoRadio is the best way to listen to your countries home radio stations. that aims at providing the best disco music to fans all over the world. We work as a team to make sure we play the best, the latest and consistently entertain our listeners with the music they would love to hear. In simple terms, we bring the disco experience right to you. You do not have to visit a disco, but you can have the experience right in your office, car or just at home. This is the right music for anyone who feels like dancing but does not want the hassle that comes with being in a club or disco. How do we Ensure Our Visiters and Listerners and are Well Entertained? Our online radio station Websites ,Bloggers and Radio Station gets over 900 visitors and listerner every day. This is quite a number, but we ensure that everyone who visits the site leaves satisfied and entertained. In fact, many find it hard to switch off the music and carry it on throughout the day as they attend to their daily obligations. Our team does daily research on our visiters’ likes and preferences, music searches and needs to ensure that we only play music that is relevant to them. We do not just play the music, but we go a step further in making sure that what we play is actually what our visitors and listerners are looking for. Why the Online Radio Station? As we played the disco music in various clubs and settings, we realized that more and more people were looking for us and it was hard to meet the needs of different groups all at the same time. We had to seek for a way to please all our clients and ensure they can get to listen to our music from wherever they are 24/7. So rather than our visitors and listerners are waiting until we get a chance to play at their local music, or follow us wherever we go for gigs, they can listen to our music whenever they feel like any time of the day. Who Can Listen to the Radio Station? Anyone anywhere in the world can access Radio SAM Music . We do not have demographic inhibitions and ensure that anyone can access the music any time of the day or night whenever they are in the mood to dance. When you are having a party or entertaining some guests, this is the music that will take the party to the next level. Just make sure you have enough dancing room. Your guests will rock to the music the whole night as tune after tune belts out of the online music radio station. It is not just when you have guests, but the music can help you unwind and change your mood after a long day in the office. Even when you are in the office and want to switch to a more relaxed mood, just log in the online radio. You will be able to relax and forget about the day’s pressures and demands ,Because of the many visitors our radio station gets every day, it’s a good marketing hub for advertisers.With over 900 daily visitors, you are assured of getting a large audience for your products or services. We also built ‘Radio SAM Broadcaster Germany’ for YOU…….. For you to NEVER miss that amazing event. We strive to, at all times, try to take the hassle out of finding out where that favourite artist is performing, have a look at some other artists also performing, and at what venue it is going to be held, at what time, and maybe it will be the end of life as you know it. We love radio! Radio SAM Broadcaster Germany makes life a little easier for everyone who feels the same way. We offer you the opportunity to listen to internet radio from all over the world in a particularly uncomplicated manner and free of charge. With the push of a button, you can also record it very easily thanks to Radio SAM Broadcaster Germany. Don't you ever want to miss your favorite internet radio radio again? Our tools make it possible! You can put together your own program in the Radio SAM Broadcaster Germany player, in the app and directly on our website. This is then conveniently recorded and saved for you. If you just want to listen to your favorite online radio stations, you can of course do so here: You can click through the music genres or topics you want and you will find enough material to stream continuously for days! Here, the many German channels are just a few clicks away from the small regional channel from Italy. Thanks to the radio cloud, you don't even have to turn on your computer or smartphone to record, you don't even have to be at home. The scheduled shows are simply saved in the cloud, where you can easily stream them or download them for later use. Radio programs and tips - radio plays and more That's all well and good, but you don't even know what you want to hear in the wide landscape of internet radio? No wonder, after all, there are many of programs on all sorts of genres. Our editorial team therefore studies the radio program every week and always has a few tips ready to make your choice easier: There is also something for the little listeners on a separate page for children. Do you want to let off steam in the wide world of internet radio? Radio SAM Broadcaster Germany makes this particularly easy for you. You can listern completely free of charge and without obligation. In your own account under “Radio SAM Broadcaster Germany” you can start immediately, put together your own program and use the free radio cloud storage of two hours. In the download area you will find the Radio SAM Broadcaster Germany players for PC and Mac and the app is available for free download in the app store for iOS, Android or Windows Phone Hoekom moet jy op LEKKER FM Radio SAM Germany adverteer? Die antwoord is baie eenvoudig! Jou besigheid is vir ons belangrik!Radio Springbok Germany bied 'n bekostigbare advertensiemedium wat 'n massa-gehoor in beide Afrikaans en Engels kan bereik. Ons multi-media advertensiebenadering bied 'n ideale geleentheid wat individueel vir jou, die adverteerder, saamgestel word. Dit bied aan jou besigheid (klein of groot) die geleentheid om jou teikenmark oor radio, en digitale en sosiale media platforms, gelyktydig te bereik - volgens jou voorsiene begroting! Radio SAM Germany produk!Wees die eerste nuwe of kleinsake-eienaar om jou een-jaar radio-advertensieveldtog met ons te registreer, en ons sal jou webwerf ontwerp en publiseer op 'n baie lae koste, insluitend e-pos adresse. Om jou selfs verder te help, sal ons al jou sosiale media bladsye met jou webwerf aaneenskakel, sodat jy onmiddellike regstreekse skakels het om jou webwerf op datum te hou. Kontak ons vandag nog om seker te maak jou besigheid word raakgesien! (Kliek Hier) Hoekom radio?Die volgende kan jou help om 'n suksesvolle radio-advertensie veldtog te hê: Frekwensie van advertensies"Gryp jou verbruikers aan die oor, en hul harte en gedagtes sal volg! " Andreas Dezius In kort: 'n kommersiële radio-advertensie moet verskeie keer gespeel word voordat dit insink in die gedagtes van die luisteraar. As jy van plan is om jou kommersiële handelsflits een keer per week vir 'n maand lank te skeduleer, sal dit nie voldoende wees om jou produk tot aan die toppunt van jou teikengehoor se gedagtes te bring nie.Die suksesvolle radioveldtog bestaan uit 'n kommersiële flits wat aanvanklik vir meer as een keer deur die loop van 'n dag uitgesaai word, in teenstelling met een of twee keer per week. Ken jou teikenmark se programskedule inskakel . Dis sinvol om jou parfuumwinkel byvoorbeeld tydens 'n tipiese huisvrouprogram te adverteer. Daarom sal jy nie 'n hardeware-en gereedskapswinkel in dieselfde gleuf adverteer nie. Jou vaardigheid om die teiken te tref is noodsaaklik vir elke advertensie wat jy skep . Daarom moet jy seker maak dat jy weet waar jou teikenmark op Radio Springbok Germany Radio SAM Germany se ervare media-strateeg sal jou help met die keuse van die regte programme en skedules om die beste waarde uit jou produk en bemarkingsveldtog te verkry. By langer veldtogte, kan jy selfs jou radio-flitse rondskuif om te probeer verseker dat jy deur 'n wyer teikengroep gehoor word, sodat die sukses van jou belegging verhoog word. Vervaardiging van kommersiële flitse. Vervaardiging van radio-advertensies is eenvoudig en baie koste-effektief. Jy moet twee basiese elemente hê: 'n teks en 'n talentvolle stemkunstenaar. Maar wees versigtig om nie bloot net 'n paar sinne uit te skryf en dan jou vingers te kruis met die hoop dat jou advertensie die merk sal tref nie. Onthou: radio is die teater van die gedagte. Jou flits se sukses maak staat op duidelike inligting , spraak en klank wat jou besigheid vanuit die klankrommel lig en jou naam in die geheue van die luisteraar ets. Onthou , frekwensie is die sleutel! So maak seker dat jou advertensie in die kol is en jy sal die verbruiker se aandag die eerste keer trek. Navorsing toon dat dit ‘n paar keer neem voordat die verbruiker uiteindelik verstaan wat jou maatskappy behels. Dit is daarom belangrik dat jou advertensie sal uitstaan en jou boodskap herhaaldelik sal dra. About Radio SAM Broadcaster Germany Radio SAM Broadcaster Germany is your go-to destination for the freshest and hottest music from around the world. Our team of experienced DJs and music producers work tirelessly to bring you the best of the best, so you can worry less and dance more. Tune in to our radio station and never miss a beat! The Team who runs this Radio Station ! We started off with Radio sam germany Andreas Dezius Radio Host & DJ Music Curator Executive Board member, Co-founder and former of Radio SAM Broadcaster Live Andre Radio Host & Social Media Manager Board member, Supporter and Advertiser. Designer Pamela Coetzee Radio Host & Social Media Manager Board member, Web Designer Andrew May Radio Host & Program Advertiser Board member,Advertiser Supporter. Welcome Tune-Into One of our Radio Stations and Enjoy the Music Were ever you GO... Our Radio Monthly Analytics Country Sessions Sum of unique IPs per stream TLH % United States 431 84 3,09 59.20 Germany 273 19 84,36 37.50 The Netherlands 5 2 0,09 0.69 Portugal 4 4 0,03 0.55 South Africa 4 3 0,18 0.55 South Korea 3 3 0,02 0.41 Russia 3 2 0,16 0.41 Australia 1 1 0,02 0.14 Canada 1 1 0,01 0.14 Italy 1 1 0,04 0.14 Country Sessions Sum of unique IPs per stream TLH % United States 189 75 1,37 75.00 Germany 39 9 33,35 15.48 South Africa 6 5 0,22 2.38 India 5 3 0,09 1.98 Russia 4 4 0,13 1.59 Portugal 2 2 0,02 0.79 South Korea 2 2 0,02 0.79 Slovenia 2 1 0,02 0.79 Australia 1 1 0,12 0.40 Italy 1 1 0,17 0.40 Total sessions completed 2,53 K Total unique IPs 1,37 K Average listening minutes 13,87 Total listening hours 581,13 Total ad impressions 396 Call Email a.dezius@gmail.com Follow BACK TO TOP

Music Entertainment Rating: 4.3 Reviews: 3 Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event….No need to go to different websites, only here, one place To see this working, head to your live site. Categories All Posts My Posts Forum Welcome! Have a look around and join the discussions. Create New Post General Discussion Share stories, ideas, pictures and more! subcategory-list-item.views subcategory-list-item.posts 4 Follow Questions & Answers Get answers and share knowledge. subcategory-list-item.views subcategory-list-item.posts 0 Follow New Posts Andy Dezius Mar 17, 2024 Radio SAM Germany General Discussion Like 1 0 Andy Dezius Mar 13, 2024 Welcome to the Forum General Discussion Share your thoughts. Feel free to add GIFs, videos, hashtags and more to your posts and comments. Get started by commenting below. Like 1 0 Andy Dezius Mar 13, 2024 Introduce yourself General Discussion We'd love to get to know you better. Take a moment to say hi to the community in the comments. Like 1 0 Forum - Frameless BACK TO TOP

OUR POLLS 2 Polls to click on below to take your Votes. Thankyou and Enjoy our Voteing Polls Afrikaans music was primarily influenced by Dutch folk styles, along with French and German influences, in the early twentieth century. Zydeco -type string bands led by a concertina were popular, as were elements of American country music , especially Jim Reeves . The most prolific composers of "tiekie draai" Afrikaans music were lyricist Anton De Waal who wrote many hit songs with songwriters, pianist Charles Segal ("Hey Babariebab Se Ding Is Vim", "Kalkoenjie", "Sy Kom Van Kommetjie" and many others) and accordionist, Nico Carstens . Bushveld music based on the Zulu were reinterpreted by such singers as Marais and Miranda . Melodramatic and sentimental songs called trane trekkers (tearjerkers) were especially common. In 1973, a country music song won the coveted SARI Award (South African Music Industry ) for the Song of the Year – "My Children, My Wife" was written by renowned South African composer Charles Segal and lyricist Arthur Roos . In 1979 the South African Music scene changed from the Tranetrekkers to more lively sounds and the introduction of new names in the market with the likes of Anton Goosen , David Kramer (singer) , Koos du Plessis , Fanie de Jager , Flaming Victory and Laurika Rauch . Afrikaans music is currently one of the most popular and best selling industries on the South African music scene. Welcome to Radio SAM Broadcaster Germany Polls, where we bring you the ultimate showdown of South Africa's most famous Afrikaans singers! As the home of thousands of polls and rankings on diverse topics, we invite you to join in on the excitement and cast your vote for the most iconic voice that resonates with your soul. From heartfelt ballads to foot-tapping rhythms, these Afrikaans artists have captivated audiences and left an indelible imprint on the music scene. So, don't miss your chance to make a difference in this melodious battle! Dive into our ranking of "Who is the most famous Afrikaans singer in South Africa?" and be a part of the melodic journey. Don't see your favorite artist on the list? Don't fret! You can always suggest a missing option and rally support for your preferred musical maestro. Let's celebrate the rich tapestry of Afrikaans music together! SOUTH AFRICAN SINGERS To play, press and hold the enter key. To stop, release the enter key. More information on most famous afrikaans singer in south africa Afrikaans music is a vibrant and integral part of South Africa's cultural landscape. With its roots in the Dutch language and the country's colonial past, Afrikaans music has evolved into a unique genre that blends traditional folk music with contemporary styles. In recent years, there has been a surge of interest in Afrikaans music, with a growing number of talented singers and musicians gaining popularity both locally and internationally. One of the most prominent figures in the Afrikaans music scene is the legendary singer, songwriter, and composer, Steve Hofmeyr. With his powerful voice and emotive lyrics, Hofmeyr has captured the hearts of millions of fans across South Africa and beyond. However, there are several other talented Afrikaans singers who have made a significant impact on the music industry, and the question of who is the most famous Afrikaans singer in South Africa is a subject of much debate and discussion. Link to the Page BACK TO TOP

RADIO SERVERS Information über das Radio We built ‘Radio SAM Broadcaster Germany’ for YOU…….. For you to NEVER miss that amazing event. We strive to, at all times, try to take the hassle out of finding out where that favourite artist is performing, have a look at some other artists also performing, and at what venue it is going to be held, at what time, and maybe it will be the end of life as you know it. We love radio! Radio SAM Broadcaster Germany makes life a little easier for everyone who feels the same way. We offer you the opportunity to listen to internet radio from all over the world in a particularly uncomplicated manner and free of charge. With the push of a button, you can also record it very easily thanks to Radio SAM Broadcaster Germany. Don't you ever want to miss your favorite internet radio radio again? Our tools make it possible! You can put together your own program in the Radio SAM Broadcaster Germany player, in the app and directly on our website. This is then conveniently recorded and saved for you. If you just want to listen to your favorite online radio stations, you can of course do so here: You can click through the music genres or topics you want and you will find enough material to stream continuously for days! Here, the many German channels are just a few clicks away from the small regional channel from Italy. Thanks to the radio cloud, you don't even have to turn on your computer or smartphone to record, you don't even have to be at home. The scheduled shows are simply saved in the cloud, where you can easily stream them or download them for later use. Radio programs and tips - radio plays and more That's all well and good, but you don't even know what you want to hear in the wide landscape of internet radio? No wonder, after all, there are many of programs on all sorts of genres. Our editorial team therefore studies the radio program every week and always has a few tips ready to make your choice easier: There is also something for the little listeners on a separate page for children. Do you want to let off steam in the wide world of internet radio? Radio SAM Broadcaster Germany makes this particularly easy for you. You can listern completely free of charge and without obligation. In your own account under “Radio SAM Broadcaster Germany” you can start immediately, put together your own program and use the free radio cloud storage of two hours. In the download area you will find the Radio SAM Broadcaster Germany players for PC and Mac and the app is available for free download in the app store for iOS, Android or Windows Phone. Why the Online Radio Station? As we played the disco music in various clubs and settings, we realized that more and more people were looking for us and it was hard to meet the needs of different groups all at the same time. We had to seek for a way to please all our clients and ensure they can get to listen to our music from wherever they are 24/7. So rather than our visitors and listerners are waiting until we get a chance to play at their local music, or follow us wherever we go for gigs, they can listen to our music whenever they feel like any time of the day. Who Can Listen to the Radio Station? Anyone anywhere in the world can access Radio SAM Broadcaster Germany. We do not have demographic inhibitions and ensure that anyone can access the music any time of the day or night whenever they are in the mood to dance. When you are having a party or entertaining some guests, this is the music that will take the party to the next level. Just make sure you have enough dancing room. Your guests will rock to the music the whole night as tune after tune belts out of the online music radio station. It is not just when you have guests, but the music can help you unwind and change your mood after a long day in the office. Even when you are in the office and want to switch to a more relaxed mood, just log in the online radio. You will be able to relax and forget about the day’s pressures and demands ,Because of the many visitors our radio station gets every day, it’s a good marketing hub for advertisers.With over 500 daily visitors, you are assured of getting a large audience for your products or services. OUR BLOGGER https://radiosambroadcastingstudios.blogspot.com/2023/10/information-uber-das-radio-we-built.html RADDIO NET https://raddio.net/377127-radio-sam-broadcasting-studio/ WIX WEBSITE https://adezius.wixsite.com/radio-sam-broadcaste/projects/radio-sam-stations Radio SAM Live Network https://onlineradiobox.com/de/radiosam/?cs=de.radiosam MY RADIO BOX https://myradiobox.com/de/radio/radio-sam-broadcaster-germany-201887 WEBSITE https://radio-sam-broadcaster.de.tl/ FACEBOOK Radio SAM Broadcasing studio https://www.facebook.com/groups/320515039941472/posts/320521686607474/ ZENO FM-Radio-SAM-Broadcaster-Germany https://zeno.fm/radio/radio-sam-broadcaster-germany4xqvqt35p48uv/ RADIO GARDEN https://radio.garden/listen/radio-sam-broadcaster-germany/xIden2fD LIVE ONLINE RADIO https://liveonlineradio.net/de/radio-sam-germany YOUTUBE - Radio SAM Broadcaster Germany https://www.youtube.com/@radiosambroadcastergermany6016/featured STREEMA - Radio SAM Music - Radio SAM Live - Runkel https://streema.com/radios/Radio_SAM_Music_Radio_SAM_Live ZENO - STREAM https://stream-176.zeno.fm/ynhxdxbvp68uv? https://zeno.fm/radio/radio-sam-broadcaster-germany4xqvqt35p48uv/ PODCAST - Radio SAM Broadcaster Germany https://zeno.fm/podcast/radio-sam-broadcaster-germany-ae88/ PODBEAN - LIVE SHOWS https://www.podbean.com/site/userCenter/liveStream ONLINE RADIO BOX https://onlineradiobox.com/de/sambroadcastergermany/?cs=de.sambroadcastergermany&played=1

TUNE-IN RADIO STATION Welcome to our Radio Station! We’re thrilled to have you tune in with us. Get ready for an exciting mix of music, news, and entertainment that keeps you connected to the beat of the community. Join us as we share stories and sounds that inspire and uplift! Top Schlager Music Play Video Play Video 03:36 Jay Khan - Hochexplosiv Seht hier das neue Video "Hochexplosiv“ von Jay Khan. ++Alle Infos zum Künstler und zur Single hier++ http://umgt.de/jay-khan Unsere "Ich find Schlager toll" - Playlist mit den neuesten Schlager Hits aus den Charts ▶️ https://lnk.to/SchlagerCharts_IFST ++Folgt Jay Khan im Netz++ Facebook: https://www.facebook.com/jaykhanofficial/ Instagram: https://www.instagram.com/jaykhanmusik/?hl=de Youtube: https://www.youtube.com/channel/UCvmma2zbFmXA2toxRZbeTJA DANKE AN: - die weibliche Hauptdarstellerin / Model : Brenda Patea https://instagram.com/brendapatea?igshid=17qa71tu2zdpx - Special Thx an PURO SKYLOUNGE Berlin https://instagram.com/puro.berlin?igshid=3nwhzlrfmp7b - Video Director : Philip Kellogg - Producer ALPHAJUNGZ https://instagram.com/alphajungz?igshid=s6pns6bpghew “Ich find Newsletter toll“ …und du? Jetzt anmelden ▶️ http://newsletter.universal-music.de/form/?artist=ich-find-schlager-toll “Ich find Schlager toll“ Shop: Offizielles Merchandise – exklusive Fan-Boxen und Schlager zum anziehen ▶️ https://www.ichfindschlagertollshop.de/ Alle deine Schlager-Musikvideos ▶️ http://bit.ly/OffizielleVideos Unsere Webseite ▶️ http://bit.ly/IFST-webseite Folge uns auch auf Facebook und Instagram: ▶️ https://www.facebook.com/ichfindschlagertoll ▶️ https://www.instagram.com/ichfindschlagertoll Kanal abonnieren ▶️ http://bitly.com/YTSchlager #IchFindSchlagerToll #JayKhan #Hochexplosiv Music video by Jay Khan performing Hochexplosiv. © 2019 Jay Khan, under exclusive license to Universal Music GmbH http://vevo.ly/JNWLgJ Play Video Play Video 03:54 Maite Kelly - Einfach Hello (Offizielles Musikvideo) "Einfach Hello" ist die erste Single von Maite Kellys neuem Album „HELLO!“ Hier seht ihr das offizielle Musikvideo dazu. Alles zur Single: ▶️ https://umg.lnk.to/EinfachHello Alle Versionen des neuen Maite Kelly Albums „HELLO!“: ▶️ https://umgt.de/hello (Pressetext, Auszug) In Maites Texten haben Gefühle niemals Schweigepflicht. Und auch zu emotionalen Herausforderungen hat sie nie Nein gesagt. Doch in schwierigen, ungewissen Zeiten wie diesen, in denen wir uns in einem Zug nach Nirgendwo wähnen, sehnen wir uns alle nach wohltuender Leichtigkeit. Aus dieser Stimmung heraus schickt Maite Kelly mit ihrer neuen Single ein „Einfach Hello“ in die Welt hinaus. Mehr Maite Kelly: Facebook: https://www.facebook.com/MaiteKelly Instagram: https://www.instagram.com/maite_kelly/ Webseite: https://www.maitekelly.de/ Die Extraportion Schlager „Stars & Stories” findest du jetzt immer genau hier auf diesem Kanal 💕 ▶️ https://umg.lnk.to/IFST_SUS Unsere "Ich find Schlager toll" - Playlist mit den neuesten Schlager Hits aus den Charts: ▶️ https://lnk.to/SchlagerCharts_IFST “Ich find Newsletter toll“ …und du? Jetzt anmelden ▶️ https://newsletter.universal-music.de/form/?artist=ich-find-schlager-toll Shop: Offizielles Merchandise – exklusive Fan-Boxen und Schlager zum Anziehen ▶️ https://www.ichfindschlagertollshop.de/ Alle deine Schlager-Musikvideos ▶️ http://bit.ly/OffizielleVideos Unsere Webseite ▶️ http://bit.ly/IFST-webseite Folge uns auch auf Facebook, Instagram und Tik Tok: ▶️ https://www.facebook.com/ichfindschlagertoll ▶️ https://www.instagram.com/ichfindschlagertoll/ ▶️ https://www.tiktok.com/@ichfindschlagertoll Kanal abonnieren ▶️ http://bitly.com/YTSchlager #IchFindSchlagerToll #MaiteKelly #EinfachHello http://vevo.ly/fgpakK Play Video Play Video 03:30 Marina Marx - Steh auf und leb Das offizielle Video zur neuen Single ""Steh auf und leb"" von Marina Marx mit einer wichtigen Botschaft. Wie gefällt euch das Video? Hier geht's zum Song: https://marinamarx.lnk.to/StehAufUndLeb Folgt Marina Marx auf: ♡ Facebook: https://www.facebook.com/marinamastofficial ♡ Instagram: https://www.instagram.com/marinamarx_official ♡ TikTok: https://www.tiktok.com/@marinamarx_official Abonniert unseren Kanal um keine Videos zu verpassen: https://www.youtube.com/c/filtrschlager "Mein Herz schlägt Schlager"" gibt es auch auf: ♡ Facebook: https://www.facebook.com/meinherzschlaegtschlager ♡ Instagram: https://www.instagram.com/meinherzschlaegtschlager ♡ TikTok: https://www.tiktok.com/@meinherzschlaegtschlager #marinamarx #stehaufundleb #meinherzschlägtschlager Music video by Marina Marx performing Steh auf und leb. (C) 2023 Ariola a division of Sony Music Germany GmbH http://vevo.ly/cDLn8A Play Video Play Video 01:11:17 Schlager Musik 2024 🎶 Schlager für Alle Schlager Musik Hit Mix 2024 - Schlager für Alle. ► Jetzt die neue Schlager für Alle Frühjahr Sommer 2024 CD bestellen: https://www.shop24direct.de/produkt/schlager-fuer-alle-fruehjahr-sommer-2024-2615693?by=OxS24dDachYoutubeS24d 00:00 Patrick Lindner - Heute bleiben wir wach 02:57 Oli.P - Meine Welt 05:50 Eloy de Jong & Ross Antony - Viel mehr als das Beste 10:11 Bernhard Brink - Du und Ich 13:09 Eric Philippi - Wir bleiben noch 16:34 Madlen Rausch - Womit hab ich dich verdient 20:05 G.G. Anderson - Ich lass Dein Herz nie los 23:23 Daniel Sommer - Wie ein Evergreen 26:48 Sandro - Mach das wieder 30:03 Olaf der Flipper - Wenn Du ein bisschen Sehnsucht hast 33:07 Giovanni Zarrella - UN ANGELO 37:05 Patrick Lindner - Lieben kann man nicht allein 40:27 Hein Simons - Wenn dein Herz tanzt 43:35 Rebel Tell - Krösa Maja 47:16 Art Garfunkel Jr. & Art Garfunkel - Der Condor zieht 50:59 NEON - Liebesblind 54:41 Fantasy - Wenn Du mir in die Augen schaust 58:21 TEAM 5ÜNF - Für die Ewigkeit 01:01:53 Amigos - Pharao (Live) 01:05:10 Bernhard Brink - Stärker als die Ewigkeit 01:08:11 LOS KELLEROS - CIAO, CIAO, CIAO Gratis und unverbindlich - der Youtube SCHLAGER FÜR ALLE Kanal: ► http://bit.ly/YoutubeAbonnieren Diesen und weitere Hits auch in unserem Schlager für Alle - Radio: ► https://SFA.lnk.to/RadioYB Schlager für Alle -Die Playlist: ► http://telamo.click/Schlager_fuer_alle_PlaylistYB Hier könnt ihr Schlager für alle folgen: ► Facebook: https://www.facebook.com/SchlagerFuerAlle/ ► Instagram: https://www.instagram.com/schlagerfuerAlle/ Nur hier: Die meisten und besten Schlagervideos aller Zeiten! Von A, wie Andrea Berg, bis Z, wie Frank Zander! #schlagerfüralle #schlager #hitmix Play Video Play Video 29:40 Schlager Charts Top 20 - 07. März 2024 In der brandneuen Ausgabe der Schlager Charts Top 20 gibt es nicht nur drei Neueinsteiger, sondern alle drei Songs schaffen es sogar direkt in die Top 10. 🚀 Und da sind Superstars wie Beatrice Egli und Howard Carpendale sowie Marina Marx mit dabei. 😍 Es steigt also die Wahrscheinlichkeit, dass es einer der Dreien an die Spitze der Charts schafft und Kerstin Ott von dort verdrängt. Lasst euch überraschen! Im Live-Chat begrüßen wir auch diese Woche zwei tolle Gäste. Linda Feller und Joshville halten die Fahnen des Country-Popschlagers hoch und haben sich für ein tolles Duett zusammengetan. In den Charts stellen sie ihre deutsche Coverversion von "Islands in the Stream" vor. Ich könnt Linda & Joshville gerne eure Fragen stellen. Wir starten wie immer pünktlich um 19:00 Uhr und freuen uns auf jeden einzelnen von euch!❤️ Die Charts sind der beste Schlager-Hitmix, den wir euch aktuell bieten können. Die Lieder werden von uns auf Grundlage der Downloads, Streams, Video-Aufrufe, Shazam-Tags, Airplays, DJ-Charts und Performance in unseren Playlisten erstellt und von einem Algorithmus errechnet. Je erfolgreicher die Songs sind, desto weiter vorne landen sie in unserer Hitliste. Eine ausführliche Beschreibung, wie wir die Charts erstellen, findet ihr hier: https://schlager-charts.com/faqs/ Hier findet ihr uns noch: https://linktr.ee/schlagercharts Email: kontakt@schlager-charts.com #schlager #schlagercharts #schlagerboom Hier die Liste mit den aktuellen Schlager Charts Top 20: 1. Kerstin Ott – Alte Liebe rostet nicht (VW: 1, WW: 8, H: 1) 2. Beatrice Egli – Du, Du, Du (VW: 3, WW: 9, H: 1) 3. DJ Ötzi – Du (Was ich will, bist du) (VW: 9, WW: 20, H: 1) 4. Marie Reim – Naiv (VW: 5, WW: 7, H: 3) 5. Semino Rossi – Magische Momente (VW: 6, WW: 8, H: 5) 6. Matthias Reim – Echte Helden (VW: 4, WW: 8, H: 3) 7. Howard Carpendale – Ich fühl wie du (VW: -, WW: 1, H: 7) 8. Marina Marx – Steh auf und leb (VW: -, WW: 1, H: 8) 9. Beatrice Egli – Vergessen Vermissen (VW: -, WW: 1, H: 9) 10. Roland Kaiser – Weil du es bist (VW: 2, WW: 2, H: 2) Hit-Tipp der Woche: Linda Feller & Joshville – Sterne in der Nacht 11. Matthias Reim – Zeppelin (VW: 7, WW: 2, H: 7) 12. G.G. Anderson – Du hast den Teufel geküsst (VW: 8, WW: 2, H: 8) 13. Nik P. – Alle Farben Liebe (VW: 18, WW: 4, H: 13) 14. Sarah Engels & Joel Brandenstein – Jemand (VW: 10, WW: 8, H: 4) 15. Jenice – Noch eine Nacht (VW: 12, WW: 3, H: 11) 16. Helene Fischer x Shirin David – Atemlos (10 Year Anniversary Version) (VW: 11, WW: 14, H: 1) 17. Natalie Holzner – Liebt sie dich wie ich (VW: 15, WW: 3, H: 15) 18. Tim Peters – Sterne egal (VW: 13, WW: 3, H: 13) 19. Maite Kelly – Das tut sich doch keiner freiwillig an (VW: 17, WW: 20, H: 1) 20. Bernhard Brink – Stärker als die Ewigkeit (VW: -, WW: 5, H: 12) Play Video Play Video 54:29 Schlager Party 2022 - Schlager des Jahres Hit Mix - ICH FIND SCHLAGER TOLL Der neue Schlager Party Hit Mix 2022! Mit dabei sind unter anderem Kerstin Ott, Ben Zucker, DJ Ötzi, Maite Kelly, Jürgen Drews und viele mehr 🍾 Die Extraportion Schlager „Stars & Stories” findest du jetzt immer genau hier auf diesem Kanal 💕 ▶️ https://umg.lnk.to/IFST_SUS Unsere "Ich find Schlager toll" - Playlist mit den neuesten Schlager Hits aus den Charts: ▶️ https://lnk.to/SchlagerCharts_IFST “Ich find Newsletter toll“ …und du? Jetzt anmelden ▶️ https://newsletter.universal-music.de/form/?artist=ich-find-schlager-toll Shop: Offizielles Merchandise – exklusive Fan-Boxen und Schlager zum Anziehen ▶️ https://www.ichfindschlagertollshop.de/ Alle deine Schlager-Musikvideos ▶️ http://bit.ly/OffizielleVideos Unsere Webseite ▶️ http://bit.ly/IFST-webseite Folge uns auch auf Facebook, Instagram und Tik Tok: ▶️ https://www.facebook.com/ichfindschlagertoll/ ▶️ https://www.instagram.com/ichfindschlagertoll/ ▶️ https://www.tiktok.com/@ichfindschlagertoll Kanal abonnieren ▶️ http://bitly.com/YTSchlager Tracklist: 00:00 | Kerstin Ott - Einfach nein (Die Giovanni Zarrella Show) 03:21 | Ben Zucker & DJ Ötzi - Was für eine geile Zeit 06:59 | Julian Sommer - Dicht im Flieger 10:43 | Michelle - Scheißkerl (Die große Schlagerstrandparty) 14:02 | Beatrice Egli - Ganz Egal 17:31 | Sonia Liebing - Nur du schaffst das 21:16 | Kerstin Ott & Andrea Berg - Was auch immer passiert (Die Giovanni Zarrella Show) 24:38 | Maite Kelly - Rosen sind rot 27:44 | Ben Zucker - Was ich will, bist du (Ohne dich) 30:56 | Karsten Walter - Zeig mir was Liebe ist (Show Me Love) 33:54 | Stereoact & Jürgen Drews - Irgendwann Irgendwo Irgendwie 37:16 | Mickie Krause - Für dich 41:00 | Jürgen Drews - Wenn die Wunderkerzen brennen (Das große Schlagercomeback 2022) 45:22 | Ramon Roselly - Bella Vita 48:05 | Miguel Gaspar - Und dann habe ich an dich gedacht 51:00 | Howard Carpendale & Eric Philippi - Weiße Taube #IchfindSchlagertoll #SchlagerParty #Hitmix2022 Play Video Play Video 51:12 Schlager Party 2022 - Der neue Schlager Hit Mix - ICH FIND SCHLAGER TOLL Der neue Schlager Party Hit Mix 2022! Mit dabei sind unter anderem Maite Kelly, Sonia Liebing, Kerstin Ott, Michelle, Christin Stark und viele mehr 🍾 Die Extraportion Schlager „Stars & Stories” findest du jetzt immer genau hier auf diesem Kanal 💕 ▶️ https://umg.lnk.to/IFST_SUS Unsere "Ich find Schlager toll" - Playlist mit den neuesten Schlager Hits aus den Charts: ▶️ https://lnk.to/SchlagerCharts_IFST “Ich find Newsletter toll“ …und du? Jetzt anmelden ▶️ https://newsletter.universal-music.de/form/?artist=ich-find-schlager-toll Shop: Offizielles Merchandise – exklusive Fan-Boxen und Schlager zum Anziehen ▶️ https://www.ichfindschlagertollshop.de/ Alle deine Schlager-Musikvideos ▶️ http://bit.ly/OffizielleVideos Unsere Webseite ▶️ http://bit.ly/IFST-webseite Folge uns auch auf Facebook, Instagram und Tik Tok: ▶️ https://www.facebook.com/ichfindschlagertoll/ ▶️ https://www.instagram.com/ichfindschlagertoll/ ▶️ https://www.tiktok.com/@ichfindschlagertoll Kanal abonnieren ▶️ http://bitly.com/YTSchlager Tracklist: 00:00 | Maite Kelly - Ich steh dazu (Offizielles Musikvideo) 03:17 | Kerstin Ott, Giovanni Zarrella - Regenbogenfarben (Die Giovanni Zarrella Show) 06:56 | Ben Zucker - Wieder zurück (Offizielles Musikvideo) 09:54 | Christin Stark - Baby rock mein Herz (Offizielles Musikvideo) 13:10 | Beatrice Egli - Samstagnacht (Offizielles Musikvideo) 15:50 | Michelle - Wer liebe lebt (Version 2022 - Schlagerbooom) 19:16 | DJ Herzbeat, Sonia Liebing - Immer wieder wenn die Sonne scheint (Offizielles Musikvideo) 22:14 | Karsten Walter - Komm näher (Rhythm Of The Night) [Lyric Video] 25:40 | Stereoact x Blümchen - Die 90er (Offizielles Musikvideo) 28:39 | Anna-Maria Zimmermann - 1000 Träume weit (Torneró)Version 2020 (Offizielles Musikvideo) 32:12 | Tim Peters - Was du Liebe nennst (Offizielles Musikvideo) 35:10 | Ramon Roselly, Nelson Müller - Du bist alles, was ich will (Offizielles Musikvideo) 38:30 | Kerstin Ott - Sag mir (wann beginnt endlich die Zeit) 41:54 | Sonia Liebing - Jugendliebe (Live @ Mercedes Benz Arena) 45:49 | Mickie Krause & Jürgen Drews - Hit-Medley (Schlagerbooom 2021) #IchfindSchlagertoll #SchlagerParty #Hitmix2022 Play Video Play Video 01:26:45 DISCO SCHLAGER 2024 💖 Hit Mix Schlager Disco Hit Mix 2024 - Schlager für Alle. ► Jetzt die neue Schlager für Alle Frühjahr Sommer 2024 CD bestellen: https://www.shop24direct.de/produkt/schlager-fuer-alle-fruehjahr-sommer-2024-2615693?by=OxS24dDachYoutubeS24d 00:00 Anna-Maria Zimmermann - Amore Mio 03:35 Eric Philippi - Wir bleiben noch 07:01 Fantasy - Mitten im Feuer 09:59 Thomas Anders & Florian Silbereisen - Alles wird gut | Adventsfest der 100.000 Lichter 13:42 Eloy de Jong & Beatrice Egli - Bist du's oder bist du's nicht 17:25 Melissa Naschenweng - Weißt eh 20:12 HANNAH - Eine weiße Rose 23:07 Jenice - Nie wieder alleine zu zweit 25:47 Hansi Hinterseer - Glaub An Dich 29:11 Nino de Angelo - Jenseits von Eden 2017 33:03 Marianne Rosenberg - So kannst du nicht gehn 36:20 Giovanni Zarrella feat. Pietro Lombardi - Senza te (Ohne dich) 39:51 Bernhard Brink - Leb Laut 43:42 Tanja Lasch - Nicht schuldig 46:56 Patrick Lindner - Heute bleiben wir wach 49:55 Oli.P - Hey Freiheit (Aloha Heja He) 52:37 Menderes - Er liebt dich nicht 55:47 Daniel Sommer - Man darf doch wohl noch träumen 59:03 Lucas Cordalis & Joelina Drews - Wenn der Regen auf uns fällt | Die Schlager Strandparty 2023 01:02:54 Olaf der Flipper - Fiesta (Viva la Vida) 01:06:19 Eloy de Jong - Offene Arme | Die Giovanni Zarrella Show 2023 01:09:56 Patrick Lindner - (All) deine Farben | Fernsehgarten 2023 01:13:00 Anna-Carina Woitschack - Das Beste 01:16:26 Paulina Wagner - Einen letzten Kuss 01:20:23 Simone - Herzenergie 01:23:15 Pia-Sophie - In meinen Träumen Gratis und unverbindlich - der Youtube SCHLAGER FÜR ALLE Kanal: ► http://bit.ly/YoutubeAbonnieren Diesen und weitere Hits auch in unserem Schlager für Alle - Radio: ► https://SFA.lnk.to/RadioYB Schlager für Alle -Die Playlist: ► http://telamo.click/Schlager_fuer_alle_PlaylistYB Hier könnt ihr Schlager für alle folgen: ► Facebook: https://www.facebook.com/SchlagerFuerAlle/ ► Instagram: https://www.instagram.com/schlagerfuerAlle/ Nur hier: Die meisten und besten Schlagervideos aller Zeiten! Von A, wie Andrea Berg, bis Z, wie Frank Zander! #schlagerfüralle #schlager #hitmix German Schlager Radio SAM Broadcasting 00:00 / 01:04 Radio SAM Broadcasting Studios We are Great Radio Station, With alot of Good Music ,and Great Websites and Partners we would like to Share for all Music Lovers On Radio-SAM-Germany a online Radio Station Worldwide, For Young and Old to Enjoy Every Day, 24/7.We built ‘Radio SAM Music’ for YOU…….. For you to NEVER miss that amazing event. We strive to, at all times, try to take the hassle out of finding out where that favourite artist is performing, have a look at some other artists Mixed Hits Radio Springbok Germany 00:00 / 01:04 Radio Springbok Germany Jou Beste Radio Stasie 24/7 reguit Germany,Afrikaans Treffers- Country Treffers en German Musiek,ales wat lekker is,n stasie wat altyd jou voete laat jeug en jou tone laat op kruil ,ja dit is Radio Springbok Germany.wat op n Naweek aande soms met n Dj Nighthawk Uitsaai net vir julle.Vir Afrikaanse Mense wereld wyd wat hulle musiek mis. Afrikaans Music Radio Voortrekker Stereo 00:00 / 01:04 Radio Voortrekker Stereo We are Great Radio Station, With alot of Good Music , Afrikaans as well German Music and Great Websites and Partners we would like to Share for all Music Lovers On Radio-Voortrekker Stereo Germany a online Radio Station Worldwide, For Young and Old to Enjoy Every Day, 24/7 German & Afrikaans Music Radio SAM Music Germany 00:00 / 01:04 Radio SAM Music Germany We are Great Radio Station, With alot of Good Music ,and a Great Websites and Partners we would like to Share for all Music Lovers On Radio-SAM-Music Germany a online Radio Station Worldwide, For Young and Old to Enjoy Every Day, 24/7.We strive to, at all times, try to take the hassle out of finding out where that favourite artist is performing, have a look at some other artists also performing, and at what venue it is going to be held, at what time, and maybe it will be the end of life as you know it. Mixed Music Radio SAM Live Network 00:00 / 01:04 Radio SAM Live Network A Worldwide Internet Radio Station from Germany ,with many Great Songs from Disco Music - Country - Schlager - Rock Music - Oldies but Goldies as well many other Songs from other Countrys to Enjoy. Afrikaans & German Radio Afrikaans Stereo 00:00 / 01:04 Radio Afrikaans Stereo Jou Beste Radio Stasie 24/7 reguit Germany,Afrikaans Treffers- Country Treffers en German Musiek,ales wat lekker is,n stasie wat altyd jou voete laat jeug en jou tone laat op kruil ,ja dit is Radio Afrikaans Stereo Germany. wat op n Naweek aande soms met n Dj Nighthawk Uitsaai net vir julle.Vir Afrikaanse Mense wereld wyd wat hulle musiek mis. Dance Music Radio Eendrag Germany 00:00 / 01:04 Radio Eendrag Radio Eendrag n Stasie 24/7 reguit Diutsland met ,Afrikaans Treffers - Country Treffers en German Musiek, ales wat lekker is ,n stasie wat altyd jou voete laat jeug ,ja dit is Radio Eendrag , met Djs wat Live Uitsaai net vir julle.. Dance Music Radio MRTV Germany 00:00 / 01:04 Radio Top Ten We are Great Radio Station, With alot of Good Music ,and Great Websites and Partners we would like to Share for all Music Lovers On Radio-SAM-Germany a online Radio Station Worldwide, For Young and Old to Enjoy Every Day, 24/7 Boere Music Boerevolk Radio 00:00 / 01:04 Radio Boerevolk Stereo Duitsland Radio Boerevolk Stereo is n Stasie 24/7 reguit Duitsland met , Afrikaans Treffers - Boere Treffers en German Musiek, Wat lekker is ,n stasie wat altyd jou voete laat jeug ,ja dit is Radio Boerevolk Stereo , met Djs wat Live Uitsaai net vir julle.. Afrikaans 6 German Radio Afrikaans Studios 00:00 / 01:04

Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event South African Culture Click Here The history of South African culture is a rich and diverse one, shaped by a variety of influences over the centuries. From the indigenoushoisan people to the Dutch settlers and British colonizers, South Africa's cultural heritage is a fascinating tapestry of traditions, languages, and customs. Let me know if you need more specific information or if you have any other requests! Visit our Website for more INFORMATION. VISIT OUR SOUTH AFRICAN WEBSITE - SOUTH AFRICAN TOURS & SEE TOP SITES ALL ABOUT SOUTH AFRICA. View More View More View More BACK TO TOP

Music Links WELCOME To Radio SAM Broadcasting Studios Germany: A South African German Music Homepage based with a Online Music Radio Station Radio SAM Broadcasting Studios ,that is stationed in Germany ,and is also a South African Music Time shareing Homepage to share with People all around the World for Young and Old,It was founded in March 2014 in Germany. The Facebook Group was founded at the same time - South African Music, then got bigger and greater with our supporters ,friends and also visitors .Youtube Videos that we were shareing through Youtube . In April 2014 the Google Blogger was openened ,through the high visit of friends and visitors, Online around the world and Thankyou to our supporters AND FRIENDS We are Great Radio Station, With alot of Good Music ,and Great Websites and Partners we would like to Share for all Music Lovers. The Radio Station and, myself , We exploring the worldwide web of unknownment. We have a heart of love and an interest of Partners. We would want to share on our Website with you. . Country Music Links https://holler.country/playlists/the-best-60s-country-songs/ Oldies but Goldies Links https://springbok.bandcamp.com/album/springbok-hit-parade-7 Rock Music Links https://www.terrasound.de/musikkatalog/ German Music Links https://open.spotify.com/intl-de/album/3XzYl9w9eoxbJjd4IBqjQC Disco Music Links https://www.disco.ac/ Oldies Music Links https://www.thepeoplehistory.com/80smusic.html Country Music Links https://holler.country/playlists/the-best-60s-country-songs/ 60s - 2024 Music Links https://www.internet-radio.com/stations/dance/ Boere Music Links https://www.youtube.com/playlist?list=PLTuKswLYHiXkRhYoYpU451fQNYZJDIksf Radio SAM Germany Radio Springbok Germany Radio sam Germany face book International Music Live Radio Facebook Dj Nighthawk Entertainment Facebook Riseing Motor Classics Homepage Riseing Southernstar -Africa Truck Drivers Worldwide Boerevolk staan saam BACK TO TOP

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ARNO JORDAAN - ROBBIE WESSELS - RAY DYLAN - NICHOLIS LOUW - ANDRIETTE NORMAN - LEAH - JAY DU PLESSIS - WILLEM BOTHA - KARLIEN VAN JAARSVELD - KURT DARREN - NADINE - ELIZMA THERON SINGERS FAN PAGE SOUTH AFRICAN MALE & FEMALE SINGERS FANPAGE ARNO JORDAAN ARNO JORDAAN SINGER Read More Arno Jordaan, a South African singer and performer, began his educational journey at Hoërskool Framesby and Hoërskool Brandwag. Initially passionate about rugby, he represented his province in the prestigious Craven Week competition. His musical career took off in 2003 when he participated in the reality television show kykNET Zing on the Afrikaans-language TV station kykNET. Partnering with fellow contestant Susan, Jordaan finished as the runner-up and was subsequently signed by the EMI label. Their debut album, Vir altyd in jou drome, was a collaborative effort that marked the beginning of his professional music career. Jordaan released several successful solo albums under EMI, starting with Altyd. He has performed alongside renowned South African artists such as Steve Hofmeyr, Kurt Darren, Dozi, and Pieter Smith. His album Ek wil jou hê achieved platinum status. He has also sung the South African national anthem at various international rugby events and released the soccer-themed single “The Time Is Now.” His performance at the 10th anniversary of Huisgenoot Skouspel in Sun City and multiple appearances at the Innibos Nasionale Kunstefees festival have cemented his popularity. Jordaan enjoys a significant following among the South African diaspora in Australia, the UK, and the United States. His fourth album, Gee my, was nominated for the South African Music Awards (SAMA) in the “Best African Dance Album” category and also went platinum. His most recent album, Stukkie van my hart, was certified gold. Arno Jordaan, our esteemed ambassador of the Princess Charlene of Monaco Foundation South Africa, took center stage, performing the Irish national anthem at a significant event where KB Motsilanyane delivered a stirring rendition of South Africa’s anthem during the opening ceremony. Jordaan’s participation not only highlighted his deep love for rugby but also underscored his commitment to fostering unity and mutual respect between nations through the universal language of music. His connection to rugby is matched only by his dedication to uplifting the youth of South Africa. As an ambassador for the Foundation, Jordaan exemplifies the values of hard work, dedication, and perseverance, promoting water safety, education, and sports among young South Africans. Additionally, his significant contributions to fundraising efforts for Lifesaving South Africa, including his participation in last year’s Sun City Water Bike event, have raised vital funds to support lifesaving initiatives across the country. ROBBIE WESSELS ROBBIE WESSELS SINGER Read More Robbie is `n kunstenaar eie in sy soort. As akteur, sanger, liedjieskrywer en filmmaker kan hy jou laat lê van die lag, maar jou ook dieper laat delf in die dinge van die lewe. `n Grapjas is hy beslis, maar dis ook daardie ander sielvolle kant wat hom oor die jare `n groot gunsteling onder Afrikaanse aanhangers gemaak het. Oorspronklik, humoristies, diep. Dit is die drie woorde waarmee Robbie Wessels se werk beskryf kan word. Robbie is as Vrystater gebore en het op ’n plaas buite Kroonstad groot geword, as Kapenaar gematrikuleer, en as Gautenger het hy sy diploma in Drama by Tshwane Universiteit van Tegnologie gewerf. In 2002 het hy bekend geword as die karakter Poena in die gewilde TV-reeks Gauteng-alêng-alêng en in 2005 verras hy die land met sy talent as sanger en liedjieskrywer met die album “My Vissermanvriend se Pa”. Hierdie album het 120 000 kopiee verkoop. In 2005 word Robbie by die Huisgenoot Tempo-toekennings as gunsteling nuweling aangewys en in 2006 word sy tweede album, Halley se Komeet, by die KKNK vrygestel.Die reuse trefferliedjie “Leeuloop” word deur Vodacom gebruik vir hul advertensieveldtog en skielik weet die hele land wie Robbie Wessels is. Hierna het Robbie nie opgehou met sy kreatiewe produsering nie. Opvolg albums is,“ Afrika Sonsak“ in 2009, „“Kaalvoet“ in 2011 asook “Als wat ek het“ in 2014. Treffer liedjies op hierdie albums is, Hou Vas Jou Matras, Waar Lê Jy Vanaand? Verbode Vrugte, Leeuloop, Asseblief my lief, Die Coach se Speech, Asetileen en Suurstof, All Blacks teen die All Blacks en vele meer. Al Robbie se liedjies is oorspronklik en word uit persoonlike ervaring neergepen. Met sy lewenspad kruis Robbie baie interessante mense, wat toevoeg tot al die stories wat hy met soveel deernis vertel deur sy musiek. Robbie het ‚n unieke aanvoeling vir die wereld se dinge en sy mense, dit word duidelik gesien en gehoor deur sy werk en gee hy slegs die krediet aan sy Skepper wat hom hierdie geskenk gegee het om mense te kan vermaak. "Ek is 'n rustige ou wat lief is vir my land, my familie en 'n glasie rooiwyn so nou en dan," sê Robbie."Afrikaanse musiek is nog een van my liefdes en ek hoop dat ek 'n bydrae kan lewer. Dit is 'n plesier om vir die land en sy mense op te tree." Gepraat van sy vele talente, Robbie en sy broer Hamilton het saam hul eerste draaiboek geskryf genaamd “100 Meter Leeuloop“ Hierdie skreeusnaakse film is tans beskikbaar by dvd-winkels en het sy verskyning op die groot skerm gemaak in 2013. Met die groot sukses hiervan verseker Robbie en Hamilton dat daar wel uitgesien kan word vir nog films in die toekoms. Robbie se liefde vir teater word ook nie opsy gesit nie, in 2013 maak Robbie sy verskyning in die Jesus Musiekblyspel as Johannes die Doper by die Staatsteater, onderleiding van Deon Opperman. Hierdie rol het vir Robbie baie na aan die hart gele. Robbie is tans te sien in die plaaslike sepie Binnelanders. VIR MEER OOR ROBBIE Noemnaam: Robbie Bynaam: Gomaan Verjaardag: 30 Oktober 1980 Waar is jy gebore? Kroonstad Waar het jy skool gegaan? Hoërskool Kroonstad en Hoërskool Strand Enige na-skool opleiding? Diploma in drama, Tshwane Universiteit van Tegnologie Waar woon jy nou? Pretoria Gunsteling musiek: Theuns Jordaan en Koos du Plessis Stokperdjies: Waterski, visvang, kamp, stap Lees jy graag? Wat is jou gunsteling boeke? Lees te min, maar hou van Afrikaanse storieboeke asook biografieë. Gunsteling fliek: Of Mice and Men en Legends of the Fall Wanneer was jou eerste optrede voor 'n gehoor? By ‘n koshuis op Tukkies se kampus. Het jy koor gesing en aan kunswedstryde deelgeneem? Ja, en ‘n middelpaadjie gehad. Wie is jou mentor? Ek het ‘n hele paar. Wat is die beste raad wat jy nog ooit gekry het? Leef jou lewe. Watter vyf mense sal jy graag vir ete wil nooi? Leon Schuster, Borat, Will Ferrell, Tanya van Graan, Bono. Waar sien jy jou loopbaan oor vyf jaar? Ek probeer die lewe dag vir dag vat. Al worry ek soms oor onbenullighede, wil ek nie so ver vooruit beplan nie. RAY DYLAN RAY DYLAN SINGER Read More Ray Dylan (born 15 August 1978) whose real name is Jacobus Frederick Jersich is a South African singer who sings in Afrikaans and English. Read more https://wikisouthafrica.co.za/ray-dylan/ | Wiki South Africa Jacobus Frederik Jersich, also known as Ray Dylan is a musician from Odendaalsrus,a small town in South Africa.Dylan is a singer in South Africa and most of his songs is in his native language, Afrikaans, but some is in English. In fact, his debut album was called "New Kid in Town." Ray was born on August 15, 1978 in a small town in South Africa and grew up in the North West area of the country.Dylan kicked off his career by performing in clubs and bars, he performed with fellow South African stars in South Africa. Dylan sings a lot of ballads, and incorporates electric guitar into most of his hits “The singer I am referring to is Ray Dylan. He sings mostly in his mother tongue, Afrikaans. His real name is Jacobus Frederik Jersich. I read that he is known as ‘Jaco’ to his family and ‘Jakes’ to his friends. I have also noticed in the media that some fans address him as 'Raytjie,' a diminutive form of Ray. Ray Dylan, Born on the Anniversary of the Death of Elvis, Developes a Fascination with the King Recently, a local news magazine ran an article about Ray Dylan and featured him on the cover. I thought he looked a bit like Elvis Presley, and when I read that Ray has a near-obsession about Elvis and that he was born exactly one year after Elvis’s death, I started wondering about the possibility that he could be a reincarnation of Elvis.From that point onwards, every time this magazine had a feature on Ray Dylan, there was also an article on Elvis Presley elsewhere in the magazine—for example an article about a lady in England who has a very big collection of Elvis memorabilia. These synchronicities went on for some time. Then a popular Afrikaans TV show featured an interview with Ray Dylan–barely a week after Oprah Winfrey’s famous interview with Lisa-Marie Presley was broadcast on TV in South Africa. I was pleasantly surprised when I watched the TV interview with Ray. He is very charming and has an endearing personality. He is also a very, very talented singer and guitar player (apparently Ray has 41 guitars at home). He produces music too.There seem to be many parallels between Ray’s and Elvis’s lives. Ray struggled at school and did not enjoy it very much. All that he wanted to do was to work in the music industry. Ray lost his beloved father a few years ago. It took him a long time to get over this loss. He became a close friend of one of his late father’s old friends.This friend had a young daughter. By the time she turned 16, Ray was already in love with her. She felt the same. They started going out. As she was so young, Ray kept their relationship hidden from the public. When she turned 18, they eventually went public about their romance. NICHOLIS LOUW NICHOLIS LOUW SINGER Read More Nicholas Louw (born 30 December 1979) is a well-known South African pop and opera singer and signed to Select Music, the major South African record label. His repertoire mainly in Afrikaans includes rock, pop, country and music ballads, often incorporating strong classical elements. Louw has had a number of successful albums through releases through Select Music starting with his debut album in 2003, selling over 650,000 albums. His major hits include "Ek wil my baby hê vanaand", "Rock daai lyfie" and "Generaal". He tours extensively averaging above 100 gigs a year. On 12 July 2014, he married Denise Shrewsbury Being a multifaceted artist, his repertoire includes rock, pop and ballades, often incorporating strong classical elements. Nicholis released his first album in 2003. Within months it reached double platinum.Strong sales drove it to triple platinum status. Subsequent albums continued in this trend with multiple Gold, Platinum, Double Platinumand Tripple Platinum achievements. On his country wide tours his shows are famous for his energetic performances placing him in a league of his own. He tours with one of the best Sound & Lighting systems available and averages 120 performances per year. His shows are lively events where the audiences usually sing and dance to every word of every song. He is signed with Select Music and his Events Management is done by Platinum Promotions. Discography Albums 2003: My Hart is an Die Brand 2005: Rock Daai Lyfie 2007: Hier Naby Jou 2008: Vergeet en Vergewe 2008: Elvis on My Mind 2009: Energie DVDs 2006: Rock Daai Lyfie 2009: Intiem Met... Nicholis Louw Singles (Selective) 2007: "Hier naby jou" 2008: "Vergeet en Vergewe" 2009: "Welkom by my party" 2009: "Hoe ver sal jy gaan" 2009: "Generaal" 2009: "Ek wil my baby he vanaand" 2010: "Nommer asseblief" 2010: "Water jou mond" 2011: "Ek is daar vir jou" 2010: "Emmers vol liefde" 2012: "Net 'n Mens" 2014: "Bring die storm" ANDRIETTE NORMAN ANDRIETTE NORMAN SINGER Read More After Andriëtte Norman was crowned as the runner-up of the 2007 Idols South Africa singing competition, she launched her debut album, Diamant, in 2008. Andriëtte already tasted success early in her career and was marvelled at by Afrikaans music lovers. In 2008 she received a Vonk award for Diamant in the Best Contemporary female album category. In 2009 she released Dink Aan My, followed by Vat My Hoër in 2011. This Capetonian was born and bred in Brackenfell. She felt right at home on big stages such as Huisgenoot Skouspel, and performed hits composed especially for her by Steve Hofmeyr en Rudi Claase. She was awarded a Ghoema in 2014 for Wat Rym met Liefde as Best Contemporary Female album. She remembers: “I had a wonderful childhood with fond memories of playing rugby and cricket with my brother. The singing bug bit me during my primary school years when the choir teacher gave me a microphone and asked me to sing in front of the choir.” At that moment she knew she just wanted to sing. Six albums later she is one of the most popular Afrikaans artists, seen and heard often on the stages of big festivals and events like the Krone concert. “Of course I have my favourite songs,” she admits. Steve’s Napoleon and Rudi’s Sewe Oseane rise above the rest. After school Andriëtte trained in the beauty industry and owned a clothing boutique. These days she acts as an event planner and her hobbies include being a nutritionist. She describes herself as having a fine sense of humour. “I love being able to make people laugh, although I can also be serious and deep. In general I always have a smile on my face. I like talking to people,” she says. In the extremely competitive Afrikaans music industry she is especially thankful towards the late Theuns Jordaan. Andriëtte tells: “Theuns took me under his wing directly after Idols and invited me to perform with him. I will never forget this.” Andriëtte and Glynn Moolman have been happily married for the past few years, and she has three boys that keep her busy. “At the moment I am working on new material, but I am also working on myself. Working toward a healthier, happier me!” she proclaims. After she was signed with a local label for the past 15 years, Andriette is now a proud, independent artist in the Afrikaans music industry. If she could gaze into the crystal ball to peek at herself in twenty years, she would like to see a woman who lived each moment to the fullest, someone who didn’t allow any opportunity to pass her by. “If I can still do what I love, namely singing and performing, it will be a bonus. I hope to have an English hit somewhere on my journey,” she added. LEAH LEAH SINGER Read More Met ’n nuwe klank wat ’n ander sy van Afrikaans ten toonstel, bring Leah, gebore en getoë in Bellville, Kaapstad se noordelike voorstede in die kollig as die oorsprong van alles wat vars is – en musiekliefhebbers gaan mal wees daaroor! “Ek gaan stroom-op,” vertel Leah van Niekerk. “Ek wil hê my musiek moet mense wys Afrikaanse musiek het meer om te bied as wat hulle verwag. My klank is totaal bekend en gemaklik maar daar is ook die subtiele nuanses wat die evolusie aanvoer van musiek wat ek baie liefhet.” Sy is nie net toegerus met ’n 14-snit debuut wat vroeg in 2015 die lig sal sien nie – Leah is ook ongelooflik goed gekwalifiseerd op vele vlakke. Sy het ‘n BCom (Regte) agter haar naam en opleiding aan die Waterfront Teaterskool, en het grootgeword in ’n huis gevul met deuntjies van haar pa se keuse. “Musiek is in my bloed,” voeg sy by. “Albei my ouers ondersteun my geweldig. My ma was nog altyd ’n voorstander daarvan dat ek eties and eerlik is in alles wat ek doen, wat dalk vreemd mag klink – maar dit is eienskappe waaraan ek hard werk en oral toepas.” Ná inskrywings in ’n magdom musiekkompetisies, met TV-advertensiewerk tussenin, het Leah se groot deurbraak gekom in die vorm van modelwerk: sy is raakgesien in November 2011 in Rapport se Model van die Jaar-kompetisie wat sy ook gewen het. Kort daarna het die vermaarde liedjieskrywer Johan Vorster haar hoor sing en onmiddellik aan die werk gespring om haar binne maande ’n opnamekontrak te verseker. Terwyl sy gewerk het aan haar langverwagte solo-debuutalbum, is die sangeres, wat in haar twintigs is en onlangs getroud is, ook genooi om in die hoogs-aangeskrewe silwerskermsukses As Jy Sing te sing en toneel te speel. “Dit was ’n ongelooflike ervaring. Soveel so dat ek elke oomblik geniet het en dit met liefde weer sal doen,” deel sy mee. Johan en Christof Kotze het 13 van die 14 snitte geskryf op hierdie koel versameling saamgeselsliedjies wat Leah se toetrede verteenwoordig. Die uitsondering is Leah se betowerende interpretasie van Christina Perri se trefferenkelspeler “A Thousand Years”. “Wat ek doen is meer kontemporêr as pop,” verduidelik Leah. “Dink aan vroëe Rihanna, gemeng met ’n bietjie Jason Mraz, ‘n tikkie Jack Johnson daarby, met ’n groot skep passievolle organiese varsheid, en dan kom jy hopelik by my uit.” Snitte soos Ek Moes Jou Gesoen Het, met Bobby van Jaarsveld as gaskunstenaar, getuig van Leah se vernuf, van begin tot einde. “Ek wil net optree en musiekmaak,” gee sy toe. “Toe ek grootgeword het was Laurika Rauch and Karen Wessels se Hoe Durf Jy name en liedjies wat so by my aanklank gevind het dat ek hulle navolg en alles waarvoor hulle en hul musiek staan. Maar hierdie keer lewer ek dit op my eie terme.” Sy is popmusiek se mezzo-soprano, behendig en tersiêr opgelei – Leah is alles behalwe ’n oornagsukses of ’n verskietende ster. Wat sy is, is 100% oorspronklik, dapper en krities oor musiek wat vir vele ander week in en week uit deug as agtergrond vir partytjies. “Ek dryf myself elke liewe dag, wat my stem betref, fisies en emosioneel, om my beste te gee in alles wat ek doen,” deel sy mee. “Anders, wat is die punt?” Om haar stembande uit te daag, en haar gehoor saam te nooi vir die uitstappie is iets waarin Leah uitblink. “Ek beoog altyd om my luisteraars op ’n reis te neem,” vertel Leah. Stel jouself voor ’n hoë C, klavier, ’n bietjie ligte kitaar, en funky, ongewone en totaal moderne vertolkings van die wêreld om haar – Leah het bewys sy is die ware Jakob, selfs voor die eerste van baie nommer-een treffers sy merk vind. “Ek het grootgeword en geniet my lewe,” sluit Leah af. “Ek is meer volwasse as toe ek in die musiekbedryf begin het. Vandag is ek gevestig en geheel en al betrokke by wat ek wil behaal. Ek weet wat ek wil hê en daarmee saam kom insig en die besef dat dit die moeite werd is om te wag vir goeie dinge.” Baie soos Leah se toetrede tot wêreldwye sukses. Leah is a bundle of energy that always makes time for others. Her debut album, Wonderwerk, boasts a golden status for sales and is also the presenter of kykNET’s ever-popular Farmer Seek a Woman series where she helps farmers in their search for love. Leah’s major breakthrough came in the form of model work: she was spotted in November 2011 in Rapport’s Model of the Year competition, which she also won. Shortly thereafter, award-winning songwriter Johan Vorster heard her sing and immediately went to work to secure her a recording contract. She entered the silver screen in 2013 in the musical movie “As Jy Sing”. She is definitely one of our country’s busiest artists with performances all over our country where she captures hearts and evenings with her unique sound and personality. Leah took the South African Music industry by storm in 2015 with her very successful debut album including the hits “Met Jou Klere aan” Spreading her wings she also became the host and actress in popular TV Series like “Boer Soek ‘n Vrou”, “Duidelik Dapper” and “Lottoland Help ‘n Dorp” KURT DARREN KURT DARREN SINGER Read More Full name: Kurt Johan van Heerden Nickname: Big KD Place of birth: Pretoria, South Africa Date of birth: 19th February 1970 Age: 50 years Gender: Male Height: 1.92 metres Nationality: South African Spouse: Dunay Nortjé Marital status: Married Profession: Television presenter, singer, and songwriter Instagram: @kurtdarren Twitter: @kurtdofficial Kurt Darren het sy eerste CD For Your Precious Love in 1995 opgeneem, maar dit was nie tot 1999, toe hy sy eie liedjies begin skryf het nie, dat hy begin het om groot opslae in die Suid Afrikaanse musiek wêreld te maak. Met liedjies soos Kaptein, Loslappie, Meisie Meisie, Hemel op Tafelberg, Dans op die tafels en nog vele ander, het hy sinoniem geraak met party, dans en saamsing musiek in SA, maak nie saak watse taal jy praat nie. Kurt het in sy loopban van 30 albums tot dusvêr al 9 SAMA toekennings, 12 dubbel-platinum en 21 goue verkope toekennings ontvang, sowel as talle ander soos Tempo, Ghoema, Vonk, Geraas ensv. Hy was al n aanbieder op Kyknet en Jacarand met Jukebox, en het al in 5 flieks verskyn, sy nuutste skiet hy op n cruise in Januarie saam met van die land se top akteurs. Hy is deesdae net so besig soos altyd, elke 3 maande stel hy n nuwe enkelsnit vry, en het geen planne om die pas stadiger te vat vorentoe nie, daar is nog baie musiek vasgevang in sy kop! Hy skryf meeste, 95%, van sy eie liedjies, en liedjies soos Kaptein, Hemel Op Tafelberg, Meisie Meisie en vele ander is al 35 keer deur kunstenaars in Nederland, Duitsland en België opgeneem. Kurt toer wêreldwyd, en het al in 15 verskillende lande opgetree. Hy besit Super Events, wat hy saam met sy vrou, Dunay, behartig, waar hulle, onder andere, 7 luukse bootvarte en groot feeste by Sun International aanbied. Kurt Darren career While serving in the army, Kurt continued with his passion as he was in the entertainment unit. He made his debut into the music industry in 1995 with the album For Your Precious Love. He struggled underground for seven years before he had his big break with the track Meisle Meisle in 2002. This track at the time sold over 60,000 copies which were a big deal for any artist. Johan worked as a presenter from 2006 to 2011 for Jukebox broadcast on kykNET. Kurt Darren Selfie song is another popular track that is largely loved by many. Kurt Darren albums Kurt has released a total of eighteen solo albums in his music career and many other songs. Here are the CDs he has released: 1995: For Your Precious Love 1997: Just When I Needed You Most 1998: Kurt Darren 2000: Since I Found You 2001: Net Jy Alleen 2002: Meisie Meisie 2003: Sê Net Ja 2004: Staan Op 2005: Vat my, maak my joune 2006: Lekker Lekker 2007: Voorwaarts Mars 2008: 30 Goue Sokkietreffers 2008: Uit die diepte van my hart 2009: Smiling Back At Me 2009: Die Beste Medisyne 2010: Met Liefde/With Love 2010: Oos-Wes Tuis Bes (Deluxe edition) 2011: Kurt Kaptein se platinum treffers 2012: In jou oë 2014: Seerower 2015: Lied Vir Die Vrou 2016: Sal Jy Met My Dans? 2017: Laat Die Dansvloer Brand 2019: #Partytjiedier LIANIE MAY NADINE SINGER Read More Nadine Hoffeldt is a renowned South African Afrikaans singer and presenter, popular for her Kaapse Draai hit song. In 2003, this song got nominated among the best five songs in 2003 Geraas Musiek Toekenning (GMT) awards. The GMT awards recognize Afrikaans music. She has also released English songs. She started her music career as a teenager and for the past 17 years Nádine has taken up occupation in the hearts of Afrikaans music fans, selling an astonishing 500 000 albums along the way. But in 2008 the singer is stretching her creative soul, in the most breathtaking way, with the release of an album that contemporary album on the global stage.Titled ‘This Time I know’, the 15-track album has all the makings of bonafide smash hit, taking Nádine into new markets – including international waters – whilst never leaving behind the core base of fans who have allowed her to enjoy the astonishingly successful music career that she has enjoyed up to now.“I cannot imagine not recording an album that I know my fans will love – after all, they have helped sustain my career for so long,” Nádine says – and the inclusion of four Afrikaans songs on ‘This Time I know’ is nothing short of a gift to her fans from an artist who has never lost sight of the important role they play in her life.With 17 years in the business, over 500 000 albums sold in multiple languages and with success in her home country South Africa and Europe, Nádine is the country's top pop act.Welkom & Welcome to my official Facebook fan page. Page Policy: Adverts, derogatory, offensive and abusive posts will be removed from this wall. About Nádine has sold more than 500 000 albums in South Africa, and for the past 15 years she’s been performing for grateful audiences with her powerful voice and soulful lyrics. Now South African music lovers get the chance to experience another side of Nádine… as presenter of a music programme. The popular singer was chosen as presenter of “Musiek Roulette”, a new music game show on SABC2. The series is being produced by Stemmburg TV. She’s also working on two new albums, one for her Afrikaans fans as well as an English album which will focus on the international market. Nádine – the first South African singer to win the “World Peace Song Festival” when she beat Coldplay and Ladyhawke in 2010 – is becoming more and more popular overseas. With regular shows in Europe and Asia, her crowds are growing every day. Launch of the new English album : July 8 & 10 in London!OVER 500.000 ALBUMS SOLD IN HER OWN COUNTRY .Nádine has become one of the most popular artists in South Africa since the release of her first album more then fifteen years ago when she was only 13 years old. She has sold more than 500 000 albums in South Africa. Her crystal clear voice and moving lyrics were a crowd favourite from the word ‘go’. In 1997 Nádine took the stage during “Two Nations in Concert”, a musical event in Johannesburg, where she shared the stage with the Spice Girls and Billy Ocean. THIS TIME I KNOW Nádine has won several platinum and golden awards; with more than 120 shows a year she is one of the most succesful artists in South Africa. A few years ago her musical career skyrocketed. Nádine travelled to Europe where she signed with a Belgian management company. She also recorded a new album with the top Swedish producer, Nick Manic. Hits from the album included “This Time I Know”, “Made Up My Mind” and “Coming Home”.BEST CROSSOVER ALBUM During the summer of 2009 Nádine launched the first part of her European adventure with some accomplished showcases. In the autumn of th same year she travelled to New Zealand for a succesful concert tour. She ended the year of a high note when “This time I know” won the sought-after Vonk Award in South Africa for Best Crossover Album. WORLD PEACE SONG FESTIVAL Nádine is the first South African to win the annual World Peace Song Festival. On February 16, 2010 the much-loved South African artist was named the winner by organizers OGAE Italy, with her song “This Time I Know It’s For Real”, beating off competition from the likes of Coldplay (England’s entry) and Ladyhawke (New Zealand). An ecstatic Nádine said the award gave her “huge confidence” ahead of the release of her album ‘This Time I Know’ across several European territories and the Asian market. TOP LIVE PERFORMER – MUSICAL STAR – CHINA HERE WE COME Her stunning live performances quickly caused a buzz, also in theatre… Early 2012 Nádine was nominated for the South African Theatre awards as the leading lady Mary Magdalene in “Jesus Christ Superstar”. The team of Toco Asia saw only one performance, but that was enough to convince them to take this pop star to Shanghai, Beijing, Wuhan, Wenzhou, Tianjin and Changsha later in 2012! NUMBER ONE @ JACARANDA Nádine released a new Christmas album in December 2012. “Christmas in South Africa” focuses on the multi-cultural pride of SA. “The land of the sun” is showcasing all the different cultures and colours to the rest of the world. “Light In The Sky”, Nádine’s hitsong from 2012, received lots of airplay in South Africa and Belgium. The song reached the top of several charts and was number one on Jacaranda Top 20, South Africa’s leading hit radio station, broadcasting for Gauteng and the area’s around. 2013 & 2014 – FLYING HIGHER ONTO BIGGER DREAMS After a nation wide tour in 2013, her preparation starts for a new English and a new Afrikaans album. Inspired by top performances at the biggest music festival in her country, “Innibos”, as well as the amazing “Skouspel” productions in SA (the biggest shows of the country, held in Johannesburg and Cape Town), Nádine is ready to release two amazing albums. One for her home market, in Afrikaans, as well as an English album made to surprise nations all over the world. Both are pop albums with a touch of rock and a flavour of electro! A NEW TV STAR IS BORN It’s more exciting time for Nádine, with the recording of a new TV show starting in May 2014… with Nádine as presenter! “Musiek Roulette” will be produced by the iconic production company, Stemmburg TV. The programme will air on SABC2. The leading lady of Afrikaans pop music will sing along with the audience, as well as guide three contestants through the game and in the process will present the South African TV audience a show that has all it takes to go far outside South Africa. FROM CITY TO TOWN TO VILLAGE As much as Nádine knows she’s emotionally ready for the big leap into new waters that’s currently underway, she’s well aware of all the hard work that lies ahead. “I started out just going from city to town to village in a touring bus asking to play my music and entertain people. I’m very excited to do all that hard work all over again, and to meet people and see places that I’ve never done before.” Home Town Johannesburg, South Africa Short Description Nádine's Official Page. 17 yrs, over 500 000 albums sold in multiple language, success in South Africa & Europe. Nádine is the country's top pop act. ELIZMA THERON ELIZMA THERON SINGER Read More Elizma Theron is 'n Afrikaanse sangeres en aktrise. Gebore in Bethlehem in die Vrystaat, maar begin en voltooi haar skoolloopbaan in Kuruman, Noord Kaap. Reeds op twee jarige ouderdom is sy lief vir sing en sing sy, tydig en ontydig die enigste liedjie wat sy ken. Dit is ‘n ou liedjie, “Gaan kyk wie klop daar Jannie.” wat die verhaal vertel van die smart van ‘n boere gesin tydens die Anglo Boereoorlog. Haar vermoë om noot te hou en met gevoel te sing, het toe reeds mense verbaas. Op twaalfjarige ouderdom neem sy aan ‘n plaaslike sangkompetisie, vir Hoër-en-Laerskoolleerlinge, deel en sy wen dit met die liedjie “A whole new world.” Hierdie liedjie se titel het vir haar waar geword, want ‘n heel nuwe wêreld het vir haar oopgegaan. Twee jaar later neem sy deel aan die landswye sangkompetisie, “Reik na die Sterre” en word deur CJ de Swart in die tydskrif Keur, spesiaal vermeld vir haar “kommersiële trefkrag” Deur gereelde plaaslike optredes kry sy geleentheid om haarself as sangeres te slyp. Sy hou egter nie net by sang nie, want in haar graad 9 en 10 jaar besoek sy Italië en Griekeland vir modelwerk. Na sy matriek aan die Hoërskool Kalahari voltooi, begin sy die Elizma Theron Kultuurskool, waar sy klasse aanbied in moderne danse, modelwerk en sang. Begin 2005 voel sy dat sy gereed is om ‘n professionele sangeres te word. In die tyd skryf sy die liedjie “Lapaside” wat later die titelsnit van haar eerste album sou word. Die lirieke van hierdie liedjie is sprekend van haar self-motivering om die sprong van die bekende na die onbekende lewe as sangeres te maak.Die baie bekende Dennis East neem haar eerste album, “Lapaside” op waarna die plate-maatskappy Next Music die album by haar oorneem en haar ‘n platekontrak aanbied. Elizma Theron die professionele sangeres word “gebore”.Verskeie liedjies op die album, maar veral die titelsnit “Lapaside” word deur verskeie radiostasies gespeel en beland dit op die Top 20 van verskeie radiostasies. Haar musiekvideo van “Lapaside” bereik by ‘n paar geleenthede die nommer 1 posisie op die program 6@6 op MK89. Gedurende Januarie 2007 verskyn sy op “Dis hoe Dit is met Steve” en in Maart 2007 begin Elizma Theron, Adam Tas, Beeskraal, Mel Botes en MD Greyling, in samewerking met Solidariteit die “Stop die moorde-toer” met die doel om fondse in te samel vir slagoffers van plaasmoorde en om die fokus te plaas op die ongesonde hoë geweldsmisdaadsyfer in Suid-Afrika. Elizma Theron se loopbaan neem ‘n baie opwindende wending toe sy gedurende die tweede helfte van 2007 aansluit by die dinamiese plate-maatskappy, Select Musiek en is sy tans besig om haar tweede album op te neem. Met hierdie album wag daar beslis ‘n verrassing vir die ondersteuners van Elizma Theron. BACK TO TOP

Rating: 4.3 Reviews: 3 Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, TOP MUSIC GERMAN SCHLAGER MUSIC Schlager (German: is a style of European popular music generally defined by catchy instrumental accompaniments to vocal pieces of pop music with simple, easygoing, and often sentimental lyrics. Michelle performing in Berlin, 15 March 2017, where she sang schlagers as well as ballads Schlager tracks are typically light pop tunes or sweet, sentimental ballads with simple, catchy melodies. Their lyrics typically center on love, relationships, and feelings. The northern variant of schlager (notably in Finland) has taken elements from Finnic, Nordic, Slavic, and Eastern European folk songs , with lyrics tending toward melancholic and elegiac themes. Musically, schlager bears similarities to styles such as easy listening .[citation needed ] The style has been frequently represented at the Eurovision Song Contest and has been popular since the contest began in 1956, though it is gradually being replaced by other pop music styles. Als Schlager werden allgemein leicht eingängige instrumentalbegleitete Gesangsstücke der populären Musik mit oft deutschsprachigen Texten bezeichnet. Das Spektrum reicht dabei von ernsten und sentimentalen Texten bis hin zu fröhlichen und humorvollen Texten. Manche Schlager entwickeln sich zu sogenannten Gassenhauern. Ausgehend von populären Operettenmelodien machte sich seit den 1920er Jahren der Einfluss von jazzigen Rhythmen und Harmonien in der Schlagermusik bemerkbar. Seit den 1950er Jahren wird Schlager als „schwer zu umgrenzender Begriff in der neueren Unterhaltungsmusik“ sowie als „Kurzform für leicht eingängige Tanz- und Unterhaltungsmusik “ beschrieben. Microsoft Encarta definierte 2003 Schlager als „einerseits kommerziell erfolgreiches Musikstück, andererseits als eine Gattung der Unterhaltungsmusik“. Kennzeichnend seien „einfachste musikalische Strukturen und triviale Texte, die an das Harmonie- und Glücksverlangen des Zuhörers appellieren“. Dabei seien „die Grenzen zur Popmusik und volkstümlichen Musik fließend“ TOP MUSIC AFRIKAANS MUSIC Afrikaans music was primarily influenced by Dutch folk styles, along with French and German influences, in the early twentieth century. Zydeco -type string bands led by a concertina were popular, as were elements of American country music , especially Jim Reeves . The most prolific composers of "tiekie draai" Afrikaans music were lyricist Anton De Waal who wrote many hit songs with songwriters, pianist Charles Segal ("Hey Babariebab Se Ding Is Vim", "Kalkoenjie", "Sy Kom Van Kommetjie" and many others) and accordionist, Nico Carstens . Bushveld music based on the Zulu were reinterpreted by such singers as Marais and Miranda . Melodramatic and sentimental songs called trane trekkers (tearjerkers) were especially common. In 1973, a country music song won the coveted SARI Award (South African Music Industry ) for the Song of the Year – "My Children, My Wife" was written by renowned South African composer Charles Segal and lyricist Arthur Roos . In 1979 the South African Music scene changed from the Tranetrekkers to more lively sounds and the introduction of new names in the market with the likes of Anton Goosen , David Kramer (singer) , Koos du Plessis , Fanie de Jager , Flaming Victory and Laurika Rauch . Afrikaans music is currently one of the most popular and best selling industries on the South African music scene. The South African music scene includes both popular (jive) and folk forms like Zulu isicathamiya singing and harmonic mbaqanga . Other popular genres are marabi , kwaito ,house music , pop music, isicathamiya , gqom , rock music , hip hop and amapiano . Among the most prominent South African singers are Miriam Makeba , Brenda Fassie , Hugh Masekela , Yvonne Chaka Chaka and Lucky Dube . BACK TO TOP

Music Information Music Played in the 1980's Popular Music From the 80s Music Played in the 1980's Popular Music From the 80s Music Styles, Bands And Artists during the 1980's Music in the 1980s was all about image and with the advent and popularity of MTV, the images that accompanied artists became more important than ever. When it came to music during the decade, nothing was understated, not the sound, not the fashion, not even the charity . The 1980s reflected the beginning of a period of great income disparity and a focus on affluence was reflected in the music. There were also several new genres that popped up including, Hip Hop, New Wave and Hair Metal, all of which have influenced music today. Popular Music Genres of the 1980's Pop Musicians Madonna, Cyndi Lauper, Prince, Michael Jackson, Don Henley, Tiffany, Janet Jackson, Whitney Houston, Lionel Richie, Cher, John Mellencamp, New Kids on the Block, Hall & Oates, David Bowie, Bruce Springsteen, George Michael, Debbie Gibson, Wham! -- Hip Hop / Rap Musicians Run DMC, Beastie Boys, Grandmaster Flash, Africa Bambaata, LL Cool J, Kurtis Blow, Salt-n-Pepa, Boogie Down Productions, Public Enemy, Biz Markie, Eric B. & Rakim, Ice-T, NWA, Jungle Brothers, Gang Starr -- New Wave Musicians Culture Club, Duran Duran, Devo, A Flock of Seagulls, Blondie, Talking Heads, The Cars, Spandeau Ballet, The Pretenders, Elvis Costello, The B-52s, The Go-Gos, The Beat, Soft Cell, Depeche Mode, The Police, The Clash, Billy Idol, The Cure, The Bangles Hair Metal Musicians Van Halen, Poison, Twisted Sister, Motley Crue, Warrant, Cinderella, Europe, Guns n' Roses, Skid Row, Metallica, Anthrax, Ratt, Pantera, Bon Jovi, Whitesnake, Quiet Riot, Iron Maiden, Ozzy Osbourne, Def Leppard, Aerosmith MTV Arguably the most important event to influence music during the 1980s was the creation of the cable network MTV (Music Television). MTV was the first network to exclusively showcase music videos, making its debut on August 1, 1981. The first music video to be played on the channel was, appropriately, the Buggles' "Video Killed the Radio Star," as music would forever change and the focus would shift from music and lyrics to fashion and theatrics, at least in the world of pop music. The original concept of the network was to play music videos twenty-four hours a day, every day. And, while this has obviously changed since then, the innovative concept created a whole new breed of pop star. New Pop Superstars Pop stars and their music changed in the 1980s with the help of MTV and a greater focus on image. A new breed of mega-stars emerged, becoming iconic mascots for the genre and defining the decade through fashion, talent and persona. Some of the superstars to emerge were Madonna, Michael Jackson, Whitney Houston and Prince. They experienced a level of fame and success not seen since Elvis Presley and the Beatles. These stars influenced fashion through their music videos, giving fans a first hand glimpse into emerging trends. Their songs set the gold standard for what pop music should be, and through constant reinvention they were able to navigate the pop culture world and keep themselves relevant. Thirty years on, they are still the standard that today's pop stars get compared to. There are several reasons they these pop mega-stars emerged, the main one being they were genuinely talented artists. Other reasons include a greater public interest in celebrity gossip, fashion and and increased obsession with pop culture. It also was related to the public having an increased disposable income and a want to imitate celebrity affluence. Changes in technology also contributed to the availability of music (MTV), better ways to listen (CDs and cassettes), and portability of music (the Walkman and boom-boxes). Lastly, a lot of these superstars' success can be accounted for through smart marketed by record companies and the artists' ability to look at themselves as brands. Old Pop Stars and Their New Solo Careers One trend in pop music during the decade was the re-emergence of older musicians who had once been popular as a part of a group or duo into their own solo careers. Some examples include Diana Ross, Cher, Lionel Richie, Tina Turner and Paul McCartney. These artists had already experienced success during the 1960s and 1970s and a few of them had even tried becoming actors during that time. They also came into successful solo careers after adapting to the new musical landscape. Cher, Tina Turner and Diana Ross all updated their looks to keep up with fashion, Lionel Richie made memorable music videos and adapted his soulful sound into the new style of pop music and Paul McCartney collaborated with other successful musicians to keep himself relevant. Part of the reason these artists were successful had to do with the fact that the Baby Boom generation was coming into adulthood and had an influx of disposable income to spend on the records of artists they had grown up listening to. They brought a sense of nostalgia for the good old days of music and yet their songs and styles were updated, combining the best of both worlds. One Hit Wonders The eighties was the decade of one hit wonders, where an artist would achieve massive success with one or two extremely popular songs and then seemingly fade away, never able to re-create their success. Part of this had to do with the expansion of the music industry, facilitated by MTV and technology. Record companies could now make just as much money by manufacturing one-hit artists in succession while not having to invest the time and money that would make a mediocre musician into a star with more longevity. Trends were also changing more quickly and many artists could not keep up and adapt fast enough. As the world's society became more globalized, the pool of talent became bigger, making it easier to move onto the next new artist. The changes in technology and societal attitudes also meant that consumers' attention spans got shorter. Some of the most memorable one hit wonders from the decade include, a-ha's "Take On Me," Soft Cell's "Tainted Love," Toni Basil's "Mickey," Nena's "99 Luftballoons," and Dexy's Midnight Runners' "Come On Eileen." Hip Hop & Rap Hip Hop/Rap music originated in African American communities in New York City in the 1970s and became more mainstream and part of popular culture in the mid to late 1980s. Hip hop music originally had a difficult time breaking into the mainstream due to MTV's reluctance to show music videos of black artists. After much criticism, the network started to embrace black musicians like Michael Jackson, whose videos were amongst the most popular, paving the way for hip hop artists like Run DMC and LL Cool J to usher in the era of commercialized rap music. As the genre gained traction on MTV, it gave the white middle class a glimpse into inner city culture and many conservative parents of the time were disapproving of the genre that had been called the "new rock n' roll." Key elements of the genre include sampling old records, rapping lyrics, fun sounds with an underlying message, beat-boxing and electronic sounds. Hip hop music sounded like nothing that had been heard before in mainstream music and the late 1980s was thought of as the Golden Age, were everything seemed original and innovative. By the end of the decade MTV started airing the program "Yo! MTV Raps" making the hip hop and rap music a global phenomenon. Important hip hop acts like Run DMC and LL Cool J made the genre commercial and were style icons, the Beastie Boys made the music "white friendly" and added elements of rock music, and Salt-n-Pepa were female pioneers of the genre. New Wave The New Wave genre began in the 1970s and was popular until the mid-1980s. The focus of this music was on artistic themes and the sound was tied to punk rock, dance music, synthesizers and other electronic instruments. New Wave eventually became tied to pop music as music videos from the genre were heavily promoted on MTV. The term "New Wave" is meant as an all encompassing term that allows a variety of highly diverse artists to fit into the same category. Some artists had a futuristic sound while others were closer to punk rock. New Wave bands and artists had an impact on fashion with their unique clothing and hairstyles that the youth culture would adopt. Many of the decades one hit wonders fell into this genre. Some of the definitive New Wave bands were Duran Duran, Blondie, Billy Idol, the Talking Heads, and Culture Club. Hair Metal Hair Metal had its roots in the 1970s Glam Rock. Popular bands in the genre often came from the L.A. Sunset Strip music scene and the United Kingdom. Hair metal bands would pull influences from heavy metal, punk rock, and traditional rock music to develop their sound. Lyrically, songs had catchy hooks and a pop sensibility. Songs were often party anthems or power ballads and would focus on themes of being an outlaw, drugs and women. Groups from this genre were called "Hair Bands" because members of these male-dominated bands would often have long and big-styled hair and would wear makeup and spandex clothing, creating an androgynous look. Bands in this genre fell on large spectrum from being almost pop music/soft rock to a heavier and grittier sound and nearly all of them had a flamboyant and outgoing lead singer. Hair metal bands were also associated with a hard-partying lifestyle, groupies and drug-use. Notable hair bands from the decade include Bon Jovi, Van Halen, Aerosmith, Def Leppard, Guns n' Roses, and Poison. Charity Music As many pop stars became excessive and affluent during the eighties, they wanted to show that they could be generous and have a serious purpose by taking up causes. The best way for many of them to do so was to create or contribute to charity concerts and recordings. These were bigger and better than ever during the decade and there were plenty of causes from which to choose. Musicians would organize these songs and televised concerts and contribute the profits to the cause. Others would hold the concerts solely to increase public awareness of an issue. Bob Geldof's "Band Aid" super-group recording of "Do They Know It's Christmas?" and subsequent "Live Aid" concert were amongst the most memorable and arguably the largest of these charitable events. Both Band Aid's recording and Live Aid's July 13th, 1985 concert aimed at raising funds for victims of famine in Ethiopia. The group featured mainly British artists which would influence its American equivalent, USA for Africa, created by Michael Jackson and Lionel Richie. USA for Africa recorded the charity song "We Are the World" and their May 25th, 1986 benefit was called "Hands Across America," both aiming to raise money for victims of famine, poverty and homelessness in African countries. Another notable musical charity event during the decade was hosted by Willie Nelson, John Mellencamp and Neil Young. It was held on September 22nd in 1985 and was called Farm Aid. The concert was held to raise money for struggling farmers in the United States. There were various other charitable events formed by musicians in the 1980s and the enduring popularity and seemingly effective outcomes of these events have made them a lasting fixture in public charity. Hits From The 1970s 1970 - Close to You - The Carpenters, (-) American Woman - The Guess Who, (-) I’ll Be There - The Jackson 5, (-) War - Edwin Starr, (-) Let It Be - The Beatles, 1971 - Joy to the World - Three Dog Night, (-) Maggie May - Rod Stewart, (-) My Sweet Lord - George Harrison, (-) It’s Too Late - Carole King, (-) Imagine - John Lennon, 1972 - Lean On Me - Bill Withers, (-) School’s Out - Alice Cooper, (-) Heart of Gold - Neil Young, (-) Let’s Stay Together - Al Green, (-) American Pie - Don McLean, 1973 - Bad, Bad Leroy Brown - Jim Croce, (-) You’re So Vain - Carly Simon, (-) Let’s Get It On - Marvin Gaye, (-) Crocodile Rock - Elton John, (-) Superstition - Stevie Wonder, 1974 - The Way We Were - Barbra Streisand, (-) Jungle Boogie - Kool and the Gang, (-) The Loco-Motion - Grand Funk Railroad, (-) Band On the Run - Wings, (-) Come and Get Your Love - Redbone, 1975 - Shining Star - Earth, Wind and Fire, (-) Rhinestone Cowboy - Glen Campbell, (-) Fame - David Bowie, (-) Lady Marmalade - Patti LaBelle, (-) Black Water - Doobie Brothers, 1976 - Bohemian Rhapsody - Queen, (-) Dancing Queen - ABBA, (-) Love to Love You Baby - Donna Summer, (-) You Should Be Dancing - Bee Gees, (-) More Than a Feeling - Boston, 1977 - Hotel California - Eagles, (-) Best of My Love - The Emotions, (-) Car Wash - Rose Royce, (-) Go Your Own Way - Fleetwood Mac, (-) You Light Up My Life - Debbie Boone, 1978 - Stayin’ Alive - Bee Gees, (-) YMCA - The Village People, (-) Baker Street - Gerry Rafferty, (-) Three Times a Lady - The Commodores, (-) Just the Way You Are - Billy Joel, 1979 - Le Freak - Chic, (-) Hot Stuff - Donna Summer, (-) Heart of Glass - Blondie, (-) My Sharona - The Knack, (-) I Will Survive - Gloria Gaynor Hits From The 1960s 1960 - The Twist - Chubby Checker (-) It’s Now or Never - Elvis Presley (-) Georgia On My Mind - Ray Charles (-) Cathy’s Clown - Everly Brothers (-) I’m Sorry - Brenda Lee, 1961 - Stand By Me - Ben E. King (-) Blue Moon - The Marcels (-) At Last - Etta James (-) Runaway - Del Shannon (-) The Lion Sleeps Tonight - The Tokens, 1962 - Love Me Do - The Beatles (-) Sherry - The Four Seasons (-) Surfin’ Safari - The Beach Boys (-) The Wanderer - Dion (-) Soldier Boy - The Shirelles, 1963 - Louie Louie - The Kingsmen (-) It’s My Party - Lesley Gore (-) Ring of Fire - Johnny Cash (-) Hey Paula - Paul & Paula (-) She Loves You - The Beatles, 1964 - Twist and Shout - Chubby Checker (-) Oh, Pretty Woman - Roy Orbison (-) You Really Got Me - The Kinks (-) House of the Rising Sun - The Animals (-) Where Did Our Love Go - The Supremes, 1965 - Satisfaction - The Rolling Stones (-) My Generation - The Who (-) Sounds of Silence - Simon & Garfunkel (-) My Girl - The Temptations (-) Like a Rolling Stone - Bob Dylan, 1966 - Good Vibrations - The Beach Boys (-) Eleanor Rigby - The Beatles (-) Wild Thing - The Troggs (-) Last Train to Clarksville - The Monkees (-) Mellow Yellow - Donovan, 1967 - Happy Together - The Turtles (-) For What It’s Worth - Buffalo Springfield (-) Light My Fire - The Doors (-) Respect - Aretha Franklin (-) Somebody to Love - Jefferson Airplane, 1968 - The Dock of the Bay - Otis Redding (-) Piece of My Heart - Janis Joplin (-) Hey Jude - The Beatles (-) Wonderful World - Louis Armstrong (-) Born to Be Wild -- Steppenwolf, 1969 - Sugar Sugar - The Archies (-) Aquarius - The Fifth Dimension (-) My Way - Frank Sinatra (-) Space Oddity - David Bowie (-) Sweet Caroline - Neil Diamond Hits From The 1990s 1990 - Vogue - Madonna, (-) Nothing Compares 2 U - Sinead O'Connor, (-) Ice Ice Baby - Vanilla Ice, (-) It Must Have Been Love - Roxette, (-) U Can't Touch This - MC Hammer 1991 - Losing My Religion - R.E.M., (-) Black or White - Michael Jackson, (-) Gonna Make You Sweat - C+C Music Factory, (-) Emotions - Mariah Carey, (-) Enter Sandman - Metallica 1992 - I Will Always Love You - Whitney Houston, (-) Smells Like Teen Spirit - Nirvana, (-) End of the Road - Boyz II Men, (-) Under the Bridge - Red Hot Chili Peppers, (-) Jump - Kris Kross 1993 - All That She Wants - Ace of Base, (-) Dreamlover - Mariah Carey, (-) That's The Way Love Goes - Janet Jackson, (-) What Is Love? - Haddaway, (-) Informer - Snow 1994 - All I Wanna Do - Sheryl Crow, (-) The Power of Love - Celine Dion, (-) I Swear - All-4-One, (-) Loser - Beck, (-) Zombie - The Cranberries 1995 - Gangsta's Paradise - Coolio, (-) Waterfalls - TLC, (-) Kiss from a Rose - Seal, (-) You Oughta Know - Alanis Morissette, (-) Take a Bow - Madonna 1996 - Wannabe - Spice Girls, (-) Macarena - Los Del Rio, (-) Killing Me Softly - The Fugees, (-) Wonderwall - Oasis, (-) Un-Break My Heart - Toni Braxton 1997 - Mmmmbop - Hanson, (-) Don't Speak - No Doubt, (-) Quit Playing Games - Backstreet Boys, (-) Men In Black - Will Smith, (-) Barbie Girl - Aqua 1998 - My Heart Will Go On - Celine Dion, (-) Believe - Cher, (-) The Boy Is Mine - Brandy & Monica, (-) Never Ever - All Saints, (-) Truly Madly Deeply - Savage Garden 1999 - Baby One More Time - Britney Spears, (-) Livin' La Vida Loca - Ricky Martin, (-) No Scrubs - TLC, (-) Genie in a Bottle - Christina Aguilera, (-) If You Had My Love - Jennifer Lopez Music Played in the 1990's Popular Music From the 90s Music Played in the 1990's Popular Music From the 90s Music Styles, Bands And Artists during the 1990's The musical era of the 1990s was one filled with a variety of pop, rap, and alternative music artists as well as a plethora of one-hit wonders. It was a time when musical taste was as varied as the events that were happening at the time. Many of the most popular acts that emerged in the 1990's were bands and artists who enjoyed a type of resurgence in the mainstream music scene after their popularity had dwindled for a decade or so. Other artists were just starting out during this decade and make a huge impact on the musical scene. The early years of the 1990s began with a surge in popularity for music genres like techno (often called dance or house music) and hip-hop that continued throughout the decade. Groups like Technotronic entered the Billboard charts with big hits like “Pump Up the Jam” and “Get Up (Before the Night is Over)”. Others will undoubtedly remember the hits from C+C Music Factory, including “Gonna Make You Sweat (Everybody Dance Now)” that is still a popular dance song at many of the dance clubs across the country. Similarly, the hip-hop music scene achieved popularity with artists like MC Hammer, Tone Loc, and Vanilla Ice. The subject matter that these artists chose to use in their music was as varied as their audiences. Popular Music Genres of the 1990's Grunge/Alternative Rock Nirvana Pearl Jam Soundgarden Sonic Youth The Pixies Alice in Chains Stone Temple Pilots Dinosaur Jr. Smashing Pumpkins R.E.M. Beck Hole Pop Divas Céline Dion Mariah Carey Whitney Houston Janet Jackson Toni Braxton Shania Twain Gloria Estefan Sade Madonna Sinead O'Connor Brandy Monica Golden Era Hip Hop Cypress Hill Ice Cube Snoop Dogg 2Pac Wu Tang Clan Jay-Z Nas Notorious B.I.G. Busta Rhymes Public Enemy Dr. Dre The Fugees Electronic Dance Music The Chemical Brothers Fatboy Slim Aphex Twin Deee-Lite Erasure The Prodigy Happy Mondays DJ Ron The Crystal Method Daft Punk Moby Paul Oakenfold Grunge/Alternative Rock Alternative rock music, and its sub-genres, dominated popular culture in the early to mid-1990s. The less commercialized music resonated with Generation X known for its nihilistic and cynical sensibilities. Grunge music in particular stood out in particular as an emblematic Nineties genre. Grunge can be described as a mixture of punk and heavy metal. It features a slower pace than punk, distorted guitars, heavy bass lines, dark and angsty lyrics, dissonance, terraced dynamics, and often a stop/start song structure. Also known as the "Seattle Sound," the genre has strong roots in the city's unique underground music scene from that era and specifically bands promoted by the Sub-Pop record label. The grunge scene drew inspiration from other more experimental alternative rock bands like the Pixies, Sonic Youth, Dinosaur Jr., and the Melvins. The most well-known examples of grunge bands are Nirvana, Pearl Jam, and Soundgarden. As grunge reached the mainstream, commercialization meant many bands adopted a similar but softer sound and imitated the looks of the scene. As with many music trends, fashion played an important role in establishing the popularity of the genre. Grunge had a specific look associated with long hair, flannel shirts, oversized clothing, ripped jeans, combat boots, and a generally disheveled appearance. While the grunge fashion is still popular, many music fans believed the genre faded with the tragic suicide of Nirvana's lead singer Kurt Cobain in 1994. Another popular sub-genre of alternative rock from the decade was what became known as "College Rock." College rock was a loosely defined genre that encompassed a variety of rock music styles that did not fit into the mainstream, similar to indie rock. Many of the bands shared similarities and were often more melodic than grunge and metal, but there was not necessarily a specific sound to define this genre. College rock evolved as a genre more so out of circumstances than a particular look or sound. These bands were often played at college radio stations, particularly in places like Athens, Georgia and Boston, Massachusetts. Some of the most well-known examples of college rock from the Nineties include R.E.M., Smashing Pumpkins, Red Hot Chili Peppers, Weezer, Jane's Addiction, Radiohead, Beck, and Pavement. Many of the bands that got their start on college radio stations would go on to experience massive mainstream success, becoming some of the most popular rock bands in the world. Pop Divas The Nineties was the decade of Pop Music Divas, these powerhouse singers with incomparable voices and dynamic stage presence dominated the decade. Spanning different genres, female singers like Whitney Houston, Céline Dion, Mariah Carey, Toni Braxton, Madonna, Cher, Brandy, Monica, and Janet Jackson dominated the carts. With her unique vocal range and talents as a songwriter, Mariah Carey was one of the top divas of the decade, breaking Billboard records and accumulating the highest accolades throughout the 1990s. In 1995, Carey became the first female artists to debut at number 1 on the Billboard Hot 100 with her single "Fantasy." Another tremendous talent, Whitney Houston dominated the decade. The gospel singer turned pop-star and dance hit maker is considered to be one of the greatest vocalists of all time. She saw huge success in 1992 with her version of Dolly Parton's "I Will Always Love You" a song from the soundtrack of her film debut, The Bodyguard. Céline Dion, only rivaling Carey and Houston in terms of success, was another 1990s pop diva with a unique voice. Dion is known for her power ballads, in particular the 1997 hit "My Heart Will Go On" from the film Titanic. After her the start of her career in the 1980s as part of the Miami Sound Machine, Gloria Estefan became a formidable solo artist in the 1990s. The Cuban-American artist won three Grammy Awards between 1993 and 2001, all for her Spanish-language albums. Another popular pop diva, Shania Twain, emerged during the decade, coming out of it as one of the best-selling female singers and songwriters of all time. She saw great success with Country-Pop crossover hits like "You're Still the One" and "Man, I Feel Like a Woman" from her 1997 album Come On Over. One of the best-selling R&B artists of all-time, Toni Braxton, also emerged as a popular musician during the decade. Braxton released her self-titled album in 1993 and it won three of her seven Grammy Awards. Already a mega-superstar from the 1980s, Janet Jackson saw continued success in the 1990s as she evolved into a more mature artist, exploring new themes in her albums and contributing more with songwriting. Jackson reached a new level of artistry with her 1997 album The Velvet Rope, an experimental album with huge mainstream success that touched on themes not often seen in pop music, a milestone in her career that many critics believed marked her emergence from the shadow of her pop-star brother Michael Jackson. Several other solo female artists achieved pop superstardom during the decade and their success even inspired an annual televised concert, VH1 Divas which premiered in 1998. Golden Era Hip Hop The 1990s are considered the Golden Age of Rap and Hip Hop. The decade saw massive shifts and diversification of the genre, as well as an increase of mainstream recognition and respect for artists. Distinctive styles emerged from the US coasts and various regions throughout the country. Some of the sub-genres that enjoyed popularity during this decade include gangster rap, party rap, and political rap. Because the genre was still considered new, there was constant evolution and innovation happening. Rappers representing different styles and regions saw massive mainstream and critical success. Examples include Tupac, Notorious B.I.G., Queen Latifah, Salt-n-Pepa, De La Soul, NWA, Snoop Dogg, LL Cool J, A Tribe Called Quest, Public Enemy, Eric B. & Rakim, Outkast, Geto Boys, Missy Elliott, and Big Daddy Kane. By the end of the decade many of these artists were considered some of the most popular and successful musicians in the pop music world, transforming rap and hip hop from a fledgling genre into one of the most influential musical movements within pop culture. Many critics believe the Golden Age started to come to an end in the middle of the decade as softer more commercialized hip hop acts gained popularity, signaling a drop in overall artistic quality. Many fans also believe the the era came to an end after the murders of Tupac Shakur in 1996 and the Notorious B.I.G. in 1997, musical rivals and two the brightest stars to emerge from the genre during the decade. In addition to several popular sub-genres within rap and hip hop, several fusion genres became popular as well such as New Jack Swing, Neo-Soul, and Hip Hop Soul. One of the most popular genres was New Jack Swing which combined the production of hip hop with the sound of R&B. The genre was performed by predominantly Black artists and often mixed elements of funk, soul, and jazz with hip hop and rap. Within this genre there was a strong focus on production, sampling, and creating hit singles. Teddy Riley, Bernard Belle, and Babyface were songwriters and music producers that often associated with the genre. Some of the artists and groups that found success in this sub-genre include Janet Jackson, Bell Biv DeVoe, Bobby Brown, Boyz II Men, Hi-Five, Jade, TLC, Montell Jordan, and Color Me Badd. Another popular sub-genre, Neo-Soul, was also a fusion genre. It began gaining popularity in the 1980s with artists like Prince and Sade but had a much stronger mainstream breakthrough in the mid-1990s with artists like Maxwell, Erykah Badu, Lauryn Hill, D'Angelo, Me'Shell Ndegéocello, Aaliyah, Macy Gray, Eric Benét, and Tony! Toni! Toné!. This genre attracted more singer-songwriter types, focused more on musicianship of the artists, and whole albums in comparison to other popular R&B based genres that focused on producers and singles. Hip Hop Soul was another popular fusion genre within contemporary Hip Hop and R&B that was prominent in the Nineties. This genre was a more straightforward fusion between R&B and soul singing styles with hip hop production. Popular artists that exemplified this sub-genre include Mary J. Blige, Faith Evans, Jodeci, Blackstreet, and TLC. This genre is often associated with music producer Sean "Puff Daddy" Combs. Electronic Dance Music Electronic Dance Music (EDM) was a new genre that emerged during the 1990s, proving popular among the club scene particularly across Europe, the United Kingdom, and the United States. The music is characterized by having between 120 and 150 beats per minute (bpm), drum machines, synthesizers, and other electronic instruments. It was originally created in the 1980s and saw its origins in Chicago House, Electro music, and the New York Club scene. The genre has roots in African American artists creating dance music in a post-disco world and it saw an expansion in popularity and the proliferation of various sub-genres during the nineties. It was the music of choice for early-1990s "Raves" - sometimes illegal underground dance parties hosted by DJs, often in warehouses. These raves turned into larger more mainstream gatherings with specialized clubs and festivals catering to artists and fans of the EDM genres. Some of the most notable genres within EDM that were popular during the decade include techno, trance, drum and bass, big beat, and breakbeat. By the mid-1990s, EDM had strayed from its American origins and was largely driven by European and British musicians, popularized by pirate radio in the UK. Some of the most popular EDM-associated musical acts of the decade include The Chemical Brothers, the Crystal Method, Fatboy Slim, Deee-Lite, Aphex Twins, Daft Punk, The Prodigy, and Happy Mondays. Some of these artists broke through to mainstream pop music include Fatboy Slim with his 1998 hit "Praise You," Deee-Lite with their 1990 hit "Groove is in the Heart," and The Prodigy's 1996 hit "Firestarter." As the genre gained influence, large commercialized festivals and clubs were organized for fans including several Spiral Tribe dance events, The Eclipse (England's first legal all-night club), Electric Daisy Carnival (1991), the Castlemorton Common Festival (1992), and the Ultra Music Festival (1999). Bubblegum Pop The late-1990s saw the introduction of the highly commercialized and over-produced bubblegum pop groups and stars. Groups and singers like the Spice Girls, All Saints, NSync, the Backstreet Boys, LFO, 98 Degrees, Destiny's Child, Britney Spears, Christina Aguilera, Robyn, Jessica Simpson, Mandy Moore, and Hanson all saw early success during the decade. The genre really gained momentum in the new millennium, dominating the early 2000s music scene. There was a heavy influx of bubblegum pop artists from about 1997 to 2002. These artists used many other popular genres to draw influence including R&B, Hip Hop, and Dance music. The genre was characterized by the use of autotune, a focus on appearance and fashion, choreography, repetitive lyrics, and the use of sexual innuendo. These artists were often heavily influenced by music producers and record labels, and often featured talents who got their start as children. These artists were typically marketed to teenagers. Many of these pop artists continued to have lucrative careers beyond the 1990s and several who were in groups embarked on successful solo careers or ventured into other realms of the entertainment world outside of music. Popular Songs Each Year in the 90's Popular songs from the Nineties Decade, arranged by year but in no particular order. Do you remember listening to these songs on the radio? Music Played in the 1970's Popular Music From the 70s Music Played in the 1970's Popular Music From the 70s Music Styles, Bands And Artists during the 1970's The 1970s created a perfect musical bridge from the rebelliousness of the 1960s and the happy songs that are characteristic of the 1980s. Following the counterculture of the 60s, the and the 70s created a trend of relaxing music as well as dance music. People may have grown tired of the fighting that happened the previous decade and many of them sought a refuge in dance clubs and other places to enjoy a good time. Out of this idea emerged the Disco movement. Of course, there were still the bands and artists that continued to speak of the ills of society, typically characterized by the punk music in the latter part of the decade. Although the rebellious idea had died down shortly following Woodstock in 1969, there were still many people that disagreed with the establishment and the way the country was being run. Most people, though, were just looking for another way to vent their frustrations, which helped to give rise to the fun that disco music provided. The 1970's was not a unique decade in terms of creating innovations in musical styles and genres, but it was unique in that it was a musical bridge connecting the hippie lifestyle of the 1960s with the characteristic yuppie lifestyle that was about to occur in the 1980s. Popular Music Genres of the 1970's Disco/Club Musicians The Bee Gees, Gloria Gaynor, ABBA, K.C. and the Sunshine Band, Yvonne Elliman, Thelma Houston, The Village People, Donna Summer, Chic, The Jacksons, Diana Ross -- -- Progressive Rock Musicians Kansas, Pink Floyd, Rush, Electric Light Orchestra, Yes, Genesis, Emerson, Lake & Palmer, Supertramp, Queen, Grand Funk Railroad -- -- Punk Rock/New Wave Musicians New York Dolls, Patti Smith, The Ramones, Blondie, Sex Pistols, The Clash, Buzzcocks, Generation X, The Misfits, The Cars, Talking Heads, David Bowie -- Funk & Soul Musicians Sly and the Family Stone, Parliament-Funkadelic, Rufus Chaka Khan, Kool & the Gang, The Isley Brothers, The Commodores, The Jackson 5, The Ohio Players, Earth, Wind & Fire, Chic, James Brown Disco and Dance Music If ever a musical style defined a decade, Disco was the definition of the 1970s. Although its popularity was relatively short-lived, the genre hosted a great deal of songs and artists that people are still dancing to today and had a large influence on the fashions of the decade, too. Van McCoy's "The Hustle" has often been referred to as the definitive disco track and many people say it was the first disco song created. Gloria Gaynor also enjoyed disco popularity with her anthem "I Will Survive." The Bee Gees also helped to define the disco genre with their hit "Jive Talkin'" and their blockbuster "Stayin' Alive" is often synonymous with the disco musical era. The Village People’s "YMCA" and "Macho Man" also helped to add to the popularity of this style of music. This style of music became so popular that well respected artists like Rod Stewart and Diana Ross jumped on the bandwagon by adding Disco elements to their new music or creating their own disco albums. Unfortunately, it did not take long for the public to see disco's silliness and commercialization - something that they had just rebelled against a few years earlier. Its lack of attention to musical significance helped add to its downfall after only a short time of popularity. When disco fell from grace, it fell fast, and many radio stations held public events dedicated to ridding the world of disco music with symbolic album burnings. Youths rebelled against the genre as well and it was not uncommon to see a few music fans sporting "Disco Sucks" T-shirts. Progressive Rock Progressive rock was another popular genre during the 1970s. This type of music was typically characterized by rock music combined with another genre, such as classical or opera, to create a hybrid genre. Songs from this genre were often longer and bands tended to be more spontaneous and experimental while they were playing live. Many progressive rock albums were also concept albums, meaning that they followed a theme throughout the entire album or series of albums. The band Pink Floyd were known for their concept albums and were considered some of the best in the genre. Their concept album – The Wall – was a psychedelic album that explored the loneliness that one feels due to the metaphorical walls that they build up around them. This 1979 album used philosophical lyrics and a variety of musical styles throughout the songs to exhibit the message that they were trying to get across to the listeners. Jethro Tull was another British rock band that also created concept albums for their audience. They had a unique vocal style combined with the dreamlike sound of a flute to help the listener immerse themselves into the songs that are being played. Their "Thick as a Brick" album was composed of essentially one track on two side of the album. This track consisted of repeating themes and movements that helped to mesmerize the listener. They also used a variety of genres to create their one-of-a-kind sound, including blues, jazz, rock, and classical music. Other bands that became popular in the progressive rock genre included Rush, Queen, Grand Funk Railroad, Kansas, and Electric Light Orchestra. Punk Rock and New Wave The punk rock genre also emerged in the 1970s. This was a style that continued on the legacy of the 1960s but with a more upbeat and harder style. Heavy guitar riffs and more decibels helped to motivate those who were still upset about the status quo in the country. The Ramones are often referred to as the original punk band. This band consisted of a group of family members that based their image on The Beatles but their music was much harder. On the lists that rate the greatest rock bands of all-time, The Ramones are often listed as #2, behind only The Beatles at #1. Their song "I Wanna Be Sedated" became a generational anthem depicting the feeling that society is so screwed up that the only way to get through life with your sanity is to be sedated for the entire experience. The Sex Pistols also enjoyed a short-lived success as a punk rock band of the 1970s. Band members heavily used drugs and alcohol which eventually led to their dissolution shortly after forming, but not before releasing two hit albums, "God Save the Queen" and "Never Mind the Bullocks", that created a wave of rebellion throughout the United States and the UK. New Wave, similar to punk music but more radio friendly and with an electronic flair, also emerged in the late seventies and went on to become a predominant genre in the next decade. Bands like The Cars and Blondie straddled the line between punk rock and new wave music and started producing hits in the late 1970s. Some popular punk and new wave bands from the seventies included the New York Dolls, The Clash, Generation X, Talking Heads, David Bowie, and Patti Smith. Funk and Soul Music Funk music came out of the R&B, Jazz and Soul music of the late 1960s after artists added more beats and psychedelic tones to their songs. This genre saw the height of its popularity encompass the 1970s with artists like James Brown, Parliament-Funkadelic, Sly and the Family Stone and Kool and the Gang dominating the music charts. Funk was known for its danceable beats, strange costumes, outrageous personalities and often socially conscious lyrics. James Brown, "the hardest working man in show business", is often thought of as the creator of funk music and his 1967 album Cold Sweat is thought to feature some of the first main stream funk songs. Brown developed the funk sound into the 1970s and paved the way for many of the other popular funk groups like Sly and the Family Stone to make it big in the decade. Funk music was known to have no boundaries with psychedelic sounds coming from the likes of George Clinton and his ragtag gang of freaky musicians in Parliament to a more soulful and smooth yet funky sound coming from Rufus and Chaka Khan. In the middle of the seventies many artists, including James Brown and the group Earth, Wind and Fire, added some elements of the popular disco genre to their funk albums and saw even greater mass appeal. **It is important to note that these were not the only popular genres during the decade. For example, Singers and Songwriters were quite popular in the 1970s as well, with artists like Joni Mitchell, Carly Simon, Elton John, Carole King and Billy Joel, sharing time in the spotlight too. Their music reflected deep themes with simpler musical arrangements and many of these artists had been prominant in the songwriting scene but relatively unknown as they were not often the face of their own music. The seventies more than any other decade gave them a chance to go solo and gain recognition.** Popular Songs Each Year in the 70's Popular songs from the Seventies Decade, arranged by year but in no particular order. Do you remember listening to these songs on the radio? Music Played in the 1960's Popular Music From the 60s Music Played in the 1960's Popular Music From the 60s Music Styles, Bands And Artists during the 1960's The 1960's were a time of upheaval in society, fashion, attitudes and especially music. Before 1963, the music of the sixties still reflected the sound, style and beliefs of the previous decade and many of the hit records were by artists who had found mainstream success in the 1950s, like Elvis Presley, Ray Charles, Dion, and The Everly Brothers. In 1963 and the years to follow, a number of social influences changed what popular music was and gave birth to the diversity that we experience with music today. The assassination of President Kennedy, the escalation of the war in Vietnam and the forward-progress of the Civil Rights Movement all greatly impacted the mood of American culture and the music began to reflect that change. The "British Invasion" also began around 1963 with the arrival of The Beatles on the music scene and the type of rabid fandom that followed them would change the way people would view and interact with music and musicians forever. In this section we will cover the history of the "British Invasion", Motown and R&B, Folk and Protest music, and the large amount of variation that emerged in Rock music throughout the sixties. Popular Music Genres of the 1960's British Invasion Musicians The Beatles, The Who, The Rolling Stones, Cream, The Yardbirds, Donovan, Manfred Mann, The Kinks, Herman's Hermits, Tom Jones, Dusty Springfield, The Animals Motown/R&B Musicians The Marvelettes, The Supremes, Marvin Gaye, The Four Tops, The Drifters, The Temptations, The Miracles, Stevie Wonder, Gladys Knight & the Pips, The Spinners, Aretha Franklin, Canned Heat Surf Rock and Psychedelic Rock Musicians The Beach Boys, The Ventures, The Champs, The Doors, The Grateful Dead, The Jimi Hendrix Experience, Jefferson Airplane, Jan and Dean, The Kingsmen, The Trashmen -- -- Roots Rock and Hard Rock Musicians Janis Joplin, Creedence Clearwater Revival, Steppenwolf, Roy Orbison, Procol Harum, The Rolling Stones, The Who, The Animals, The Band, The Troggs -- -- Folk Rock and Protest Music Musicians Bob Dylan, Simon & Garfunkel, The Mamas & the Papas, Buffalo Springfield, Crosby, Stills & Nash, The Lovin' Spoonful, The Byrds, The Turtles, Gordon Lightfoot, Peter, Paul and Mary -- Acappella Musicians The Persuasions The Heartaches The Concepts The Five Jades The Notations The Chessmen The Five Sharks The Royal Counts The Zircons The Five Fashions The Del Capris The Shells British Invasion The "British Invasion" is the name given to the period of time in the early to mid-1960's, during which many British rock bands and pop artists found mainstream success in the United States and worldwide. Many of these bands first started by covering American songs and showcasing an American Rock 'n' Roll and R&B influence in their sounds. As these bands gained popularity, many of them ventured into new music territory and created their own unique styles. The one band that comes to mind when speaking of the British Invasion is The Beatles, who first broke into the US music scene in 1963, but really became popular in 1964 after appearing on the Ed Sullivan Show. The Beatles dominated worldwide charts from that point in time until they broke up in 1970. The phenomenon that surrounded them was known as Beatlemania and many up and coming music acts emulated their "Liverpool Sound". The band holds many musical records to this day reflecting album sales and number one singles and they're music remains some of the most popular of all time. They can be easily described as the most influential group of the 1960's. Some other notable British Invasion acts include The Rolling Stones, The Animals, The Who, Herman's Hermits, Tom Jones, and Donovan, some of whom reached comparable success levels to the Beatles but had different influences on music all together. Motown and R&B The "Motown Sound" and popular R&B music had a major significance in terms of the Civil Rights movement and integration in American society during the sixties. Motown started as a Detroit-based record label in the late fifties and early sixties, but it quickly turned into much more as the acts gained popularity worldwide. Motown records consisted mainly of African-American groups, singers, songwriters and management and their musical and business success proved in breaking down the barriers of segregation and granted African-American performers and musicians a chances to reappropriate much of the success that had been credited to white rock 'n' rollers and pop artists who had success in singing "black music" during the previous decade. Two of the most influential groups to come out of the Motown sound were Smokey Robinson and the Miracles and Diana Ross and the Supremes, both of which had as much chart success as any of the rock groups that dominated the airwaves during the sixties. The success of Motown also paved the way for R&B singers and groups who were not necessarily a part of the movement to also enjoy mainstream success. Some other popular Motown and 60's R&B artists include The Temptations, The Marvelettes, The Four Tops, Stevie Wonder, Marvin Gaye, Aretha Franklin, and the Jackson Five. Rock and its Subgenres While rock 'n' roll music entered the popular music spectrum in the 1950s, rock music really came into its own in the 1960s. Rock music dominated the popular music scene during the decade and as the genre grew and changed, many diverse and new subgenres emerged, all tied to original rock but each with their own unique style and purpose. These specific subgenres also had varying levels of popularity throughout the decade and many are still popular today. Quite a few rock bands and musicians oscillated between these genres depending on what was popular at the time and used it as a way to experiment with finding their own true sound. Some of the rock subgenres that we will touch upon are surf, psychedelic, roots, and hard rock. It is important to remember that the specific artists we discuss in these various sections often fall into more than one category and it is up for debate amongst their fans what genre they best represent. We have tried our best to categorize these artists and realize there was much cross-over during the decade. Surf Rock and Psychedelic Rock Surf rock began in Southern California as a type of dance music that was mostly instrumental and it became quite popular in the early to mid sixties, until the British Invasion took over the music scene. The subject matter for surf rock was quite literally surfing, however, that expanded as the genre grew in popularity to songs about girls, cars and general teenage antics. The most influential and popular group to come out of the genre were The Beach Boys, whose vocal harmonies and well-crafted compositions came to define the genre. The Beach Boys were one of the only bands to come out of the genre and sustain their success. Some other important surf rock acts include Jan and Dean, The Ventures and The Champs. Psychedelic rock was popular during the latter half of the 1960s and reached its peak at the end of the decade. Psychedelic music was associated with the hippie counter-culture and hallucinogenic drug use and it was created with the intention of "enhancing" the experience of listeners who were using LSD or other mind-altering substances. The lyrics were often strange and made reference to drugs and bands would often use instruments that were not usual, like the sitar, tabla, harpsichord and organ. There was much experimentation in the sound and much of it was influenced by Eastern and Indian music. Psychedelic rock along with Folk rock became two of the most recognizable sounds associated with 1967's "Summer of Love" phenomenon. Many popular rock bands experimented with this genre, including The Beatles, The Doors, The Jimi Hendrix Experience, Jefferson Airplane, Cream, Pink Floyd, and The Yardbirds. Roots Rock and Hard Rock Roots rock emerged in the mid to late 1960s as a combination of several genres and subgenres of rock music that were popular at the time. Roots rock combined elements of folk music, blues, country and rock 'n' roll. And, the genre was exemplified by its "back to basics" sound. Bob Dylan is thought to have pioneered the genre with the release of his 1966 album Blonde on Blonde that demonstrated what roots rock was to become. Many of the most popular bands of the time joined the "roots revival" and crafted albums of their own that featured and experimented with a roots sound. Some of the bands that created music in the style of this broad genre included The Rolling Stones, The Doors, The Beatles, The Band, and Creedence Clearwater Revival. Hard rock took the elements of rock 'n' roll and made them heavier as the genre formed in the middle of the decade. The sound is characterized by more aggressive tones and delivery. Hard rock vocalists are identified by their higher range and distinct and often raspy voices. The music was influenced heavily by blues rock, garage rock, and rhythm and blues. This style became associated with rebellious youth and an anti-authority demeanor, with a few acts even destroying their own instruments on stage (like The Who). Due to their hard-partying lifestyles, many musicians that were a part of the hard rock scene developed drug and alcohol problems. As a result of these problems, quite a few influential musicians died at a young age from substance abuse or accidents related to substance abuse like Janis Joplin and Jimi Hendrix. Notable hard rock bands form the 1960s include The Who, Deep Purple, Led Zeppelin, The Rolling Stones, The Kinks and Steppenwolf. Folk Rock and Protest Music Folk rock came onto the scene as a popular genre in the mid-sixties and much of it grew out of the protest movements that were active during those turbulent times. Much of the folk rock and protest movement was born out of the emerging group of singer-songwriters that were influenced by the folk musicians of the 1930s. Bob Dylan became one of the most prominent songwriters of the decade with many popular groups such as The Byrds and Peter, Paul and Mary covering his songs successfully. Dylan even saw success as a solo performer and was recognized by his unusual voice. This genre was characterized by its melodic sound and did not necessarily have to connect to the protest movements at the time, although lyrically a lot of the folk rock contained protest messages. Protest music was distinctly different in that it always had a message and was not confined to the sound and style of folk rock. This music was often a reaction to social injustice, cultural changes, and news events. And, in many cases, it brought awareness to the younger generation who would then join the protest, therefore growing the movements. This genre was not necessarily specific to certain artists either, as many mainstream musicians decided to contribute to the cannon with their own feelings. For example, R&B and Soul singer Same Cooke wrote and recorded "A Change Is Gonna Come" in 1963, a song that became an anthem for the Civil Rights movement in America, along with others like Bob Dylan's "Blowin' in the Wind" and James Brown's "Say It Loud - I'm Black and I'm Proud" from 1963 and 1968 respectively. Another issue that protest music was used to address was the war in Vietnam and its escalation during the decade. As more and more American troops were being sent to Vietnam with virtually no progress being made, an anti-war movement began to gain steam in the mid-sixties and protest music accompanied it. Some examples of anti-Vietnam songs were Pete Seeger's "Waist Deep in the Big Muddy from 1967, The Door's "The Unknown Soldier" from 1968, and Bob Dylan's "Masters of War" from 1963. Both folk music and protest music were connected to the "hippie" movement at the time and greatly influenced and were influenced by the feelings of freedom, love and peace that characterized the hippies. Some examples of folk rock and protest musicians from the 1960s include Peter, Paul and Mary, Cat Stevens, Buffalo Springfield, Simon and Garfunkel, and Pete Seeger. Acappella The Golden Age of Acappella 1963-1973 exploded in urban America along the acappella corridor that stretched from Boston to Philadelphia; a regional sound that captured the heart and minds of young people in the inner cities. The birth of Acappella as a new urban music genre began in New York City in a small record shop called Times Square Records run and operated by Irving "Slim" Rose. The term Acappella was the word that Slim Rose came up with to promote music that was made without music. Recordings made without music was played on the radio by vocal groups, vinyl acappella records were sold in record stores and Acappella Shows drew hundreds of teenagers throughout New Jersey and New York. Thus a new urban sound created a niche in the music industry competing with Motown, British Invasion, folk and many other musical genres. Acappella became the starting point and catalyst for oldies radio programing, reissues of records of the late 40's and 50's and the preservation and promotion of rhythm and blues vocal groups. Amid the social and cultural revolution taking place during the 1960's acappella as a whole rose above ethnic and racial barriers and became a dynamic musical movement in American history. I would like to thank Abraham Santiago who wrote the paragraph about Acappella Music for us Popular Songs Each Year in the 60's Popular songs from the Sixties Decade, arranged by year but in no particular order. Do you remember listening to these songs on the radio? The Best 60s Country Songs The 60s - a decade that saw Loretta Lynn sign her first ever record deal, the Country Music Hall of Fame and Museum open in Nashville and the first-ever CMA Awards ceremony. It was all going on, and the music was on fire! Here's Holler's selection of 100 of the best country songs from the decade. Check out the full tracklisting below: 1. Jackson (Feat. Lee Hazelwood) Nancy Sinatra 2. Ring Of Fire Johnny Cash 3. Harper Valley P.T.A Jeannie C. Riley 4. Kay John Wesley Ryles, I 5. Just Because I'm A Woman Dolly Parton 6. Skip A Rope Henson Cargill 7. Mama Tried Merle Haggard 8. Only Daddy That'll Walk The Line Waylon Jennings 9. Gentle On My Mind Glen Campbell 10. Stand By Your Man Tammy Wynette 11. Ode To Billie Joe Bobbie Gentry 12. Just Between You And Me Charley Pride 13. Homecoming Tom T. Hall 14. Crazy (Feat. The Jordanaires) Patsy Cline 15. Hello Walls Faron Young 16. The Race Is On George Jones 17. May The Bird Of Paradise Fly Up Your Nose Little Jimmy Dickens 18. King Of The Road Roger Miller 19. Big Bad John Jimmy Dean 20. Saginaw, Michigan Lefty Frizzell 21. Act Naturally Buck Owens 22. She Thinks I Still Care George Jones 23. The Carroll Country Accident Porter Wagoner 24. Don't Touch Me Jeannie Seely 25. (Margie's At) The Lincoln Park Inn Bobby Bare 26. The Last Thing On My Mind (Feat. Dolly Parton) Porter Wagoner 27. Once A Day Connie Smith 28. Wine Me Up Faron Young 29. Don't Come Home A-Drinkin' (With Lovin' On Your Mind) Loretta Lynn 30. I Fall To Pieces (Feat. The Jordanaires) Patsy Cline 31. D-I-V-O-R-C-E Tammy Wynette 32. Six Days On The Road Dave Dudley 33. A Six Pack To Go Hank Thompson 34. Okie From Muskogee Merle Haggard 35. Touch Me Willie Nelson 36. My Big Iron Skillet Wanda Jackson 37. Dang Me Roger Miller 38. Folsom Prison Blues Johnny Cash 39. Wichita Lineman Glen Campbell 40. Eleven Roses Hank Williams, Jr. 41. Walk Through This World With Me George Jones 42. Sea Of Heartbreak Don Gibson 43. It's Such A Pretty World Today Wynn Stewart 44. I've Got A Tiger By The Tail Buck Owens 45. Bright Lights And Country Music Bill Anderson 46. I've Been Everywhere Hank Snow 47. Pop A Top Jim Ed Brown 48. Phantom 309 Red Sovine 49. Flowers On the Wall The Statler Brothers 50. Almost Persuaded David Houston 51. Burning Memories Ray Price 52. Still Bill Anderson 53. Chug-A-Lug Roger Miller 54. Don't You Ever Get Tired Of Hurting Me Ray Price 55. Statue Of A Fool Jack Greene 56. Walk On By Leroy Van Dyke 57. Ribbon Of Darkness Marty Robbins 58. Crystal Chandelier Carl Belew 59. I Wouldn't Buy A Used Car From Him Norma Jean 60. The Bridge Washed Out Warner Mack 61. Distant Drums Jim Reeves 62. Stateside Mel Tillis 63. Me & Mr. Hohner Bobby Darin 64. The Weight Jackie DeShannon 65. Don't Let Me Down Dillard & Clark 66. LA - Memphis - Tyler Dale Hawkins 67. Detroit City Bobby Bare 68. We'll Get Ahead Someday (Feat. Dolly Parton) Porter Wagoner 69. Yakety Axe Chet Atkins 70. The End Of The World Skeeter Davis 71. Send Me The Pillow You Dream On Johnny Tillotson 72. Honey Bobby Goldsboro 73. Wolverton Mountain Claude King 74. The Rubber Room Porter Wagoner 75. Brown Eyed Handsome Man Waylon Jennings 76. Abilene George Hamilton IV 77. Streets Of Bakersfield Buck Owens 78. Drug Store Truck Drivin' Man The Byrds 79. Up On Cripple Creek The Band 80. Sin City The Flying Burrito Brothers 81. Galveston Glen Campbell 82. Rings Of Gold (Feat. Don Gibson) Dottie West 83. Just Someone I Used To Know (Feat. Dolly Parton) Porter Wagoner 84. Life Has Its Little Ups And Downs Charlie Rich 85. Next In Line Conway Twitty 86. Kansas City Star Roger Miller 87. A Tombstone Every Mile Dick Curless 88. Dumb Blonde Dolly Parton 89. A Boy Named Sue Johnny Cash 90. Wings Of A Dove Ferlin Husky 91. The Game Of Triangles (Feat. Norma Jean And Liz Anderson) Bobby Bare 92. Charlie's Shoes Billy Walker 93. The Ballad Of Jed Clampett (Feat. Earl Scruggs) Lester Flatt 94. We Must Have Been Out Of Our Minds (Feat. Melba Montgomery) George Jones 95. There Goes My Everything Jack Greene 96. Laura (What's He Got That I Ain't Got) Leon Ashley 97. Your Good Girl's Gonna Go Bad Tammy Wynette 98. By The Time I Get To Phoenix Glen Campbell 99. How Does That Grab You, Darlin'? Nancy Sinatra BACK TO TOP

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Rating: 4.3 Reviews: 3 Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event Home Radio Station Get in Touch Welcome to Radio SAM Broadcaster Germany, your go-to source for the latest news, updates, and events in the world of radio broadcasting. Our mission is to keep you informed and entertained, so you never miss out on your favorite shows and DJs. Click here to learn more about our team and our commitment to excellence. Steedener Weg , ,Runkel / Dehrn Germany contact a.dezius@gmail.com Send Message Thank you for contacting Radio SAM Broadcaster Germany! We will get back to you as soon as possible.

Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event We Advertise Singers Our Partner Singers We are pleased for your interest in advertising with us. Its now possible to advertise with Radio SAM Broadcaster Germany and Radio SAM Germany based on the following formats ( Both Image and Text Ads ): >>>> Large Leaderboard (970×90) >>>> Wide Skyscraper (160×600) >>>> Large Rectangle (336×280) Its fairly easy to submit your Ads on Radio SAM Broadcaster Germany and Radio SAM Germany , the only thing that is required for this is a Google Adword account.You can always sign up for such an account by Clicking Here. Through this process your Ads can go live in our site with the minimum amount of trouble, without requiring any head scratching Ad setup procedure. In short, after you are done completing you Ad,just get to the step that says “Target Your Ad”, click the “list URLs” radio button,enter “Radio SAM Broadcaster Germany and Radio SAM Germany” and after that you need to click on the “Get available placements” option.Finally by completing the requiring steps, you should be able to Advertise with us. Feel free to tips us with your valuable suggestions on improving the overall experience of Radio SAM Broadcaster Germany and Radio SAM Germany. Contact Us. A bout My Self and my Music...ANTON THOMAS , gebore 1979 in die Suidelike Deel Van Gauteng. Anton het n passie vir sang ontwikkel van n baie jong ouderdom waar hy gesing het in die Turfontein Laerskool as eerste supraan vir 5jaar. Nadat Anton metrikileer het in HOËRSKOOL LINDEN in 1996, het hy sy sang passie weer aangepak nadat hy nerens anders in gepas het nie. Musiek is Anton Thomas se eerste liefde en is sy ware passie as lobaan. Anton het al reg oor die land sy stem laat hoor en is n natuurlike liedjie skrywer, met n GROOT stem. Anton Thomas is n liefdevolle mens en is baie friendelik, behalwe as dit kom by mense wat haatig teenoor die natuur, of mense en kinders kom. Anton Thomas het goei morele waardes en is maklik om mee oor die weg te kom . Oor die algemeen is Anton n kunstige mens, hy hou daarvan om nuwe idees mee verendag te kom. Hy hou van teken, huise ontewerp, tuinmaak, om plante te kweek, veral vrugte boome, en Anton isb aie lief vir die natuur. Anton Thomas was op verskei geleenthede op TV saam met advertensies, en bekende afrikaanse seriese. Anton Thomas het ook advertensies gedoen met sy Goue stem vir Brittos, Sibino's, radio stings ens. Anton Thomas is baie passievol en erenstig oor sy sang lobaan, en is n man wat op staat gemaak kan word. SY WOORD IS SY EER. Die Johannesburg se sanger Anton Thomas se nuutste enkelsnit Soms is ‘n liedjie met ‘n country-skop, maar dit beweeg weg van die meer tradisionele klanke en die resultaat ‘n pure rock/country-plesier. Anton Thomas Met dié liedjie het Anton probeer om verskillende genres te meng. “Ek is mal oor country en ek hou ook van sekere elemente van rock. Ek dink het ek daarin geslaag om met ‘n splinternuwe klank vorendag te kom,” vertel hy. Anton, wat bekendheid verwerf het toe hy aan Patricia Lewis se Supersterre deelgeneem het,saam met talle optredes in kuier plekke,troues en funksie, skryf sy eie liedjies, en Soms , verduidelik hy, is gegrond op emosies wat net in liedjies tot uiting gekom het. Soms is ‘n persoonlike liedjie wat handel oor die swart tye waardeur hy in sy eie lewe moes worstel. Soms is ook in verskeie opsigte ‘n liefdesliedjie. “Dit is ‘n liedjie waarna paartjies kan luister en tevrede voel dat hulle saam die storms trotseer het.” Die titel van die liedjie Soms het ‘n denotatiewe en konnotatiewe betekenis: eerstens, dui dit op die letterlike betekenis dat ‘n vrou soms nie goed genoeg voel vir ‘n man nie en dan ook die omgekeerde. Tweedens, is dit ‘n metafoor wat ‘n platform skep vir ‘n paartjie om hulle gevoelens uit te beeld. Anton beskou homself as ‘n liefdesliedjie skrywer.“My liedjies handel meestal oor situasies, emosies en omstandighede binne ‘n liefdesverhouding. Ek poog altyd om liedjies te skryf wat die positiewe kant van die liefde uitbeeld, en nie die negatiewe nie. Ek glo dat God liefde is, en ek glo ook dat die liefde ‘n werklike teenwoordigheid van God is.” Hy sê die meeste van sy kreatiewe idees word in die vroeë oggendure gebore. “Dit is emosies wat in woorde uitgebring word. Ek sing dit sonder dat ek weet wat die volgende noot of woord gaan wees. Ek neem die rou weergawes op en verwerk dit dan totdat dit reg voel.” Anton, wat homself bedags besig hou met navorsing oor kriptovaluta, het bykans ‘n dekade gelede sy toetrede tot die Suid-Afrikaanse musiekbedryf gemaak. Verskeie liedjies waaronder die gewilde Bokke Bo, wat goed deur plaaslike radiostasies en luisteraars ontvang is, het uit sy pen verskyn. Daar het nog nie ‘n vollengte-album uit die Thomas-stal verskyn nie, maar Anton sê hy het genoeg liedjies vir twee albums. “As die tyd reg is, sal daar wel ‘n album verskyn,” knipoog hy. Anton vertel spottenderwys dat sy musikale rolmodel nog altyd Elvis Presley was. “Mense het my egter Elvis begin noem. Ek weet hulle het dit as kompliment bedoel, maar ek wil net Anton Thomas wees. Niemand anders nie.” SOMS is ‘n radiovriendelike luisterliedjie wat by oud en jonk sal byval vind. Anton se stem is diep en ryk en dit is ook waarom hy perfek binne die liefdesliedgenre pas. Anton Thomas kan bereik word op . Facebook https://www.facebook.com/AntonThomasTOP Youtube en vele ander sosiale netwerke Kontak Anton Thomas: +27628115161 anthonthomasfull@gmail.com Anton Thomas is te ondersteun deur: BRANDMERK EN ONTWERP MET And Many More Artists from Germany and South Africa Christina Betz. Wenn nach Jahren die Beziehung plötzlich endet, ist das die beste Gelegenheit die Gefühle in einem Song zu verarbeiten.Auch wenn es für Christina schwer war den Song zu veröffentlichen, da dieser alle Enttäuschung, Selbstzweifel, Trauer und auch Wut über das unerwartete Aus der Beziehung behandelt, war dieser Schritt wichtig um sich frei zu machen.Die Sängerin sagt selbst zu dem Titel:„Es hat also etwas Mut gebraucht das öffentlich zu machen.Da aber fast jeder Mensch schon solch eine Erfahrung im Leben machen musste, wollte ich damit sagen dass es immer weiter geht im Leben und Anderen damit Trost zu spenden und natürlich auch Mut zu machen. Man muss sich neu sortieren und weitermachen. Also nie vergessen ….das Leben geht weiter und bleib wo du bist….“Die Musik begleitet die Künstlerin schon ihr ganzes Leben und war immer für sie da. Aus einer kindlichen Leidenschaft wurde ein Hobby, welches durch Unterricht und Training bald zu den ersten Songs führte.Die Melodie wurde von der Berliner Musikerin Bernadette La Hengst inspiriert und der Text stammt von Christina Betz. Anton Thomas gebore 1979 in die Suidelike Deel Van Gauteng. Anton het n passie vir sang ontwikkel van n baie jong ouderdom waar hy gesing het in die Turfontein Laerskool as eerste supraan vir 5jaar. Nadat Anton metrikileer het in HOËRSKOOL LINDEN in 1996, het hy sy sang passie weer aangepak nadat hy nerens anders in gepas het nie. Musiek is Anton Thomas se eerste liefde en is sy ware passie as lobaan. Anton het al reg oor die land sy stem laat hoor en is n natuurlike liedjie skrywer, met n GROOT stem. Anton Thomas is n liefdevolle mens en is baie friendelik, behalwe as dit kom by mense wat haatig teenoor die natuur, of mense en kinders kom. Anton Thomas het goei morele waardes en is maklik om mee oor die weg te komI'm a Music Artist with a passion for good meaningful music, making a good difference in peoples lives is my first priority in life, contact me on (+27)62 811 5161 or find me on Facebook KayCee(Karla Christene) Karla Christene is a 22 year old singer from Bellville, Western Cape, South Africa. She started singing lessons at the age of 5 and won her first competition at the age 6. She entered and won numerous singing competitions throughout the years until the last one she did in 2012 - which she won and was also overall winner of the competition. In 2011 she launched her debut cd, “Amper Daar” (translated to "Nearly there"). It had her favourite cover songs as well as 4 originals on. The song that became an immediate hit was “Blou-oog engel” (translated to "Blue eyed angel"). Her fans started calling her the “Blou-Oog Engel” – because of her beautiful blue eyes and loving, caring personality. Karla Christene launched her 2nd CD - Eerste liefde (translate to "First love") on 7 March 2015. This was also the name of her tour to Belgium (18 - 30 March) where she will introduced the cd. The title song was 9th on the HOSA Radio's Top100 for 2014. Since 2012 Karla Christene is a full time/professional singer. She shared the stage with many of South Africa's top performers i.e. Blackie Swart, Wynand & Cheree, Manie Jackson, Matt Hurter, Mark Haze and also most of the local super stars i.e. Desmond Wells, Hugo Nieuwoudt etc. Coenie Claassen Coenie de Villiers has changed the landscape of South African music and in particular Afrikaans music over the past 40 years. His first recording (an own composition for EMI and released in 1978/9) won a SARIE Award and the originality of the song foreshadowed what has become one of the most radical and important creative careers in South African music. FOUR DECADES His career has subsequently spanned nearly four decades and nearly 20 albums of his own material, garnered three SAMA awards and numerous other accolades, including the medal of honour by the South African Council of Arts and Sciences. His creative work and recordings have been banned by the previous regime, but he has consistently broken down barriers in the face of adversity and shunned commercial credit in the process. Coenie has performed in Canada, England, Holland, Belgium and New Zealand. Artists who have appeared with him and worked with him on his critically-acclaimed albums include Dave Koz, Jonathan Butler, Hugh Masekela, Sibongile Khumalo, Sipho Gumede, Amampondo, Gloria Bosman, David Kramer, Robbie Jansen, Basil “Mannenberg” Coetzee, and a plethora of the greatest names in quality Afrikaans music, including Karen Zoid, Laurika Rauch and Kurt Darren. His previous album, Hart van Glas (Heart of Glass) reached gold status and was critically acclaimed. His opera Maximilan (with lyrics by John Jackson) was performed in Austria in 2009 as part of the Klagenfurt Summer Festival. Chrissie Rossouw Chrissie Rossouw aka Chrissie Kletz, Vocal artist, Songwriter and Composer, Radio Presenter, Sound, and Film Producer. Co-Owner of Angel Music Studio Productions. Chrissie Rossouw is a country music singer, director, video editor, songwriter and radio DJ from Potchefstroom, South Africa. Rossouw grew up in a rural village called Koster in North West. Her love for music was deeply rooted in her childhood but her music career only got shape and kicked off when she married Phillip Rossouw, a keen musician who had been involved in many different projects. She released her debut album 'Pappa se Meisiekind' that featured Ray Dylan, Andries Botha and Deon Vd Merwe, Renaldo Taute, Sez Adamson, Denny Laloutte and Vinnie Henrico. Rossouw is the co-owner of a production house called Angel Music Studio Productions, a company that specialises in audio, video and broadcast productions. Rossouw was also the production leader of two successful television series of 13 episodes each titled 'Die Ekstra Myl' and 'Springbok stories' that broadcast on Kyknet. Rossouw and Martiza joined forces and released their first country Gospel album and DVD, with 12 tracks and 12 music videos called 'Gospel From The Heart'. Magdel Spanellis I am a singer and performer in Cape Town South Africa, and live in a small town called Gansbaai. Music is my passion and I cannot wait for the world to hear my music. I love entertaining and performing live. There is just nothing that makes my heart beat faster than performing and connecting with people on a different level.... a spiritual level because I believe music touches the soul. This is what I love doing, I love touching souls and if that means I can do what I love most and still be able to do what I am destined to do then my life if complete...... This is only the beginning, and I am looking forward to my future in the music industry.... yes there is a new girl on the block and her name is Magdel Spanellis..... BE PART OF MY JOURNEY! I am available for bookings, you can send me an email to selectaccomtourism@gmail.com Sàmy Viviers OUR STREAMS RADIO OLDIE-ROCK RADIO COUNTRY WORLDWIDE RADIO AFRIKAANS STUDIO BOEREVOLK STEREO RADIO SAM GERMANY RADIO SAM BROADCASTER GERMANY RADIO INTERNATIONAL MUSIC RADIO EENDRAG GERMANY RADIO SAM STEREO RADIO VOORTREKKER STEREO RADIO SAM MUSIC CLUB RADIO SPRINGBOK GERMANY RADIO GBM-LIVE GERMANY RADIO AFRIKAANS STEREO OUR PARTNERS RADIO EENDRAG NAMIBIA MRPTV-LIVE GERMANY ZENO ONLINE RADIO BOX STREEMA LIVE ONLINE RADI OUR BLOGGER RADIO OLDIE-ROCK RADIO COUNTRY WORLDWIDE RADIO AFRIKAANS STUDIO BOEREVOLK STEREO RADIO SAM GERMANY RADIO SAM BROADCASTER GERMANY RADIO INTERNATIONAL MUSIC RADIO EENDRAG GERMANY RADIO SAM STEREO RADIO VOORTREKKER STEREO RADIO SAM MUSIC CLUB RADIO SPRINGBOK GERMANY OUR WEBSITES RADIO OLDIE-ROCK RADIO COUNTRY WORLDWIDE RADIO AFRIKAANS STUDIO BOEREVOLK STEREO RADIO SAM GERMANY RADIO SAM BROADCASTER GERMANY RADIO INTERNATIONAL MUSIC RADIO EENDRAG GERMANY RADIO SAM STEREO RADIO VOORTREKKER STEREO RADIO SAM MUSIC CLUB About RADIO SPRINGBOK GERMANY ADVERTISEING OUR TEAM OUR RADIO STATIONS OUR PROGRAMM BACK TO TOP

Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event….No need to go to different websites, only here, one place….all in one. ‘ Radio SAM Broadcsater Germany’strive to work closely with all different artists and their support to give you up to date fixtures as they happen, so you can plan and attend. Our Websites and Bloggers This is a Website and Blogger Link Page. It's a great opportunity to see information about the Websites and Bloggers we provide. click on the Website and Blogger box and make sure you want to share with site visitors. View More View More View More View More View More View More View More View More View More View More View More View More Our Top Radio Station In Germany. CONTACT AND TUNE-INs Our Main Websites: https://radio-sam-broadcaster.de.tl/Home.htm Our English Website: https://radio-sam-broadcaster-germany.page.tl/ Our Blogspot: https://radiosambroadcastergermany.blogspot.com/ Our Second E-Mail: a.dezius@gmail.com Instagram: https://www.instagram.com/radiosambroadcastergermany/ Tweeter: https://twitter.com/RadioSAMBroadc1 Facebook:https://www.facebook.com/andreas.dezius/ Streema: https://streema.com/radios/Radio_SAM_Music_Radio_SAM_International_Music Zeno Media Fm: https://zeno.fm/radio-sam-broadcaster-germany4xqvqt35p48uv/ Online Radio Box: Radio SAM Germany Our Main Website: https://radio-sam-music.de.tl/HOME.htm Radio SAM Germany Live On Line Radio: https://liveonlineradio.net/de/radio-sam-germany Radio SAM Germany Online Radio Box:https://onlineradiobox.com/de/samgermany/?cs=de.samgermany&played=1 Radio SAM Germany Zeno Fm: https://www.zeno.fm/player/radio-sam-germany-master-input-station?fbclid=IwAR2hz5yAvSPjEUAlnYvSiAQApVFD1F8gaugxw9V5bLXOCK87L-xGIPG7Sl4 Radio SAM Blogger: https://radio-sam-germany-music.blogspot.com/ Facebook: https://www.facebook.com/andreas.dezius/ Radio Voortekker Stereo: Zeno Media Fm: https://zeno.fm/radio-voortrekker-germany/ Radio Voortrekker Stereo Website: https://radio-voortrekker-stereo.page.tl/ Radio Voortrekker Blogger: https://radio-voortrekker-stereo-germany.blogspot.com/ Radio SAM Broadcaster: https://radio-sam-broadcaster-germany.page.tl/ Radio SAM broadcaster Germany: https://radio-sam-broadcaster.de.tl/Home.htm Radio SAM Broadcaster on Zeno Media: Radio SAM Broadcaster Live on Zeno Fm: https://zeno.fm/radio-sam-broadcaster-germany4xqvqt35p48uv/ Radio SAM Broadcaster on Tweeter: https://twitter.com/RadioSAMBroadc1 Radio SAM Broadcaster on FaceBook: https://www.facebook.com/andreas.dezius/ Radio SAM Broadcaster on Google Blogger: https://radiosambroadcastergermany.blogspot.com/ Radio SAM Broadcaster on Online Radio Box: https://onlineradiobox.com/de/sambroadcastergermany/?cs=de.sambroadcastergermany&played=1 Radio SAM Broadcaster on Instagram: https://www.instagram.com/radiosambroadcastergermany/ Radio SAM Broadcaster Tune-In Links : Our Bloggers https://radio-sam-international-music.blogspot.com/ https://radio-afrikaans-stereo.blogspot.com/ https://afrikaanse-mense-europa.blogspot.com/ https://radio-sam-germany-music.blogspot.com/ https://radiosam-music-club.blogspot.com/ https://dj-nighthawk-entertainment.blogspot.com/ https://mrptv-livesouthafrica.blogspot.com/ https://radio-eendrag-germany.blogspot.com/ https://djnighthawkgermany.blogspot.com/ https://radio-sam-broadcaster.blogspot.com/ https://radio-voortrekker-stereo-germany.blogspot.com/ https://radio-springbok-germany.blogspot.com/ https://radiosamlive.blogspot.com/ https://radio-sam-germany-music.blogspot.com/ https://radio-top-ten-germany.blogspot.com/ BACK TO TOP

One App, Many Uses Use this paragraph to showcase your app’s key features and how it will enhance the user’s experience with your brand. Just click “Edit Text” or double click here to add your own content. Join over a million happy users! Smart links to promote your music Simple Plans We Create & Share Your Link Easily We create your link with a variety of themes. Personalized Content Easy Streams & Presaves Your audience can stream your release from our Website We support in one click, deeplinking your favourite apps.and links Our Support We Edit & Update We can update your links content at any time to include additional , messages to your audience & more. Increase streams with one link for your song, EP, or album Create a beautiful landing page to promote your music across email, social, and pretty much anywhere across the internet.  FanLinks make it easy to see exactly where your music is available, linking fans to the platform of their choice.  Once fans have clicked on a FanLink, they’ll always automatically be directed to their preferred streaming platform. The result? Reduced drop-off. More listens, more shares Integrated Save Campaigns The easiest way to market an upcoming release. Pre-Saves and Pre-Adds help your fans know where to listen on release day.  One link for the entire release cycle  Worry-free auto scanning of popular streaming services  Increase playlisting and find more listeners and streams Automated Release Notifications Send your fans an email on release day letting them know where they can hear your latest song or album.  Improve awareness and streams on release day  Measure and track engagement on your release emails .  Easily launch targeted advertising campaigns to get your music in front of fans on Facebook and Instagram with Playbooks We believe getting your music noticed should be as simple as clicking a button  Add your Facebook pixel, Google pixel, or Twitter pixel  See how many people are engaging with your music in real-time  Understand where listeners are coming from and which platforms they use to stream Simple with your universal livestream link. I Download the app now! You can easily add your own content to this paragraph. Click on "Edit Text" or double click here to make it your own. Get Updates Get the latest app version, news & updates. Subscribe to our newsletter. Subscribe BACK TO TOP

JUST 4U CAMPING RESORTS View More Camping Germany Germany is a diverse and fascinating holiday destination with modern cities, medieval villages, impressive natural landscapes and fascinating traditions. The rural regions offer the perfect setting for a successful camping holiday. Fairytale castles and palaces, rolling green landscapes, meandering rivers and majestic mountains make Germany a great travel destination for camping holidaymakers. FOOD & BACKING View More The history of South African recipes reflects the country’s complicated past, which has seen colonialism, slavery, apartheid, and liberation movements. South African cuisine is a unique blend of flavors and influences from the country’s diverse cultural heritage, including indigenous African, Dutch, Malay, Indian, and British.Before European colonization, South African food was based on a hunter-gatherer culture, with traditional dishes consisting of game meat, fruits, and vegetables. The arrival of Dutch settlers in the 17th century brought about significant changes in the local cuisine. The Dutch introduced farming and livestock, which led to the introduction of South African recipes such as biltong (dried, cured meat), boerewors (sausage), and potjiekos (stew). WEATHER REPORT GERMANY View More Germany is known for its unpredictable weather, which can change from one moment to the next. Whether you're planning a trip or just to stay informed, our weather reports provide up-to-date information on current conditions, as well as forecasts for the coming days. From sunny skies to thunderstorms, we've got you covered. prepared and stay safe with our reliable weather reports. SPORT NEWS View More Sports have always been a great way to bring people together, and the world becoming more connected than ever, it's no surprise the love of sports is spreading worldwide. From soccer in Europe to basketball in the United States, there's no shortage of exciting sports to follow. Stay up to date with latest news and scores from around the globe with our comprehensive coverage of top sports worldwide. TRAVEL INFORMATION View More Travel Tours Information Worldwide is your ultimate guide to exploring the world. From the bustling streets of New York City to the serene beaches of Bali, we provide you with all the information you need to plan your dream vacation. Our of experts has traveled the globe to bring you the best tips, tricks, and recommendations for your next adventure. Let us help you make unforgettable memories on your next trip. NEWS View More In today's breaking news, we bring you the latest updates from around the world. Stay tuned for the most recent developments on politics, business, entertainment, and. Our team of reporters is working around the clock to bring the most accurate and up-to-date information. TRAFIC REPORTS IN GERMANY View More Looking for up-to-date traffic information in Germany? Our live traffic reports provide real-time updates on road conditions, accidents, and traffic jams to help you plan your route and avoid delays. Stay informed and stay on schedule with our reliable traffic reports. SOUTH AFRICA INFORMATION View More Southernstar-africa is a Homepage and Website based on South Africa,The Life and Culture and Wildlife and as Well of our Lives ,when we were still Liveing in South Africa .This Homepage has Information on South African History,on the Wildlife and the Big Five Game of South Africa. You Can find Pictures ,Links ,News,Recipes,Joke ,South African Ghost Stories and many other things that mite Intrest you,and also for School Projects,Some Pages are not for childrens View. You will find link banner on top of the webpages,at the bottom of the website,and on the left side of the page,you will also see alot of pages are link to other sites ,on the Net,and as well linked to partner and our own websites and Homepages... MUSIC 4 U View More Welcome to Music 4U, where you can enjoy the top music on our website. We offer a wide range of genres to suit every taste, so sit back, relax, and let music take you away. RADIO SAM BROADCASTING STUDIOS View More "Welcome to my YouTube channel! Enjoy the latest music and playlists that I have curated just for you. Don't forget to hit the subscribe button for more." ONLINE MUSIC View More If you just want to listen to your favorite online radio stations, you can of course do so here: You can click through the music genres or topics you want and you will find enough material to stream continuously for days! Here, the many German channels are just a few clicks away from the small regional channel from Italy. Thanks to the radio cloud, you don't even have to turn on your computer or smartphone to record, you don't even have to be at home. The scheduled shows are simply saved in the cloud, where you can easily stream them or download them for later use. Radio programs and tips - radio plays and more That's all well and good, but you don't even know what you want to hear in the wide landscape of internet radio? No wonder, after all, there are many of programs on all sorts of genres. Our editorial team therefore studies the radio program every week and always has a few tips ready to make your choice easier: There is also something for the little listeners on a separate page for children. Do you want to let off steam in the wide world of internet radio? Radio SAM Broadcaster Germany makes this particularly easy for you . MUSIC TUNE-IN View More Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event….No need to go to different websites, only here, one place….all in one. ‘ Radio SAM Broadcsater Germany’strive to work closely with all different artists and their support to give you up to date fixtures as they happen, so you can plan and attend. ‘ ‘ Radio SAM Broadcaster Germany’’ wants to be part of your journey to that life changing event. Even more, follow us on social media and let’s share that special life changing event . Contacts Email:a.dezius@gmail.com Facebook:https://www.facebook.com/Radio-SAM-Broadcaster-Germany-109034484821095/ Twitter:https://twitter.com/broadcaster_sam

German Radio Stations About site For your convenience, we have done our best to compile a few online radio stations in Germany. Now the only thing you need for listening to the radio is our player. You can listen to any free radio online on our site or you could install our convenient app on your smartphone. Improve your website with the ability to play radio stations and show the recent played songs, the charts being played in a country per genre on the radio, the schedule of the radio stations… with almost no effort. Customize the widget based on your design and content. By allowing more users to play your stream using our player, you will get a higher position in Radio SAM Broadcasting Studios popular stations" list. Get your widget now! Here you can find many Internet Radio Streams , for you to Tune-Into and Enjoy your Music...

The Afrikaans Music in South Africa in Music Talk Afrikaans music, a diverse and influential genre within South Africa's rich musical landscape, reflects the unique cultural heritage and modern expressions of the Afrikaans-speaking community. This article delves into the evolution, major artists, and contemporary trends in Afrikaans music, illustrating its role in shaping the nation's auditory identity. Historical Roots and Early Influences Afrikaans music has its roots deeply embedded in the folk traditions of the early Afrikaner settlers, blending European influences with local sounds. The early 20th century saw the rise of "Boeremusiek" or farmer's music, characterized by the use of accordions, concertinas, and guitars. These instruments set the foundation for the distinctive sound that would evolve into a broader musical genre, capturing the everyday life and stories of the Afrikaans-speaking people. Rise of Afrikaans Pop and Rock By the mid-20th century, Afrikaans music began to diversify with the introduction of pop and rock elements, giving rise to a new wave of musicians who modernized the traditional sounds. Bands like Fokofpolisiekar and Van Coke Kartel, as well as singers such as Karen Zoid and Laurika Rauch, have played pivotal roles in popularizing the rock and pop sub-genres within the Afrikaans music scene. Their work has bridged generational gaps and brought contemporary issues to the forefront through their lyrics and melodies. The Folk Revival and Its Modern Twist In recent years, there has been a revival of interest in Afrikaans folk music, with artists like Chris Chameleon and Die Antwoord adding a modern twist to traditional styles. This revival has not only enriched the genre but also expanded its appeal to younger audiences both in South Africa and internationally. These artists blend traditional elements with modern music styles, creating a hybrid that is both fresh and deeply nostalgic. Afrikaans Music on the Global Stage Afrikaans music has increasingly made its mark on the international scene, with artists touring globally and participating in international music festivals. Acts like Die Antwoord have gained a following worldwide, showcasing the versatility and global appeal of Afrikaans music. Their unique blend of electronic music with Afrikaans rap has introduced the language and its culture to a global audience, highlighting the genre's ability to transcend cultural and linguistic barriers. The Future of Afrikaans Music The future of Afrikaans music looks promising as it continues to evolve and adapt to new trends and technologies. The genre's ability to innovate while staying true to its roots is a testament to the creativity and resilience of its artists. As more musicians experiment with blending different musical styles and technologies, Afrikaans music is set to continue its growth and influence, both within South Africa and across the world. Afrikaans music, with its rich heritage and dynamic present, plays a crucial role in the cultural expression of South Africa, offering insights into the community's past, present, and future aspirations. To complement the vibrant exploration of Afrikaans music, here are five standout songs that showcase the best of the genre. These tracks not only capture the essence of Afrikaans musical creativity but also offer a great starting point for those new to the scene: "Lisa se Klavier" by Koos Kombuis - Often hailed as one of the most beautiful Afrikaans songs, this track is a poignant ballad that showcases Koos Kombuis' deep lyrical abilities and emotive performance. "Toe Vind Ek Jou" by Francois van Coke ft. Karen Zoid - This powerful duet between two of Afrikaans rock's most iconic voices is both stirring and melodically rich, making it a modern classic in the Afrikaans music scene. "De La Rey" by Bok van Blerk - A contemporary anthem that became hugely popular for its rousing melody and historical references, this song is a staple at many Afrikaans gatherings and continues to resonate with listeners. "Liewe Maatjies" by Die Antwoord - Reflecting the unique style of Die Antwoord, this track mixes rap with electronic music, offering a distinctive sound that has brought international attention to Afrikaans music. "Blou" by Laurika Rauch - A classic by one of Afrikaans music's most enduring artists, this song's melodic flow and nostalgic lyrics offer a tender look at the themes of love and memory. These songs each provide a different flavor of Afrikaans music, reflecting the diversity and depth of the genre while celebrating its South African roots. The Afrikaans Music in South Africa in Music Talk Afrikaans music, a diverse and influential genre within South Africa's rich musical landscape, reflects the unique cultural heritage and modern expressions of the Afrikaans-speaking community. This article delves into the evolution, major artists, and contemporary trends in Afrikaans music, illustrating its role in shaping the nation's auditory identity. Historical Roots and Early Influences Afrikaans music has its roots deeply embedded in the folk traditions of the early Afrikaner settlers, blending European influences with local sounds. The early 20th century saw the rise of "Boeremusiek" or farmer's music, characterized by the use of accordions, concertinas, and guitars. These instruments set the foundation for the distinctive sound that would evolve into a broader musical genre, capturing the everyday life and stories of the Afrikaans-speaking people. Rise of Afrikaans Pop and Rock By the mid-20th century, Afrikaans music began to diversify with the introduction of pop and rock elements, giving rise to a new wave of musicians who modernized the traditional sounds. Bands like Fokofpolisiekar and Van Coke Kartel, as well as singers such as Karen Zoid and Laurika Rauch, have played pivotal roles in popularizing the rock and pop sub-genres within the Afrikaans music scene. Their work has bridged generational gaps and brought contemporary issues to the forefront through their lyrics and melodies. The Folk Revival and Its Modern Twist In recent years, there has been a revival of interest in Afrikaans folk music, with artists like Chris Chameleon and Die Antwoord adding a modern twist to traditional styles. This revival has not only enriched the genre but also expanded its appeal to younger audiences both in South Africa and internationally. These artists blend traditional elements with modern music styles, creating a hybrid that is both fresh and deeply nostalgic. Afrikaans Music on the Global Stage Afrikaans music has increasingly made its mark on the international scene, with artists touring globally and participating in international music festivals. Acts like Die Antwoord have gained a following worldwide, showcasing the versatility and global appeal of Afrikaans music. Their unique blend of electronic music with Afrikaans rap has introduced the language and its culture to a global audience, highlighting the genre's ability to transcend cultural and linguistic barriers. The Future of Afrikaans Music The future of Afrikaans music looks promising as it continues to evolve and adapt to new trends and technologies. The genre's ability to innovate while staying true to its roots is a testament to the creativity and resilience of its artists. As more musicians experiment with blending different musical styles and technologies, Afrikaans music is set to continue its growth and influence, both within South Africa and across the world. Afrikaans music, with its rich heritage and dynamic present, plays a crucial role in the cultural expression of South Africa, offering insights into the community's past, present, and future aspirations. To complement the vibrant exploration of Afrikaans music, here are five standout songs that showcase the best of the genre. These tracks not only capture the essence of Afrikaans musical creativity but also offer a great starting point for those new to the scene: "Lisa se Klavier" by Koos Kombuis - Often hailed as one of the most beautiful Afrikaans songs, this track is a poignant ballad that showcases Koos Kombuis' deep lyrical abilities and emotive performance. "Toe Vind Ek Jou" by Francois van Coke ft. Karen Zoid - This powerful duet between two of Afrikaans rock's most iconic voices is both stirring and melodically rich, making it a modern classic in the Afrikaans music scene. "De La Rey" by Bok van Blerk - A contemporary anthem that became hugely popular for its rousing melody and historical references, this song is a staple at many Afrikaans gatherings and continues to resonate with listeners. "Liewe Maatjies" by Die Antwoord - Reflecting the unique style of Die Antwoord, this track mixes rap with electronic music, offering a distinctive sound that has brought international attention to Afrikaans music. "Blou" by Laurika Rauch - A classic by one of Afrikaans music's most enduring artists, this song's melodic flow and nostalgic lyrics offer a tender look at the themes of love and memory. These songs each provide a different flavor of Afrikaans music, reflecting the diversity and depth of the genre while celebrating its South African roots. AFRIKAANS SINGERS THE HISTORY AND HERITAGE OF POPULAR AFRIKAANS MUSIC A short history of popular Afrikaans music If one wants to understand the heritage of popular Afrikaans music, it has to be viewed against the complex sociopolitical backdrop of the development of the language itself. Briefly explained, Afrikaans emerged as a result of the interaction at the Cape between European (mostly Dutch) settlers, the indigenous Khoikhoi and imported Malay slaves, and their descendants over the last three and a half centuries (Roberge 1993). By the mid-nineteenth century, it had become quite distinct from Dutch and was spoken by people diverse in terms of race, class, geography, reli- gion, culture and identity. Developing in a colonial context, racial hierarchies were established and divisions upheld. From a popular music perspective, this diverse cultural heritage saw music sung in Afrikaans and played by musicians from across the racial spectrum (Martin 2012). Dutch and German (and to a lesser extent English) liturgical music and secular songs formed a founda- tion for songs sung in the new language, while imported minstrel songs from America brought to the colony in the latter part of the nineteenth century added stylistic flavour (Van der Merwe 2015). Also influential were the local indigenous music traditions of the Khoikhoi, as well as those imported from the East by slaves. As a result, the popular music that developed from these sources represented clearly heterogeneous elements. This diversity also forms the basis of fault lines and tensions regarding its heritage. Popular Afrikaans music is, perhaps, with due consideration given to the dangers of what has become known as ‘South African exceptionalism’, unique in global popular music as the actual language itself (and therefore by extension, its music) developed parallel to global record-ing technologies. The first Afrikaans newspaper was founded in 1875, just 2 years prior to the invention of the phonograph in 1877. At the turn of the twentieth century, when gramophone records were becoming mass-produced, the Anglo-Boer War (1899–1902) was raging between Britain and the two independent Boer republics, the Zuid-Afrikaanse Republiek (commonly known as the Transvaal Republic) and the Republic of the Free State. These two republics were the manifestations of white Afrikaner nationhood, based on a specific linguistic and racial identity. Because of the interest the conflict attracted in Europe at the time, a few sympathetic European singers recorded the national anthems of the two republics in Brussels and The Hague during the war. These were the earliest Africana (sung in Dutch, but relating to Afrikaans) records. The first recordings in actual Afrikaans date to 1906 and were made in London Afrikaans Singer A Andriëtte Anke Fatheya Ahmed B Bok van Blerk Cristina Boshoff Piet Botha Bles Bridges Liza Brönner C Mimi Coertse posing in front of a sculpture of herself (Johannesburg, ca. 1965) Arno Carstens Chris Chameleon Mimi Coertse D Kurt Darren Izak Davel Al Debbo Coenie de Villiers Casper de Vries Ray Dylan E Erica Eloff Jurie Els Elvis Blue F Joanna Field Ada Forrest Afrikaans Singer G Anton Goosen H Sonja Herholdt Steve Hofmeyr J Theuns Jordaan Hennie Jacobs Fanie de Jager Lance James Watkin Tudor Jones Arno Jordaan Theuns Jordaan K Ada Cherry Kearton (married name of Ada Forrest) Johannes Kerkorrel Koos Kombuis Gé Korsten Karin Kortje David Kramer L Riku Lätti Patricia Lewis Nicholis Louw Stefan Ludik Laura Lynn Helmut Lotti N Nádine Nádine in the Netherlands in 2009 Nataniël Riana Nel Nianell Afrikaans Singer O Overtone are an a cappella group from Johannesburg . Overtone P Jack Parow Brendan Peyper Juanita du Plessis Koos du Plessis Gert Potgieter R Laurika Rauch S Leon Schuster Snotkop Etienne Steyn Amanda Strydom Valiant Swart T Shaun Tait Adam Tas V Bobby van Jaarsveld Bobby van Jaarsveld in 2009 Piet van Wyk de Vries Yolandi Visser Amor Vittone Francois Van Coke ; also the lead singer of punk rock bands Van Coke Kartel and Fokofpolisiekar W Willim Welsyn Robbie Wessels Heinz Winckler Dana Winner Z Karen Zoid performing on stage in 2009 Karen Zoid Nuutste Afrikaanse Musiek Jan 2023 VIEW THE VIDEO Lekker Afrikaanse Musiek Dec 2022 VIEW THE VIDEO Bernice West - Hy Jy Jy (Official Music Video) VIEW THE VIDEO Nicola Dreyer - Jy Weet Dit Is Jy VIEW THE VIDEO Riaan Benadé - Die Lot (Lirieke Video) VIEW THE VIDEO Ricus Nel - Trek Uit Jou Baadjie (Amptelike Musiekvideo) VIEW THE VIDEO Elandre - Asseblief (DJ Johnny Remix) VIEW THE VIDEO Jan Rhaap - Plaaskind VIEW THE VIDEO Logan Pietersen - Afrikaner Boervrou VIEW THE VIDEO ARMAND HOFMEYR - Case Trekker VIEW THE VIDEO Armand Steenkamp - Johanna Van Saldanha VIEW THE VIDEO Willem Botha - 2010 (Amptelike Musiekvideo) VIEW THE VIDEO Popular Afrikaans music (Van der Merwe 2015). More recordings followed, almost all of them made by white Afrikaans singers who were studying in London on scholarships, something which was not available to Afrikaans speakers of other races at the time. The first advertisements for Afrikaans popular music records started to appear in 1910, a few months after the Union of South Africa, which was a merger of the Cape and Natal Colonies with the defeated Boer republics. These early records were advertised in such a way that it played on the tension between Afrikaans and English speakers and appealed to a sense of Afrikaner nationhood. What this meant, ultimately, is that the very first recordings of popular Afrikaans music had close links to a group of white Afrikaans speakers and their aspirations of nationhood. Coloured and black Afrikaans speakers were excluded from these recordings, despite the fact that they had developed vibrant and unique music styles. The first local recordings were made in 1912 by George Walter Dilnutt on his mobile recording unit. More mobile studios arrived in the 1920s, but it was really with the start of the 1930s that the local recording industry took off, partly thanks to hugely successful working-class boeremusiek (literally translated ‘farmer’s music’) albums, of which those by singer David de Lange were the most popular. Such records caused tension among class-aware nationalists who, from the 1930s onwards, were intent on co-opting Afrikaner culture as a vehicle for white Afrikaner nationalism. Although these albums were recorded by white musicians, traditional boeremusiek represented a complex mixture of the urban and the rural, and of race and class. Developing during the nineteenth century and the early parts of the twentieth, it was regularly performed by coloured labourers for white farm- ers at their dance parties, just like other types of labour on the farms were designated to them. Ideologues from nationalist cultural organisations laboured to codify the language and cul- ture to embody a white Afrikaans-speaking volk (nation). Part of this project was the publication of a Volksangbundel (Folk songbook) by the Federasie van Afrikaanse Kultuurvereniginge (Federation of Afrikaans Cultural Organisations, or FAK for short) in 1937 with 314 sanctioned Afrikaans songs, ranging from national anthems to picnic songs. Popular Afrikaans music that did not meet the cultural requirements, like that of David de Lange, were deliberately excluded. The South African Broadcasting Corporation (SABC) was established in 1936, and from 1937 had a dedicated Afrikaans channel that transformed popular Afrikaans music. The ushering in of the apartheid era in 1948 heralded fleeting changes for South Africa. Its segregationist laws impacted on music performance in various ways. The destruction of mix- race urban centres like Sophiatown in Johannesburg in the mid-1950s also affected the perfor- mance of vibrant music styles like marabi jazz and swing by local black musicians. However, during the 1950s, kwela music (pennywhistle jive music that emerged among black musicians in and around Johannesburg) became a very popular genre for white recording artists (Allen 2008). Many Afrikaans musicians recorded kwela; the most prominent was the accordion virtuoso, Nico Carstens, who managed to sell in excess of a million LPs between 1954 and 1959. This coincided with the introduction of rock music to South Africa in 1956. Rock had a delayed influence on Afrikaans music. Although (possibly) the earliest Afrikaans song, ‘Gogga’ (an overt reference to The Beatles) dates to 1964, it was only from the late 1970s and early 1980s that Afrikaans music artists started playing rock music in Afrikaans. While abroad rock music had links with the social movements of the 1960s, it had limited impact among South African, including Afrikaans, youth. The 1960s represented the height of apartheid and white Afrikaners mostly accommodated its policies (Van der Merwe 2014). Furthermore, cen- sorship was strict: television was banned until 1976, and generally Afrikaans music remained superficial and heavily influenced by European Schlager music. It was only towards the end of the 1970s and into the 1980s that Afrikaans music artists started to question the political status quo. This happened at a time of growing wider discontent with the system of apartheid among Schalk van der Merwe white Afrikaans speakers. The 1980s were tumultuous years as South Africa erupted in wide- spread violence in the townships, forcing State President P.W. Botha to call a national state of emergency in 1985. White men also started campaigning against conscription, while mostly English bands performed under the banner of the End Conscription Campaign (ECC). Also around this time, early hip hop groups started to form in and around the coloured neighbour- hoods of Cape Town, although they remained largely underground. By the end of the decade, alternative Afrikaans rock musicians became staunchly critical of not just the political system but also the conservative white middle class in which they grew up. In the post-apartheid context, the Afrikaans culture industry has done well. After the state support it received under apartheid was suspended in 1994, it mostly withdrew into corporate hands (Steyn 2016). Dedicated Afrikaans television channels, radio stations, print media, online communities, brand identities and so forth have grown significantly, while Afrikaans arts festi- vals were established to ensure a vitality in the Afrikaans arts. The Afrikaans music industry has also boomed. Since 2000, a number of artists have passed the 1 million mark in sales in what is a small market. Since 2004, five Afrikaans artists have won the South African Music Award (SAMA) for best-selling local album, while in the 2012/2013 season the five top-selling local albums (of all genres, regardless of language) were Afrikaans (Van der Merwe 2017). However, the top rung of popular Afrikaans artists represent only a specific segment of the Afrikaans- speaking community. A long history of separation has made a lasting impact on commercial Afrikaans music. The mainstream remains overwhelmingly white and caters specifically for its own audience (some, like singer Steve Hofmeyr, have even come to embody right-wing Afrikaner political aspirations), despite the fact that they constitute a minority of first-language Afrikaans speakers. Although one can certainly argue that the Afrikaans recording business is – and always has been – driven by a profit model (aimed mostly at white Afrikaans speakers who have more spending power), it has at times caused friction and drawn accusations of exclusion. As a result, popular Afrikaans music has been included in political debates around linguistic identity, authenticity and the very future of Afrikaans itself. A brief tour of popular Afrikaans music studies The field of popular Afrikaans music studies is relatively young when compared to more estab- lished counterparts in Europe and the USA, or even wider popular music studies in South Africa itself. When the International Association for the Study of Popular Music (IASPM) was founded at the first popular music studies conference in Amsterdam in 1981, no academic study had yet been done on popular Afrikaans music. In fact, it was only towards the end of the 1990s, but especially from the early 2000s onwards, that academic work – emanating from a variety of disciplines – on popular Afrikaans music started to appear. One of the first was by Ingrid Byerly (1998), who identified early forms of resistance in popular Afrikaans music and brought it into the wider discussion on late-apartheid South African music. However, to date, very few articles on popular Afrikaans music have appeared in leading journals such as Popular Music (oneexception is Froneman 2014) or the Journal of Popular Music, or in major international collec-tions of work. There is also no local branch of IASPM in South Africa, although SASRIM (the South African Society for Research in Music), which is primarily a society for musicologists, has hosted conferences where papers on popular Afrikaans music have been presented. The newly formed Africa Open Institute for Music Research and Innovation at Stellenbosch University is partly dedicated to the advancement of popular music studies, but popular Afrikaans music stud- ies as a ‘field’ is yet to be formally institutionalised at a South African university. There are, of course, historical factors that have delayed and frustrated its development. Popular Afrikaans music The political context of the apartheid era was instrumental in dividing the local attentions of musicologists between Western classical music (as many Afrikaans conservatoires tended to do, thereby also subtly accommodating the dominant narrative of white cultural supremacy) and ethnomusicology involved with local black music that represented various forms of resistance, mostly undertaken by liberal scholars in opposition to apartheid (Lucia 2005, p. xxxv). Thus, while popular music studies were gaining legitimacy abroad and among liberal local scholars (for example Anderson 1981, Coplan 1985), popular Afrikaans music was doubly excluded: from within the conservative Afrikaans scholarly community which did not regard it as a legitimate field (reflecting the global stance before the 1980s) to other scholars who regarded it as part of the culture of the oppressor. There was some merit in this assumption, since white Afrikaners as a group had the most invested in apartheid, and popular Afrikaans music often complied with, and reflected, its cultural requirements. There were, however, instances towards the end of apartheid when Afrikaans music artists resisted these requirements, and these were the first to draw academic attention, mostly from outside the field of musicology. The most prominent example of this was the anti-establishment Afrikaans rock music of the 1989 Voëlvry (literally translated as ‘free as a bird’, or even ‘free penis’) tour. The tour consisted of three acts, head- lined by Johannes Kerkorrel (Johnny Church Organ) and the Gereformeerde (‘Reformed’) Blues Band, with Bernoldus Niemand (Bernard Nobody, the working-class alter ego of native English-speaking artist James Phillips) and poet/songwriter André Letoit, who later changed his name to Koos Kombuis (Jacob Kitchen). Voëlvry is commonly regarded as the height of political Afrikaans music against a con- servative white middle-class Afrikaner society and apartheid politics. Journalist and writer Pat Hopkins (2006) published an authoritative book on Voëlvry, accompanied by a DVD produced by Shifty Records (a small, progressive record company that recorded, among other things, political music during the 1980s) boss Lloyd Ross. Although perhaps not strictly speaking an academic investigation, the book is more than just a documentation of the tour, and Hopkins successfully interrogated the way in which Voëlvry subverted the deep historical relationship between Afrikaner nationalism and Afrikaans music. Koos Kombuis’s Sex, drugs en boeremusiek (2000) and Short drive to freedom (2009), on the other hand, offer autobiographical accounts of his experiences as part of Voëlvry. Apart from these books, there is a substantial body of academic articles on Voëlvry. Jury (1996), Bosman (2004), Grundlingh (2004), Laubscher (2005), Viljoen (2005), Baines (2008) and Suriano and Lewis (2015) have all focused on either the movement directly, or the artists associated with it. Not unlike popular music studies elsewhere, protest singers, poets (through literature studies of their lyrics) and music movements are often explored themes and Voëlvry embodied all of these. Apart from Voëlvry (and distinctly different in what it represented), the hit song ‘De la Rey’ has featured prominently in the literature on popular Afrikaans music. It was released in 2006 by singer Bok (‘Buck’) van Blerk and the album (with the same name) became the fastest sell- ing Afrikaans debut album in history. The song was a reference to Koos De la Rey, a revered Boer general in the Anglo-Boer War (1899–1902), and the stunning effect of this invocation in post-apartheid South Africa drew much scholarly attention (Du Pisani 2001, Bezuidenhout 2007, Lotter 2007, Baines 2009, Lambrechts and Visagie 2009, van der Waal and Robins 2011, Pretorius 2013). Furthermore, apart from a flood of local newspaper articles, it also featured in UK’s The Guardian (McGreal 2007) and The New York Times (Wines 2007). Although not groundbreaking in terms of musical style (a slow paced, folky ballad with a 6/8 time signature that is easy to sing along to) ‘De la Rey’ struck a nerve which is of significant importance for the study of post-apartheid Afrikaner identities. It is a controversial song. Some interpret it as a call to arms (McGreal 2007), while others have questioned its play on Afrikaner nostalgia: Schalk van der Merwe (Bezuidenhout 2007, Baines 2009, van der Waal and Robins 2011). The song’s popularity hinted at a surprisingly high degree of social cohesion among white Afrikaans speakers in the absence of political party platforms. ‘De la Rey’ provided an opportunity for many to express solidarity with an Afrikaner identity that was rooted in victimhood (the loss of independence in the Anglo-Boer War and the horrors of British concentration camps), instead of relating to the days of being in power (during apartheid). Such nostalgia encodes all sorts of meanings, from rightwing Afrikaners trying to hijack the song as an anthem of white power, to representing a retreat from the wider South African society in which it is felt that Afrikaans as a language and a culture is under threat. Expanding somewhat on this topic is Senekal and Van den Berg’s (2010) lyrical analyses of 62 post-apartheid Afrikaans songs released between 1998 and 2009. The most common themes they identified had to do with crime, service delivery, appeals to stand together and more com- plex issues surrounding (assumedly white) Afrikaner identity. Under the latter, they included issues surrounding the problematic place of the Afrikaner in South Africa, the new generation positioned between the past and the future, the changing landscape (including Afrikaans place names), the maltreatment of the past and emigration as an alternative. These themes suggest that a number of Afrikaans artists experience a sense of friction within the wider, culturally plural- istic South African society. Stylistically, many of the younger generation of Afrikaans protest singers seem to have continued on a trajectory established by Voëlvry, but since the context has changed so dramatically, so has its meaning. The broader South African public is sensitive to Afrikaner calls ‘to stand together’ or complaints about crime and the government’s ineffi- ciency, and often, whether legitimately or not, see them as the cultural tropes of right-leaning Afrikaners. Deidre Pretorius (2013) has made an important study of stylised representations of masculinity in Huisgenoot Tempo magazine (the premier Afrikaans pop magazine). Here, she identified seven stereotypes: boer, metroman, sportsman, retroman, student, worker and rebel, all vari- ations of white male identities. Another more recent phenomenon that has attracted much academic interest is Afrikaans music’s biggest export, the zef (‘common’ or working class) rap group, Die Antwoord (‘The Answer’). Haupt (2012a) has looked at both Bok van Blerk and Die Antwoord (specifically their use of blackface) while exploring important issues of race and agency in post-apartheid music, media and film. Heavily influenced by coloured and black gangster culture even though they are white, Die Antwoord’s appropriation of the cultural practices of the ‘other’ was discussed in a special roundtable edition in the Journal of South African and American Studies, or Safundi (Haupt 2012b, Kreuger 2012, O’Toole 2012, Van der Watt 2012). Other articles on Die Antwoord have also appeared elsewhere that focus on issues of authenticity, whiteness, cultural appropriation and the like (Marx and Milton 2011, Scott 2012, Haupt 2013, Smit 2015). Haupt is a leading author on South African hip hop and has focused especially on its development around col- oured neighbourhoods on the outskirts of Cape Town from the 1980s onwards, and how it has encoded issues of power, authenticity, race, identity and language. Often rapping in vernacular Afrikaans, these artists portray an alternative type of popular Afrikaans music that stands outside the standard space where mainstream white popular Afrikaans music, with its exclusive and insu- lar nature, dominates. They also represent deep-rooted fault lines among the various first language Afrikaans-speaking communities. Haupt (2006) has also addressed the motives behind Afrikaans arts festivals that invite coloured Afrikaans groups to perform there. He questions whether or not these are acts of buying legitimacy, and furthermore, if coloured artists are only acceptable (and thereby given access) if they perform music that caters for the tastes of white Afrikaans speakers. Whereas the literature on Voëlvry, ‘De la Rey’ and Die Antwoord is very specifically focused, there has been a number of works that have employed a broader scope. The widest Popular Afrikaans music is On Record: Popular Afrikaans Music and Society, 1900–2017 (Van der Merwe 2017), which provides a historical take on salient themes in the entire history of recorded Afrikaans music to the present, starting with the first Africana and Afrikaans records. Rob Allingham, archivist of the Gallo Record Company (an important South African label that has released a trove of local music since 1930, including very popular early boeremusiek records), was the first to provide a summary of the history of popular Afrikaans music, in the African, European and Middle Eastern section in World Music: The Rough Guide (Allingham 1999). Although a potted version, he did manage to highlight many important historical themes such as the influence of imported American music on the ‘concertina-led brand of dance-music’ of the 1930s (a reference to boeremusiek), the ubiquitous background of Afrikaner nationalism, the post-war imitation of middle-of-the-road European light music styles, the emergence of alternative Afrikaans music during the 1980s and 1990s, and the link between music revivalists and right-wing politics after 1994 (Allingham 1999, p. 651). Denis-Constant Martin’s Sounding the Cape (2012) is a notable work that provides a long his- torical account of the social complexities that played on the development of music traditions in and around Cape Town and beyond. It pays proper attention to the enormous cultural contri- butions of coloured and black musicians across a variety of genres and also highlights the role of racial segregation in breaking musical relations that have historically transcended such bounda- ries. Although it is not specifically focused on Afrikaans music, a large part of the study includes Afrikaans music elements that have emerged in this setting. Importantly, the book bridges the lasting insularity that persists in the music industry to give a comprehensive and balanced view of the music of the Cape. Another important study is Froneman’s ethnomusicological work on boeremusiek (2012), which is of special significance for the period from the 1930s to the 1950s, when it was one of the most popular genres of recorded Afrikaans music. The literature on boer- emusiek actually has a longer history. Between the 1940s and the 1960s, nationalist intellectuals wrote numerous papers and articles and made regular speeches on whether or not boeremusiek resembled an authentic Afrikaans folk tradition. They were especially interested in the cultural value of the genre and how to preserve it against foreign influences like jazz. These were, how- ever, written from a nationalist angle and subscribed to the dominant narrative of racial segrega- tion and hierarchies of apartheid. Froneman succeeds in portraying the position of boeremusiek as a juncture between race, class, religion, morality, politics, power and identity, and is authorita- tive. Klopper’s (2009) dissertation on the Afrikaans punk rock band, Fokofpolisiekar (‘Fuck off police car’), is authoritative and provides a lyrical analysis of this hugely influential group’s work. Klopper (2011) also published a biography on the band for a wider, less academic, readership. There are also other popular works, like Danie Pretorius’ Musieksterre van gister en vandag: Lewensketse En Foto’s Van Meer as 100 Musieksterre (‘Music stars of yesterday and today: life sketches and photos of more than 100 music stars’; Pretorius 1998) and Ilza Roggeband’s 50 Stemme: Die grootste name in Afrikaanse musiek (‘50 voices: the biggest names in Afrikaans music’; Roggeband 2009) that provide biographic and discographic information about prominent Afrikaans singers. Another example is the 2003 documentary, Kom laat ons sing (‘Come let us sing’), presented and co-produced by singer Laurika Rauch (Rauch et al. 2003). Here, the main focus was on Musiek-en-Liriek (‘Music and Lyric’), a television programme aired in 1979 that heralded a new phase in Afrikaans music. Although more folk than overtly political, some sub- tle resistance started to emerge in the music. The documentary also provided a wider historical perspective on popular Afrikaans music, including the manner in which apartheid censorship prohibited a lot of music innovation and how the post-apartheid era represents a time of libera- tion. The South African music industry during apartheid was indeed subject to strict censorship, mostly written about by Merrett (1994) and Drewett and Cloonan (2006). This had a direct Schalk van der Merwe impact on the production of popular music, including popular Afrikaans music. The SABC used extremely subjective measures to determine which songs could be broadcast or not. As political tension increased during the 1980s, so did the power and intensity of censorship. It is clear that, although a relatively new field, the literature on popular Afrikaans music stems from numerous disciplines and is growing at a rapid pace. There is, however, still much room and scope for studies on, for example, Afrikaans music videos, postmodernity in popular Afrikaans music, issues of gender, its role in mass Afrikaner culture and the relationship between music and technology. In terms of archives, most South African university libraries have music collections that range from ethnic to Western art music, and in some cases also popular music. However, archival material of specifically popular Afrikaans music is more limited. An impor- tant archive is the Documentation Centre for Music (DOMUS) at Stellenbosch University, which houses the personal archives of influential Afrikaans artists like Anton Goosen and Nico Carstens. DOMUS also houses the Hidden Years Music Archive Project (HYMAP), which is a vast collection of material (live recordings, albums, ephemera) documenting the popular music scene in South Africa between 1960 and 2005, and is currently being sorted. It is one of the best sources of information on popular music performance in South Africa during apartheid. The radio archives of the SABC in Johannesburg hold numerous transcription records (many in Afrikaans), censored albums (of which offending tracks were scratched out) and the like, and although it is not all sorted, it remains an important source. The Gallo Record company has an archive in Johannesburg, but it is currently (as far as can be ascertained) not curated and difficult to access. One of the more useful online sources is the South African Audio Archive (2017), which features audio clips and visuals donated by private collectors. The oldest Afrikaans recording on the site dates to 1912. Another useful online resource is the South African Rock Encyclopaedia (2017), which focuses on local rock in both English and Afrikaans. A welcome new venture is the Music van de Caab Museum on the Solms-Delta wine farm in Franschhoek which aims at showcasing the music heritage of the Cape, which is in line with the farm’s broader policy of empowering farm workers and celebrating their cultural roots. This is important in a wider context of not just preserving, but re-discovering, aspects of coloured Afrikaans music heritage that fall outside the popular mainstream. If one looks at more modern manifestations of such linguistic and racial identities in Afrikaans music (mostly hip hop), artists like Jitsvinger (who performs in an Afrikaans dialect called Afrikaaps), Churchill Naudé and Hemelbesem are notable names. The history of popular Afrikaans music is a rich one and part of a tumultuous and complex past. It is an especially relevant topic when it comes to determining the contours, or looking for indications of, social cohesion (and tension) among its various speak BACK TO TOP

View More SINGERS GERMAN MUSIC Germany claims some of the most renowned composers, singers, producers and performers of the world. Germany is the largest music market in Europe, and third largest in the world. German classical music is one of the most performed in the world; German composers include some of the most accomplished and popular in history, among them Georg Friedrich Händel , Johann Sebastian Bach , Ludwig van Beethoven , Carl Maria von Weber , Felix Mendelssohn , Robert Schumann , Richard Wagner , Johannes Brahms and Richard Strauss , many of whom were among the composers who created the field of German opera . The most popular living German composer is probably film score composer Hans Zimmer . Explore Explore Explore Explore German Hits German Hits Play Video Share Whole Channel This Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Search videos Search video... Now Playing Marina Marx - Steh auf und leb 03:30 Play Video Now Playing DISCO SCHLAGER 2024 💖 Hit Mix 01:26:45 Play Video Now Playing Pop Hits songs of 2000s - Shakira, Britney Spears, Avril Lavigne, Rihanna, Katy Perry, Beyonce 24:43:12 Play Video German popular music of the 20th and 21st century includes the movements of Neue Deutsche Welle (Nena , Hubert Kah , Alphaville ), disco (Boney M. , Modern Talking , Dschinghis Khan , Milli Vanilli , Bad Boys Blue ), metal /rock (Rammstein , Scorpions , Accept , Helloween ), punk (Die Ärzte , Böhse Onkelz , Nina Hagen , Die Toten Hosen ), pop rock (Sandra , Enigma , Michael Cretu , Herbert Grönemeyer ) and indie (Tocotronic ). Famous female singers were Marlene Dietrich and Hildegard Knef . German electronic music gained global influence, with Kraftwerk and Tangerine Dream being pioneer groups in this genre. The electro and techno scene is internationally popular, namely due to the DJs Paul van Dyk , Scooter and Cascada . Germany hosts many large rock music festivals . The Rock am Ring and Rock im Park festival is among the largest in the world. Since around 1990, the new-old German capital Berlin has developed a diverse music and entertainment industry. Minnesingers and Meistersingers (Man and Woman) The beginning of what is now considered German music could be traced back to the 12th-century compositions of mystic abbess Hildegard of Bingen , who wrote a variety of hymns and other kinds of Christian music . After Latin-language religious music had dominated for centuries, in the 12th century to the 14th centuries, Minnesinger (love poets), singing in German, spread across Germany. Minnesinger were aristocrats, traveling from court to court, who had become musicians, and their work left behind a vast body of literature, Minnelieder. The following two centuries saw the Minnesinger replaced by middle-class Meistersinger , who were often master craftsmen in their main profession, whose music was much more formalized and rule-based than that of the Minnesinger. Minnesinger and Meistersinger could be considered parallels of French troubadours and trouvère . Among the Minnesinger, Hermann, a monk from Salzburg , deserves special note. He incorporated folk styles from the Alpine regions in his compositions. He made some primitive forays into polyphony as well. Walther von der Vogelweide and Reinmar von Hagenau are probably the most famous minnesingers from this period. Classical music of Germany Germans have played a leading role in the development of classical music . Many of the best classical musicians such as Bach, Händel, Beethoven, Schumann, Brahms, Wagner, Mahler, or Schoenberg (a lineage labeled the "German Stem" by Igor Stravinsky ) were German. At the beginning of the 15th century, German classical music was revolutionized by Oswald von Wolkenstein , who travelled across Europe learning about classical traditions, spending time in countries like France and Italy. He brought back some techniques and styles to his homeland, and within a hundred years, Germany had begun producing composers renowned across the continent. Among the first of these composers was the organist Conrad Paumann . The largest summer festival for classical music in Germany is the Schleswig-Holstein Musik Festival . Chorale Main article: Chorale Beginning in the 16th century, polyphony , or the intertwining of multiple melodies , arrived in Germany. Protestant chorales predominated; in contrast to Catholic music, chorale was vibrant and energetic. Composers included Dieterich Buxtehude , Heinrich Schütz and Martin Luther , leader of the Protestant Reformation . Luther happened to accompany his sung hymns with a lute, later recreated as the waldzither that became a national instrument of Germany in the 20th century. Opera Main article: German opera W. A. Mozart , 1777 Wolfgang Amadeus Mozart 's Die Zauberflöte (1791) is usually said to be the beginning of German opera . An earlier starting date for German opera, however, could be Heinrich Schütz 's Dafne from 1627. Schütz is said to be the first great German composer before Johann Sebastian Bach , and was a major figure in 17th-century music. In the 19th century, two figures were paramount in German opera: Carl Maria von Weber and Richard Wagner . Wagner introduced devices like the Leitmotiv , a musical theme which recurs for important characters or ideas. Wagner (and Weber) based his operas of German history and folklore, most importantly including the Ring of the Nibelung (1874). Into the 20th century, opera composers included Richard Strauss (Der Rosenkavalier ) and Engelbert Humperdinck , who wrote operas meant for young audiences. Across the border in Austria, Arnold Schoenberg innovated a form of twelve-tone music that used rhythm and dissonance instead of traditional melodies and harmonies, while Kurt Weill and Bertolt Brecht collaborated on some of the great works of German theater, including Rise and Fall of the City of Mahagonny and The Three-Penny Opera . Following the war, German composers like Karlheinz Stockhausen and Hans Werner Henze began experimenting electronic sounds in classical music. Germany is also very well known for its many subsidised opera houses , such as Semperoper , Munich State Theatre and the Bayreuth Festspielhaus . Baroque period Main article: Baroque music J. S. Bach Baroque music, which was the first music to use tonality in the modern sense, is also known for its ornamentation and artistic use of counterpoint . It originated in Northern Italy at the end of the 16th century, and the style migrated quickly to Germany, which was one of the most active centers of early Baroque music. Early German Baroque composers included Heinrich Schütz , Michael Praetorius , Johann Hermann Schein , and Samuel Scheidt . The culmination of the Baroque era was undoubtedly in the works of Johann Sebastian Bach and Georg Friedrich Händel in the first half of the 18th century. Bach established German styles through his skill in counterpoint , harmonic and motivic organisation, and adapted rhythms, forms, and textures from Italy and France. Bach wrote numerous works, including preludes , cantatas , fugues , concertos for harpsichord, violin and wind, orchestral suites, the Brandenburg Concertos , St Matthew Passion , St John Passion and the Christmas Oratorio . Händel was a cosmopolitan composer that wrote music for virtually every genre of his time. His most famous works include the orchestral suites Water Music , Music for the Royal Fireworks and the oratorio Messiah . Another important composer was Georg Philipp Telemann , one of the most prolific musicians in history. Classical era By the middle of the 18th century, the cities of Vienna , Dresden , Berlin and Mannheim had become the center for orchestral music. The Esterházy princes of Vienna, for example, were the patrons of Joseph Haydn , an Austrian who invented the classic format of the string quartet , symphony and sonata . Later that century, Vienna's Wolfgang Amadeus Mozart emerged, mixing German and Italian traditions into his own style. Mozart was a prolific and influential composer who composed over 600 works , many acknowledged as pinnacles of symphonic , concertante , chamber , operatic , and choral music. He is among the most popular of classical composers, and his influence on subsequent Western art music is profound; Ludwig van Beethoven composed his own early works in the shadow of Mozart. Romantic era Main articles: Romantic music and lieder Robert Schumann Carl Maria von Weber Johannes Brahms Richard Wagner Franz Schubert The following century saw two major German composers come to fame early—Ludwig van Beethoven and Franz Schubert . Beethoven, a student of Haydn's in Vienna, used unusually daring harmonies and rhythm and composed numerous pieces for piano , violin , symphonies , chamber music , string quartets and an opera . Schubert created a field of artistic, romantic poetry and music called lied ; his lieder cycles included Die schöne Müllerin and Winterreise . Franz Schubert was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder ), seven complete symphonies , sacred music, operas , incidental music and a large body of chamber and piano music. He is ranked among the greatest composers of the late Classical era and early Romantic era. Early in the 19th century, a composer by the name of Richard Wagner was born. He was a "Musician of the Future" who disliked the strict traditionalist styles of music. He is credited with developing leitmotivs which were simple recurring themes found in his operas. Carl Maria von Weber was a composer , conductor , pianist , guitarist [6] and critic , one of the first significant composers of the Romantic school. His operas Der Freischütz , Euryanthe and Oberon greatly influenced the development of the Romantic opera in Germany. Felix Mendelssohn was a composer, pianist, organist and conductor of the early Romantic period. He was particularly well received in Britain as a composer, conductor and soloist. He wrote symphonies , concerti , oratorios , piano music and chamber music . Robert Schumann was a composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies ; an opera; and other orchestral, choral , and chamber works. Johannes Brahms honored the music pioneered by Mozart and Beethoven and advanced his music into a Romantic idiom , in the process creating bold new approaches to harmony and melody. The later 19th century saw Vienna continue its elevated position in European classical music, as well as a burst of popularity with Viennese waltzes . These were composed by people like Johann Strauss the Younger . Richard Strauss was a leading composer of the late Romantic and early modern eras. He is known for his operas , which include Der Rosenkavalier and Salome ; his lieder , especially his Four Last Songs ; and his tone poems . Strauss, along with Gustav Mahler , represents the late flowering of German Romanticism after Richard Wagner , in which pioneering subtleties of orchestration are combined with an advanced harmonic style. 20th century Further information: Music in Nazi Germany Paul Hindemith Carl Orff The first half of 20th century saw a split between German and Austrian music. In Vienna, Arnold Schoenberg and his pupils Alban Berg and Anton Webern moved along an increasingly avant-garde path, pioneering atonal music in 1909 and twelve-tone music in 1923. Meanwhile, composers in Berlin took a more populist route, from the cabaret-like socialist operas of Kurt Weill to the Gebrauchsmusik of Paul Hindemith . In Munich there was also Carl Orff , who was influenced by the French Impressionist composer Claude Debussy . He began to use colorful, unusual combinations of instruments in his orchestration . His most popular work is Carmina Burana . Many composers emigrated to the United States when the Nazi Party came to power, including Schoenberg, Hindemith, and Erich Korngold . During this period, the Nazi Party embarked on a campaign to rid Germany of so-called degenerate art , which became a catch-all phrase that included music with any link to Jews, Communists, jazz, and anything else thought to be dangerous. Some figures such as Karl Amadeus Hartmann remained defiantly in Germany during the years of Nazi dominance, continually watchful of how their output might be interpreted by the authorities. After the defeat of Nazi Germany , musicians were also subjected to the Allied policy of denazification . But here, the supposed non-political nature of music was able to excuse many, including Wilhelm Furtwängler and Herbert von Karajan (who had actually joined the Nazi Party in 1933). They both claimed to have concentrated mainly on music and to have ignored politics, but also to have conducted pieces in ways that were meant to be "gestures of defiance." In West Germany in the second half of the 20th century, German and Austrian music was largely dominated by the avant-garde. In the 60s and 70s, the Darmstadt New Music Summer School was a major center of European modernism; German composers such as Karlheinz Stockhausen and Hans Werner Henze and non-German ones such as Pierre Boulez and Luciano Berio all studied there. In contrast, composers in East Germany were advised to avoid the avant-garde and to compose music in keeping with the tenets of Socialist Realism . Music written in this style was supposed to advance party politics as well as be more accessible to all.Hanns Eisler and Ernst Hermann Meyer were among the most famous of the first generation of GDR composers. More recently, composers such as Helmut Lachenmann and Olga Neuwirth have extensively explored the possibilities of extended techniques . Hans Werner Henze largely dissociated himself from the Darmstadt school in favour of a more lyrical approach, and remains perhaps Germany's most lauded contemporary composer. Although he had lived outside the country since the 1950s and until his death in 2012, he remained influenced by the Germanic musical tradition. Folk music Germany has many unique regions with their own folk traditions of music and dance. Much of the 20th century saw German culture appropriated for the ruling powers (who fought "foreign" music at the same time). Heino is a Schlager and Volksmusik singer. In both East and West Germany, folk songs called "volkslieder" were taught to children; these were popular, sunny and optimistic, and had little relation to authentic German folk traditions. Inspired by American and English roots revivals , Germany underwent many of the same changes following the 1968 student revolution in West Germany, and new songs, featuring political activism and realistic joy, sadness and passion, were written and performed on the burgeoning folk scene. In East Germany, the same process did not begin until the mid-70s, where some folk musicians began incorporating revolutionary ideas in coded songs. Popular folk songs included emigration songs from the 19th century, work songs and songs of apprentices, as well as democracy-oriented folk songs collected in the 1950s by Wolfgang Steinitz . Beginning in 1970, the Festival des politischen Liedes, an East German festival focusing on political songs, was held annually and organized (until 1980) by the FDJ (East German youth association). Musicians from up to thirty countries would participate, and, for many East Germans, it was the only exposure possible to foreign music. Among foreign musicians at the festival, some were quite renowned, including Inti-Illimani (Chile ), Billy Bragg (England), Dick Gaughan (Scotland ), Mercedes Sosa (Argentina ) and Pete Seeger (United States), while German performers included, from both East and West, Oktoberklub, Wacholder and Hannes Wader . Oom-pah is a kind of music played by the brass bands ; it is associated with beer halls . Bavaria and Swabia Bavarian folk music is likely the best known outside of Germany. Yodeling and schuhplattler dancers are among the stereotyped images of German folk life, though these are only found today in the southernmost areas. Bavarian folk music has played a role in the Alpine New Wave, and produced several pioneering world music groups that fuse traditional Bavarian sounds with foreign styles. Around the turn of the 20th century, across Europe and especially in Bavaria, many people became concerned about a loss of cultural traditions. This idea was connected to the Heimatschutz movement, which sought to protect regional identities and boundaries. What is considered Bavarian folk music in modern Germany is not the same as what Bavarian folk music was in the early 20th century; like any kind of folk or popular music, styles and traditions have evolved over time, giving birth to new forms of music. The popularity of the Volkssänger (people's singer) in Bavaria began in the 1880s, and continued in earnest until the 1920s. Shows consisting of duets, ensemble songs, humor and parodies were popular, but the format began changing significantly following World War I. Bally Prell , the "Beauty Queen of Schneizlreuth ", was emblematic of this change. She was an attractive tenor who sang lieder , chanson and opera and operetta . Swabian folk music is most popularly represented by acts like Saiten Fell and Firlefanz and the singer-songwriter (and player of the hurdy-gurdy and guitar ) Thomas Felder. Christmas carols Some Christmas carols familiar in English are translations of German Christmas songs (Weihnachtslieder). Pastoral Weihnachtslieder are sometimes called Hirtenlieder (shepherd songs). Three well-known examples are "O Tannenbaum " ("O Christmas Tree"), from a German folksong arranged by Ernst Anschütz ; "Silent Night " ("Stille Nacht, heilige Nacht"), by the Austrians Franz Xaver Gruber and Joseph Mohr ; and "Still, still, still ", an Austrian folksong also from the Salzburg region, based on an 1819 melody by Süss, with the original words, slightly changed over time and location, by G. Götsch. Early popular music Marlene Dietrich Between World War I and World War II, German music branched out to form new, more liberal and independent styles. Main articles: Cabaret and Kabarett The first form of German pop music is said to be cabaret , which arose during the Weimar Republic in the 1920s as the sensual music of late-night clubs. Marlene Dietrich and Margo Lion were among the most famous performers of the period, and became associated with both humorous satire and liberal ideas. Swing Movement Main article: Swing Movement in Nazi Germany The strict regimentation of youth culture in Nazi Germany through the Hitler Youth led to the emergence of several underground protest movements, through which adolescents were able better to exert their independence. One of these consisted mainly of upper middle class youths, who based their protest on their musical preferences, rejecting the völkisch music propagated by the Party in place of American jazz forms, especially Swing . While musical preferences are often a feature of youthful rebellion—as the history of rock and roll shows—jazz and especially Swing were particularly offensive to the Nazi hierarchy: not only did they promote sexual permissiveness, but they were also associated with the American enemy and worse, with the African race they considered inferior. On the other hand, Joseph Goebbels assembled some of the now jobless musicians from Germany and conquered countries into a big band called Charlie and His Orchestra . Popular music from West Germany After World War II, German pop music was greatly influenced by music from USA and Great Britain. Apart from Schlager and Liedermacher, it is necessary to distinguish between pop music in West Germany and pop music in East Germany which developed in different directions. Pop music from West Germany was often heard in East Germany, had more variety and is still present today, while East German music has had little influence. In West Germany, English-language pop music became more and more important, and today most songs on the radio are English. Nevertheless, there is great diversity in German language pop music. There is also original English-language pop music from Germany, some having international success (for instance the Scorpions and James Last ), but little with enduring broad success in Germany itself. There was very little English pop music from East Germany. Germany has also had a thriving English-language pop scene since the end of the war, with several European and US acts topping the charts. However, Germans and German-oriented musicians have been successful as well. In the 1990s and the first decade of the 21st century such European pop acts were popular as well as artists such as Sarah Connor , No Angels and Monrose who performed various types of mainstream pop in English. Many of these acts have had success all over Europe and Asia. Schlager and Volksmusik Main articles: Schlager and Volkstümliche Musik Schlager is a kind of vocal pop music, frequently in the form of sentimental ballads sung in German, popularized by singers such as Gitte Hænning and Rex Gildo in the 1960s, though not without a wide range within the style (Modern Schlager, Schlager-Gold, Volksmusik resp. "volkstümlicher Schlager". Schlager/Volksmusik is strictly separated from international pop music and is only played on special format radio stations (sometimes mixed with international Oldies ). An important part of Schlager is volkstümliche Musik , a Schlager-like interpretation of traditional German folk themes that is very popular in German-speaking countries, especially among the older generation. Schlager has a wide variety, and the artists with many other styles, for example: Heino , Katja Ebstein , Wolfgang Petry , Guildo Horn , Roland Kaiser , Helene Fischer and many others. Liedermacher Liedermacher (Songwriter) has sophisticated lyrics and is sung with minimal instrumentation, for instance only with acoustic guitar. Some songs are very political in nature. This is related to American Folk/Americana and French Chanson styles. Famous West German Liedermacher are Reinhard Mey , Klaus Hoffmann , Hannes Wader and Konstantin Wecker . A famous East German Liedermacher was Wolf Biermann . Herman van Veen from the Netherlands was also very popular in Germany. Several Liedermacher artists also record special albums for children. Rock Die Toten Hosen Main article: Rock music in Germany The US military radio station American Forces Network (AFN) had a great impact on German postwar culture, starting with AFN Munich in July 1945, which was formative for the further development of German rock and jazz culture. Bill Ramsey , a senior producer at AFN Frankfurt in 1953 who came from Ohio , later became famous as a jazz and Schlager singer in Germany (while remaining almost unknown in the US). Prior to the late 1960s however, rock music in Germany was a negligible part of the schlager genre covered by interpreters such as Peter Kraus and Ted Herold , who played rock 'n' roll standards by Little Richard or Bill Haley, sometimes translated into German. Genuine German rock first appeared around 1968, just as the hippie countercultural explosion was peaking in the US and UK. At the time, the German musical avant-garde had been experimenting with electronic music for more than a decade, and the first German rock bands fused psychedelic rock from abroad with electronic sounds. The next few years saw the formation of a group of bands that came to be known as Krautrock or Kosmische Musik groups; these included Amon Düül , who later became the world music pioneers Dissidenten , Tangerine Dream , Popol Vuh , Can , Neu! and Faust . Neue Deutsche Welle Nena Neue Deutsche Welle (NDW) is an outgrowth of British punk rock and new wave which appeared in the mid-to late 1970s. It was arguably the first successful unique German form of Pop music, but was limited in its stylistic devices (funny lyrics and surreal composition and production). Though it was a huge success in Germany itself in the 1980s, this was not long-lasting mostly due to over-commercialization. Some artists became famous internationally like Nena , Trio , Falco (from Austria) and Joachim Witt . Popular artists In the 1980s and 1990s most German-language popular music was sung by male solo artists. Very popular singers are Udo Jürgens , Udo Lindenberg , Herbert Grönemeyer , Marius Müller-Westernhagen , Peter Maffay and BAP . Udo Jürgens has maintained a large following since the late 60s and still sold out entire soccer stadiums during concerts in 2012. Grönemeyer also has managed to maintain his success up to today. Maffay developed from Schlager to rock and has a large but delimited fan base—he is seldom played on the radio. BAP, who sing in Kölsch , the dialect of their hometown Cologne , enjoy success nationwide. Hamburger Schule Hamburger Schule (School of Hamburg) is an underground music-movement that started in the late 1980s and was still active till around the mid-1990s. It has similar traditions as Neue Deutsche Welle and mixed all that with punk , grunge and experimental pop music . Hamburger Schule includes intellectual lyrics with postmodern theories and social criticism. Important artists are Blumfeld , Die Sterne , Die Goldenen Zitronen and Tocotronic . Popular music from East Germany By the early 1970s, experimental West German rock styles had crossed the border into East Germany and influenced the creation of an East German rock movement referred to as Ostrock. On the other side of the Iron Curtain , these bands tended to be stylistically more conservative than in the West, to have more reserved engineering, and often to include more classical and traditional structures (such as those developed by Kurt Weill and Bertolt Brecht in their 1920s Berlin theater songs). These groups often featured poetic lyrics loaded with indirect double-meanings and deeply philosophical challenges to the status quo. As such, they were a style of Krautrock . The best-known of these bands were The Puhdys , Karat , City , Stern-Combo Meißen and Silly . Only a few individual songs, such as "Am Fenster" by City and "Über sieben Brücken mußt Du geh'n" by Karat , found wide popularity outside the GDR . There was also a wide diversity of underground bands. Out of this scene later grew the internationally successful band Rammstein (see Neue Deutsche Härte below). Popular music from reunified Germany Modern popular music Silbermond at the Donauinselfest 2009 In the 1990s, German-language groups had only limited popularity, and only a few artists managed to be played on the radio, for example Nena , Herbert Grönemeyer , Marius Müller-Westernhagen , Die Ärzte , Rammstein , Rosenstolz or Die Prinzen . In the mid-2000s the German band Wir sind Helden found success with a new style of German-language pop-rock . This success was followed by several other bands and artists that led to a new boom of German-language music and a broader acceptance of existing German-language recording artists, such as: Sportfreunde Stiller Juli Silbermond Kraftklub Klee MIA. Polarkreis 18 2raumwohnung Revolverheld Annett Louisan Tim Bendzko Andreas Bourani Mark Forster Philipp Poisel Indie and alternative rock Popular anglophone alternative rock and crossover bands from Germany that managed to find success domestic and abroad include Beatsteaks , Donots , Blackmail , Reamonn , Saline Grace , H-Blockx , Itchy Poopzkid , Guano Apes and Die Happy . The Notwist , an indie rock band, had great critical and commercial success with their album Neon Golden . Euro disco Boney M. Boney M. Chilly Dschinghis Khan Mike Mareen Fancy Silent Circle Goombay Dance Band London Boys Lian Ross Arabesque Silver Convention Penny McLean Patty Ryan Synthpop, Eurodance, Pop Modern Talking Cascada being one of the most successful acts of the dance music genre worldwide In the late 1980s (prior to reunification ) and the 1990s, Synthpop and Eurodance became popular throughout Germany. Often, different styles were mixed in between these to attract a broad variety of audiences. Successful representatives of these styles were: George Kranz Culture Beat Modern Talking Sandra Sarah Connor Hubert Kah The Underdog Project Mousse T. Milli Vanilli Groove Coverage Haddaway Captain Hollywood Project La Bouche E-Rotic Monrose No Angels Masterboy X-Perience Mr. President Fun Factory Sash! Jeanette Biedermann Captain Jack Lou Bega Bad Boys Blue Alphaville R.I.O. Cascada Real McCoy Snap! Camouflage A Touch of Class (British based) Antique (Greek-Swedish based) Reggae, dancehall, ska Popular bands and performers include Culcha Candela , Dr. Ring-Ding , Gentleman , Hans Söllner , Jan Delay , Mamadee , Milky Chance , Oceana , Patrice , Peter Fox and Seeed . R&B, soul, funk Milky Chance Notable R&B , Soul and Funk artists include Ayọ , Cassandra Steen , Denyo , Miss Platnum , Nadja Benaissa , Nneka , Söhne Mannheims and Xavier Naidoo . Hip hop Hip hop in Germany arrived in the early 1980s, and graffiti and breakdancing became well-known quickly, even in socialist East Germany . German hip hop "started out as a transnational youth subculture. The commercial success started in 1992 with the hit "Die Da" from Die Fantastischen Vier from Stuttgart . The Rödelheim Hartreim Projekt tried to establish a "gangster" rap. An early influential group was Advanced Chemistry including Torch . They sparked an interest in speaking out for the immigrants and used rap as a way to defend themselves.Fettes Brot from Hamburg, has been successful since their beginning. They sing about funny topics, such as infidelity and boasting about their prowess with women. Whereas hip hop had a peak of success in the early first decade of the 21st century, gangster rap became a controversial part of German music and youth culture just as late as 2004 with Aggro Berlin . Some of Germany's hip hop artists are: Cro , Kool Savas , Sido , Samy Deluxe , Bushido , Marteria , Eko Fresh , Bonez MC , Gzuz , Samra , Capital Bra , Trettmann , and Afrob . Gzuz gained recognition worldwide after two of his music videos were posted by Worldstar Hip Hop on YouTube . Punk Punk music in Germany has a long and diverse history. When bands like the Sex Pistols and The Clash became popular in West Germany, a number of Punk bands were formed, which led to the creation of a German punk scene. Among the first wave of bands were Male, from Düsseldorf , founded in 1976, PVC, from West Berlin , and Big Balls and the Great White Idiot , from Hamburg . Early German punk groups were heavily influenced by UK bands, often writing their lyrics in English. The main difference is that German punk bands had not yet become political. Nina Hagen Beginning in the late 1970s and early 1980s there were new movements within the German punk scene, led by labels like ZickZack Records, from Hamburg. It was during this period that the term Neue Deutsche Welle (New German Wave) was first coined by Alfred Hilsberg. Many of these bands played experimental post-punk , often using synthesizers and computers. Among them were The Nina Hagen Band , as well as Fehlfarben and Abwärts , from Hamburg. Both are still active, though they have changed their style several times. Other bands played a more aggressive style of punk rock with a clear leftist political direction influenced by earlier political rock bands like Ton Steine Scherben - bands like Slime , Toxoplasma , or Vorkriegsjugend are still relevant in the German punk scene. There is a still existing scene with many only locally known independent bands that confine themselves from the bigger and more popular groups (that are often branded as "Kommerzpunk"). Punkrock was outlawed in the GDR. Bands like Schleim-Keim or L'Attentat were observed and persecuted by the Stasi and could not perform in the public.Music was produced in underground and exchanged on Tape, an attempt to release a split-vinyl of "Schleimkeim" and "Zwitschermaschine" failed since the latter was undercut by government agents. Nonpolitical punkrock that is also listened to by skinheads is termed as Oi! . Thematically, Oi! songs are often about alcohol, relations, and/or violence. While some Oi! Bands like "Loikaemie" did antifascist songs, there are many cases with an affliction to neonazis , with fluid borders toward right-extremist rockmusic ("Rechtsrock") within the Oi!-Scene. There are few German language bands who managed to be successful for a longer period. The best known are the punk bands Die Ärzte and Die Toten Hosen . Both were formed in the early 1980s but have very different approaches to punk. As successful as those two bands in number of sales and number one albums but much lesser accepted by the public and normally not played by German media because of their affiliation with right-wing politics but with a huge fan community were the Oi!-Band Böhse Onkelz . Digital hardcore band Atari Teenage Riot is particularly well known in the United Kingdom and Japan as well as in German autonomist circles. Heavy metal See also: Teutonic thrash metal The Scorpions were the first German heavy metal band to be highly successful overseas, ultimately selling more than 100 million albums worldwide. Germany has a long and strong history with heavy metal . It is considered by many[who? ][weasel words ] to be one of Europe's heaviest contributors to the scene.[citation needed ] The genre is quite popular and mainstream within the country. Early hard rock /heavy metal was brought to German soil with the success of Scorpions and Accept . Germany is today known for its large metal festivals including Wacken Open Air and Summer Breeze Open Air . Germany has a strong tradition of speed metal and power metal . Early speed metal bands include Running Wild , Grave Digger , Rage , and to some extent Warlock and Stormwitch . The European style of power metal, developed in Germany, was popularized by German bands like Blind Guardian , Helloween , Gamma Ray , Freedom Call , Iron Savior , Avantasia , Edguy and Primal Fear gained international recognition. In many cases these bands initially started out playing speed metal, but later switched to power metal. More recently, a new generation of power metal-influenced bands like Masterplan , Orden Ogan , Kissin' Dynamite and Powerwolf is becoming more and more popular in Germany and abroad. Running Wild are also considered a pioneer of the pirate metal genre with the release of their 1987 album Under Jolly Roger , which was one of the first pirate-themed heavy metal albums. Three local variants of metal subgenres exist in Germany. The Teutonic thrash metal scene is represented by such groups as Kreator , Sodom , Destruction , Tankard and Exumer . Medieval metal , incorporates German traditional music with industrial metal . Notable bands include Subway to Sally , In Extremo , Corvus Corax , Saltatio Mortis and Schandmaul (the last is considered folk rock in Germany). Another variant, Neue Deutsche Härte , a form of industrial metal , is detailed below. Bands from the genres of death metal , deathcore , metalcore , doom metal , black metal and folk metal are: Absurd , Agathodaimon , Annisokay , Any Given Day , Atrocity , Bethlehem , Caliban , Crematory , Dark Fortress , Deadlock , Debauchery , Desaster , Die Apokalyptischen Reiter , Disbelief , Endstille , Electric Callboy , Equilibrium , Falkenbach , Finsterforst , Fleshcrawl , Golem , Heaven Shall Burn , His Statue Falls , Katharsis , Leaves' Eyes , Midnattsol , Morgoth , Mystic Circle , Nagelfar , Nargaroth , Neaera , Necrophagist , Nocte Obducta , Obscura , The Ocean , Our Mirage ,Powerwolf ,The Ruins of Beverast , Secrets of the Moon , Saltatio Mortis , Suidakra , Van Canto , VENUES , War From a Harlots Mouth , We Butter the Bread with Butter and Wolfchant . Neue Deutsche Härte Rammstein at Madison Square Garden , New York City Neue Deutsche Härte (engl. "New German Hardness") is a term for an extremely popular German variant of Industrial metal . It combines the common sound of metal with elements of gothic and industrial music as well as electronic samples and is mostly sung in German. It is known for morbid and provocative lyrical themes and over-the-top stage shows often featuring fire, pyrotechnic, stunts and other special effects. It draws its audience from both the metal and goth scene. Some bands, especially Rammstein and Oomph! have gained mainstream success and, despite their lyrics being mostly in German, have also found success in non-German-speaking countries. Other famous artists include Stahlhammer (from Austria), Megaherz , Unheilig , Eisbrecher , Tanzwut , and Joachim Witt . Medieval metal Medieval metal or medieval rock is a subgenre of folk metal that blends hard rock or heavy metal music with medieval folk music. Medieval metal is mostly restricted to Germany where it is known as Mittelalter-Metal or Mittelalter-Rock. The genre emerged from the middle of the 1990s with contributions from Subway to Sally , In Extremo , Schandmaul and Wolgemut . The style is characterised by the prominent use of a wide variety of traditional folk and medieval instruments. Goth Germany is the home of a vivid Goth scene, and has a large scene of musicians from the spectrum who are typically known as Goth musicians. Most notable artists are Lacrimosa , Lacrimas Profundere , Xmal Deutschland , Das Ich , Deine Lakaien , Illuminate , Untoten , Erben der Schöpfung (from Liechtenstein), No More , Girls Under Glass or Project Pitchfork . Leipzig is home of the largest event of this subculture worldwide called the Wave-Gotik-Treffen , regularly hosting 25,000 attendants. The WGT is closely followed by the annual M'era Luna festival in Hildesheim . Neue Deutsche Todeskunst (engl. "New German Death Art") is a German death-obsessed Dark Wave style of music that blends Death rock , German Rock , Gothic Rock , and neo-classical music with German philosophical texts and a theatrical stage show. It is restricted to Germany where it emerged in the early 1990s from bands such as Das Ich , Lacrimosa , Relatives Menschsein and Goethes Erben . Many NDT artists are known for their use of Classical Latin . Electronic music and techno Grammy-winner Zedd Robin Schulz Germany has the largest electronic music scene in the world [citation needed ] and has a long tradition in and influence on almost all genres of electronic music. The band Kraftwerk was one of the first bands in the world to make music entirely on electronic equipment, and the band Tangerine Dream is often credited as being among the originators and primary influences of the "Berlin School" of electronic music, which would later influence trance music . Some other bands like Liaisons Dangereuses , Tyske Ludder , Deutsch Amerikanische Freundschaft and Die Krupps created a style later called Electronic body music . Recently a few electronica artists have become successful in the mainstream, such as Monika Kruse , Marusha , Blümchen and MIA. Artists on the cutting edge of German-language techno include Klee . Both Einstürzende Neubauten (collapsing new buildings, translated literally) and KMFDM (no pity for the majority, translated literally) are considered by many industrial and electronic music fans as the godfathers of their genre. Their sounds developed the modern styles of groups such as NIN, Marilyn Manson, Rammstein, and New Order. Einstürzende Neubauten can be recognized by their Prince-esque logo, which has been subliminally fused into several mainstream American movies (such as a tattoo in the movie Bug, directed by William Friedkin, starring Harry Connick Jr.). KMFDM has released many songs in English, making them more accessible to their huge American and worldwide audience. In the 1990s, Germany was one of the most successful contributors to the Eurodance genre, with notable German-based acts including Real McCoy , Snap! , Culture Beat , La Bouche , Captain Jack , Captain Hollywood Project , Fun Factory , Masterboy and Haddaway . Since 2006 producer and DJ Paul Kalkbrenner gained popularity in Germany. He nowadays is one of the most famous performers of electronic music. Trance music is a style of electronic music that originated in Germany in the very late 1980s and early 1990s, upon German unification. Following the development of trance music in Germany, many Trance genres stemmed from the original trance music and most trance genres developed in Germany, most notably "Anthem trance " or also called "uplifting" or "epic" trance, progressive trance , and "Ambient trance" . One of the most notable event referring to this scene was the Love Parade festival with up to 1.5 million participants from all over the world. Scooter are by far the most successful German dance act, having found huge national and international success. In recent years, German DJs have found worldwide success in the popular edm genre, most notably Paul Kalkbrenner, Cascada , Felix Jaehn and Robin Schulz . Other popular and influential German DJs and dance projects include Paul van Dyk , WestBam , DJ Quicksilver , ATB , Ian Pooley , Jam & Spoon , Lexy & K-Paul , Blank & Jones , Sven Väth , Dune , ItaloBrothers , Groove Coverage , Novaspace , International Pony and Anthony Rother . Klezmer in Germany and Eastern Europe Klezmer is a musical Jewish genre that consists of mainly instrumental songs. In Germany, Klezmer expanded significantly after the fall of the Berlin Wall in the mid-1980s. As Klezmer was expanding, so was the Yiddish folk movement, and the two genres became intertwined to a certain extent. In the 1980s while Klezmer was seeing tremendous growth, many Jews in Eastern Europe turned to Klezmer as a means of understanding their communist backgrounds and showing their remembrance to those who experienced the Holocaust . Once Klezmer groups started to tour outside of Europe in the 1980s, Americans gained immediate interest in the music genre. Henry Sapoznik created the first American Klezmer band, known as Kapelye, which toured all around Europe. The spread of Americans playing Klezmer brought a new tone to the genre which captured large audiences. Most American groups who played Klezmer added a hint of American rock into their performances, which was different from the traditional sound of Klezmer in Eastern Europe. It was uncomfortable at first for many of the American Klezmer bands to play in Germany because of the trauma that had occurred there. Despite Germany's background, the American Klezmer groups knew Germany was a place they had to play because of Klezmer's popularity there. Over time, Klezmer's audience expanded in Germany and the American Klezmer bands were able to adjust. Giora Feidman is arguably one of the most influential Klezmer musicians.[citation needed ] Feidman created a new perspective for Klezmer, and shared a new ideology for how the music genre could be viewed and appreciated. Feidman gained a large amount of popularity from his work on the musical play, Ghetto, which associated him and his style with the Holocaust. He brought a new theme to Klezmer music which focused on the remembrance of the Holocaust, and a way of "healing" the trauma caused by the Holocaust. Feidman turned Klezmer into a form of personal expression, in which he tried to unite all people (especially the Jews and Germans) and all things through Klezmer. He completely shifted the ideology of Klezmer and explained how Klezmer is in everything, it is even a way to get in touch with religion and communicate with God. However, some people believe Feidman took his ideology too far and turned Klezmer into something that it never intended to become. During the 1980s Klezmer underwent significant transformation, and by the middle-late 1990s Klezmer experienced a new wave of change. Klezmer became a name for many different trends far from where it originated. Klezmer was known as a political statement, a method of healing, amateur musicians getting together and playing music, a way to reconnect with lost traditions. BACK TO TOP