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Music Played in the 1980's Popular Music From the 80s
Music Played in the 1980's Popular Music From the 80s
Music Styles, Bands And Artists during the 1980's
Music in the 1980s was all about image and with the advent and popularity of MTV, the images that accompanied artists became more important than ever. When it came to music during the decade, nothing was understated, not the sound, not the fashion, not even the charity. The 1980s reflected the beginning of a period of great income disparity and a focus on affluence was reflected in the music. There were also several new genres that popped up including, Hip Hop, New Wave and Hair Metal, all of which have influenced music today.
Popular Music Genres of the 1980's
Pop Musicians
Madonna,
Cyndi Lauper,
Prince,
Michael Jackson,
Don Henley,
Tiffany,
Janet Jackson,
Whitney Houston,
Lionel Richie,
Cher,
John Mellencamp,
New Kids on the Block,
Hall & Oates,
David Bowie,
Bruce Springsteen,
George Michael,
Debbie Gibson,
Wham!
--
Hip Hop / Rap Musicians
Run DMC,
Beastie Boys,
Grandmaster Flash,
Africa Bambaata,
LL Cool J,
Kurtis Blow,
Salt-n-Pepa,
Boogie Down Productions,
Public Enemy,
Biz Markie,
Eric B. & Rakim,
Ice-T,
NWA,
Jungle Brothers,
Gang Starr
--
New Wave Musicians
Culture Club,
Duran Duran,
Devo,
A Flock of Seagulls,
Blondie,
Talking Heads,
The Cars,
Spandeau Ballet,
The Pretenders,
Elvis Costello,
The B-52s,
The Go-Gos,
The Beat,
Soft Cell,
Depeche Mode,
The Police,
The Clash,
Billy Idol,
The Cure,
The Bangles
Hair Metal Musicians
Van Halen,
Poison,
Twisted Sister,
Motley Crue,
Warrant,
Cinderella,
Europe,
Guns n' Roses,
Skid Row,
Metallica,
Anthrax,
Ratt,
Pantera,
Bon Jovi,
Whitesnake,
Quiet Riot,
Iron Maiden,
Ozzy Osbourne,
Def Leppard,
Aerosmith
MTV
Arguably the most important event to influence music during the 1980s was the creation of the cable network MTV (Music Television). MTV was the first network to exclusively showcase music videos, making its debut on August 1, 1981. The first music video to be played on the channel was, appropriately, the Buggles' "Video Killed the Radio Star," as music would forever change and the focus would shift from music and lyrics to fashion and theatrics, at least in the world of pop music. The original concept of the network was to play music videos twenty-four hours a day, every day. And, while this has obviously changed since then, the innovative concept created a whole new breed of pop star.
New Pop Superstars
Pop stars and their music changed in the 1980s with the help of MTV and a greater focus on image. A new breed of mega-stars emerged, becoming iconic mascots for the genre and defining the decade through fashion, talent and persona. Some of the superstars to emerge were Madonna, Michael Jackson, Whitney Houston and Prince. They experienced a level of fame and success not seen since Elvis Presley and the Beatles. These stars influenced fashion through their music videos, giving fans a first hand glimpse into emerging trends. Their songs set the gold standard for what pop music should be, and through constant reinvention they were able to navigate the pop culture world and keep themselves relevant. Thirty years on, they are still the standard that today's pop stars get compared to. There are several reasons they these pop mega-stars emerged, the main one being they were genuinely talented artists. Other reasons include a greater public interest in celebrity gossip, fashion and and increased obsession with pop culture. It also was related to the public having an increased disposable income and a want to imitate celebrity affluence. Changes in technology also contributed to the availability of music (MTV), better ways to listen (CDs and cassettes), and portability of music (the Walkman and boom-boxes). Lastly, a lot of these superstars' success can be accounted for through smart marketed by record companies and the artists' ability to look at themselves as brands.
Old Pop Stars and Their New Solo Careers
One trend in pop music during the decade was the re-emergence of older musicians who had once been popular as a part of a group or duo into their own solo careers. Some examples include Diana Ross, Cher, Lionel Richie, Tina Turner and Paul McCartney. These artists had already experienced success during the 1960s and 1970s and a few of them had even tried becoming actors during that time. They also came into successful solo careers after adapting to the new musical landscape. Cher, Tina Turner and Diana Ross all updated their looks to keep up with fashion, Lionel Richie made memorable music videos and adapted his soulful sound into the new style of pop music and Paul McCartney collaborated with other successful musicians to keep himself relevant. Part of the reason these artists were successful had to do with the fact that the Baby Boom generation was coming into adulthood and had an influx of disposable income to spend on the records of artists they had grown up listening to. They brought a sense of nostalgia for the good old days of music and yet their songs and styles were updated, combining the best of both worlds.
One Hit Wonders
The eighties was the decade of one hit wonders, where an artist would achieve massive success with one or two extremely popular songs and then seemingly fade away, never able to re-create their success. Part of this had to do with the expansion of the music industry, facilitated by MTV and technology. Record companies could now make just as much money by manufacturing one-hit artists in succession while not having to invest the time and money that would make a mediocre musician into a star with more longevity. Trends were also changing more quickly and many artists could not keep up and adapt fast enough. As the world's society became more globalized, the pool of talent became bigger, making it easier to move onto the next new artist. The changes in technology and societal attitudes also meant that consumers' attention spans got shorter. Some of the most memorable one hit wonders from the decade include, a-ha's "Take On Me," Soft Cell's "Tainted Love," Toni Basil's "Mickey," Nena's "99 Luftballoons," and Dexy's Midnight Runners' "Come On Eileen."
Hip Hop & Rap
Hip Hop/Rap music originated in African American communities in New York City in the 1970s and became more mainstream and part of popular culture in the mid to late 1980s. Hip hop music originally had a difficult time breaking into the mainstream due to MTV's reluctance to show music videos of black artists. After much criticism, the network started to embrace black musicians like Michael Jackson, whose videos were amongst the most popular, paving the way for hip hop artists like Run DMC and LL Cool J to usher in the era of commercialized rap music. As the genre gained traction on MTV, it gave the white middle class a glimpse into inner city culture and many conservative parents of the time were disapproving of the genre that had been called the "new rock n' roll." Key elements of the genre include sampling old records, rapping lyrics, fun sounds with an underlying message, beat-boxing and electronic sounds. Hip hop music sounded like nothing that had been heard before in mainstream music and the late 1980s was thought of as the Golden Age, were everything seemed original and innovative. By the end of the decade MTV started airing the program "Yo! MTV Raps" making the hip hop and rap music a global phenomenon. Important hip hop acts like Run DMC and LL Cool J made the genre commercial and were style icons, the Beastie Boys made the music "white friendly" and added elements of rock music, and Salt-n-Pepa were female pioneers of the genre.
New Wave
The New Wave genre began in the 1970s and was popular until the mid-1980s. The focus of this music was on artistic themes and the sound was tied to punk rock, dance music, synthesizers and other electronic instruments. New Wave eventually became tied to pop music as music videos from the genre were heavily promoted on MTV. The term "New Wave" is meant as an all encompassing term that allows a variety of highly diverse artists to fit into the same category. Some artists had a futuristic sound while others were closer to punk rock. New Wave bands and artists had an impact on fashion with their unique clothing and hairstyles that the youth culture would adopt. Many of the decades one hit wonders fell into this genre. Some of the definitive New Wave bands were Duran Duran, Blondie, Billy Idol, the Talking Heads, and Culture Club.
Hair Metal
Hair Metal had its roots in the 1970s Glam Rock. Popular bands in the genre often came from the L.A. Sunset Strip music scene and the United Kingdom. Hair metal bands would pull influences from heavy metal, punk rock, and traditional rock music to develop their sound. Lyrically, songs had catchy hooks and a pop sensibility. Songs were often party anthems or power ballads and would focus on themes of being an outlaw, drugs and women. Groups from this genre were called "Hair Bands" because members of these male-dominated bands would often have long and big-styled hair and would wear makeup and spandex clothing, creating an androgynous look. Bands in this genre fell on large spectrum from being almost pop music/soft rock to a heavier and grittier sound and nearly all of them had a flamboyant and outgoing lead singer. Hair metal bands were also associated with a hard-partying lifestyle, groupies and drug-use. Notable hair bands from the decade include Bon Jovi, Van Halen, Aerosmith, Def Leppard, Guns n' Roses, and Poison.
Charity Music
As many pop stars became excessive and affluent during the eighties, they wanted to show that they could be generous and have a serious purpose by taking up causes. The best way for many of them to do so was to create or contribute to charity concerts and recordings. These were bigger and better than ever during the decade and there were plenty of causes from which to choose. Musicians would organize these songs and televised concerts and contribute the profits to the cause. Others would hold the concerts solely to increase public awareness of an issue. Bob Geldof's "Band Aid" super-group recording of "Do They Know It's Christmas?" and subsequent "Live Aid" concert were amongst the most memorable and arguably the largest of these charitable events. Both Band Aid's recording and Live Aid's July 13th, 1985 concert aimed at raising funds for victims of famine in Ethiopia. The group featured mainly British artists which would influence its American equivalent, USA for Africa, created by Michael Jackson and Lionel Richie. USA for Africa recorded the charity song "We Are the World" and their May 25th, 1986 benefit was called "Hands Across America," both aiming to raise money for victims of famine, poverty and homelessness in African countries. Another notable musical charity event during the decade was hosted by Willie Nelson, John Mellencamp and Neil Young. It was held on September 22nd in 1985 and was called Farm Aid. The concert was held to raise money for struggling farmers in the United States. There were various other charitable events formed by musicians in the 1980s and the enduring popularity and seemingly effective outcomes of these events have made them a lasting fixture in public charity.
Hits From The 1970s
1970 - Close to You - The Carpenters, (-) American Woman - The Guess Who, (-) I’ll Be There - The Jackson 5, (-) War - Edwin Starr, (-) Let It Be - The Beatles,
1971 - Joy to the World - Three Dog Night, (-) Maggie May - Rod Stewart, (-) My Sweet Lord - George Harrison, (-) It’s Too Late - Carole King, (-) Imagine - John Lennon,
1972 - Lean On Me - Bill Withers, (-) School’s Out - Alice Cooper, (-) Heart of Gold - Neil Young, (-) Let’s Stay Together - Al Green, (-) American Pie - Don McLean,
1973 - Bad, Bad Leroy Brown - Jim Croce, (-) You’re So Vain - Carly Simon, (-) Let’s Get It On - Marvin Gaye, (-) Crocodile Rock - Elton John, (-) Superstition - Stevie Wonder,
1974 - The Way We Were - Barbra Streisand, (-) Jungle Boogie - Kool and the Gang, (-) The Loco-Motion - Grand Funk Railroad, (-) Band On the Run - Wings, (-) Come and Get Your Love - Redbone,
1975 - Shining Star - Earth, Wind and Fire, (-) Rhinestone Cowboy - Glen Campbell, (-) Fame - David Bowie, (-) Lady Marmalade - Patti LaBelle, (-) Black Water - Doobie Brothers,
1976 - Bohemian Rhapsody - Queen, (-) Dancing Queen - ABBA, (-) Love to Love You Baby - Donna Summer, (-) You Should Be Dancing - Bee Gees, (-) More Than a Feeling - Boston,
1977 - Hotel California - Eagles, (-) Best of My Love - The Emotions, (-) Car Wash - Rose Royce, (-) Go Your Own Way - Fleetwood Mac, (-) You Light Up My Life - Debbie Boone,
1978 - Stayin’ Alive - Bee Gees, (-) YMCA - The Village People, (-) Baker Street - Gerry Rafferty, (-) Three Times a Lady - The Commodores, (-) Just the Way You Are - Billy Joel,
1979 - Le Freak - Chic, (-) Hot Stuff - Donna Summer, (-) Heart of Glass - Blondie, (-) My Sharona - The Knack, (-) I Will Survive - Gloria Gaynor
Hits From The 1960s
1960 - The Twist - Chubby Checker (-) It’s Now or Never - Elvis Presley (-) Georgia On My Mind - Ray Charles (-) Cathy’s Clown - Everly Brothers (-) I’m Sorry - Brenda Lee,
1961 - Stand By Me - Ben E. King (-) Blue Moon - The Marcels (-) At Last - Etta James (-) Runaway - Del Shannon (-) The Lion Sleeps Tonight - The Tokens,
1962 - Love Me Do - The Beatles (-) Sherry - The Four Seasons (-) Surfin’ Safari - The Beach Boys (-) The Wanderer - Dion (-) Soldier Boy - The Shirelles,
1963 - Louie Louie - The Kingsmen (-) It’s My Party - Lesley Gore (-) Ring of Fire - Johnny Cash (-) Hey Paula - Paul & Paula (-) She Loves You - The Beatles,
1964 - Twist and Shout - Chubby Checker (-) Oh, Pretty Woman - Roy Orbison (-) You Really Got Me - The Kinks (-) House of the Rising Sun - The Animals (-) Where Did Our Love Go - The Supremes,
1965 - Satisfaction - The Rolling Stones (-) My Generation - The Who (-) Sounds of Silence - Simon & Garfunkel (-) My Girl - The Temptations (-) Like a Rolling Stone - Bob Dylan,
1966 - Good Vibrations - The Beach Boys (-) Eleanor Rigby - The Beatles (-) Wild Thing - The Troggs (-) Last Train to Clarksville - The Monkees (-) Mellow Yellow - Donovan,
1967 - Happy Together - The Turtles (-) For What It’s Worth - Buffalo Springfield (-) Light My Fire - The Doors (-) Respect - Aretha Franklin (-) Somebody to Love - Jefferson Airplane,
1968 - The Dock of the Bay - Otis Redding (-) Piece of My Heart - Janis Joplin (-) Hey Jude - The Beatles (-) Wonderful World - Louis Armstrong (-) Born to Be Wild -- Steppenwolf,
1969 - Sugar Sugar - The Archies (-) Aquarius - The Fifth Dimension (-) My Way - Frank Sinatra (-) Space Oddity - David Bowie (-) Sweet Caroline - Neil Diamond
Hits From The 1990s
1990 - Vogue - Madonna, (-) Nothing Compares 2 U - Sinead O'Connor, (-) Ice Ice Baby - Vanilla Ice, (-) It Must Have Been Love - Roxette, (-) U Can't Touch This - MC Hammer
1991 - Losing My Religion - R.E.M., (-) Black or White - Michael Jackson, (-) Gonna Make You Sweat - C+C Music Factory, (-) Emotions - Mariah Carey, (-) Enter Sandman - Metallica
1992 - I Will Always Love You - Whitney Houston, (-) Smells Like Teen Spirit - Nirvana, (-) End of the Road - Boyz II Men, (-) Under the Bridge - Red Hot Chili Peppers, (-) Jump - Kris Kross
1993 - All That She Wants - Ace of Base, (-) Dreamlover - Mariah Carey, (-) That's The Way Love Goes - Janet Jackson, (-) What Is Love? - Haddaway, (-) Informer - Snow
1994 - All I Wanna Do - Sheryl Crow, (-) The Power of Love - Celine Dion, (-) I Swear - All-4-One, (-) Loser - Beck, (-) Zombie - The Cranberries
1995 - Gangsta's Paradise - Coolio, (-) Waterfalls - TLC, (-) Kiss from a Rose - Seal, (-) You Oughta Know - Alanis Morissette, (-) Take a Bow - Madonna
1996 - Wannabe - Spice Girls, (-) Macarena - Los Del Rio, (-) Killing Me Softly - The Fugees, (-) Wonderwall - Oasis, (-) Un-Break My Heart - Toni Braxton
1997 - Mmmmbop - Hanson, (-) Don't Speak - No Doubt, (-) Quit Playing Games - Backstreet Boys, (-) Men In Black - Will Smith, (-) Barbie Girl - Aqua
1998 - My Heart Will Go On - Celine Dion, (-) Believe - Cher, (-) The Boy Is Mine - Brandy & Monica, (-) Never Ever - All Saints, (-) Truly Madly Deeply - Savage Garden
1999 - Baby One More Time - Britney Spears, (-) Livin' La Vida Loca - Ricky Martin, (-) No Scrubs - TLC, (-) Genie in a Bottle - Christina Aguilera, (-) If You Had My Love - Jennifer Lopez
Music Played in the 1990's Popular Music From the 90s
Music Played in the 1990's Popular Music From the 90s
Music Styles, Bands And Artists during the 1990's
The musical era of the 1990s was one filled with a variety of pop, rap, and alternative music artists as well as a plethora of one-hit wonders. It was a time when musical taste was as varied as the events that were happening at the time. Many of the most popular acts that emerged in the 1990's were bands and artists who enjoyed a type of resurgence in the mainstream music scene after their popularity had dwindled for a decade or so. Other artists were just starting out during this decade and make a huge impact on the musical scene.
The early years of the 1990s began with a surge in popularity for music genres like techno (often called dance or house music) and hip-hop that continued throughout the decade. Groups like Technotronic entered the Billboard charts with big hits like “Pump Up the Jam” and “Get Up (Before the Night is Over)”. Others will undoubtedly remember the hits from C+C Music Factory, including “Gonna Make You Sweat (Everybody Dance Now)” that is still a popular dance song at many of the dance clubs across the country. Similarly, the hip-hop music scene achieved popularity with artists like MC Hammer, Tone Loc, and Vanilla Ice. The subject matter that these artists chose to use in their music was as varied as their audiences.
Popular Music Genres of the 1990's
Grunge/Alternative Rock
Nirvana
Pearl Jam
Soundgarden
Sonic Youth
The Pixies
Alice in Chains
Stone Temple Pilots
Dinosaur Jr.
Smashing Pumpkins
R.E.M.
Beck
Hole
Pop Divas
Céline Dion
Mariah Carey
Whitney Houston
Janet Jackson
Toni Braxton
Shania Twain
Gloria Estefan
Sade
Madonna
Sinead O'Connor
Brandy
Monica
Golden Era Hip Hop
Cypress Hill
Ice Cube
Snoop Dogg
2Pac
Wu Tang Clan
Jay-Z
Nas
Notorious B.I.G.
Busta Rhymes
Public Enemy
Dr. Dre
The Fugees
Electronic Dance Music
The Chemical Brothers
Fatboy Slim
Aphex Twin
Deee-Lite
Erasure
The Prodigy
Happy Mondays
DJ Ron
The Crystal Method
Daft Punk
Moby
Paul Oakenfold
Grunge/Alternative Rock
Alternative rock music, and its sub-genres, dominated popular culture in the early to mid-1990s. The less commercialized music resonated with Generation X known for its nihilistic and cynical sensibilities. Grunge music in particular stood out in particular as an emblematic Nineties genre. Grunge can be described as a mixture of punk and heavy metal. It features a slower pace than punk, distorted guitars, heavy bass lines, dark and angsty lyrics, dissonance, terraced dynamics, and often a stop/start song structure. Also known as the "Seattle Sound," the genre has strong roots in the city's unique underground music scene from that era and specifically bands promoted by the Sub-Pop record label. The grunge scene drew inspiration from other more experimental alternative rock bands like the Pixies, Sonic Youth, Dinosaur Jr., and the Melvins. The most well-known examples of grunge bands are Nirvana, Pearl Jam, and Soundgarden. As grunge reached the mainstream, commercialization meant many bands adopted a similar but softer sound and imitated the looks of the scene. As with many music trends, fashion played an important role in establishing the popularity of the genre. Grunge had a specific look associated with long hair, flannel shirts, oversized clothing, ripped jeans, combat boots, and a generally disheveled appearance. While the grunge fashion is still popular, many music fans believed the genre faded with the tragic suicide of Nirvana's lead singer Kurt Cobain in 1994.
Another popular sub-genre of alternative rock from the decade was what became known as "College Rock." College rock was a loosely defined genre that encompassed a variety of rock music styles that did not fit into the mainstream, similar to indie rock. Many of the bands shared similarities and were often more melodic than grunge and metal, but there was not necessarily a specific sound to define this genre. College rock evolved as a genre more so out of circumstances than a particular look or sound. These bands were often played at college radio stations, particularly in places like Athens, Georgia and Boston, Massachusetts. Some of the most well-known examples of college rock from the Nineties include R.E.M., Smashing Pumpkins, Red Hot Chili Peppers, Weezer, Jane's Addiction, Radiohead, Beck, and Pavement. Many of the bands that got their start on college radio stations would go on to experience massive mainstream success, becoming some of the most popular rock bands in the world.
Pop Divas
The Nineties was the decade of Pop Music Divas, these powerhouse singers with incomparable voices and dynamic stage presence dominated the decade. Spanning different genres, female singers like Whitney Houston, Céline Dion, Mariah Carey, Toni Braxton, Madonna, Cher, Brandy, Monica, and Janet Jackson dominated the carts. With her unique vocal range and talents as a songwriter, Mariah Carey was one of the top divas of the decade, breaking Billboard records and accumulating the highest accolades throughout the 1990s. In 1995, Carey became the first female artists to debut at number 1 on the Billboard Hot 100 with her single "Fantasy." Another tremendous talent, Whitney Houston dominated the decade. The gospel singer turned pop-star and dance hit maker is considered to be one of the greatest vocalists of all time. She saw huge success in 1992 with her version of Dolly Parton's "I Will Always Love You" a song from the soundtrack of her film debut, The Bodyguard. Céline Dion, only rivaling Carey and Houston in terms of success, was another 1990s pop diva with a unique voice. Dion is known for her power ballads, in particular the 1997 hit "My Heart Will Go On" from the film Titanic. After her the start of her career in the 1980s as part of the Miami Sound Machine, Gloria Estefan became a formidable solo artist in the 1990s. The Cuban-American artist won three Grammy Awards between 1993 and 2001, all for her Spanish-language albums. Another popular pop diva, Shania Twain, emerged during the decade, coming out of it as one of the best-selling female singers and songwriters of all time. She saw great success with Country-Pop crossover hits like "You're Still the One" and "Man, I Feel Like a Woman" from her 1997 album Come On Over. One of the best-selling R&B artists of all-time, Toni Braxton, also emerged as a popular musician during the decade. Braxton released her self-titled album in 1993 and it won three of her seven Grammy Awards. Already a mega-superstar from the 1980s, Janet Jackson saw continued success in the 1990s as she evolved into a more mature artist, exploring new themes in her albums and contributing more with songwriting. Jackson reached a new level of artistry with her 1997 album The Velvet Rope, an experimental album with huge mainstream success that touched on themes not often seen in pop music, a milestone in her career that many critics believed marked her emergence from the shadow of her pop-star brother Michael Jackson. Several other solo female artists achieved pop superstardom during the decade and their success even inspired an annual televised concert, VH1 Divas which premiered in 1998.
Golden Era Hip Hop
The 1990s are considered the Golden Age of Rap and Hip Hop. The decade saw massive shifts and diversification of the genre, as well as an increase of mainstream recognition and respect for artists. Distinctive styles emerged from the US coasts and various regions throughout the country. Some of the sub-genres that enjoyed popularity during this decade include gangster rap, party rap, and political rap. Because the genre was still considered new, there was constant evolution and innovation happening. Rappers representing different styles and regions saw massive mainstream and critical success. Examples include Tupac, Notorious B.I.G., Queen Latifah, Salt-n-Pepa, De La Soul, NWA, Snoop Dogg, LL Cool J, A Tribe Called Quest, Public Enemy, Eric B. & Rakim, Outkast, Geto Boys, Missy Elliott, and Big Daddy Kane. By the end of the decade many of these artists were considered some of the most popular and successful musicians in the pop music world, transforming rap and hip hop from a fledgling genre into one of the most influential musical movements within pop culture. Many critics believe the Golden Age started to come to an end in the middle of the decade as softer more commercialized hip hop acts gained popularity, signaling a drop in overall artistic quality. Many fans also believe the the era came to an end after the murders of Tupac Shakur in 1996 and the Notorious B.I.G. in 1997, musical rivals and two the brightest stars to emerge from the genre during the decade.
In addition to several popular sub-genres within rap and hip hop, several fusion genres became popular as well such as New Jack Swing, Neo-Soul, and Hip Hop Soul. One of the most popular genres was New Jack Swing which combined the production of hip hop with the sound of R&B. The genre was performed by predominantly Black artists and often mixed elements of funk, soul, and jazz with hip hop and rap. Within this genre there was a strong focus on production, sampling, and creating hit singles. Teddy Riley, Bernard Belle, and Babyface were songwriters and music producers that often associated with the genre. Some of the artists and groups that found success in this sub-genre include Janet Jackson, Bell Biv DeVoe, Bobby Brown, Boyz II Men, Hi-Five, Jade, TLC, Montell Jordan, and Color Me Badd. Another popular sub-genre, Neo-Soul, was also a fusion genre. It began gaining popularity in the 1980s with artists like Prince and Sade but had a much stronger mainstream breakthrough in the mid-1990s with artists like Maxwell, Erykah Badu, Lauryn Hill, D'Angelo, Me'Shell Ndegéocello, Aaliyah, Macy Gray, Eric Benét, and Tony! Toni! Toné!. This genre attracted more singer-songwriter types, focused more on musicianship of the artists, and whole albums in comparison to other popular R&B based genres that focused on producers and singles. Hip Hop Soul was another popular fusion genre within contemporary Hip Hop and R&B that was prominent in the Nineties. This genre was a more straightforward fusion between R&B and soul singing styles with hip hop production. Popular artists that exemplified this sub-genre include Mary J. Blige, Faith Evans, Jodeci, Blackstreet, and TLC. This genre is often associated with music producer Sean "Puff Daddy" Combs.
Electronic Dance Music
Electronic Dance Music (EDM) was a new genre that emerged during the 1990s, proving popular among the club scene particularly across Europe, the United Kingdom, and the United States. The music is characterized by having between 120 and 150 beats per minute (bpm), drum machines, synthesizers, and other electronic instruments. It was originally created in the 1980s and saw its origins in Chicago House, Electro music, and the New York Club scene. The genre has roots in African American artists creating dance music in a post-disco world and it saw an expansion in popularity and the proliferation of various sub-genres during the nineties. It was the music of choice for early-1990s "Raves" - sometimes illegal underground dance parties hosted by DJs, often in warehouses. These raves turned into larger more mainstream gatherings with specialized clubs and festivals catering to artists and fans of the EDM genres. Some of the most notable genres within EDM that were popular during the decade include techno, trance, drum and bass, big beat, and breakbeat. By the mid-1990s, EDM had strayed from its American origins and was largely driven by European and British musicians, popularized by pirate radio in the UK. Some of the most popular EDM-associated musical acts of the decade include The Chemical Brothers, the Crystal Method, Fatboy Slim, Deee-Lite, Aphex Twins, Daft Punk, The Prodigy, and Happy Mondays. Some of these artists broke through to mainstream pop music include Fatboy Slim with his 1998 hit "Praise You," Deee-Lite with their 1990 hit "Groove is in the Heart," and The Prodigy's 1996 hit "Firestarter." As the genre gained influence, large commercialized festivals and clubs were organized for fans including several Spiral Tribe dance events, The Eclipse (England's first legal all-night club), Electric Daisy Carnival (1991), the Castlemorton Common Festival (1992), and the Ultra Music Festival (1999).
Bubblegum Pop
The late-1990s saw the introduction of the highly commercialized and over-produced bubblegum pop groups and stars. Groups and singers like the Spice Girls, All Saints, NSync, the Backstreet Boys, LFO, 98 Degrees, Destiny's Child, Britney Spears, Christina Aguilera, Robyn, Jessica Simpson, Mandy Moore, and Hanson all saw early success during the decade. The genre really gained momentum in the new millennium, dominating the early 2000s music scene. There was a heavy influx of bubblegum pop artists from about 1997 to 2002. These artists used many other popular genres to draw influence including R&B, Hip Hop, and Dance music. The genre was characterized by the use of autotune, a focus on appearance and fashion, choreography, repetitive lyrics, and the use of sexual innuendo. These artists were often heavily influenced by music producers and record labels, and often featured talents who got their start as children. These artists were typically marketed to teenagers. Many of these pop artists continued to have lucrative careers beyond the 1990s and several who were in groups embarked on successful solo careers or ventured into other realms of the entertainment world outside of music.
Popular Songs Each Year in the 90's
Popular songs from the Nineties Decade, arranged by year but in no particular order. Do you remember listening to these songs on the radio?
Music Played in the 1970's Popular Music From the 70s
Music Played in the 1970's Popular Music From the 70s
Music Styles, Bands And Artists during the 1970's
The 1970s created a perfect musical bridge from the rebelliousness of the 1960s and the happy songs that are characteristic of the 1980s. Following the counterculture of the 60s, the and the 70s created a trend of relaxing music as well as dance music. People may have grown tired of the fighting that happened the previous decade and many of them sought a refuge in dance clubs and other places to enjoy a good time. Out of this idea emerged the Disco movement. Of course, there were still the bands and artists that continued to speak of the ills of society, typically characterized by the punk music in the latter part of the decade. Although the rebellious idea had died down shortly following Woodstock in 1969, there were still many people that disagreed with the establishment and the way the country was being run. Most people, though, were just looking for another way to vent their frustrations, which helped to give rise to the fun that disco music provided. The 1970's was not a unique decade in terms of creating innovations in musical styles and genres, but it was unique in that it was a musical bridge connecting the hippie lifestyle of the 1960s with the characteristic yuppie lifestyle that was about to occur in the 1980s.
Popular Music Genres of the 1970's
Disco/Club Musicians
The Bee Gees,
Gloria Gaynor,
ABBA,
K.C. and the Sunshine Band,
Yvonne Elliman,
Thelma Houston,
The Village People,
Donna Summer,
Chic,
The Jacksons, Diana Ross
--
--
Progressive Rock Musicians
Kansas,
Pink Floyd,
Rush,
Electric Light Orchestra,
Yes,
Genesis,
Emerson, Lake & Palmer,
Supertramp,
Queen,
Grand Funk Railroad
--
--
Punk Rock/New Wave Musicians
New York Dolls, Patti Smith,
The Ramones,
Blondie,
Sex Pistols,
The Clash,
Buzzcocks,
Generation X,
The Misfits,
The Cars,
Talking Heads,
David Bowie
--
Funk & Soul Musicians
Sly and the Family Stone,
Parliament-Funkadelic,
Rufus
Chaka Khan,
Kool & the Gang,
The Isley Brothers,
The Commodores,
The Jackson 5,
The Ohio Players,
Earth, Wind & Fire,
Chic,
James Brown
Disco and Dance Music
If ever a musical style defined a decade, Disco was the definition of the 1970s. Although its popularity was relatively short-lived, the genre hosted a great deal of songs and artists that people are still dancing to today and had a large influence on the fashions of the decade, too. Van McCoy's "The Hustle" has often been referred to as the definitive disco track and many people say it was the first disco song created. Gloria Gaynor also enjoyed disco popularity with her anthem "I Will Survive." The Bee Gees also helped to define the disco genre with their hit "Jive Talkin'" and their blockbuster "Stayin' Alive" is often synonymous with the disco musical era. The Village People’s "YMCA" and "Macho Man" also helped to add to the popularity of this style of music. This style of music became so popular that well respected artists like Rod Stewart and Diana Ross jumped on the bandwagon by adding Disco elements to their new music or creating their own disco albums. Unfortunately, it did not take long for the public to see disco's silliness and commercialization - something that they had just rebelled against a few years earlier. Its lack of attention to musical significance helped add to its downfall after only a short time of popularity. When disco fell from grace, it fell fast, and many radio stations held public events dedicated to ridding the world of disco music with symbolic album burnings. Youths rebelled against the genre as well and it was not uncommon to see a few music fans sporting "Disco Sucks" T-shirts.
Progressive Rock
Progressive rock was another popular genre during the 1970s. This type of music was typically characterized by rock music combined with another genre, such as classical or opera, to create a hybrid genre. Songs from this genre were often longer and bands tended to be more spontaneous and experimental while they were playing live. Many progressive rock albums were also concept albums, meaning that they followed a theme throughout the entire album or series of albums. The band Pink Floyd were known for their concept albums and were considered some of the best in the genre. Their concept album – The Wall – was a psychedelic album that explored the loneliness that one feels due to the metaphorical walls that they build up around them. This 1979 album used philosophical lyrics and a variety of musical styles throughout the songs to exhibit the message that they were trying to get across to the listeners. Jethro Tull was another British rock band that also created concept albums for their audience. They had a unique vocal style combined with the dreamlike sound of a flute to help the listener immerse themselves into the songs that are being played. Their "Thick as a Brick" album was composed of essentially one track on two side of the album. This track consisted of repeating themes and movements that helped to mesmerize the listener. They also used a variety of genres to create their one-of-a-kind sound, including blues, jazz, rock, and classical music. Other bands that became popular in the progressive rock genre included Rush, Queen, Grand Funk Railroad, Kansas, and Electric Light Orchestra.
Punk Rock and New Wave
The punk rock genre also emerged in the 1970s. This was a style that continued on the legacy of the 1960s but with a more upbeat and harder style. Heavy guitar riffs and more decibels helped to motivate those who were still upset about the status quo in the country. The Ramones are often referred to as the original punk band. This band consisted of a group of family members that based their image on The Beatles but their music was much harder. On the lists that rate the greatest rock bands of all-time, The Ramones are often listed as #2, behind only The Beatles at #1. Their song "I Wanna Be Sedated" became a generational anthem depicting the feeling that society is so screwed up that the only way to get through life with your sanity is to be sedated for the entire experience. The Sex Pistols also enjoyed a short-lived success as a punk rock band of the 1970s. Band members heavily used drugs and alcohol which eventually led to their dissolution shortly after forming, but not before releasing two hit albums, "God Save the Queen" and "Never Mind the Bullocks", that created a wave of rebellion throughout the United States and the UK. New Wave, similar to punk music but more radio friendly and with an electronic flair, also emerged in the late seventies and went on to become a predominant genre in the next decade. Bands like The Cars and Blondie straddled the line between punk rock and new wave music and started producing hits in the late 1970s. Some popular punk and new wave bands from the seventies included the New York Dolls, The Clash, Generation X, Talking Heads, David Bowie, and Patti Smith.
Funk and Soul Music
Funk music came out of the R&B, Jazz and Soul music of the late 1960s after artists added more beats and psychedelic tones to their songs. This genre saw the height of its popularity encompass the 1970s with artists like James Brown, Parliament-Funkadelic, Sly and the Family Stone and Kool and the Gang dominating the music charts. Funk was known for its danceable beats, strange costumes, outrageous personalities and often socially conscious lyrics. James Brown, "the hardest working man in show business", is often thought of as the creator of funk music and his 1967 album Cold Sweat is thought to feature some of the first main stream funk songs. Brown developed the funk sound into the 1970s and paved the way for many of the other popular funk groups like Sly and the Family Stone to make it big in the decade. Funk music was known to have no boundaries with psychedelic sounds coming from the likes of George Clinton and his ragtag gang of freaky musicians in Parliament to a more soulful and smooth yet funky sound coming from Rufus and Chaka Khan. In the middle of the seventies many artists, including James Brown and the group Earth, Wind and Fire, added some elements of the popular disco genre to their funk albums and saw even greater mass appeal.
**It is important to note that these were not the only popular genres during the decade. For example, Singers and Songwriters were quite popular in the 1970s as well, with artists like Joni Mitchell, Carly Simon, Elton John, Carole King and Billy Joel, sharing time in the spotlight too. Their music reflected deep themes with simpler musical arrangements and many of these artists had been prominant in the songwriting scene but relatively unknown as they were not often the face of their own music. The seventies more than any other decade gave them a chance to go solo and gain recognition.**
Popular Songs Each Year in the 70's
Popular songs from the Seventies Decade, arranged by year but in no particular order. Do you remember listening to these songs on the radio?
Music Played in the 1960's Popular Music From the 60s
Music Played in the 1960's Popular Music From the 60s
Music Styles, Bands And Artists during the 1960's
The 1960's were a time of upheaval in society, fashion, attitudes and especially music. Before 1963, the music of the sixties still reflected the sound, style and beliefs of the previous decade and many of the hit records were by artists who had found mainstream success in the 1950s, like Elvis Presley, Ray Charles, Dion, and The Everly Brothers. In 1963 and the years to follow, a number of social influences changed what popular music was and gave birth to the diversity that we experience with music today. The assassination of President Kennedy, the escalation of the war in Vietnam and the forward-progress of the Civil Rights Movement all greatly impacted the mood of American culture and the music began to reflect that change. The "British Invasion" also began around 1963 with the arrival of The Beatles on the music scene and the type of rabid fandom that followed them would change the way people would view and interact with music and musicians forever. In this section we will cover the history of the "British Invasion", Motown and R&B, Folk and Protest music, and the large amount of variation that emerged in Rock music throughout the sixties.
Popular Music Genres of the 1960's
British Invasion Musicians
The Beatles,
The Who,
The Rolling Stones,
Cream,
The Yardbirds,
Donovan,
Manfred Mann,
The Kinks,
Herman's Hermits,
Tom Jones,
Dusty Springfield,
The Animals
Motown/R&B Musicians
The Marvelettes,
The Supremes,
Marvin Gaye,
The Four Tops,
The Drifters,
The Temptations,
The Miracles,
Stevie Wonder,
Gladys Knight & the Pips,
The Spinners,
Aretha Franklin,
Canned Heat
Surf Rock and Psychedelic Rock Musicians
The Beach Boys,
The Ventures,
The Champs,
The Doors,
The Grateful Dead,
The Jimi Hendrix Experience,
Jefferson Airplane,
Jan and Dean,
The Kingsmen,
The Trashmen
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--
Roots Rock and Hard Rock Musicians
Janis Joplin,
Creedence Clearwater Revival,
Steppenwolf,
Roy Orbison,
Procol Harum,
The Rolling Stones,
The Who,
The Animals,
The Band,
The Troggs
--
--
Folk Rock and Protest Music Musicians
Bob Dylan,
Simon & Garfunkel,
The Mamas & the Papas,
Buffalo Springfield,
Crosby, Stills & Nash,
The Lovin' Spoonful,
The Byrds,
The Turtles,
Gordon Lightfoot,
Peter,
Paul and Mary
--
Acappella Musicians
The Persuasions
The Heartaches
The Concepts
The Five Jades
The Notations
The Chessmen
The Five Sharks
The Royal Counts
The Zircons
The Five Fashions
The Del Capris
The Shells
British Invasion
The "British Invasion" is the name given to the period of time in the early to mid-1960's, during which many British rock bands and pop artists found mainstream success in the United States and worldwide. Many of these bands first started by covering American songs and showcasing an American Rock 'n' Roll and R&B influence in their sounds. As these bands gained popularity, many of them ventured into new music territory and created their own unique styles. The one band that comes to mind when speaking of the British Invasion is The Beatles, who first broke into the US music scene in 1963, but really became popular in 1964 after appearing on the Ed Sullivan Show. The Beatles dominated worldwide charts from that point in time until they broke up in 1970. The phenomenon that surrounded them was known as Beatlemania and many up and coming music acts emulated their "Liverpool Sound". The band holds many musical records to this day reflecting album sales and number one singles and they're music remains some of the most popular of all time. They can be easily described as the most influential group of the 1960's. Some other notable British Invasion acts include The Rolling Stones, The Animals, The Who, Herman's Hermits, Tom Jones, and Donovan, some of whom reached comparable success levels to the Beatles but had different influences on music all together.
Motown and R&B
The "Motown Sound" and popular R&B music had a major significance in terms of the Civil Rights movement and integration in American society during the sixties. Motown started as a Detroit-based record label in the late fifties and early sixties, but it quickly turned into much more as the acts gained popularity worldwide. Motown records consisted mainly of African-American groups, singers, songwriters and management and their musical and business success proved in breaking down the barriers of segregation and granted African-American performers and musicians a chances to reappropriate much of the success that had been credited to white rock 'n' rollers and pop artists who had success in singing "black music" during the previous decade. Two of the most influential groups to come out of the Motown sound were Smokey Robinson and the Miracles and Diana Ross and the Supremes, both of which had as much chart success as any of the rock groups that dominated the airwaves during the sixties. The success of Motown also paved the way for R&B singers and groups who were not necessarily a part of the movement to also enjoy mainstream success. Some other popular Motown and 60's R&B artists include The Temptations, The Marvelettes, The Four Tops, Stevie Wonder, Marvin Gaye, Aretha Franklin, and the Jackson Five.
Rock and its Subgenres
While rock 'n' roll music entered the popular music spectrum in the 1950s, rock music really came into its own in the 1960s. Rock music dominated the popular music scene during the decade and as the genre grew and changed, many diverse and new subgenres emerged, all tied to original rock but each with their own unique style and purpose. These specific subgenres also had varying levels of popularity throughout the decade and many are still popular today. Quite a few rock bands and musicians oscillated between these genres depending on what was popular at the time and used it as a way to experiment with finding their own true sound. Some of the rock subgenres that we will touch upon are surf, psychedelic, roots, and hard rock. It is important to remember that the specific artists we discuss in these various sections often fall into more than one category and it is up for debate amongst their fans what genre they best represent. We have tried our best to categorize these artists and realize there was much cross-over during the decade.
Surf Rock and Psychedelic Rock
Surf rock began in Southern California as a type of dance music that was mostly instrumental and it became quite popular in the early to mid sixties, until the British Invasion took over the music scene. The subject matter for surf rock was quite literally surfing, however, that expanded as the genre grew in popularity to songs about girls, cars and general teenage antics. The most influential and popular group to come out of the genre were The Beach Boys, whose vocal harmonies and well-crafted compositions came to define the genre. The Beach Boys were one of the only bands to come out of the genre and sustain their success. Some other important surf rock acts include Jan and Dean, The Ventures and The Champs.
Psychedelic rock was popular during the latter half of the 1960s and reached its peak at the end of the decade. Psychedelic music was associated with the hippie counter-culture and hallucinogenic drug use and it was created with the intention of "enhancing" the experience of listeners who were using LSD or other mind-altering substances. The lyrics were often strange and made reference to drugs and bands would often use instruments that were not usual, like the sitar, tabla, harpsichord and organ. There was much experimentation in the sound and much of it was influenced by Eastern and Indian music. Psychedelic rock along with Folk rock became two of the most recognizable sounds associated with 1967's "Summer of Love" phenomenon. Many popular rock bands experimented with this genre, including The Beatles, The Doors, The Jimi Hendrix Experience, Jefferson Airplane, Cream, Pink Floyd, and The Yardbirds.
Roots Rock and Hard Rock
Roots rock emerged in the mid to late 1960s as a combination of several genres and subgenres of rock music that were popular at the time. Roots rock combined elements of folk music, blues, country and rock 'n' roll. And, the genre was exemplified by its "back to basics" sound. Bob Dylan is thought to have pioneered the genre with the release of his 1966 album Blonde on Blonde that demonstrated what roots rock was to become. Many of the most popular bands of the time joined the "roots revival" and crafted albums of their own that featured and experimented with a roots sound. Some of the bands that created music in the style of this broad genre included The Rolling Stones, The Doors, The Beatles, The Band, and Creedence Clearwater Revival.
Hard rock took the elements of rock 'n' roll and made them heavier as the genre formed in the middle of the decade. The sound is characterized by more aggressive tones and delivery. Hard rock vocalists are identified by their higher range and distinct and often raspy voices. The music was influenced heavily by blues rock, garage rock, and rhythm and blues. This style became associated with rebellious youth and an anti-authority demeanor, with a few acts even destroying their own instruments on stage (like The Who). Due to their hard-partying lifestyles, many musicians that were a part of the hard rock scene developed drug and alcohol problems. As a result of these problems, quite a few influential musicians died at a young age from substance abuse or accidents related to substance abuse like Janis Joplin and Jimi Hendrix. Notable hard rock bands form the 1960s include The Who, Deep Purple, Led Zeppelin, The Rolling Stones, The Kinks and Steppenwolf.
Folk Rock and Protest Music
Folk rock came onto the scene as a popular genre in the mid-sixties and much of it grew out of the protest movements that were active during those turbulent times. Much of the folk rock and protest movement was born out of the emerging group of singer-songwriters that were influenced by the folk musicians of the 1930s. Bob Dylan became one of the most prominent songwriters of the decade with many popular groups such as The Byrds and Peter, Paul and Mary covering his songs successfully. Dylan even saw success as a solo performer and was recognized by his unusual voice. This genre was characterized by its melodic sound and did not necessarily have to connect to the protest movements at the time, although lyrically a lot of the folk rock contained protest messages.
Protest music was distinctly different in that it always had a message and was not confined to the sound and style of folk rock. This music was often a reaction to social injustice, cultural changes, and news events. And, in many cases, it brought awareness to the younger generation who would then join the protest, therefore growing the movements. This genre was not necessarily specific to certain artists either, as many mainstream musicians decided to contribute to the cannon with their own feelings. For example, R&B and Soul singer Same Cooke wrote and recorded "A Change Is Gonna Come" in 1963, a song that became an anthem for the Civil Rights movement in America, along with others like Bob Dylan's "Blowin' in the Wind" and James Brown's "Say It Loud - I'm Black and I'm Proud" from 1963 and 1968 respectively. Another issue that protest music was used to address was the war in Vietnam and its escalation during the decade. As more and more American troops were being sent to Vietnam with virtually no progress being made, an anti-war movement began to gain steam in the mid-sixties and protest music accompanied it. Some examples of anti-Vietnam songs were Pete Seeger's "Waist Deep in the Big Muddy from 1967, The Door's "The Unknown Soldier" from 1968, and Bob Dylan's "Masters of War" from 1963. Both folk music and protest music were connected to the "hippie" movement at the time and greatly influenced and were influenced by the feelings of freedom, love and peace that characterized the hippies. Some examples of folk rock and protest musicians from the 1960s include Peter, Paul and Mary, Cat Stevens, Buffalo Springfield, Simon and Garfunkel, and Pete Seeger.
Acappella
The Golden Age of Acappella 1963-1973 exploded in urban America along the acappella corridor that stretched from Boston to Philadelphia; a regional sound that captured the heart and minds of young people in the inner cities. The birth of Acappella as a new urban music genre began in New York City in a small record shop called Times Square Records run and operated by Irving "Slim" Rose. The term Acappella was the word that Slim Rose came up with to promote music that was made without music. Recordings made without music was played on the radio by vocal groups, vinyl acappella records were sold in record stores and Acappella Shows drew hundreds of teenagers throughout New Jersey and New York. Thus a new urban sound created a niche in the music industry competing with Motown, British Invasion, folk and many other musical genres. Acappella became the starting point and catalyst for oldies radio programing, reissues of records of the late 40's and 50's and the preservation and promotion of rhythm and blues vocal groups. Amid the social and cultural revolution taking place during the 1960's acappella as a whole rose above ethnic and racial barriers and became a dynamic musical movement in American history. I would like to thank Abraham Santiago who wrote the paragraph about Acappella Music for us
Popular Songs Each Year in the 60's
Popular songs from the Sixties Decade, arranged by year but in no particular order. Do you remember listening to these songs on the radio?
The Best 60s Country Songs
The 60s - a decade that saw Loretta Lynn sign her first ever record deal, the Country Music Hall of Fame and Museum open in Nashville and the first-ever CMA Awards ceremony.
It was all going on, and the music was on fire! Here's Holler's selection of 100 of the best country songs from the decade.
Check out the full tracklisting below:
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1.
Jackson (Feat. Lee Hazelwood)
Nancy Sinatra
-
2.
Ring Of Fire
Johnny Cash
-
3.
Harper Valley P.T.A
Jeannie C. Riley
-
4.
Kay
John Wesley Ryles, I
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5.
Just Because I'm A Woman
Dolly Parton
-
6.
Skip A Rope
Henson Cargill
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7.
Mama Tried
Merle Haggard
-
8.
Only Daddy That'll Walk The Line
Waylon Jennings
-
9.
Gentle On My Mind
Glen Campbell
-
10.
Stand By Your Man
Tammy Wynette
-
11.
Ode To Billie Joe
Bobbie Gentry
-
12.
Just Between You And Me
Charley Pride
-
13.
Homecoming
Tom T. Hall
-
14.
Crazy (Feat. The Jordanaires)
Patsy Cline
-
15.
Hello Walls
Faron Young
-
16.
The Race Is On
George Jones
-
17.
May The Bird Of Paradise Fly Up Your Nose
Little Jimmy Dickens
-
18.
King Of The Road
Roger Miller
-
19.
Big Bad John
Jimmy Dean
-
20.
Saginaw, Michigan
Lefty Frizzell
-
21.
Act Naturally
Buck Owens
-
22.
She Thinks I Still Care
George Jones
-
23.
The Carroll Country Accident
Porter Wagoner
-
24.
Don't Touch Me
Jeannie Seely
-
25.
(Margie's At) The Lincoln Park Inn
Bobby Bare
-
26.
The Last Thing On My Mind (Feat. Dolly Parton)
Porter Wagoner
-
27.
Once A Day
Connie Smith
-
28.
Wine Me Up
Faron Young
-
29.
Don't Come Home A-Drinkin' (With Lovin' On Your Mind)
Loretta Lynn
-
30.
I Fall To Pieces (Feat. The Jordanaires)
Patsy Cline
-
31.
D-I-V-O-R-C-E
Tammy Wynette
-
32.
Six Days On The Road
Dave Dudley
-
33.
A Six Pack To Go
Hank Thompson
-
34.
Okie From Muskogee
Merle Haggard
-
35.
Touch Me
Willie Nelson
-
36.
My Big Iron Skillet
Wanda Jackson
-
37.
Dang Me
Roger Miller
-
38.
Folsom Prison Blues
Johnny Cash
-
39.
Wichita Lineman
Glen Campbell
-
40.
Eleven Roses
Hank Williams, Jr.
-
41.
Walk Through This World With Me
George Jones
-
42.
Sea Of Heartbreak
Don Gibson
-
43.
It's Such A Pretty World Today
Wynn Stewart
-
44.
I've Got A Tiger By The Tail
Buck Owens
-
45.
Bright Lights And Country Music
Bill Anderson
-
46.
I've Been Everywhere
Hank Snow
-
47.
Pop A Top
Jim Ed Brown
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48.
Phantom 309
Red Sovine
-
49.
Flowers On the Wall
The Statler Brothers
-
50.
Almost Persuaded
David Houston
-
51.
Burning Memories
Ray Price
-
52.
Still
Bill Anderson
-
53.
Chug-A-Lug
Roger Miller
-
54.
Don't You Ever Get Tired Of Hurting Me
Ray Price
-
55.
Statue Of A Fool
Jack Greene
-
56.
Walk On By
Leroy Van Dyke
-
57.
Ribbon Of Darkness
Marty Robbins
-
58.
Crystal Chandelier
Carl Belew
-
59.
I Wouldn't Buy A Used Car From Him
Norma Jean
-
60.
The Bridge Washed Out
Warner Mack
-
61.
Distant Drums
Jim Reeves
-
62.
Stateside
Mel Tillis
-
63.
Me & Mr. Hohner
Bobby Darin
-
64.
The Weight
Jackie DeShannon
-
65.
Don't Let Me Down
Dillard & Clark
-
66.
LA - Memphis - Tyler
Dale Hawkins
-
67.
Detroit City
Bobby Bare
-
68.
We'll Get Ahead Someday (Feat. Dolly Parton)
Porter Wagoner
-
69.
Yakety Axe
Chet Atkins
-
70.
The End Of The World
Skeeter Davis
-
71.
Send Me The Pillow You Dream On
Johnny Tillotson
-
72.
Honey
Bobby Goldsboro
-
73.
Wolverton Mountain
Claude King
-
74.
The Rubber Room
Porter Wagoner
-
75.
Brown Eyed Handsome Man
Waylon Jennings
-
76.
Abilene
George Hamilton IV
-
77.
Streets Of Bakersfield
Buck Owens
-
78.
Drug Store Truck Drivin' Man
The Byrds
-
79.
Up On Cripple Creek
The Band
-
80.
Sin City
The Flying Burrito Brothers
-
81.
Galveston
Glen Campbell
-
82.
Rings Of Gold (Feat. Don Gibson)
Dottie West
-
83.
Just Someone I Used To Know (Feat. Dolly Parton)
Porter Wagoner
-
84.
Life Has Its Little Ups And Downs
Charlie Rich
-
85.
Next In Line
Conway Twitty
-
86.
Kansas City Star
Roger Miller
-
87.
A Tombstone Every Mile
Dick Curless
-
88.
Dumb Blonde
Dolly Parton
-
89.
A Boy Named Sue
Johnny Cash
-
90.
Wings Of A Dove
Ferlin Husky
-
91.
The Game Of Triangles (Feat. Norma Jean And Liz Anderson)
Bobby Bare
-
92.
Charlie's Shoes
Billy Walker
-
93.
The Ballad Of Jed Clampett (Feat. Earl Scruggs)
Lester Flatt
-
94.
We Must Have Been Out Of Our Minds (Feat. Melba Montgomery)
George Jones
-
95.
There Goes My Everything
Jack Greene
-
96.
Laura (What's He Got That I Ain't Got)
Leon Ashley
-
97.
Your Good Girl's Gonna Go Bad
Tammy Wynette
-
98.
By The Time I Get To Phoenix
Glen Campbell
-
99.
How Does That Grab You, Darlin'?
Nancy Sinatra