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PANARAMA GALLERY Loftus Versfeld Stadium in Pretoria Found right in the heart of Pretoria, locals will tell you that Loftus Versfeld Stadium IS itself the beating heart of Pretoria! Home to the Blue Bulls, a passionate rugby team, with hundreds of thousands of local rugby supporters who regularly bring the stadium alive all dressed in the iconic blue jersy of the Blue Bulls. Outside Loftus Versfeld Stadium in Tshwane Art Gallery at Riverbend Croc Farm in Margate Art Gallery at Riverbend Croc Farm Riverbend Art Gallery was opened by the late Dennis Cominos the then mayor of Margate on the 17th August 1984. Riverbend Art Gallery is home to works by many of South Africa’s finest artists including, Dino Paravano, Titta Fasciotti, Rob Wareing, Rob McIntosh, John Smith, Kobus Kotze, Peter Hall, Louis Audie, Richard Rennie, Coral Spenser, Isabel Le Roux, Marc Poisson, Tony De Freitas and many others. Union Buildings sunset in Tshwane Union Buildings in Pretoria The Union Buildings in Pretoria are home to the form the official seat of the South African government and also house the offices of the President of South Africa, and have always been central to South African history. It is here that Nelson Mandela became the state President in 1994, changing the face of South Africa. The beautiful gardens around the Union Buildings are very well maintained, and offer a lovely garden park to stroll through and relax. http://www.360cities.net/image/unionsunset Ou Raadsaal elevated in Tshwane Ou Raadsaal The Ou Raadsaal (old Council Chamber), served as the first parliament of South Africa. The building was designed by Sytze Wopke Wierda in a classical style of Greek and Roman architecture. Originally supposed to be two storeys high, president Paul Kruger insisted a 3rd storey added so that it would not be shorter than the nearby hotel. The Ou Raadsaal building was restored in 1962, when the British Coat of arms over the entrance was replaced by the South African Republic’s coat of arms, a replica of the one originally sculpted by Anton van Wouw. After many years of planning and research, the Raadsaal was once again restored in 1992, in an effort to return it to its former glory. Voortrekker Monument North Roof in Tshwane The great grey colossus of the massive Voortrekker Monument can be seen from all directions as you approach Pretoria. Built in honour of the Voortrekkers (Pioneers), who left the Cape Colony in their thousands between 1835 and 1854. The Voortrekker Monument is the biggest monument in Africa, and is a nature reserve. The Voortrekk Monument's dimentions are 40 meters wide, by 40 meters wide, by 40 meters high. A Cube. The cornerstone was laid by Mrs. J.C. Muller (granddaughter of Andries Pretorius), Mrs. K.F. Ackerman (great granddaugther of Hendrik Potgieter), and Mrs. J.C. Preller (great granddaughter of Piet Retief) on 16 December 1938. Eleven years later the Monument was inaugurated on 16 December 1949. The total cost for the construction of the Monument came to £359,600, of which the state contributed the most.Additional funds were obtained through donations, special stamp sales, commemorative envelopes, souvenirs and publications.This image was taken on the north east side of the roof, 60 meters above the ground. Camera was mounted on a 4.5 meter high pole. Full Virtual Tour of the Voortrekker Monument. Elephants at Hapoor Dam in Addo Elephant Park in South Africa Addo Elephant Park in Port Elizabeth We recently visited the Addo Elephant Park in Port Elizabeth, home to hundreds of African Elephant. We parked the car at Hapoor Dam for about 2 hours, and sat watching these magnificent animals coming down to the dam to drink, cool down, and play! In this 360 degree panoramic photo you can get an idea of how close these elephants were to us, and how big they are. Enjoy! Voortrekker Monument Hall of Heroes in Tshwane The Hall of Heroes is the main central hall of the Voortrekker Monument. It is a high domed hall, 25x25x41 metres, with marble floors and an impressive marble frieze (92 metres long and 2,3 metres high), depicting historical scenes from the Great Trek. Four huge arched windows made from yellow Belgian glass flank the hall and give the impression that the area is a revered place, like a temple. Below the Hall of Heroes is the Cenotaph Hall, and museum. Full Virtual Tour of the Voortrekker Monument. Chain Ladder on Amphitheatre Hike in the Drakensberg in South Africa The Point Hotel in Mossel Bay We recently had the pleasure of staying at The Point Hotel Mossel Bay for a few nights while photographing a number of Virtual Tours in the Mossel Bay area (more on that over the next few months). This Hotel Virtual Tour of The Point Hotel shows its wonderful location, situated right on the point of the natural bay of Mossel Bay, below the St Blaize lighthouse, and right on the rocks! Looking out your hotel suite, one almost feels like you are on a ship! Sentinel View of Amphitheatre in the Drakensberg Mountains in South Africa http://www.360cities.net/image/sentinel-view-of-amphitheatre-in-the-drakensberg-mountains-south-africa The Union Buildings (Afrikaans: Uniegebou) form the official seat of the South African Government and also house the offices of the President of South Africa. The imposing buildings are located in Pretoria, atop Meintjeskop at the northern end of Arcadia, close to historic Church Square. The large gardens of the Buildings are nestled between Government Avenue, Vermeulen Street East, Church Street, the R104 and Blackwood Street. Fairview Avenue is a closed road through which only officials can enter the Union Buildings. Though not in the centre of Pretoria, the Union Buildings occupy the highest point of Pretoria, and constitute a South African national heritage site. The Buildings are one of the centres of political life in South Africa; "The Buildings" and "Arcadia" have become metonyms for the South African government. It has become an iconic landmark of Pretoria and South Africa in general, and is one of the most popular tourist attractions in the city and an emblem of democracy. The Buildings are the location of presidential inaugurations. Architecture The eastern wing of The Union Buildings represents the English population of South Africa These buildings, built from light sandstone , were designed by the architect Sir Herbert Baker in the English monumental style and are 285 m long. They have a semi-circular shape, with the two wings at the sides, this serves to represent the union of a formerly divided people.The clock chimes are identical to those of Big Ben in London. The east and west wings, as well as the twin-domed towers, represent two languages, English and Afrikaans, and the inner court was designed and built to symbolise the Union of South Africa. These buildings are considered by many to be the architect's greatest achievement and a South African architectural masterpiece. The Nelson Mandela statue in Sandton City's Nelson Mandela Square was commissioned originally to stand on the spot where Nelson Mandela gave his inaugural address. The building was sited on a disused quarry, which now makes up the amphitheatre. The matching statues on top of the domed towers are Atlas, holding up the world, sculpted by Abraham Broadbent. The statue on the domed rostrum in the amphitheatre between the wings is Mercury, a mythic Roman messenger and a god of trade, sculpted by George Ness. The closest suburb to the Union Buildings is Arcadia, which means "Playground of Gods". Pretoria has the second largest number of embassies in the world, after Washington, D.C., most of which are located in or near Arcadia. View from the gardens The design of each level differs, and therefore each stone had to be individually cut. The Architectural styles of the building ranges from the lower levels' Edwardian style to the top levels' Cape Dutch design with shutters on the windows. The windows from bottom to top are elongated and become shorter towards the top floor. This is to give the illusion of height. The Union Buildings are the site of presidential inaugurations. The official offices of the president are on the left-hand side of the Union Buildings, and the South African national flag is flown on the left-hand side if the president is in office. The Buildings are divided into three sections; the left offices, amphitheatre, and right offices. All are 95 metres in length. Each offices block contains three inner courtyards providing light and air to the offices. Each block has a basement and three floors above ground. The central curved building behind the colonnade houses the committee rooms, a library and conference rooms while the basement contains the kitchen, dining rooms and lounges. The interior is treated in the Cape Dutch style: carved teak fanlights, heavy doors, dark ceiling beams contrasting with white plaster walls and heavy wood furniture. BACK TO TOP

South Africa (1928-1994) Flag of 1928-1994 Following the Union of South Africa , that is the joining of the former colonies of Natal , Cape , Transvaal and Orange River on 31 May 1910, South Africa used defaced red and blue ensigns. Having suffered defeat in the Anglo-Boer War (1899-1902), many South Africans particularly of Boer extraction found these flags unacceptable. Discussions about a new flag had taken place from time to time but were interrupted by such pressing issues as World War I and achieving Dominion Status within the British Empire etc. and it was only in 1925 that the matter began to receive renewed attention. The Balfour Declaration adopted at the Imperial Conference of 1926 defined in general terms the mutual constitutional relationship of the self-governing members of the British Empire (later Commonwealth) whereby Great Britain and the dominions were "equal in status, in no way subordinate to one another" and as such South Africa, as an independent state was entitled to a flag of its own. The flag issue in South Africa was also considered along with the question of nationality. The issue of inclusion of the Union Jack proved to be a very emotional subject, with the English-speakers on the one side demanding its inclusion and the Afrikaners (Boers) seeing its a symbol of British imperialism demanding it be excluded! A number of proposals were put forward but it was not until the Prinzenvlag design based on the House of Orange that consensus began to emerge. This design was based on the commonly held view that Jan van Riebeeck has raised an orange, white and blue horizontal tricolour when he arrived at the Cape in April 1652. The original design had a quartered shield in the centre, each quarter having a symbol to represent the territories making up the Union. Various other designs were submitted to a Parliamentary Committee which had been established to resolve the issue but none found favour. The compromise design eventually adopted saw the flag of the Republic of the Orange Free State hanging vertically in the centre of the white stripe of the Prinzenvlag with the Union Jack spread horizontally towards the hoist from the centre and the flag of the Zuid-Afrikaansche Republiek (Transvaal) spread towards the fly. In terms of the Union Nationality and Flags Act of 1927 South Africa had two flags, namely the Union Jack to denote association with the British Commonwealth of Nations and a national flag described as being: "Three horizontal stripes of equal width from top to bottom, orange, white, blue; in the centre of the white stripe the old Orange Free State Flag hanging vertically, spread in full, with the Union Jack adjoining horizontally, spread in full, towards the pole, and the old Transvaal Vierkleur adjoining horizontally spread in full away from the pole, equidistant from the margins of the white stripe. The flags shall be of the same size and their shape shall be proportionally the same as the National Flag and the width of each equal to one-third of the width of the white stripe". This Act came into force on 31 May 1928 when both the new national flag and the Union Jack were hoisted together for the first time at simultaneous ceremonies at the Houses of Parliament in Cape Town and at the Union Buildings in Pretoria. The flags first hoisted at Parliament are now on display in the Old Assembly chamber. The dual flag arrangement continued until 06 April 1957 when the Government brought it to an end with the Flags Amendment Act. This Act also provided for the sole national anthem of South Africa to be Die Stem van Suid-Afrika/The Call of South Africa without "God Save the Queen" despite Queen Elizabeth II still being head of state. South Africa withdrew from the British Commonwealth of Nations and became a republic on 31 May 1961. No changes were made to the national flag or anthem. The flag, commonly known as the oranje-blanje-blou (orange, white and blue) continued to fly until it was replaced on 27 April 1994 by the flag representing a democratic South Africa . Bruce Berry, 01 Feb 1998 What are the colour specifications of the former (1928-1994) South African flag in (BS) RGB values? NB: Blue was BCC 150 Lapis Lazuli in the British Colour Council's "Dictionary of Color Standards". Mark Sensen, 15 Jun 2002 The only colour specifications I could find for the old SA flag in the old British Standard Colour Classifications are: Orange: BBC 57 Blue: BBC 218 Green: BBC 24 Red: BBC 210 Bruce Berry, 03 Jul 2002 Regarding the shade of blue on the former South African flag, the blue stripe was originally described as being "solway" blue but over the years, as can be expected given that South African flags originally came from the UK, the blue stripe changed to the darker "Union Jack blue" until the blue stripe became almost black. This prompted a return to the lighter "solway blue" shade following a Government investigation into the matter in 1982. Speaking to flag manufacturers on this matter yesterday, all agreed that they used the same shade of blue for the blue stripe and in the Union Jack and Vierkleur flags in the centre of the flag as well. The other shades in the flag were described as "Spectrum orange", "Green Beetle" and "Union Jack red" with the BCC classifications as indicated above. Bruce Berry, 06 Dec 2005 Research into the controversy surrounding what flag was used by Jan van Riebeeck when he started his replenishment station in Table Bay on 6 April 1652 reveals the following as outlined in my forthcoming book on SA flags: "Van Riebeeck makes no mention in his Journal that he hoisted a flag, but it is assumed that he did. There is considerable controversy as to which flag Van Riebeeck might have hoisted. The flag generally used by Dutch vessels at, or before that time was in the colours of the House of Orange in honour of the Prince of Orange, the Stadtholder of the Netherlands . It was the orange, white and blue horizontal tricolour or Prinzenvlag. It was originally used by the so-called Watergeuse or Waterbeggars at sea during their struggle against the Spanish during the Eighty-Year's War and by the end of the war it was firmly established as the national flag of the Netherlands Republic. It is considered that the flag had its origins with the flag of the Province of Zealand which was red, white and blue horizontally. The red was then replaced by orange in honour of William the Silent, Prince of Orange and its first appearance as this Prinzenvlag occurred circa 1572. Later, towards the middle of the next century, the orange was again replaced by red. The reason for the change of the orange colour to red is not known with certainty, but some authorities ascribe it to the fact that the orange coloured dye was not easy to make and did not remain colour-fast. Van der Laars, an authority on the flags of the Netherlands, states that from about 1648 and certainly by 1663, the orange had changed to red, and the orange, white and blue tricolour was replaced by the red, white and blue tricolour of today. The point in dispute is whether it was already red at the time of Van Riebeeck's arrival, or still orange. According to Van der Laars, it is likely that it was still the orange version. Gerard in Flags over South Africa (1952) [ger52 ], however, makes out a good case that it was already red. He quotes sources, which indicates that most of the bunting used by the Dutch at that period came from India. Proof of this exists in the archives of Zealand (7.11.1630), which records the delivery of six rolls of bunting, red, white and blue. An advertisement in the Navorsher of 1634 mentions ten rolls of bunting, red, white and blue and in 1653 there is mention of many bales of sater - Indian cotton, dyed red, white and blue. The Indian dyers used kurkuma (turmeric) to which they added kav - a reddish rocky material - in order to obtain the orange colour used to dye the khadi-material (loosely hand-woven cotton cloth which we call bunting) to orange. This kav-stone was ground into a fine dust and then mixed with oil, water and turmeric wherein the khadi-cloth was then soaked. In order to obtain a rich orange colour, more kav and less turmeric was used by the Indian dyers and in time the orange changed to a flame red colour. * Gerard also states that in many of the paintings of the Thirty Year's War (1618 - 1648), the ensigns of the Netherlands are clearly already indicated as red, white and blue. He further states that it is therefore clear that when Jan van Riebeeck arrived at the Cape he did so with flags which were already using flame red instead of orange. Dr Pama in his book Lions and Virgins (1965) [pam65 ] produces evidence that on 14 August 1654 Jan van Reinbeck ordered rolls of red, white and blue bunting from Batavia in order to make flags for the fort and ships at the Cape. This seems to confirm Gerard's view. However, Pama also found an instruction by Van Riebeeck dated 22 August 1653 to the garrison and visiting ships that on the sighting of approaching vessels, the Princevlag (his spelling) must be hoisted over the Fort and the same must be done by the approaching vessels. This was obviously meant as a recognition signal during the time of the First Anglo-Dutch War. Pama explains this contradiction with the view that there was at that time not a great deal of importance attached to whether the upper bar was orange or red, with red probably only regarded as a discolouring of orange. The red took on political importance only during the decades of struggle for power between the States-General of the Netherlands and the Princes of Orange which ended with the confirmation in power of William III in 1672 as Stadtholder and Captain-General of the Dutch forces. The instruction for the signal was arrived at in consultation with Captain Douwe Aukes, captain of the Phenix who was strongly in favour of the orange bar in the flag. The year before he had been in command of another East Indiaman Struisvogel and participated with her in the encounter between the hostile English and Dutch fleets off Plymouth in 1652. It was during this naval battle that the colour of the flag had become a political question and the Dutch sailors refused to fight under any other flag than the orange-white-and blue. The reason for the politicising of the flag was the refusal of the States-General to appoint a member of the House of Orange as head of the government and expressed its enmity by changing the orange to red in the national flag. This decision was strongly resented by the people, especially the sailors. He also quotes the Dutch historian J.C. de Jonge who in his authoritative work on the maritime history of the Netherlands writes as follows: "At least until October 1653 the old Princevlag was still in use by the Netherlands navy" and he shows that between 1653 and 1660 the States-General's red-white-blue flag was generally introduced because of the enmity between the States and the House of Orange. Pama's opinion is that when Van Riebeeck ordered the red bunting he was simply conforming to his superiors instructions and following their declared policy for changing the orange to red". I am of the opinion that no matter whether it was red or orange, Jan van Riebeeck probably used the VOC flag over the fort. He was after all a servant of the Dutch East Indies Company and not of the States-General. What is certain is that the Dutch tricolour was most definitely already red, white and blue fully a century before the First British Occupation of the Cape. Andries Burgers, 02 June 2005 * Gerard claims that he obtained this information from Professor P.K. Gode, curator of the Bhandakar Oriental Research Institute in Poona, India. He unfortunately does not provide his other sources or dates. This was interesting to read. One conclusion could be, that it is not possible to set a date for the change of orange into red of the Dutch flag, because it was made during a span of time. Is that right? If the change would have been made by some decision, who would have decided on this? The States General, the Stadholder or someone else? Elias Granqvist, 06 June 2005 Pending evidence to the contrary, this is (given the so far available data) the only conclusion possible. None the less, we now have a definitive date from which we may say that the change was "documented", and visual proof (upon which we can place reasonable reliance) that the change had become officially recognized by 1665. Christopher Southworth, 06 June 2005 Current status regarding the display of the flag in South Africa South Africa’s Supreme Court of Appeal upheld a ruling that the “gratuitous” public display of the country’s old apartheid-era flag amounts to hate speech and racial discrimination and can be prosecuted reports Associated Press (21 April 2023). The Supreme Court didn’t, however, give a ruling on whether displaying the national flag from South Africa’s era of brutal racial segregation in the privacy of a home should also be considered hate speech or discriminatory. Arguments over that specific matter should first be presented to the lower court that initially banned the flag in 2019, the Supreme Court said. The decision on the public showing of the old flag, which was South Africa’s national flag from 1928 until it was abolished when the country achieved democracy in 1994, upheld that ruling given by the Equality Court four years ago. Afriforum, a lobby group that says it represents the interests of South Africa’s white Afrikaans people, challenged the banning of the flag in the Supreme Court, saying such a “wide-reaching ban” was an infringement of the right to freedom of expression. But in its ruling, the Supreme Court said that “those who publicly hold up or wave the old flag convey a brazen, destructive message that they celebrate and long for the racism of our past.” The fate of the orange, white and blue flag has been a highly charged issue in South Africa, particularly for the country’s Black majority, many of whom view it as an overt symbol of the institutionalized racism and brutality of the apartheid regime. The apartheid system officially came into being in 1948 and was formally dismantled when Nelson Mandela became South Africa’s first democratically elected president in 1994, when Blacks were allowed to vote for the first time. South Africa adopted its current flag at the time of those first all-race elections. For some South Africans, the apartheid-era flag has similar connotations to the swastika flag of Nazi Germany. Arguing in support of the ban, the South African Human Rights Commission referred to the case of Dylann Roof, the white man convicted and sentenced to death for the 2015 racist killings of nine Black church members in Charleston, South Carolina, as an example of how the apartheid-era flag retained clear connections to violent white supremacists. Roof once appeared in a photograph wearing a jacket with the flag on it Gerald Imray (Associated Press), 21 April 2023 The South African Flag Controversy (1927) The Afrikaners - Boere; Voortrekkers; or South African Dutch (according to the English) - in spite of being a mixture of Dutch, French, German and quite a few other nationalities, including Khoi, cherished their Dutch connections for most of the nineteenth century during their increasingly bitter struggles against British imperialism. There is still in Afrikaans today a saying: "Die Kaap is weer Hollands" ("The Cape is Dutch again") meaning everything is all right again. This came about when the Cape was returned to the Batavian Republic at the Peace of Amiens in 1803. Three years later the British were back again for the next 160 years. After the turmoil of the Great Trek when the Voortrekkers left the Cape Colony for the interior, they established the Republic of Natalia and not surprisingly chose the red, white and blue of the old Dutch "Driekleur" (three colour), but with the white an inverted pile, as their flag. This republic did not last long as in 1843 it was annexed by the British who could not stand the thought of British subjects simply trekking away from their allegiance, however unwilling, to the crown. In the 1850's the British suffered a bout of anti-colonialism and abandoned the countries to the north of the Orange River to their fate. In 1854, the Boere in the Trans-Oranje, established the Republic of the Orange Free State (Oranje Vrijstaat). On the day of independence they hoisted the Driekleur for lack of their own flag. This flag they called the Bataafsche Vlag in memory of the Batavian Republic, they having of course no experience with the Dutch Kingdom established in 1816. The first president, Josias Hoffman, then wrote to a friend of the Voortrekkers in Holland asking him to approach King Willem III for the grant of a flag and a coat of arms for the new republic. This must be a unique event in the history of both vexillology and heraldry - a republic asking a monarch to grant a flag and arms? The upshot of all this was the old Orange Free State flag with the Driekleur in the canton and the three orange and four white bars. The Transvalers took a while longer to find unity and establish an organised state, but in 1856 they finally adopted a constitution and a flag. The committee who decided on the design of the Transvaal Vierkleur (four colour) was advised by the Reverend Dirk van der Hoff, his brother Marthinus and Jacobus Stuart, all born Hollanders. The result was the Driekleur (three colour) with a vertical green bar added along the hoist. The continued attachment of the Boere to the old Driekleur and their Dutch heritage comes out clearly in the flag designs which they adopted for these three republics. After the Anglo Boer South African War (1899-1902) and the formation of the Union of South Africa in 1910, the British Union Jack became the national flag of the united South Africa. The Red and Blue ensigns with the Union coat of arms in the fly, were granted by British Admiralty warrants in 1910 (amended in 1912) for use at sea as was the case all over the British Empire. They were not intended as national flags for the Union although some people used them as such (especially the Red Ensign). It was only in 1925, after the first post-Union Afrikaner government took office, that a Bill was introduced in parliament to make provision for a national flag for the Union of South Africa. This action immediately led to some three years of civil strife and near civil war. The British thought that the Boere wanted to do away with their cherished Imperial symbols. The province of Natal even threatened to secede from the Union. A compromise was finally reached which resulted in the adoption of a flag for the Union late in 1927 and which was first hoisted on 31 May 1928. This was based on the so-called Van Riebeeck flag, which was in reality the old Princevlag, of orange, white and blue horizontal stripes with three smaller flags centred in the white stripe. These 'flaglets' were the British Union Jack towards the hoist, the Orange Free State Vierkleur hanging vertically and the Transvaal Vierkleur towards the fly. The choice of the Prinzenvlag as the basis of the new flag had more to do with finding an acceptable compromise (the Prinzenvlag supposedly being the first flag hoisted on South African soil - although this is not at all certain - and being a neutral design as it was no longer a current national flag) than having anything to do with Afrikaner political desires. A further part of the compromise was that the British Union Jack would continue to fly alongside the Union national flag everywhere over official buildings. South Africa was thus one of a few countries in the world, as far as I am aware, that flew two national flags simultaneously! This situation continued until 1957 when the Union Jack was finally dispensed with by an Act of Parliament. Sources: "The South African Flag Controversy" by Henry Saker, Oxford University Press, Cape Town, 1980; [skr80 ] "Die Vlae van Suid-Afrika" by Dr C. Pama, Tafelberg Publishers, Cape Town, 1984; [pam84 ] "SAVA Journal SJ: 4/95: The History of Flags of South Africa before 1900". [zyl95 ] Andre Burgers, 18 Jan 2001 Although it was taken into use in 1928, the parliamentary debate on the orange-white-blue flag took place in 1927, so it is frequently referred to as the flag of 1927. Looking at your page on flag proposals , I notice that one particularly insulting nickname of the House of Assembly’s proposal – the one which stuck – is not mentioned. The National Party, which had a slender majority and was in government, was not able to prevent this flag design from being approved, but maintained that the shield was no more than a scab which would in due course fall away. The shield flag was for many years known as the “scab flag” – possibly because the only people who referred to it in public were the radical Nationalists (especially Dr D F Malan’s Gesuiwerde Nasionale Party which abandoned the coalition government of 1934). Dr Malan’s preference was for the Princevlag, so for him the “scab” (the quartered shield) was totally unacceptable. Yet his party (the Herenigde Nasionale Party which won the 1948 general election) quite happily accepted the 1928 flag (despite the presence of the Union Jack), and eventually abandoned its intention of returning to the Prinzenvlag. Mike Oettle, 24 May 2002 I remember reading somewhere that somewhere around the years 1969-1971 a proposal was made for replacing the "1928" flag with the Prinzenvlag. Does anyone know more details about this? Was it an official proposal and/or was it taken in consideration seriously? Mark Sensen, 24 May 2002 On 28 September 1968 the then ruling National Party announced a commission under the chairmanship of Mr Justice JF Marais to look into the matter of a new flag for South Africa and that any new design should be hoisted on Republic Day (31 May) in 1971 - the 10th anniversary of the declaration of the the republic. However, Mr John Vorster, the then Prime Minister of South Africa, decided later that new flags and symbols were not necessary and that it would be "petty politics" to interfere in the matter and accordingly, no further attempt was made to change the then national symbols of the country until the advent of democracy in 1994. As most vexillologists are aware, the previous South African flag was born following a fierce debate and was in essence a compromise symbol between the English and Afrikaans-speaking white South Africans following the Anglo-Boer South African War of 1899-1902. There were numerous attempts to change the flag, particularly from Afrikaners who detested the "Union Jack" being part of the flag. The former Prime Minister (and architect of apartheid) Dr Verwoerd had a dream to hoist a "clean" flag over South Africa in the 1960s. The proposed design comprised three vertical stripes of blue, white and orange (Princevlag colours) with a leaping springbok over a wreath of six proteas in the centre. This flag was designed by Mr HC Blatt, then assistant secretary in the Department of the Prime Minister. The Prime Minister had already approved this design but his assassination in 1966 left the matter in abeyance until the National Party meeting in 1968, as referred to above. The successor to Dr Verwoerd, Mr John Vorster, raised the flag issue at a news conference on 30 March 1971 and said in the light of the impending elections and 10th anniversary Republic Day celebrations, he preferred "to keep the affair in the background". This he said was done because he did not want the flag question to degenerate into a political football (perhaps reflecting on the 1920s experience) and that the matter would be considered again when circumstances would be "more normal". "I only want to warn, and express the hope, that no person should drag politics in any form into this matter because the flag must, at all times, be raised above party politics in South Africa" he said. Verwoerd's dream for a new South African flag, with black and white illustration, is published in SAVA Newsletter 3/92 (July 1992) and is based on an article published in the Afrikaans newspaper, Rapport, on 15 December 1991. Bruce Berry, 31 May 2002 Coat of arms of South Africa The coat of arms of South Africa is the main heraldic insignia of South Africa . The present coat of arms was introduced on Freedom Day , 27 April 2000, and was designed by Iaan Bekker. It replaced the earlier national arms , which had been in use since 1910. The motto is written in the extinct |Xam , member of the Khoisan languages, and translates literally to "diverse people unite". The previous motto, in Latin, was Ex Unitate Vires , translated as "From unity, strength". South Africa - Coat of Arms Coat of Arms (2000 - ) Coat of Arms (1932 - 2000) Coat of Arms (1930 - 1932) Coat of Arms (1910 - 1930) See also: South Africa South Africa : national index Coat of Arms (2000- ) New national coat of arms for South Africa were adopted on 27 April 2000. The former Arms granted by Royal Warrant to the then Union of South Africa on 17 September 1910 changed only slightly over the years. The Arms did not change when South Africa became a Republic on 31 May 1961 and were adopted unchanged in the Interim Constitution which came into force on 27 April 1994. No mention is made of the Arms in the 1996 Constitution (unlike the flag which is outlined in Schedule 1). Bruce Berry, 20 Feb 2001 Details of the New South African Coat of Arms as unveiled yesterday, the 6th anniversary of Freedom Day by President Mbeki. These Arms replace those which have been in use since 17 September 1910. The Coat of Arms is a series of elements organized in two distinct circles placed on top of one another. The Motto: !ke e:/xarra//ke, is written in the (now extinct) Khoisan language of the /Xam people and literally means: diverse people unite. It addresses each individual effort to harness the unity between thought and action. On a collective scale it calls for the nation to unite in a common sense of belonging and national pride - Unity in Diversity. Elephant Tusks symbolize wisdom, strength, moderation and eternity. The ears of wheat in the circle formed by the tusks symbolize fertility, growth and the development of the potential, the nourishment of people and the agricultural aspects of the earth. The shield is shaped like a drum and has a dualistic function - the display of fertility and of spiritual defence. The human figures on the shield are derived from the images of the Linton Stone, a world famous example of South African Rock Art, which is now housed and displayed in the South African Museum in Cape Town. The Khoisan, the oldest known inhabitants of South Africa, testify to our common humanity and heritage as South Africans. The figures are depicted in an attitude of greeting to symbolize unity. This also represents the beginning of the individual's transformation into the greater sense of belonging to the nation and by extension, collective humanity. The spear and knobkierie are dual symbols of defence and authority and also represent the powerful legs of the Secretary Bird. The spear and knobkierie are lying down to symbolize peace. The protea is an emblem of the beauty of South Africa and the flowering potential of the nation in pursuit of the African Renaissance and also symbolizes the holistic integration of forces that grow from the earth, nurtured from above. The Secretary Bird, characterized in flight, is the natural consequence of growth and speed. It is a powerful bird whose legs, depicted as the spear and knobkierie, serve it well in its hunt for snakes symbolizing protection of the nation against its enemies. It is a messenger of the heavens and conducts its grace upon the earth, in this sense it is a symbol of divine majesty. Its uplifted wings are an emblem of the ascendance of the nation, whilst simultaneously offering us its protection. The rising sun is an emblem of brightness and splendour. Its symbolizes the promise of the rebirth, the active faculties of reflection, knowledge, good judgment and will-power. It is the symbol of the source of life, of light and the ultimate wholeness of humanity. The completed structure of the of the Coat of Arms combines the lower and higher circles in a symbol of infinity. The path that connects the lower edge of the scroll, through the lines of the tusks, with the horizon above which the sun rises at the top, forms the shape of a cosmic egg from which the Secretary Bird rises. In the symbolic sense this is the implied re-birth of the spirit of South Africa. The coat of arms was designed by Mr Iaan Bekker of the design agency, FCB. A previous design submitted by the Heraldry Council was rejected by the Cabinet, which then approached design agencies to present their concepts. Mr. Bekker's design was one of three which was considered by the Cabinet. Bruce Berry, 28 Apr 2000 Some weeks ago Jos Poels gave me the next text which he received by email from the SA government: The Bureau of Heraldry hereby gives notice in terms of section 5 (a) of the Heraldry Act, 1962 (Act No. 18 of 1962), of the registration of the new national coat of arms of the Republic of South Africa. Arms: Or, representations of two San human figures of red ochre, statant respectant, the hands of the innermost arms clasped, with upper arm, inner wrist, waist and knee bands Argent, and a narrow border of red ochre; the shield ensigned of a spear and knobkierie in saltire, Sable. Thereabove a demi-secretary bird displayed Or, charged on the breast with a stylized representation of a protect flower with outer petals Vert, inner petals Or and seeded of nine triangles conjoined in three rows, the upper triangle Gules, the second row Vert, Or inverted and Vert, and the third row Vert, Or inverted, Sable, Or inverted and Vert. Above the head of the secretary bird an arc of seven rays facetted Or and Orange, the two outer rays conjoined to the elevated wings. Upon a riband Vert, the motto !KE E:/XARRA //KE in letters Argent. Issuant from the ends of the riband two pairs of elephant tusks curving inwards, the tips conjoined to the wings of the secretary bird, Or, therewithin and flanking the shields, two ears of wheat Brunatre. Source: Government Gazette of 28 April 2000 (No. 21131) Mark Sensen, 27 Jun 2000 I was just wondering what South African flags will be affected by the new coat-of-arms. For instance, under apartheid the presidential flags had the coat-of-arms on them, but I don't know if presidents Mandela and/or Mbeki use a presidential flag. Mark Sensen, 29 Apr 2000 What I'd like to know is how one reads that "thing". I read somewhere that the exclamation mark is for sound of "clicking" with tongue, but what are the slashes and double shlashes? Željko Heimer, 30 April 2000 The Dispatch newspaper, quoting the news agency SAPA, gave a guide to the pronunciation of the motto: "An approximate pronunciation of the new motto is: (click)-eh-air-(click)-gaara-(click)-eh. The first click is produced by flicking the tongue against the front of the palate. The second is produced by pressing the tip of the tongue against the front teeth. The third is made by sucking air through the side of the mouth. The "g" is guttural." So, just start practising your San. Jan Oskar Engene, 30 Apr 2000 They are also clicks, as also the colon. Human languages may have up to six different clicks (thrown kiss, good wine, donkey pusher and three other -- IYKWIM), and Khoisan had probably the most of them. Glyphing these sounds with strange symbols instead of using normal consonant letters is a way to "civilize" these "primitive" cultures and a generation later prove them that our white man's language (English, Russian, French, Portuguese, whatever) is much more simple and pretty to write and spell -- clearly superior to strange looking url-like galimaties... Instead of "!ke e: /xarra //ke" it could have looked like "Qke egh jhxarra whke" Or something like that... Antonio Martins, 30 Apr 2000 Bruce did say the Khoisan were extinct. Last figures seem to suggest that somewhere between 8.000 and 11.000 still exist, Free to move inside the Kalahari Desert and Gemsbok Park - about 700,000 sq km (250,000 sq mi), situated between South Africa, Namibia and Botswana. The Khoisan language is NOT related to Xhosa (not even the click sounds). Xhosa is like all other southern African languages, Bantu related. The Khoisan language and the San People (Hottentots, Bushmen, Khoikhoi, Pygmies, or whatever other name they have been known under), are the only exception. Franc Van Diest, 01 May 2000 San was chosen because they were the first South African people, and it is meant as a subtle sort of reminder that considering that fact, all other South African peoples are interlopers of a sort, and perhaps they should all just try to get along. Roger & Pam Moyer, 02 May 2000 Does anyone know when the new coat of arms officially adopted? The government homepage mentions the new coat of arms was announced on Apr 27 2000. Is this the official date of adoption? Nozomi Kariyasu, 03 Jun 2000 The official date of adoption of the new South African Coat of Arms is 27 April 2000. Bruce Berry, 05 Jun 2000 A "Coat of Arms Corporate Identity Manual" for the South African Coat of Arms can be found at: http://www.gcis.gov.za/services/govt/corpid.pdf Jan Oskar Engene, 13 Jan 2008 Coat of Arms (1932 - 2000) image from this site , reported by Bruce Berry, 20 Feb 1998 New Armorial Bearings and supporters were granted to the Union of South Africa by Royal Warrant in 1910. These Arms were later changed to improve their "artistic" quality and a new design was approved by the London College of Arms in 1930. An "embellished" version was approved on 21 September 1932 and came into use during 1933. It is this version which was subsequently registered at the South African Bureau of Heraldry on 13 May 1968 with the following blazon: ARMS: Quarterly per fess wavy: I, Gules a female figure representing Hope, resting the dexter arm upon a rock, and supporting with the sinister hand an anchor Argent; II, Or, two black wildebeest in full course at random, both proper; III, Or upon an island an orange tree Vert fructed proper; IV, Vert a trek wagon Argent. CREST: On a wreath of the colours, a lion passant guardant Gules, supporting with the dexter paw four staves erect, alternately Argent and Azure and branded Or. MANTLING: Argent and Gules. SUPPORTERS: Dexter a springbok and sinister an oryx (gemsbok), both proper. COMPARTMENT: Below the shield, on a compartment grassed Vert, two Proteas each with two flower heads proper. MOTTO: EX UNITATE VIRES (Unity is Strength) The shield is quartered with symbols from each of the original four areas (later provinces) which came together to form the Union of South Africa, viz Maiden of Hope (Cape of Good Hope ), wildebeest (Natal ), orange tree (Orange River Colony ) and the trek-wagon (Transvaal ). Bruce Berry, 20 Feb 1998 Coat of Arms (1930-1932) scan by Bruce Berry, 20 Sept 2006 The Arms of the Union of South Africa as recorded by the London College of Arms in 1930. An "embellished" version was approved on 21 September 1932 and came into use during 1933 and became the official coat of arms although versions of the so-called "un-embellished" arms as shown above continued to be used on official documents, government stationary etc. Bruce Berry, 20 Sept 2006 Coat of Arms (1910-1930) scan by Bruce Berry, 20 Sept 2006 The first coat of arms of South Africa were adopted following the formation of the Union of South Africa on 31 May 1910. Since the Union was created out of the Cape Colony , Natal Colony , the Orange River Colony and the Transvaal (the latter two being the former Boer republics which had ceased to exist at the end of the Anglo-Boer War in 1902), there was adequate heraldic material on which the new arms could be based. Accordingly, the shied of the new arms was divided into four and contained images from the arms of the four colonies which formed the Union of South Africa. The blazon of the new arms as granted by Royal Warrant on 17 September 1910 reads as follows: "Quarterly per fesse wavy First Quarter Gules a female figure representing Hope resting the dexter arm upon a rock and supporting with the sinister hand an Anchor Argent Second Quarter Or two Wildebeesten in full course at random both proper Third Quarter Or upon an island an Orange tree Vert fructed proper Fourth Quarter Vert a Trek Waggon Argent And for the Crest On a Wreath of the Colours A Lion passant guardant Gules supporting with the dexter paw four staves erect alternately Argent and Azure and branded Or And for the Supporters, On the dexter side A Spring Buck and on the sinister side An Oryx (Gemsbuck) both proper together with the motto EX UNITATE VIRES" The wavy partition line per fesse represents the Orange River which flows through the country while the four former colonies are represented in shield, viz: Cape Province in the first quarter by the female figure (Maiden of Hope) Natal Colony in the second quarter by the wildebeest Orange River Colony in the third quarter by the Orange tree Transvaal Colony in the fourth quarter by the trek wagon. The motto is from that of the former Zuid-Afrikaansche Republiek's (Transvaal) Eendracht maakt Magt being translated into Latin as Ex Unitate Vires (Unity is Strength). The Arms were used until 1930 when, following criticism of their artistic merit, it was decided that they be redrawn. Bruce Berry, 24 Sept 2006 History Following the end of apartheid , the new constitution of South Africa initially retained the coat of arms granted to South Africa in 1910. However, they had been viewed as outdated due to being designed by the British and Afrikaner minorities and not being representative of the black majority. The design process for a new coat of arms was initiated in 1999, the Department of Arts, Culture, Science and Technology requested ideas for the new coat of arms from the public. A brief was then prepared based on the ideas received, along with input from the Cabinet . The Government Communication and Information System then approached Design South Africa to brief ten of the top designers. Three designers were chosen to present their concepts to the Cabinet, and Iaan Bekker's design was chosen. The new arms were introduced on Freedom Day, 27 April 2000. The change reflected the government's aim to highlight the democratic change in South Africa and a new sense of patriotism. The coat of arms is a series of elements organised in distinct symmetric egg-like or oval shapes placed on top of one another. The completed structure of the coat of arms combines the lower and higher oval shape in a symbol of infinity. The path that connects the lower edge of the scroll, through the lines of the tusks, with the horizon above and the sun rising at the top, forms the shape of the cosmic egg from which the secretary bird rises. In the symbolic sense, this is the implied rebirth of the spirit of the great and heroic nation of South Africa. The coat of arms is also a central part of the Seal of the Republic, traditionally considered to be the highest emblem of the state.[4] Absolute authority is given to every document with an impression of the Seal of the Republic on it, as this means that it has been approved by the president of South Africa. Since 1997, however, the use of the Seal of the Republic has not actually been required by the Constitution, but it continues to be used. The oval shape of foundation The first element is the motto, in a green semicircle. Completing the semicircle are two symmetrically placed pairs of elephant tusks pointing upwards. Within the oval shape formed by the tusks are two symmetrical ears of wheat, that in turn frame a centrally placed gold shield. The shape of the shield makes reference to the drum, and contains two human figures derived from Khoisan rock art Linton Stone, which is housed and displayed in the South African Museum in Cape Town. The figures are depicted facing one another in greeting and in unity. Above the shield are a spear and a knobkierie , crossed in a single unit. These elements are arranged harmoniously to give focus to the shield and complete the lower oval shape of foundation. The motto The motto is: ǃke e꞉ ǀxarra ǁke, written in the Khoisan language of the ǀXam people, literally meaning "diverse people unite". It addresses each individual effort to harness the unity between thought and action. On a collective scale it calls for the nation to unite in a common sense of belonging and national pride – unity in diversity. The ears of wheat An emblem of fertility, it also symbolises the idea of germination, growth and the feasible development of any potential. It relates to the nourishment of the people and signifies the agricultural aspects of the Earth. Elephant tusks Elephants symbolise wisdom, strength, moderation and eternity. The shield It has a dual function as a vehicle for the display of identity and of spiritual defence. It contains the primary symbol of our nation. The human figures The Linton Panel , a famous San rock art displayed at the Iziko South African Museum ; used as inspiration for the human figures on the shield. The figures are depicted in an attitude of greeting, symbolising unity. This also represents the beginning of the individual’s transformation into the greater sense of belonging to the nation and by extension, collective humanity. The spear and knobkierie A dual symbol of defence and authority, they in turn represent the powerful legs of the secretary bird . The spear and knobkierie are lying down, symbolising peace. The oval shape of ascendance Immediately above the oval shape of foundation, is the visual centre of the coat of arms, a protea. The petals of the protea are rendered in a triangular pattern reminiscent of the crafts of Africa . The secretary bird is placed above the protea and the flower forms the chest of the bird. The secretary bird stands with its wings uplifted in a regal and uprising gesture. The distinctive head feathers of the secretary bird crown a strong and vigilant head. The rising sun above the horizon is placed between the wings of the secretary bird and completes the oval shape of ascendance. The combination of the upper and lower oval shapes intersect to form an unbroken infinite course, and the great harmony between the basic elements result in a dynamic, elegant and thoroughly distinctive design. Yet it clearly retains the stability, gravity and immediacy that a coat of arms demands. The King protea The protea is an emblem of the beauty of our land and the flowering of our potential as a nation in pursuit of the African Renaissance. The protea symbolises the holistic integration of forces that grow from the Earth and are nurtured from above. The most popular colours of Africa have been assigned to the protea – green, gold, red and black. The secretary bird The secretary bird is characterised in flight, the natural consequence of growth and speed. It is the equivalent of the lion on Earth. A powerful bird whose legs – depicted as the spear and knobkierie – serve it well in its hunt for snakes, symbolising protection of the nation against its enemies. It is a messenger of the heavens and conducts its grace upon the Earth. In this sense it is a symbol of divine majesty. Its uplifted wings are an emblem of the ascendance of our nation, while simultaneously offering us its protection. It is depicted in gold, which clearly symbolises its association with the sun and the highest power. The rising sun An emblem of brightness, splendour and the supreme principle of the nature of energy. It symbolises the promise of rebirth, the active faculties of reflection, knowledge, good judgement and willpower. It is the symbol of the source of life, of light and the ultimate wholeness of humanity. South African flag Songs Oranje-blanje-blou Oranje-blanje-blou (Afrikaans for Orange, white and blue) refers, of course, to the old South African flag used between 1928 and 1994. This song was popular especially among Afrikaners when this flag flew over South Africa. The tune is by Henry Hugh Pierson (they don't say whether it was borrowed from this composer), and the lyrics are by an Afrikaans poet who wrote under the name Eitemal. The attribution for the text reads: "EITEMAL na: ,,O.D., hoch in Ehren''. (There is a commonly used style of quotation marks, primarily German but often used in Afrikaans, that opens a quote with commas rather than the more familiar "inverted commas"). The title simply gives the colours of the 1928 South African flag, or, more strictly, the Dutch Princenvlag: orange, white and blue. (I am not certain of the derivation of "blanje", since it is not used in ordinary spoken Afrikaans, but I would guess that it is a form of the French "blanc", white). The text reads: Die Hoogland is ons woning, die land van son en veld, waar woeste vryheidswinde waai oor graf van meenge held. Die ruimtes het ons siel gevoed, ons kan g'n slawe wees, want vryer as die arendsvlug, die vlugte van ons gees. Chorus: Dis die tyd, (repeated) dis die dag, (repeated) om te handhaaf en te bou. Hoog die hart, (repeated) hoog die vlag, (repeated) hoog Oranje-blanje-blou! Ons gaan saam die donker toekoms in om as een te sneuwel of oorwin, met ons oog gerig op jou, ons Oranje-blanje-blou! (Note: In the sixth line [hoog Oranje-blanje-blou], there is an echo of "blou, blanje-blou!") Die ruwe berge-reekse staan hoog teen awendlug, soos gryse ewighede daar versteen, verstyf in vlug. En stewig soos die grou graniet ons Boeretrots en -trou, die fondament warop ond hier 'n nuwe nasie bou. (Chorus) Die God van onse vaders het ons hierheen gelei ons dien sy grootse skeppings-plan, solank ons Boere bly. Ons buig ons hoof voor Hom alleen; en as Hy ons verhoor omgord ons bly die lendene: Die toekoms wink daar voor. Translation (off the cuff - any improvements welcome). Note: the reference to Hoogland (translated here as highlands) is probably poetic licence for Highveld (Afrikaans Hoe"veld), a region which includes large parts of both the former Transvaal Province (Zuid- Afrikaansche Republiek) and the current Free State Province (the old Oranje Vrij Staat). The highlands are our home, the land of sun and veld, where wild winds of freedom blow over [the] grave of many a hero. The open spaces have fed our souls, we cannot be slaves [literaaly "we can be no slaves"] as freer than the eagle's flight, the flights of our spirit. Chorus: It's the time, it's the day, to maintain and to build. High the heart, high the flag, high Orange-white-blue! We go together into the dark future together to die or win, with our eye fixed on you, our Orange-white-blue! (Sneuwel means literally to die in warfare; oorwin means to win in battle.) The rugged mountain ranges stand high against the evening light like petrified grey eternities there, stiffened in flight. And firmly like the grey granite our Boer pride and loyalty, the foundation upon which we here are building a new nation. (The word awendlug [evening air] seems to be an error; it seems more logical to say awendlig [evening light]; awend is a poetic form [harking back to Dutch] for the more usual Afrikaans "aand"). The God of our fathers led us here, we serve his mighty creation plan, as long as we Boers remain. Webend our heads before Him alone; and if He hears us we gird our loins joyfully: The future waves us on. (Source: The FAK [Federasie van Afrikaanse Kultuurvereninge] Sangbunde). Mike Oettle, 06 Feb 2004. Vryheidslied On flipping through the FAK book I came across a song. The title is Vryheidslied. The lyrics are by Jan F E Celliers, and the music by Emiel Hullebroeck. The words are: Vrome vad're, fier en groot Deur vervolging, ramp en nood, was hul leuse, tot die dood: Vryheid! Vryheid! Erf'nis van hul moed en trou is die grond waar ons op bou. Juigend tot die hemel-blou: Vryheid! Vryheid! Ere wie die dood mag lei om te rus aan hulle sy, met die sterwenswoord te skei: Vryheid! Vryheid! Op dan, broers, en druk hul spoor, voorwaarts, broers, die vaandel voor, laat die veld ons krygsroep hoor: Vryheid! Vryheid! Woes geweld mag hoogty hou, kettings mag ons lede knou, maar die leuse bly ons trou: Vryheid! Vryheid! Jukke mag vir slawe wees, manneharte ken geen vrees, duld geen boei vir lyf of gees: Vryheid! Vryheid! Now the English translation: Pious fathers (ancestors), proud and brave Through persecution, disaster and need their motto, to the death, was: Freedom! Freedom! The heritage of their courage and faith is the land we build on. Joyful to the blue heavens: Freedom! Freedom! Honours to those led by death to rest at its side, uttering their final word: Freedom! Freedom! Up, then, brothers, and follow their tracks, forwards, brothers, the banner in front, may the veld hear our battle cry: Freedom! Freedom! Brutal force might with the day, chains may chafe our limbs, but to this motto we are faithful: Freedom! Freedom! Yokes may be for slaves, the hearts of men know no fear, tolerating no shackles for body or soul: Freedom! Freedom! Notes: The word "vader" translates as "father", and its usual plural is "vaders" ("fathers"). The plural form "vadere" (here poetically shortened to "vad're") means "ancestors". The word "lede" means "members", but is here an abbreviation of "ledemate" ("body parts" or "limbs"). "Ledemate" is used also of members of a church community, a reference to St Paul's description of the Church as being the Body of Christ, made up of people with different functions. The ordinary translation of "vaandel" is "ensign" (a naval ensign is a vlootvaandel), but in the poetic context, "banner" seems more appropriate. Mike Oettle, 14 April 2004 THE FALLEN FLAG Inscribed to Albert Cartwright – The African Bonivard. Furl the fourfold banner, Lay that flag to rest; In the roll of honour – The brightest, bravest, best. Now no hand may wave it, O'er valley, pass or hill; Where thousands died to save it – The patriot hearts are still. It flew o'er proud Majuba, Where the victor farmers stood: O'er the tide of the Tugela – Dark-dyed with hostile blood. On Stormberg passes glorious – And o'er Ma'rsfontein* height, – Wher Cronje's host victorious Withstood the British might. But a prouder grander story Is the record of the band, Which surpassed all former glory, In the latest greatest stand. When ten to one outnumbered – Of hope and help bereft, On ground with graves encumbered, Defenders still were left. There were hero hearts to lead them, On the path where death was won; To float the flag of Freedom Where the eagle sees the sun. To keep the Vierkleur flying On every fortress hill; From the cold clasp of the dying There were hands to sieze it still. O Land, so fondly cherished – Endeared by patriot graves, – The soil where such have perished Is not the soil for slaves. From age to age your story Shall sound to other days: You leave your sons the glory That fallen flag to raise. O sacred smitten Nation, Crowned on thy Calvary, There's a day of restoration – An Easter Morn for Thee. Vierkleur, young hands shall grab thee – New armies round thee stand; Men whose fathers died shall clasp thee On the blood-bought Burghers' Land. * Magersfontein should thus be pronounced. [This footnote, explaining the spelling Ma'rsfontein, appears under the second stanza.] Mike Oettle, 18 Dec 2008 Ons Vlag Nou waai ons Vlag en wapper fier! Sy kleure is ons vreugde; hul skoonheid spoor ons harte aan tot ware, ed'le deugde. Oranje dui op heldemoed wat krag vind by die Here; die Blanje eis 'n rein gemoed; die Blou verg trou en ere. Ons Vlag bly steeds ons eenheidsband. Al kom ook sware tye; dis God wat waak oor Volk en Land, Suid-Afrika ons eie. Translation: Now our flag waves and flaps bravely! Its colours are our joy; their beauty encourages our hearts to true, noble virtues. Orange stands for heroic courage which draws strength from the Lord; the White demands a pure attitude; the Blue wants loyalty and honour. Our flag remains our bond of unity. Even if times get hard; it's God who watches over Nation and Land, South Africa our own. The forms "sware" (where "swaar" would be the usual way of speaking), "ed'le" (for "edele") and "ere" (for "eer") are poetic forms, adaptations to the scansion. The same goes for the word "meen'ge" in Oranje-blanje-blou, which would normally be "menige". (Source: The FAK [ Federasie van Afrikaanse Kultuurvereninge] Sangbunde). Mike Oettle, 10 Feb 2004 De Vlaamse Leeuw This song is an odd one to find in the FAK Sangbundel, since its title translates as "The Flemish Lion" and the language is Dutch, definitely not Afrikaans. Clearly, it was included because, centuries after the Eighty Years War, the symbol of Flanders still finds a resonance with Afrikaner descendants of those Protestant Flemings who fled Spanish rule and went to live in the Seven Provinces. The words are credited to T H van Peene, and the tune to K Mirij, arrangement by Dirkie de Villiers (son of M L de Villiers, the composer of the music to Die Stem van Suid-Afrika, the former South African national anthem). There are two verses and a refrain: Zij zullen hem niet temmen, de fiere Vlaamse Leeuw, al dreigen zij zijn vrijheid met kluisters en geschreeuw. Zij zullen hem niet temmen, zolang e'e'n Vlaming leeft, zolang de Leeuw kan klauwen, zolang hij tanden heeft. Refrain: Zij zullen him niet temmen zolang e'e'n Vlaming leeft, zolang de Leeuw kan klauwen, zolang hij tanden heeft, zolang de Leeuw kan klauwen, zolang hij tanden heeft. De tijd verslindt de steden, geen tronen blijven staan, de legerbenden sneven, een volk zal niet vergaan. De vijand trekt te velde, omringd van doodsgevaar. Wij lachen met zijn woede, die Vlaamse Leeuw is daar. Here's an attempt at a translation: They won't tame him, the proud Flemish Lion, even if they threaten his freedom with chains and shouting. They will not be able to tame him as long as even one Fleming lives, as long as the Lion can claw, as long as he has teeth. Refrain: They will not tame him, the proud Flemish Lion, as long as one Fleming lives, as long as the Lion has claws, as long as he has teeth, as long as the Lion has claws, as long as he has teeth. Time eats up the cities, no thrones last forever, the armed companies die in battle, a people will not disappear. The enemy goes out to war, surrounded by deadly danger. We laugh at his anger, the Flemish Lion is there. I have written the word een as e'e'n - each 'e' carries an acute accent. This emphasises the word, giving the meaning "even if only one Fleming is left alive". The word verslindt means to destroy by eating - this verb is used literally only of animals (never humans) and, poetically, of things that destroy in like manner. I am not certain that I have the right word for "kluisters" - I don't have a dictionary at hand as I write this - and would be grateful if some Dutch correspondent would check that. "Geschreeuw" can mean either shouting or screaming, but shouting seems more appropriate. In the second verse, "de legerbenden sneven" - "leger" means army, but "armed companies" seems to fit better with "benden" or bands. "Sneven" (in Afrikaans "sneuwel") means to die in war or in battle (rather than dying of disease, another common way in which soldiers have traditionally lost their lives). I have rendered "een volk" as "a people", but "a nation" could also be appropriate. "Trekt te velde" means literally to go out into the fields, but its application to an enemy means that it is out on campaign (after all, campaign comes from a word meaning "fields", also). Mike Oettle, 02 Mar 2004 Transvaalse Volkslied The Transvaalse Volkslied, although the official anthem of the Zuid-Afrikaansche Republiek and when the territory was officially called Transvaal (1879-81and 1901 onwards), it was not well thought of by the authorities. The words and music of the Transvaalse Volkslied are by Catharina F van Rees, and it is dated 1875 - surprisingly it dates to the period before the annexation of 1879, since the emotions seem to blend well with those of the victorious rebels of 1881. Possibly this date accounts for the song's non-avoidance of the word Transvaal, which was the name of the state so strongly rejected in the uprising of 1880-81. The arrangement is by G G Cillie'. (There is an acute accent on the final letter in this surname; it is pronounced "Sil-yee". The surname is French, although its spelling is no longer authentically French; other members of this family spell it as Cilliers or Celliers.) The language is Dutch. (As mentioned previously, Afrikaans was the spoken language of all the 19th-century Boer republics, but was hardly ever written, and was not generally well thought of by those who had been educated in either English or Dutch.) Kent gij dat volk vol heldenmoed en toch zo lang geknecht? Het heeft geofferd goed en bloed voor vryheid en voor recht. Komt burgers! laat de vlaggen wapp'ren, ons lijden is voorbij; roemt in die zege onzer dapp'ren: Dat vrije volk zijn wij! Dat vrije volk, dat vrije volk, dat vrije, vrije volk zijn wij! Kent gij dat land, zo schaars bezocht en toch zo heerlik schoon; waar de natuur haar wond'ren wrocht, en kwistig stelt ten toon? Transvalers! laat ons feestlied schallen! Daar waar ons volk hield stand, waar onze vreugdeschoten knallen, daar is ons vaderland! Dat heerlik land, dat heerlik land, dat is, dat is ons vaderland! Kent gij die Staat, nog maar een kind in's werelds Statenrij, maar tog door 't machtig Brits bewind weleer verklaard voor vrij? Transvalers! edel was uw streven, en pijnlik onze smaad, maar God die uitkomst heeft gegeven, zij lof voor d'eigen Staat! Looft onze God! Looft onze God! Looft onze God voor land en Staat! Now for a translation (again lease excuse and correct! any errors): Do you know the people full of heroic courage and yet so long servants? It has offered possessions and blood for freedom and for justice. Come, citizens, let the flags wave, our suffering is past; be joyous in the victory of our brave ones; We are the free people! The free people, the free people, the free, free people are we! Do you know the land, so seldom visited, and yet so wonderfully beautiful; where nature has wrought her wonders, and profligately puts them on display? Transvalers! let our festival song resound! There were our people stood fast, where our gunshots of joy resound, there is our fatherland, That wonderful land, that wonderful land, that is, that is our fatherland! Do you know the State, yet still a child among the States of the world, but nontheless by the mighty British power truly declared as free? Transvalers! Noble was your struggle, and painful our suffering, but God has given the outcome, and praise for our own State! Praise our God! Praise our God! Praise our God! Praise our God for land and State! In the first verse, "wapp'ren" and "dapp'ren" are poetic forms that omit the middle vowel. The same goes for "wond'ren" in the second verse. "Geknecht" means "reduced to the state of servants" (not quite slaves). In the third verse the word Statenrij has no exact equivalent in English, although English occasionally uses the same construction of ending a word with -ry to form a noun from a shorter one, as in "heraldry". "Statenrij" is perhaps best rendered as "the multitude of States" or "the variety of States" (independent states, that is). "Door't" is a typically Dutch construction which has disappeared from Afrikaans, except in one or two idioms, where the definite object "het" is reduced to its final letter and (sometimes) tagged onto the previous word. (North country English has a comparable usage, although this is a shortening of "the".) Mike Oettle, 04 Mar 2004 Vaarwel aan die Vierkleur Here are the lyrics of Vaarwel aan die Vierkleur, as they appear in the FAK-Sangbundel (Fourth Edition 1979, sixth printing of 2002) published by Protea Boekhuis for the Federasie van Afrikaanse Kultuurvereniginge (FAK). I don't know if I've managed to turn out an acceptable rendition in English. The original is rather tearful I'm afraid. The word 'Vierkleur' I kept, 'Fourhue' rather sounds like a steed ridden by a LOTR character. To pronounce 'Vierkleur', say "veerckler" with -er as in 'her'. One strong image gets lost in translation, the word 'vlag' is feminine you see. Here goes: No longer may the Vierkleur wave, in tears we gave it up, it has been buried with our braves sunk into an honourable grave it has been buried with our braves sunk into an honourable grave. Happier those who fell when still the Flag was borne, than us who had to see and mourn it dragged into the dust than us who had to see and mourn it dragged into the dust. No happy morning for it there, we part from it forever now resting in the Nation's heart and dedicated to the Past now resting in the Nation's heart and dedicated to the Past. Blessed to those who bore it boldly to brave the prideful foe whose feeble arms to it did cling as they went to their death whose feeble arms to it did cling as they went to their death. Let Future Ages never forget them as long as men endure till even Heaven is outworn and Earth reels before its fall, till even Heaven is outworn and Earth reels before its fall. Jan Mertens, 30 Apr 2004 Die Vlaglied / The Song of the Flag Another flag song, this time abut the former South African flag called "Die Vlaglied" / "The Song of the Flag" which was composed by CJ Langenhoven, the composer of the former South African National Anthem "Die Stem van Suid-Afrika" / "The Call of South Africa". This song was sung by a Children's Choir at the dedication ceremony marking the establishment of the Republic of South Africa held at the Cape Show Grounds in Cape Town on 31 May 1961. The English and Afrikaans versions are as follows: "The Song of the Flag" Cradled in beauty forever shall fly In the gold of her sunshine the blue of her sky, South Africa's pledge of her freedom and pride In their home by sacrifice glorified. By righteousness armed, we'll defend in our might The sign and the seal of our freedom and right, The emblem and loyalty, service and love; To our own selves true and to God above, Our faith shall keep what our hearts enthrone - The flag of the land that is all our own. "Die Vlaglied" Nooit hoef jou kinders wat trou is te vra: "Wat beteken jou vlag dan, Suid-Afrika?" On sweet hy's die seel van ons vryheid en reg Vir naaste en vreemde, vir oorman en kneg; Die pand van ons erf'nis, geslag op geslag, Om te hou vir ons kinders se kinder swat wag; Ons nasie se grondbrief van eiendomsland, Uitgegee op gesag van die Hoogste se hand. Oor ons hoof sal ons hys, in ons hart sal ons dra, Die vlag van ons eie Suid-Afrika. Bruce Berry, 31 Aug 2007 1910 arms The first coat of arms was granted by King George V by royal warrant on 17 September 1910. This was a few months after the formation of the Union of South Africa . It was a combination of symbols representing the four provinces (formerly colonies) that made up the Union. The first quarter is the figure of Hope, representing the Colony of the Cape of Good Hope . The two wildebeests of the second quarter represent the Colony of Natal . The orange tree in the third quarter was used as the symbol of the Orange Free State Republic . The wagon in the fourth quarter represented the Transvaal . The supporters are taken from the arms of the Orange River Colony and the Cape Colony. The lion holds four rods, bound together, symbolising the unification of the four former colonies. The motto, Ex Unitate Vires was officially translated as "Union is Strength" until 1961, and thereafter as "Unity is Strength". Evolution Main article: Coat of arms of South Africa (1910–2000) Three official renditions of the arms were used. The original rendition (1910) was the only version used until 1930, and it continued to be used as the rank badge of warrant officers in the South African Defence Force and South African National Defence Force until 2002. The second version, painted in 1930 and known as the "ordinary coat of arms", and the third version, painted in 1932 and known as the "embellished coat of arms", were both used until 2000. The former was also used on the insignia of the South African Police until the 1990s. History 1902–1910 The South African Republic Vierkleur The Second Anglo-Boer War between 1899 and 1902 ended with the Treaty of Vereeniging on 31 May 1902 and resulted in what is now South Africa falling under the British Union Flag . The former Boer Republics of the Orange Free State and the Zuid-Afrikaanse Republiek (Transvaal) became British colonies along with the existing Cape and Natal colonies. Each was also entitled to a colonial flag following in the British tradition. 1910–1928 Main article: South Africa Red Ensign On 31 May 1910 these four colonies came together to form the Union of South Africa and the individual colonial flags were no longer used and new South African flags came into being. Once again, as a British dominion the British Union Flag was to continue as the national flag and the standard British ensign pattern was used as a basis for distinctive South African flags. As was the case throughout the British Empire , the Red and Blue Ensigns were the official flags for merchant and government vessels at sea, and the British Admiralty authorised them to be defaced in the fly with the shield from the South African coat of arms .[6] [7] These ensigns were not intended to be used as the Union's national flag, although they were used by some people as such. Although these ensigns were primarily intended for maritime use, they were also flown on land. 1928–1994 Main article: Flag of South Africa (1928–1994) Union of South Africa (1928–1961) Republic of South Africa (1961–1994) Oranje, Blanje, Blou Use National flag , civil and state ensign Proportion2:3 Adopted31 May 1928 RelinquishedApril 27, 1994; 29 years ago Three small flags on the flag of South Africa, used from 1928 to 1982. Three small flags on the flag of South Africa, used from 1982 to 1994. The three flags in the centre representing the former British colonies of Cape Colony and Natal with the Union Flag on the left, followed by the flags of the former Boer republics of Orange Free State and the South African Republic on the right. The Union Flag is shown with the hoist on the right . Due to the lack of popularity of these flags, there were intermittent discussions about the desirability of a more distinctive national flag for South Africa after 1910  it was only after a coalition government took office in 1925 that a bill was introduced in Parliament to introduce a national flag for the Union. This provoked an often violent controversy that lasted for three years based on whether the British Union Flag should be included in the new flag design or not. The Natal Province even threatened to secede from the Union should it be decided to remove it. Finally, a compromise was reached that resulted in the adoption of a separate flag for the Union in late 1927 and the design was first hoisted on 31 May 1928. The design was based on the so-called Van Riebeeck flag or "Prince's Flag " (Prinsenvlag in Afrikaans ) that was originally the Dutch flag ; it consisted of orange, white, and blue horizontal stripes. A version of this flag had been used as the flag of the Dutch East India Company (known as the VOC) at the Cape (with the VOC logo in the centre) from 1652 until 1795. The South African addition to the design was the inclusion of three smaller flags centred in the white stripe. The miniature flags were the British Union Flag (mirrored) towards the hoist, the flag of the Orange Free State hanging vertically in the middle and the Transvaal Vierkleur towards the fly. The position of each of the miniature flags is such that each has equal status. However, to ensure that the Dutch flag in the canton of the Orange Free State flag is placed nearest to the upper hoist of the main flag, the Free State flag must be reversed. The British Union Flag, which is nearest to the hoist and is thus in a more favoured position, is spread horizontally from the Free State flag towards the hoist and is thus also reversed. Although placed horizontally furthest from the hoist, to balance the British Union Flag, the Vierkleur is the only one of the miniature flags which is spread in the same direction as the main flag. This compensates for its otherwise less favourable position. In this arrangement, each of the miniature flags enjoy equal precedence. Note that the miniature flags of the Transvaal Republic and the Orange Free State both contain miniature flags of the Netherlands , while the miniature flag of the United Kingdom is a composition of the flags of England , Scotland and the Anglo-Irish people , making the old South African flag the only former national flag in the world containing five flags within three flags within a flag. The choice of the Prinsenvlag (which was believed to be the first flag hoisted on South African soil by Jan van Riebeeck of the VOC) as the basis upon which to design the South African flag had more to do with compromise than Afrikaner political desires, since the Prinsenvlag was politically neutral, as it was no longer the national flag of any nation. A further element of this compromise was that the British Union Flag would continue to fly alongside the new South African national flag over official buildings. This dual flag arrangement continued until 1957 when the British Union Flag lost its official status per an Act of Parliament . Following a referendum the country became a republic on 31 May 1961, but the design of the flag remained unchanged. However, there was intense pressure to change the flag, particularly from Afrikaners who still resented the fact that the British Union Flag was a part of the flag. In 1968, the then Prime Minister , John Vorster , proposed the adoption of a new flag from 1971, to commemorate the tenth anniversary of the declaration of a republic but this never materialised. Since 2019, public display of this flag in South Africa is considered hate speech (for being a potential symbol of apartheid and white supremacy ) and therefore prohibited, with exceptions for artistic, academic and journalistic purposes, as well as for museums & places of historical interest. 1994–present 1994–present South African Ambassador to the U.S. Harry Schwarz presenting the new flag to the U.S. president Bill Clinton and vice president Al Gore in May 1994. The present South African national flag was first flown on 27 April 1994, the day of the 1994 election . However, the flag was first intended to be an interim flag only, and its design was decided upon only a week beforehand. The choice of a new flag was part of the negotiation process set in motion when Nelson Mandela was released from prison in 1990. When a nationwide public competition was held in 1993, the National Symbols Commission received more than 7,000 designs. Six designs were shortlisted and presented to the public and the Negotiating Council, but none elicited enthusiastic support. A number of design studios were then contacted to submit further proposals, but these also did not find favour. Parliament went into recess at the end of 1993 without a suitable candidate for the new national flag. In February 1994, Cyril Ramaphosa and Roelf Meyer , the chief negotiators of the African National Congress and the National Party government of the day respectively, were given the task of resolving the flag issue. A final design was adopted on 15 March 1994, derived from a design developed by the State Herald Fred Brownell , who had also claimed to have previously designed the Namibian flag .[citation This interim flag was hoisted officially for the first time on 27 April 1994, the day when the nation's first fully inclusive elections commenced which resulted in Nelson Mandela being inaugurated as South Africa's first democratically elected president on 10 May 1994. The flag was well received by most South Africans, though a small minority objected to it; hundreds of Afrikaner Volksfront members in Bloemfontein burned the flag in protest a few weeks before the April 1994 elections. The flag flying at the Sydney Cricket Ground . The proclamation of the new national flag by South African President F. W. de Klerk was only published on 20 April 1994,[5] a mere seven days before the flag was to be inaugurated, sparking a frantic last-minute flurry for flag manufacturers. As stated in South Africa's post-apartheid interim constitution, the flag was to be introduced on an interim probationary period of five years, after which there would be discussion about whether or not to change the national flag in the final draft of the constitution . The Constitutional Assembly was charged with the responsibility of drafting the country's new constitution and had called for submissions, inter alia, on the issues of its various national symbols. It received 118 submissions recommending the retention of the new flag and 35 suggesting changes to it. Thus on 28 September 1995 it decided that the flag should be retained unchanged and accordingly it was included as Section One of the Constitution of South Africa which came into force in February 1997. Proper display of the flag The South African government published guidelines for proper display of the flag at designated flag stations, in Government Notice 510 of 8 June 2001 (Gazette number 22356). These rules apply only to official flag stations and not to the general public. The Southern African Vexillological Association (SAVA), a non-official association for the study of flags, published their own guide for proper display of the flag in 2002. This guide has no official authority but was drawn up with generally accepted vexillological etiquette and principles in mind. South Africa Republic of South Africa, Republiek van Suid-Afrika, IRiphabliki yeSewula Afrika, IRiphabliki yaseMz Flag adopted 27 Apr 1994 Origin and colours of the new flag Symbolism of the flag Interview with the designer of the flag See also: South African flag observed more closely For all other South African pages see: South Africa : national index Origin and colours of the new flag The strips are red/orange and blue, the same of the previous flag . The added colors are the same of African National Congress 's flag, which is composed of three equal horizontal strips: black, green and yellow. Therefore I argue that the new flag is the merge of the two flags. Apart from strips' colors (orange and blue instead of red and green), the colour of the second fimbriation (green instead of black) and the absence of a coat in the triangle, the new South African flag is very similar to Vanuatu's . Giuseppe Bottasini C-SPAN (Cable-Satellite Public Affairs Network), reporting on the election in South Africa, showed the "interim" flag which will be used for the next five years; the new parliament will choose a permanent flag. In English blazon, it is: Tierced in pairle couchy sable, gules and azure, a pairle couchy vert fimbriated or to dexter and argent to chief and base. I think the interim flag for South Africa is said to be composed of the colours of flags of past administrations. Which is as plausible as anything, since it includes all the heraldic tinctures. Anton Sherwood The current South African flag was designed by Mr Fred Brownell, State Herald of South Africa. Bruce Berry, 26 Mar 1999 Colour Specifications Album 2000 gives the official (Pantone) and approximate (CMYK) specifications as follows: Red: 179c C0-M90-Y90-K0 Green: 3415c C100-M0-Y80-K20 Yellow: 1235c C0-M25-Y80-K0 Blue: Reflex Blue c C100-M80-Y0-K0 Ivan Sache, 15 Jan 2002 The South African flag pantones as I have them are: >Uncoated surfaces: Coated surfaces: Blue: 287u 288c Red: 485u (x2) 485c Yellow: 116u 1235c Green: 355u 349c Black White Source: SA Bureau of Standards - Specifications for the National Flag, 2nd ed. Bruce Berry, 21 Jan 2002 > The protocol manual for the London 2012 Olympics (Flags and Anthems Manual, London, 2012 [bib-lna.html ]) provides recommendations for national flag designs. Each National Olympic Committee was sent an image of their flag, including the PMS shades, by the London Organising Committee of the Olympic Games (LOCOG) for their approval. Once this was obtained, the LOCOG produced a 60 x 90 cm version of the flag for further approval. So, while these specifications may not be the official, government, version of each flag, they are certainly what the National Olympic Committee believed their flag to be. For South Africa : PMS 179 orange/red, 3415 green, reflex blue, 1235 yellow and black. The vertical flag is the horizontal version reversed and turned 90 degrees anti-clockwise - black at the top, orange/red on the left, blue on the right. Ian Sumner, 10 Oct 2012 Symbolism of the flag The colours of the South African flag do not really have symbolic meanings in themselves. People do sometimes assign meanings to the colours (such as red for blood, yellow for mineral wealth etc.) but this is not the case with the current South African flag. According to Mr. Frederick Brownell, the former State Herald who played a large role in the original design, while the colours of the flag do not have any official symbolism, they do represent a synopsis of the country’s flag history. The design in turn, represents a converging of paths, the merging of both the past and the present. Black, gold and green, which were first incorporated into South African national flags in the 19th century, also feature prominently in the flags of the liberation movements, particularly the African National Congress (ANC), the Pan-African Congress (PAC) and Inkatha . These colours can thus be said to broadly represent the country's black population. Blue, white, red and green reflect the British and Dutch (later Boer) influence, as shown in the earliest flags flown in South Africa, and also featured prominently in the old South African National Flag (1928-1994 ) and thus represent the white population of South Africa. The green pall (the Y-shape) is commonly interpreted to mean the unification of the various ethnic groups and the moving forward into a new united South Africa. The South African flag is the only national flag to contain six colours as part of its primary design (excluding those flags which contain various colour shades as part of the detail of coats of arms or other charges etc.). Bruce Berry, 14 Feb 2000 The History and Heritage Section of the South Africa.Info web site has a lengthy section on the present flag of the Republic of South Africa, with some interesting information. The flag material is entitled 'Fly, the beloved flag,' a very clever play on the title of Alan Paton's novel 'Cry, the Beloved Country,' one of the first works in English to describe the former apartheid state. Ron Lahav, 12 Nov 2008 Interview with the designer of the flag Here is an interview with the designer of the South African flag by the BBC on the 20th anniversary of the: adoption of the flag (27 April 2014): Fred Brownell: The man who made South Africa's flag The multi-coloured flag of modern South Africa is a symbol of its post-apartheid rebirth. But while Nelson Mandela led the country on a "long walk" to freedom, the creation of the flag 20 years ago was a frantic sprint by an unsung hero, writes Xin Fan. On a Saturday night at the end of February 1994 Fred Brownell's phone rang. The voice on the other end asked him to get a new national flag designed - within a week. "It scared the living daylights out of me," says Brownell, now 74 and living in retirement in Pretoria . Brownell was state herald, and had long known that the emerging new South Africa would need a new flag, but until this point he had not been asked to play a central role. Initially, members of the public had been asked for their ideas. Some 7,000 sketches had been sent in, but none was judged appropriate. Then the authorities had turned to design studios. That too proved fruitless. he months had passed by and now the first democratic elections - when the new flag was expected to be fluttering in the South African breeze - were little more than eight weeks away. Hence the urgent Saturday night call to Brownell. Fortunately, he had already given the subject some thought. He had been asking himself for some time what the new South African flag should look like. But his sketches had all ended up in the wastepaper basket until one day in August 1993, when he sat listening to an "interminable speech" at an international flag conference in Zurich. "My mind started wandering," he recalls. "And then it struck me - aren't we looking for convergence and unification?" The convergence of the disparate groups within South African society, and their unification in one democratic state. He flipped over the conference programme and started sketching. Three arms came in from the flagpole side of the flag (the "hoist") and became one. "I was struck by the extent it resonated with what Mandela had in mind. 'Yes, it might work!' I thought," Brownell remembers. His first idea was for the three-pronged shape to be coloured red, with green and blue at top and bottom, but he soon concluded it looked better with the colours switched around - the three-pronged shape in green, red at the top and blue at the bottom. But the flag needed other colours too. "I think one must realise that red, white and blue or orange white and blue harked back to South Africa's colonial heritage," Brownell says. Gold was the first he added, then black - both colours found on the flags of the African National Congress , the Zulus' Inkatha Freedom Party , and various other political groupings in South Africa. The final design also used a particular orangey shade of red known as chilli red, which is mid-way between the colours of the British and Dutch colonial-era flags but at the same time reminiscent of South Africa's coral trees, Brownell says, and the flat hats worn by married Zulu women. The only other change to the design was made at the suggestion of Brownell's daughter, Claire, a young schoolteacher. "Dad, use your brain!" she said. "People will stand that on its head and turn it into the nuclear peace sign. The middle leg must go." The three arms converging into one, became just two arms converging into one. So when Brownell got the call asking him to have the issue "solved within the week" he was not starting completely from scratch. In the end it came down to five proposals, two of them Brownell's. Of the others, one was based on an idea from the ANC, another came to a member of the committee Brownell had hastily convened in the middle of a plane flight. The choice was put to (the then) State President FW de Klerk, who said it was not a decision he could take alone and called an impromptu cabinet meeting. "I noticed their eyes", says Brownell. "They were being drawn to my design." Sure enough it was one of his drawings that was selected. Officials then contacted ANC negotiator Cyril Ramaphosa, and a tense wait ensued. His approval finally came through later that afternoon. Many years later Brownell learned that Ramaphosa too had not wished to act alone, and had contacted Nelson Mandela, then in Rustenburg in the north-east of the country, to get his personal blessing. "A design had been sent to Mandela by fax. Somebody on the other end had to run down to the stationery shop, grab some colouring pencils, and colour in the flag," says Brownell. Luckily, Brownell says, "Mandela was happy with it." That same day, 15 March 1994, the design was unanimously adopted by the Transitional Executive Council, which asked President de Klerk to issue a proclamation adopting the national flag. But for reasons that Brownell still cannot explain, the proclamation was made only on 20 April, seven days before the election. During the wait, Brownell says, "lots of us were going frantic". "Flag manufacturers were screaming high and low. South Africa could only produce 5,000 flags per week, and at least around 100,000 were needed for April 27th to fill every flagpole in the country." Manufacturers in the Netherlands helped save the day, although not before exhausting Europe's entire stock of flag material and having to import it from Japan. "Public reaction was muted, originally," recalls Brownell. "But once Mandela was inaugurated on 10 May, with the flags draped over Union Buildings in Pretoria, people warmed to the fact they had a new president, with a new flag to go with him. "The level of acceptance exceeded my wildest expectations," he says. Asked what might have prompted him to come up with his initial three-pronged design, Brownell reflects that it was probably embedded in his mind from childhood. "I grew up in the Anglican church and this particular design was in fact incorporated into the classical chasubles [outer vestments] worn by priests in both the Catholic and Anglican church," he says. "In recent years chasubles have changed very much, but that was the classic design." Twenty years on, Brownell is quietly pleased with his work. He still sees the "convergence and unification" of a diverse country reflected in the flag, and insists there is no-one in South Africa who does not recognise in it colours they hold dear. "I feel happy to have contributed in some small way." (Submitted by Esteban Rivera, 10 Apr 2016) BACK TO TOP

South African Culture South African Culture CULTURE IN SOUTH AFRICA http://riseingsouthernstar-africa.de.tl/South-Africa-Maps.htm South African Languages We're not called the rainbow nation for nothing. South Africa has 11 official languages, and scores of unofficial ones. English is the most commonly spoken language in official and commercial public life but only the fifth most spoken home language.The country's democratic Constitution, which came into effect on 4 February 1997, recognises 11 official languages, to which the state guarantees equal status. South African Sport In South Africa soccer, rugby and cricket are their main Sports " Other sports with significant support are hockey,swimming, athletics, golf, boxing, tennis and netball. Although soccer commands the greatest following among the youth, other sports like basketball, surfing, and skateboarding are increasingly popular. South African Foods The cuisine of South Africa is sometimes called "rainbow cuisine", as it has had a variety of multicultural sources and stages.These colonists brought European cookery styles with them. The Afrikaners have their succulent potjiekos, tamatiebredie ,tomato bredie, or stews of lamb and mutton with tomato and onion sauce, with or without rice. South African Poems The poetry of South Africa covers a broad range of themes, forms and styles.This article discusses the context that contemporary poets have come from and identifies the major poets of South Africa, their works and influence.And their Amaizing poems of the Voortrekkers Days, and the Poems of Today. South African Flag Songs Another flag song, this time about the former South African flag called "Die Vlaglied" / "The Song of the Flag" which was composed by CJ Langenhoven, the composer of the former South African National Anthem "Die Stem van Suid-Afrika" / "The Call of South Africa". South African Coat of Arms The South African National Seal with its symbols on the original South African Coat of Arms places the white South African nation alongside the other Great Israel Nations of the West and identifies them as THE ANCIENT TRIBE OF JUDAH. The Coat of Arms heraldry aligned with thesc scriptures gives Judah’s latter-day geographical location as South Africa. Since this latter-day discovery, the White South Africans can easily be identified as the Biblical tribe of Judah whose ultimate destination was skillfully guided by the Creator and their identity concealed for it only to be revealed long after their arrival on theAfrican continent. South African Music Afrikaans music was primarily influenced by Dutch folk styles, along with French and German influences, in the early twentieth century. In 1979 the South African Music scene changed from the Tranetrekkers to more lively sounds and the introduction of new names in the market with the likes of Anton Goosen, David Kramer, Koos du Plessis, Fanie de Jager, and Laurika Rauch. Afrikaans music is currently one of the most popular and best selling industries on the South African music scene. South African Jokes Here You can find a few South African Jokes. South African Ghost Stories The ghosts of South Africa couldn't be more varied. You'll find killers, victims, poltergeists, spooky drivers, as well as battlefield and road death spirits. Each one gives you a little insight into South Africa's story. But most of all, they provide for cracking good entertainment. South African Recipes South African cooking has its roots in the many cultures that have visited the country over time. Therefore you will find the main dishes include a mixture of Eastern flavours, Western tastes and a healthy dose of bushveld ingredients. South African Links South African Boere Links South African Art South Africa is home to some of the most ancient and beautiful art in the world - the rock art of the ancestors of today's Bushman or San. It is also the scene of a host of diverse and challenging contemporary artists producing important new work. South African Tribes There are 11 official languages in South Africa and Xhosa is known to be listed as one of those languages. Approximately 18 percent of South Africa’s population speaks the language, and when doing the maths, that makes it around 7.9 million people. Xhosa is marked by a number of tongue-clicking sounds. South African Travel Guide South Africa is located at the southern tip of Africa. It is bordered by Namibia, Botswana, Zimbabwe, Mozambique, Swaziland and Lesotho ,which is completely surrounded by South Africa. It is a vast country with widely varying landscapes and has 11 official languages, as well as an equally diverse population. South Africa is renowned for its wines and is one of the world's largest producers of gold. Ons Tuis Blad Tuis blad is a webpage to Try and Help to solve the Crimes in South Africa,People that have been killed,Farm Murders,Missing Childeren and many other Cases and Crimes,that have happened Dayly in the past,and that still has not been Solve till today .So if you no of a Crime or a case ON MISSING CHILDREN We would like to Help,and if you would like me to put it on Tuis Blad, that what has happened and not solved till today,let us no ,we are glad to put it on our page free of change ,and willing to help.send me a e-mail at damiande@web.de or leave a message on my Gestbook,and we will contact you. Start Now South African Travel Guide South African Travel Guide South Africa is located at the southern tip of Africa. It is bordered by Namibia, Botswana, Zimbabwe, Mozambique, Swaziland and Lesotho ,which is completely surrounded by South Africa. It is a vast country with widely varying landscapes and has 11 official languages, as well as an equally diverse population. South Africa is renowned for its wines and is one of the world's largest producers of gold. South Africa has the strongest economy in Africa, and is an influential player in African politics. In 2010, South Africa hosted the first Football World Cup to be held on the African continent. Flying to South Africa Flights to South Africa are rarely a bargain, but shop around because prices fall substantially if you are willing to make a connection in the Middle East. The national airline is South African Airways (SAA) (www.flysaa.com ). There are frequent direct and indirect flights by numerous major airlines from destinations throughout Europe and North America, including British Airways with daily flights to Johannesburg and Cape Town, and Delta which flies to Johannesburg from Atlanta. Flights are most expensive around Christmas when flights tend to fill up quickly. SAA has two daily services between Johannesburg and London and up to 44 daily flights between Cape Town and Johannesburg. British Airways and Virgin Atlantic still run non-stop flights from London to Cape Town. Several other carriers connect to Cape Town with one stop, including Dubai-based Emirates and Qatar Airways via Doha, as well as several European lines such as KLM via Amsterdam. Most routes fly overnight and South Africa is at most two hours ahead of the UK, so there’s no problem with jet lag. Air notes: SAA ended direct flights between London and Cape Town in August 2012 and now routes passengers via Johannesburg. The move was inconvenient for most leisure travellers, who see Cape Town as the destination and tend to skip Jo’burg altogether. Flight times: Flights to Cape Town from London are at least 11 hours 30 minutes and to Johannesburg 11 hours. From New York to Cape Town is at least 22 hours, to Johannesburg at least 15 hours. Departure tax: None. Travel by rail South Africa’s railway network is sadly under-developed and there is little cohesion between neighbouring countries. That makes arriving by train unfeasible, unless you can afford the luxurious Rovos Rail which runs occasionally to and from Victoria Falls in Zimbabwe, Swakopmund in Namibia, Dar es Salaam in Tanzania and the long haul up to Cairo. Driving to South Africa There are several borders you can cross to get into South Africa if you are entering the country by car and border posts are open daily. The main border posts are: • Namibia Vioolsdrif / South Africa, open 24 hours • Mozambique Komatiepoort / South Africa, 0700-2200 • Botswana Tlokweng / South Africa, 0700-2200 • Zimbabwe Beitbridge / South Africa, 0600-2200 • Swaziland Oshoek / South Africa, 0700-2200 Coach operator Intercape runs regularly to and from points in Namibia, Botswana, Malawi, Zambia, Zimbabwe and Mozambique. By road note: Distances are very long and roads are not always well maintained, sometimes making arriving by road an adventure, not a doddle. Getting to South Africa by boat Cape Town, Durban, East London and Port Elizabeth all have major ports and it is possible to travel by ferry from these destinations. For more information regarding the ports, contact Transnet National Ports Authority Cruise ships: Several international cruise liners call at Cape Town or Durban. Cape Town International Airport Airport Code: CPT. Location: Cape Town International Airport is located 22km (15.5 miles) east of Cape Town. Money: Bureaux de change and ATMs are available in all terminals. There is a bank in International... Johannesburg O.R. Tambo International Airport Airport Code: JNB. Location: Johannesburg O.R. Tambo International Airport is located 22km (14 miles) east of Johannesburg. Money: There are ATMs, banks and bureaux de change within the terminals. Port Elizabeth Airport Airport Code: PLZ. Location: Port Elizabeth Airport is situated within the boundaries of the city of Port Elizabeth, 5km (3... Money: There is an ATM situated between the arrivals and departures halls. The information desk operates a... Durban King Shaka International Airport Airport Code: DUR. Location: The airport is located 35km (22 miles) north of central Durban. Money: Standard Bank offers exchange services and ATMs. A VAT refund facility is available in Departures.... Passports: To enter South Africa, a passport valid for at least 30 days after the intended date of departure is required by all nationals referred to in the chart above. Passports must have at least two blank pages for entry stamps - visitors have been refused entry by airport immigration officials for flouting this regulation. Passport note: Yellow fever certificates are required if the journey starts from or passes through a country with yellow fever. Visas: Visas for South Africa are not required by nationals referred to in the chart above for stays of up to 90 days on holiday. Citizens of most other countries do not require a visa for holidays of up to 30 days. Visa note: The Home Affairs website (www.home-affairs.gov.za/ministry.html) has comprehensive details on visa requirements and exemptions and the relevant forms for downloading. If you are one of the very few travellers subject to visa requirements, you should apply for your visa at least a month before you intend to travel, and wait for it to be issued before you travel. No visas are issues at South African points of entry. If you arrive without the necessary paperwork, immigration officials are obliged to refuse you entry. Types and cost: Visa fees will be charged in the local currency in any of the few countries that actually require one. Temporary residence permits include Business Permits at R1,520 and Study Permits at R425. Validity: Dependent on length of stay requested. Permits may be extended if done so 30 days prior to expiry of original permit. Application to: No visa is needed for transit passengers. You can leave the airport if there is time between connecting flights, but it’s a long way into the city in both Johannesburg and Cape Town, so it’s probably not worth it. There are hotels within strolling distance if you need to stay at the airport overnight. Temporary residence: If you intend to work in South Africa, including any voluntary or paid employment or studies, you must apply for a work, work-seeker’s or study permit before you arrive. Working days: The processing period for visas and transit visas is 10 calendar days. Sufficient funds: Are required, but Home Affairs does not specify what it considers to be sufficient. Extension of stay: You can apply to extend your stay before your existing permit expires, at your nearest Home Affairs customer service centre in South Africa. Entry with pets: An import permit costing R110 is required for all pets, applied for through the Directorate of Animal Health in South Africa. A 14-day quarantine period applies to dogs from many countries. Cats are exempt from quarantine. Animals must be vaccinated against rabies except from the UK, Australia and New Zealand. It’s worth checking first whether you will be allowed to take pets back into your home country again after they have been in South Africa. Last updated: 01 October 2012 • There has been a marked increase in strike action in South Africa in recent weeks, with some demonstrations becoming violent. You should avoid demonstrations, rallies and large public gatherings as a precaution and exercise caution when travelling on highways, where some violence has been directed at truck drivers. Check local media sites for up to date information on strike action or demonstrations that may be taking place in your area. Visitors to South Africa should avoid areas where strikes are underway, particularly in the mining sector, as violence can erupt quickly and may extend beyond the immediate area. • There is a very high level of crime, but the most violent crimes occur in townships and isolated areas away from the normal tourist destinations. • The standard of driving is variable and there are many fatal accidents. • Most visits to South Africa are trouble-free. • There is an underlying threat from terrorism. Attacks, although unlikely, could be indiscriminate, including in places visited by expatriates and foreign travellers. • You should get comprehensive travel and medical insurance before travelling. • You should have two blank pages in your passport on arrival. Currency information: Rand (ZAR; symbol R) = 100 cents. Notes are in denominations of R200, 100, 50, 20 and 10. Coins are in denominations of R5, 2 and 1, and 50, 20, 10 and 5 cents. Credit cards: MasterCard and Visa are preferred. American Express and Diners Club are also widely accepted. ATMs are available in all towns, cities and shopping malls and most petrol stations, and accept international cards. Almost all hotels, shops, restaurants, national parks and game reserves accept credit cards. They are now acceptable at most petrol stations too, but since that is a relatively new measure, it’s worth checking before you fill up. ATM: ATMs are available in all towns, cities and shopping malls and most petrol stations, and accept international cards. Be alert when using ATMs, and do not accept help from anybody as conmen are adept at switching cards. Check your statements afterwards for a few weeks too, as cloning machines are occasionally planted in ATMs. More obviously, be aware of who is hanging around and don’t withdraw money if your instinct tells you not to. Travellers cheques: Valid at banks, hotels, restaurants and some tourist-orientated shops. To avoid additional exchange rate charges, travellers are advised to take traveller's cheques in Pounds Sterling or US Dollars. Banking hours: Mon-Fri 0900-1530, Sat 0830-1100. Currency restriction: The import and export of local currency is limited to R5000 in cash. The import and export of foreign currency is unlimited provided it is declared upon arrival. Currency exchange: Money can be changed at banks, bureaux de change and some hotels. Proof of identity may be requested so take your passport. Visitors are restricted to bringing in and taking out a maximum of R5,000 in cash. South Africa duty free The following goods may be imported into South Africa by passengers over 18 years of age without incurring customs duty: • 200 cigarettes and 20 cigars and 250g of tobacco. • 1L of spirits or liquor and 2L of wine. • 50mL of perfume and 250mL of eau de toilette. • Other goods up to a value of R3,000. Additional goods up to R12,000 are charged duty of 20%. Note: Most retail purchases include VAT of 14%, which foreign tourists can claim back at the airport by presenting the original tax invoices and completing the necessary forms. Restricted items South African bank notes in excess of R5,000, gold coins, coin and stamp collections and unprocessed gold; endangered species of plants or wildlife, including articles made from them, plants and plant products, such as seeds, flowers, fruit, honey, margarine and vegetable oil; animals, birds, poultry and related products. Medicines (excluding sufficient for one month for own personal treatment accompanied by a letter or certified prescription from a registered physician). Banned imports: Narcotics; automatic, military and unnumbered weapons, explosives or fireworks; poisons, meat, cigarettes with a mass of more than 2kg per 1 000, counterfeit goods, unlawful reproductions of any works subject to copyright and prison-made goods, processed cheese and other dairy products. Banned exports: Goods that require an export licence include acacia trees, mineral ores, Tigers Eye gemstones, and a variety of industrial chemicals and metals. Air: Several airlines operate domestic routes with regular links between Johannesburg, Cape Town, Durban, George, Nelspruit and Port Elizabeth and relatively frequent flights to several smaller towns and cities too. Main operators are South Africa Airways (SAA) air fares are not particularly cheap, and price wars have taken several airlines that attempted to introduce more affordable flights out of business. But since South Africa is a big country with long distances between its major tourist centres, it generally makes sense to fly. Public transport at the airports is mostly inadequate, but the long-awaited sparkly new Gautrain (http://join.gautrain.co.za ) from O.R. Tambo airport in Johannesburg is a quick and efficient way to reach the city centre, some useful points in the northern suburbs and Pretoria. Cape Town airport has a cheap shuttle service called MyCiTi (http://www.capetown.gov.za/en/MyCiti) that runs into the city centre 0510-2200. Flight times: Flights from Johannesburg to Cape Town take 2 hours 15 minutes and from Johannesburg to Durban take 1 hour 10 minutes. Road: Roads between the major centres are generally well maintained and well signposted, so getting around by road isn’t a problem, except for some of the daunting distances. The Fifa 2010 World Cup saw a major investment in improving the road system, particularly around Johannesburg and Cape Town. One blot on the horizon for Jo’burgers is the threat of an electronic tolling system on motorways surrounding the city, with legal challenges under way in a bid to have the whole thing scrapped. That will have only a minor effect on visitors, however, who may find themselves paying a small surcharge to car hire companies. One welcome change was a belated move by the petrol stations to accept credit cards, ending the hassle of having to carry cash to pay for your fuel. Car theft and hijacking is a problem, so it is advisable to keep doors locked and avoid picking up hitchhikers. Side of road: Left Road quality: Roads and national highways link all the major areas and the only untarred roads are in rural areas and in some game reserves. Heavy rains and sometimes dodgy workmanship have left many urban roads riddled with serious potholes, however. Road signs are in English. Road classification: National highways are denoted with an 'N' and some are toll roads. Car hire: Dozens of car hire firms are operating, including the major international players, and even the smaller airports have a rank of car hire desks. At peak periods it’s worth booking in advance. Drivers must be at least 18 years old, and most car hire companies will only accept an unendorsed license that has been valid for a minimum of 1 year. Taxi: Available in all towns, hotels and airports, generally with meters fitted, although some still operate without or prefer not to use them. They are not particularly cheap, and it’s often cheaper to haggle over the price in advance. Taxis do not cruise and must be ordered by phone or at a taxi rank. Bike: Let’s be honest, South African motorists can be pretty careless, and many drive without a licence or insurance. That makes hiring a bike in the cities a dangerous idea. But it’s a great country for mountain biking, with plenty of guided tours available. A couple of companies including Bike Rentals rent out motorbikes in Cape Town and Cape Town Cycle rents out bikes and mountain bikes. Coach: Coaches criss-cross the country between all major towns and cities and a web of tiny off-the-beaten-track towns too. Operators include Intercape ,www.greyhound.co.za , and Translux .translux.co.za. operates as a hop-on hop-off, door-to-door bus service between 180 backpacking hostels, running along the coast between Cape Town and Durban, then up to Johannesburg. Coach tickets can also be bought through Computicket (www.computicket.co.za ), which has online booking and kiosks in some shopping malls. Regulations: The legal driving age is 18 and driving licences must be carried at all times. The speed limit on highways is 120kph (75mph), 80-100kph (50-62mph) on national roads and 60kph (37mph) in urban areas. Driving is on the left, seatbelts must be worn, and it is illegal to use a mobile phone without a hands-free kit. Breakdown service: The AA ( www.aa.co.za ). Yellow SOS telephones are available on major routes, but very sporadically. Documentation: Foreign licences are valid if they are in English with a photograph of the holder, but the AA recommends an International Driving Permit to prevent potential complications. Getting around towns and cities: Public transport is generally dreadful. Although there are bus networks in all main towns reliability is dubious. Routes for the minibus taxis used by local commuters are too confusing to even try to explain to a short-term visitor. Rail: Intercity services with trains between Johannesburg, Durban, East London, Port Elizabeth and Cape Town. Trains are frustratingly slow and the facilities including the dining car and trolley service are very basic by European standards. Sleeper cars are available in tourist class, with shared showers. Economy class just buys you a reclining seat. Children under four travel free. Children aged four to 12 pay half fare. Cape Town’s Metrorail (tel: 0800 656 463 www.capemetrorail.co.za ) runs a pleasant coastal route from Cape Town to Simon’s Town that passes through quaint Kalk Bay. Luxury trains: Premier Classe The Blue Train (www.bluetrain.co.za ) and offer luxurious cabins and gourmet food in elaborate dining cars and run between Pretoria, Cape Town and Durban. The recently-constructed Gautrain ( http://join.gautrain.co.za ) runs overground and underground connecting Johannesburg, Pretoria and O.R. Tambo International Airport. By water: The main ports of Cape Town, Durban, East London and Port Elizabeth are industrial or geared towards international cruise liners rather than domestic ferry routes. Start Now South African languages South African languages We're not called the rainbow nation for nothing. South Africa has 11 official languages, and scores of unofficial ones. English is the most commonly spoken language in official and commercial public life but only the fifth most spoken home language.The country's democratic Constitution, which came into effect on 4 February 1997, recognises 11 official languages, to which the state guarantees equal status. The culture of South Africa is known for its ethnic and cultural diversity. The South African black majority still has a substantial number of rural inhabitants who lead largely impoverished lives. It is among these people, however, that cultural traditions survive most strongly; as blacks have become increasingly urbanised and Westernised, aspects of traditional culture have declined. Urban blacks usually speak English or Afrikaans in addition to their native tongue. There are smaller but still significant groups of speakers of Khoisan languages, not included in the eleven official languages, but are one of the eight other officially recognised languages. There are small groups of speakers of endangered languages, most of which are from the Khoi-San family, that receive no official status; however, some groups within South Africa are attempting to promote their use and revival. Members of middle class, who are predominantly white but whose ranks include growing numbers of black, coloured and Indian people, have lifestyles similar in many respects to that of people found in Western Europe, North America and Australasia. Members of the middle class often study and work abroad for greater exposure to the markets of the world.Indian South Africans preserve their cultural heritage, languages and religious beliefs, being either Christian, Hindu or Muslim and speaking English, with Indian languages like Hindi, Telugu, Tamil or Gujarati being spoken less frequently as second languages. The first Indians arrived on the Truro ship as indentured labourers in Natal to work the Sugar Cane Fields, while the rest arrived as traders. A post-apartheid wave of South Asian (including Pakistani) immigration has also influenced South African Indian culture. There is a much smaller Chinese South African community, made up of early immigrants, apartheid-era immigrants from Taiwan, and post-apartheid immigrants from mainland China. Afrikaans is the third most common language in South Africa. It is spoken by 13.5% of the population, or people , mainly "coloured" and white South Africans. The language has its roots in 17th century Dutch, with influences from English, Malay, German, Portuguese, French, and some African languages. One of the first works of written Afrikaans was Bayaan-ud-djyn, an Islamic tract written in Arabic script by Abu Bakr.Initially known as Cape Dutch, Afrikaans was largely a spoken language for people living in the Cape, with proper Dutch the formal, written language.Afrikaans came into its own with the growth of Afrikaner identity, being declared an official language with English , of the Union of South Africa in 1925. The language was promoted alongside Afrikaner nationalism after 1948 and played an important role in minority white rule in apartheid South Africa. The 1976 schoolchildren's uprising was sparked by the proposed imposition of Afrikaans in township schools.Afrikaans is spoken mainly by white Afrikaners, coloured South Africans and sections of the black population. Although the language has European roots, today the majority of Afrikaans-speakers are not white.Most Afrikaans speakers live in the Western Cape, where it is the language of just less than half (48.4%) of the provincial population. It is also common in Gauteng, where 12.2% of the provincial population consider Afrikaans to be their home language.Afrikaans is the dominant language in the Northern Cape, spoken by more than half (53%) of the provincial population. Afrikaans is spoken by 12.4% of the Free State's population, 10.4% of the people of the Eastern Cape, and 8.8% of the people of North West. English English has been both a highly influential language in South Africa, and a language influenced, in turn, by adaptation in the country's different communities. Around half of the country's people have a speaking knowledge of English.English was declared the official language of the Cape Colony in 1822 (replacing Dutch), and the stated language policy of the government of the time was one of Anglicisation. On the formation of the Union of South Africa in 1910, which united the former Boer republics of the Transvaal and Orange Free State with the Cape and Natal colonies, English was made the official language together with Dutch, which was replaced by Afrikaans in 1925.Today, English is South Africa's lingua franca, and the primary language of government, business, and commerce. The new education curriculum makes two languages compulsory at school, with English the language of learning and teaching at most schools and tertiary educations. According to the 2011 census, English is spoken as a home language by almost 5- million people (or 8.2% of the population). South Africa's Asian people, most of whom are Indian in origin, are largely English-speaking, although many also retain their languages of origin. There is also a significant group of Chinese South Africans, also largely English-speaking but who also retain their languages of origin as well.South African English is an established and unique dialect, with strong influences from Afrikaans and the country's many African languages. For example: "The old lady has been tuning me grief all avie, after she bust me and the okes gooi-ing yooees in her tjor", would translate as: "My mother has been shouting at me all afternoon after she caught my friends and I doing U-turns in her car."As a home language, English is most common in Gauteng, where more than a third (32.8%) of all English-speaking South Africans are found, making up 13% of the provincial population. Just less than a third (27.3%) of English speakers live in KwaZulu Natal, where it is the language of 13% of the people in the province, and 23.5% in the Western Cape, where it is spoken by 19.7% of the provincial population. isiNdebele isiNdebele, the language of the Ndebele people, is one of South Africa's four Nguni languages. The Ndebele were originally an offshoot of the Nguni people of KwaZulu- Natal, while the languages amaNala and amaNzunza are related to those of Zimbabwe's amaNdebele people.Like the country's other African languages, isiNdebele is a tonal language, governed by the noun, which dominates the sentence.isiNdebele is a minority language, spoken by only 2% of South Africa's population, or just over 1-million people. It is largely found in Mpumalanga, where 37% of its speakers are found, or 10% of the provincial population. More than a third of isiNdebele speakers reside in Gauteng, but make up only 3% of the province's population. Home language to: 2.1% of the population . Linguistic lineage: Niger-Congo > Atlantic-Congo > Volta- Congo > Benue-Congo > Bantoid > Southern > Narrow Bantu > Central > S group > Nguni > isNdebele Alternate and historical names: Tabele, Tebele, Ndebele, Sindebele, Northern Ndebele isiXhosa South Africa's second-largest language, isiXhosa is spoken by 16% of all South Africans, or 8-million people. It is a regional language, with a third of its speakers living in the Eastern Cape, where it is the language of almost 78% of the provincial population. It's also strong in the bordering Western Cape, where 17% of all isiXhosa speakers live, making up nearly a quarter (24%) of the provincial population.There are a fair number of isiXhosa speakers in the Free State (7.5%), Gauteng (6.6%), North West (5.5%) and the Nothern Cape (5.3%) and Gauteng, but it is not widely spoken in the other provinces.isiXhosa is one of the country's four Nguni languages. It too is a tonal language, governed by the noun, which dominates the sentence. While it shares much of its words and grammar with isiZulu, 15% of its vocabulary is estimated to be of Khoekhoe (Khoisan, or Khoi and Bushman) origin. Home language to: 16% of the population . Linguistic lineage: Niger-Congo > Atlantic-Congo > Volta- Congo > Benue-Congo > Bantoid > Southern > Narrow Bantu > Central > S group > Nguni > isiXhosa Alternate and historical names: Xhosa, Xosa, Koosa Dialects: Gealeka, Ndlambe, Gaika (Ncqika), Thembu, Bomvana, Mpondomse (Mpondomisi), Mpondo, Xesibe, Rhathabe, Bhaca, Cele, Hlubi, Mfengu. isiZulu isiZulu is the most common language in South Africa, spoken by nearly 23% of the total population, or 11.6-million people. It's the language of South Africa's largest ethnic group, the Zulu people, who take their name from the chief who founded the royal line in the 16th century. The warrior king Shaka raised the nation to prominence in the early 19th century. The current monarch is King Goodwill Zwelithini.A tonal language and one of the country's four Nguni languages, isiZulu is closely related to isiXhosa. It is probably the most widely understood African language in South Africa, spoken from the Cape to Zimbabwe. The writing of Zulu was started by missionaries in what was then Natal in the 19th century, with the first Zulu translation of the bible produced in 1883.isiZulu is an extremely regional language, with 77.8% of its speakers to be found in KwaZulu-Natal. More than 18% of isiZulu speakers are to be found in Gauteng, the second province in which it is in the majority, with its speakers making up 19.5% of the provincial population. In Mpumalanga it is spoken by nearly a quarter of the population, who make up 7.6% of all South African isiZulu speakers. The presence of the language in the remaining six provinces is negligible. Home language to: 22.7% of the population . Linguistic lineage: Niger-Congo > Atlantic-Congo > Volta- Congo > Benue-Congo > Bantoid > Southern > Narrow Bantu > Central > S group > Nguni > isiZulu Alternate and historical names: Zulu, Zunda Dialects: Lala, Qwabe Sesotho sa Leboa Sesotho sa Leboa, or Northern Sotho, is referred to as Sepedi in the Constitution. However, this is inaccurate, as Sepedi is just one of some 30 dialects of the Northern Sotho language, and linguists do not consider that the two are not interchangeable. Sesotho sa Leboa is the fourth most common language in South Africa, spoken as a home language by 9.1% of the population, or 4.6-million people. It is one of South Africa's three Sotho languages, with different dialect clusters found in the area where it is spoken.Sesotho sa Leboa is the language of Limpopo, where it is spoken by more than half of the provincial population. In fact, 61% of all people who speak Sesotho sa Leboa live in Limpopo. It is also found in Gauteng, where nearly third (27.8%) of Sesotho sa Leboa speakers are to be found, making up 10.5% of the population. In Mpumalanga, 9.3% of the population speak Sesotho sa Leboa, or 8% of all speakers of the language.Confusion in the Constitution: According to the Parliamentary Monitoring Group, the language was mentioned correctly as Sesotho sa Leboa in the interim Constitution of 1993. However, when the final version of the Constitution came into law in 1996, the language had been changed to Sepedi. The reason for the change has not been established. References to Sesotho sa Leboa were retained in the nine other translations.The Pan South African Language Board (Pansalb), set up by the government to promote multilingualism and language rights, supports the use of Sesotho sa Leboa, but says it also uses both words in certain structures to avoid conflict. Home language to: 9.1% of the population . Linguistic lineage: Niger-Congo > Atlantic-Congo > Volta- Congo > Benue-Congo > Bantoid > Southern > Narrow Bantu > Central > S group > Sotho-Tswana > Sotho > Northern Sotho Alternate and historical names: Pedi, Sepedi, Northern Sotho, Sesotho sa Leboa Dialects: Masemola (Masemula, Tau), Kgaga (Kxaxa, Khaga), Koni (Kone), Tswene (Tsweni), Gananwa (Xananwa, Hananwa), Pulana, Phalaborwa (Phalaburwa, Thephalaborwa), Khutswe (Khutswi, Kutswe), Lobedu (Lubedu, Lovedu, Khelobedu), Tlokwa (Tlokoa, Tokwa, Dogwa), Pai, Dzwabo (Thabine-Roka-Nareng), Kopa, Matlala-Moletshi. Dialects Pai, Kutswe, and Pulana are more divergent and sometimes called "Eastern Sotho". Sesotho, Sesotho sa Leboa and Setswana are largely mutually intelligible, but have generally been considered separate languages. Sesotho Sesotho is another of South Africa's three Sotho languages, spoken by 7.6% of the country's population, or 3.8-million people.It is the language of the Free State, which borders the kingdom of Lesotho, a country entirely surrounded by South African territory. Sesotho is spoken by 62.6% of the Free State population, with almost half of all Sesotho-speaking South Africans living there.It is also found in Gauteng, where it is spoken by 11% of the provincial population, which is more than a third (36%) of all Sesotho-speaking South Africans. In North West it is spoken by 5.7% of people who live there.Sesotho was one of the first African languages to be rendered in written form, and it has an extensive literature. Sesotho writing was initiated by the missionaries Casalis and Arbousset of the Paris Evangelical Mission, who arrived at Thaba Bosiu in 1833.The original written form was based on the Tlokwa dialect, but today is mostly based on the Kwena and Fokeng dialects, although there are variations.The first work of Sesotho literature was Thomas Mofolo's classic novel Chaka, which was completed in 1910 and published in 1925, with the first English translation produced in 1930. The book reinvents the legendary Zulu king Shaka, portraying him as a heroic but tragic figure, a monarch to rival Shakespeare's Macbeth. Home language to: 7.6% of the population . Linguistic lineage: Niger-Congo > Atlantic-Congo > Volta- Congo > Benue-Congo > Bantoid > Southern > Narrow Bantu > Central > S group > Sotho-Tswana > Sotho > Sesotho Alternate and historical names: Suto, Suthu, Souto, Sisutho, Southern Sotho Dialects: Sesotho, Sesotho sa Leboa and Setswana are largely mutually intelligible, but have generally been considered separate languages. Setswana Setswana is largely found in North West, a province bordering the country of Botswana, where the language dominates. One of South Africa's three Sotho languages, it is the country's sixth most common home language, being spoken by 8% of the total population, or just over 4-million people.Setswana is spoken by 63.4% of all North West residents, where 53.8% of all Setswana- speaking South Africans live. It is also found in the Northern Cape, where it is spoken by 33% of the provincial population, as well as in Gauteng (9.1%) and the Free State (5.2%).Setswana was the first Sotho language to have a written form. In 1806, Heinrich Lictenstein wrote Upon the Language of the Beetjuana (as a British protectorate, Botswana was originally known as Bechuanaland). In 1818, Dr Robert Moffat from the London Missionary Society arrived among the Batlhaping in Kudumane, and built Botswana's first school. In 1825 he realised that he must use and write Setswana in his teachings, and began a long translation of the Bible into Setswana, which was finally completed in 1857.One of most famous Setswana speakers was the intellectual, journalist, linguist, politician, translator and writer Sol T Plaatje. A founder member of the African National Congress, Plaatje was fluent in at least seven languages, and translated the works of Shakespeare into Setswana. Home language to: 8% of the population . Linguistic lineage: Niger-Congo > Atlantic-Congo > Volta- Congo > Benue-Congo > Bantoid > Southern > Narrow Bantu > Central > S group > Sotho-Tswana > Tswana Alternate and historical names: Chuana, Coana, Cuana, Tswana, Sechuana, Beetjuans Dialects: Hurutshe, Kwena, Ngwato, Ngwaketse, Tlhaping, Rolong, Tlokwa, Kgatla, Lete (originally a non-Tswana tribe). Other dialects include Khurutshe, Kubung, and Nare. Sesotho, Sesotho sa Leboa and Setswana are largely mutually intelligible, but are separate languages. Tshivenda Tshivenda is generally regarded as a language isolate among S-group languages. While the Nguni group, for example, has four languages (isiZulu, isiXhosa, siSwati and isiNdebele), the Venda group has only one – Tshivenda. It is the tongue the Venda people, who are culturally closer to the Shona people of Zimbabwe than to any other South African group.Another of South Africa's minority languages, it is spoken by 2.4% of South Africans, or a little more than 1.2-million people. It is concentrated in the province of Limpopo, where almost 74% of Tshivenda speakers live, or 16.7% of the provincial population. Another 22.5% of Tshivenda speakers live in Gauteng, where they make up 2.3% of the population.Tshivenda shares features with Shona and Sesotho sa Leboa, with some influence from Nguni languages. The Tshipani variety of the language is used as the standard. The language requires a number of additional characters or diacritical signs not found on standard keyboards. For this reason, Translate.org.za, an NGO promoting open-source software in indigenous languages, has produced a special program to enable Tshivenda speakers to easily type their language.The Venda people first settled in the Soutpansberg Mountains region, where the ruins of their first capital, Dzata's, can still be found. Home language to: 2.4% of the population . Linguistic lineage: Niger-Congo > Atlantic-Congo > Volta- Congo > Benue-Congo > Bantoid > Southern > Narrow Bantu > Central > S group > Tshivenda Alternate and historical names: Venda, Chivenda Dialects: Phani, Tavha-Tsindi, Ilafuri, Manda, Guvhu, Mbedzi, Lembetu Xitsonga The Tsonga people came to South Africa long after most other African people, settling in the Limpopo River valley.Their language, Xitsonga, is spoken by 4.5% of the national population, or around 2.3- million people. It is found in Limpopo (39.8% of Xitsonga speakers and 17% of the provincial population), Gauteng (34.9% of speakers and 6.6% of the population) and Mpumalanga (18.3% and 10.4%).It is also found in eastern Limpopo and Mumalanga, areas near the border of the country of Mozambique, as well as in southern Mozambique and southeastern Zimbabwe.Xitsonga is similar to Xishangana, the language of the Shangaan people, with some Nguni influences. Home language to: 4.5% of the population . Linguistic lineage: Niger-Congo > Atlantic-Congo > Volta- Congo > Benue-Congo > Bantoid > Southern > Narrow Bantu > Central > S group > Tswa-Ronga > Xitsonga Alternate and historical names: Tsonga, Shitsonga, Thonga, Tonga, Shangana, Shangaan Dialects: Luleke (Xiluleke), Gwamba (Gwapa), Changana, Hlave, Kande, N'walungu (Shingwalungu), Xonga, Jonga (Dzonga), Nkuma, Songa, Nhlanganu (Shihlanganu). "Tsonga" can be used to describe Xishangana (Shangana or Changana), Tswa, and Ronga, although it is often used interchangeably with Xishangana, the most prestigious of the three. All are recognised as languages, although they are mutually intelligible. Indigenous creoles and pidgins Tsotsi taal, an amalgam of Afrikaans, English and a number of African languages, is widely spoken in urban areas, mainly by males. The word "tsotsi" means "gangster" or "hoodlum" – given the association with urban criminality – while "taal" is Afrikaans for "language".Otherwise known as Iscamtho, tsotsi taal developed in cities and townships to facilitate communication between the different language groups. It is a dynamic language, with new words and phrases added regularly. Fanagalo is a pidgin that developed on South Africa's gold mines, to allow communication between white supervisors and African labourers during the colonial and apartheid era.It is essentially a simplified version of isiZulu and isiXhosa – about 70% of the lexicon is from isiZulu – and incorporates elements from English, Dutch, Afrikaans and Portuguese. Start Now 230708food4 foodsmallw 110209food4 211207food2 230409food4 biltongstokkies fooda12 230409food7 211207food1 foodspread braai koeksusters windowslivew South African Coat of Arms South African Coat of Arms COAT OF ARMS PROVES JUDAH IS SOUTH AFRICA ! THE COAT OF ARMS, LINKED TO THE SONG OF SOLOMON ,PROVES SOUTH AFRICA TO BE THE HOUSE OF JUDAH. Revealed to Pamela Cornah In the year of our Lord 2009 “SET ME AS A SEAL UPON THY HEART, AS A SEAL UPON THY ARM As Britain and America prove their Israel Identity by their National Heraldry in symbols, which was pre-designed for them in the Word of God thousands of years ago and divinely linked to their National seals of today, thereby enabling them to prove that they are the descendants of the Ancient Ten Tribes of Israel, so The Great God of the white man also predestined the tribe of Judah, allowing them also to prove their Israel identity in South Africa. The South African National Seal with its symbols on the original South African Coat of Arms places the white South African nation alongside the other Great Israel Nations of the West and identifies them as THE ANCIENT TRIBE OF JUDAH. The Coat of Arms heraldry aligned with thesc scriptures gives Judah’s latter-day geographical location as South Africa. Since this latter-day discovery, the White South Africans can easily be identified as the Biblical tribe of Judah whose ultimate destination was skillfully guided by the Creator and their identity concealed for it only to be revealed long after their arrival on theAfrican continent. Thus in 1688 the tribe of Judah arrived in ships at their new location as promised by God, under the names of the European Huguenots and the 1820 British settlers. Together they grew into the self sufficient and independent nation of white South Africa. The Holy Spirit inspired the National Seal of South Africa, the Coat of Arms. This amazing Emblem was so skillfully encrypted without the artist ever being aware of its monumental significance. This picture emblem was unwittingly designed especially to pinpoint the hidden location of Jesus Christ’s own tribe, The House Judah, in the latter days, declaring her history and her future up and to the time of His return. This history of South Africa is depicted and linked by the pictures on its COAT OF ARMS to the magnificent love story of Jesus Christ for His own tribe, as related by King Solomon in the biblical love story of the SONG OF SOLOMON. THE ENCRYPTION’S ON THE GREAT SEAL OF SOUTH AFRICA The lion of the tribe of Judah.THE SONG OF SOLOMON 1-13. A bundle of myrrh is my well beloved unto me; he shall lie all night betwixt my breast. Neck amour with studs.THE SONG OF SOLOMON 1-1O-11….thy neck with chains of gold. We will make thee borders of gold with studs of silver Two standing buck feeding among the lilies each with a foot behind the shield or wall.SONG OF SOLOMON 2-9. My beloved is like a roe or a hart.( roe – hart =Buck) standing behind our wall, A white woman leaning on a rock holding an anchor.SONG OF SOLOMON 1-8 ….O thou fairest among women Two identical buckSONG OF SOLOMON 4-5. Thy two breasts are like two young roes (Buck) that are twins, which feed among the lilies. An apple tree.SONG OF SOLOMON 2-3.As the Apple tree among the trees of the wood, so is my beloved among the sons. A wagon of wood.SONG OF SOLOMON 3-9. King Solomon made himself a chariot of the wood of Lebanon. A Green verdant bed upon which the pictograph is placed.SONG OF SOLOMON 1-16. …also our bed is green. Twin buck that are like the two buck that feed amongst the lilies.SONG OF SOLOMON 4-5. Thy two breasts are like two young roes that are like twins, which feed among the lilies. THE SYMBOLS EXPLAINED BY DIVINE REVELATION THE ENCRYPTIONS EXPLAINED ON THE GREAT SEAL OF SOUTH AFRICA THE ROYAL LION. Jesus Christ is called the Lion of the Tribe of Judah, revealing the accepted National Christian Protestant religion officially accepted by the white South African Nation. NECK ARMOUR South Africans shown as an arms bearing nation Who are adequately able to protect themselves from attack. THE TWO BUCK: Depict One Tribe speaking the two different languages spoken by the white South African people. One Nation with two official languages.ENGLISH: The International language spoken by all the twelve tribes of Israel. AFRIKAANS: The other official South African language which is the personal means of communication amongst the South African tribe of Judah. A WOMAN HOLDING AN ANCHOR AND LEANING ON A ROCK: THE WOMAN: This woman is the symbol for the Nation of Anglo Israel and as Predicted by God she was to be a seafaring nation depicted by the anchor thus showing the arrival of the Israel tribe of Judah on the southern shores of Africa by sea in ships. These new arrivals were known as the Huguenots and the 1820 settlers. THE ROCK UPON WHICH THE WOMAN LEANS: Shows the arrival of the Christian Protestant nation Israel/Judah on the Southern shores of Africa dependent and trusting in Jesus Christ The Rock of Ages. THE TWO IDENTICAL BUCK : Show the descendants of the original white settlers In South Africa to be an Identical people although speaking two different languages.. THE APPLE TREE: This apple tree depicts a particular a group of people among the South African Sons especially singled out from amongst the Judah/ South African people who are chosen as Christ’s own beloved Sweetheart. Christ Jesus says he loves to sit in the shadow of this apple tree, The fruit of these sons is sweet to his taste. THE WOODEN WAGON: The wooden chariot not only depicts The mode of transport that King Solomon’s tribe was to use to open up the vast frontiers of the wilderness of South Africa. It also tells of the way being paved with love for these South African daughters of Jerusalem. THE LATIN MOTTO ON THE COAT OF ARMS: “ EX UNITATE VIRUS”The English translation: UNITY IS STRENGTH. The Afrikaans translation: EEN DRACHT MAACHT MAGT. This motto is an instruction and an encouragement to the English and Afrikaans speaking tribe of Judah to unite thereby assuring their prosperity and strength and enabling them to withstand their enemies. THE LILY This lily represents a group of people who are especially chosen out from amongst the South African tribe of Judah, these South Africans are the beloved of Jesus Christ who HE compares to a lily while the rest of the tribe is compared to thorns. KING SOLOMON’S CENTRAL THEME: PARADISE LOST. The Song of Solomon, describes the white South African people as a white tanned and beautiful people. They are a nation who achieved their highest goals and aspirations when they were prepared to fight against the odds for their divinely selected future. A tribe pre-destined to reside in South Africa for the purpose of assuring the survival of the white tribe of Judah. This was achieved by them upholding their high moral standards and their instinctive ideals for race separation. Although a beautiful white nation says Solomon, they unfortunately did not hold the charge and leaned toward the inclusion of the black indigenous savages of Africa integrating them into their white nation. When these South Africans fell on easy and wealthy times, they let down their guard. While good men slept, the enemy was allowed to move in and slowly corrode away at their white God-given sovereignty and independence until they lost all and again sold themselves into a savage bondage from which there is no escape if Gods rescue plan is not accepted. Now hear their sad lament in the Song of Solomon as they witness their own demise “BUT MY OWN VINYARD I HAVE NOT KEPT”. GODS PLAN OF RESTORATION. THE BANNER OF THE ARMY IDENTIFIED. GODS PLAN FOR RESTORATION. MY BELOVED IS WHITE AND RUDDY THE CHIEFEST OF TEN THOUSAND. SAYS THE SONG OF SOLOMON. HIS BANNER OVER ME WAS LOVE – I AM THE APPLE OF HIS EYE CAPE PROVINCEORANGE FREE STATETRANSVAAL In the Song of Solomon a restoration plan for a terrible mistake that has been made by the majority of white South Africans is advised. The story that King Solomon relates is the story of the “THE WELL BELOVED” a story of the minority who did not disobey their God-given charge. They hold the white line. They are called “chosen” the “only one “ amongst all the South African people who have not lost sight of God’s Goals for His own Tribe of Judah. A band of people who offer their lives to defend Gods truth” EACH AFTER HIS OWN KIND.” But as is the way of Gods adversary, the evil one came and defamed these gallant warriors and worked at stopping the majority of whites from supporting this plan for The Nations recovery, making people believe strange new religious beliefs even doubting the existence of The Tri Une God and defaming the name of the Saviour Jesus Christ. Consequently the ”Beloved” few is smote and wounded by the watchmen of the city, they rob the extreme right-wing of their God-given status, leaving her despised and in the care of undeserving weak men. This Beloved in South Africa is described as an army with banners . This Army with its magnificent Banner which represents the South African Protestant Christianity, The only original flag belonging to South Africa, given birth by mother South Africa, It is a banner, a flag born out of the struggle to preserve the sovereignty of the white man in South Africa. This Banner of love over his chosen, is perfected by the Three Sevens representing, God the Father, God the Son, and God the Holy Spirit. This is the flag of the well beloveds army. ‘ I CHARGE YOU O DAUGHTERS OF JERUSALEM THAT YE STIR NOT UP NOR AWAKE MY LOVE UNTIL HE PLEASE’ that Statement is a promise of a fearful awakening of this Army by Go, who is very protective of His true Beloved, the extreme right-wing people of South Africa. The Companions in the Song of Solomon ask a question. “What is thybeloved more than the other beloved? THE DIVINE ANSWER.. MY BELOVED IS WHITE AND RUDDY, THE CHIEFEST AMONG TEN THOUSAND. My dove, my undefiled, is the one, she is the only one of her mother South Africa. She ALONE is the choice one of her that bore her. Christ sings out the praises of His beloved. He says that He loves to sit under this apple tree. When she is ready, He prepares to awake her from her sleep. HIS ARMY RESPONDS I AM MY BELOVED’S AND HIS DESIRE IS TOWARDS ME. I AM THE APPLE OF HIS EYE . BORN IN SOUTH AFRICA, BORN ON HOME SOIL , THIS BANNER AND THESE BRAVE MEN ARE BIRTHED BY MOTHER SOUTH AFRICA. THE CALL. In the Song of Solomon God’s army calls to their white brothers to come and suck the breasts of their mother South Africa.“You will be welcomed with a kiss and not be despised under God’s banner” assures King Solomon. The King Jesus Christ’s left hand would then be under your head and His right hand would embrace you. THE PROMISE OF PROTECTION AND VICTORY. “Christ’s love for this ruddy and white army is a jealous cruel and protective love”, says Solomon. He says, the coals of this love have a vehement flame. He say. no matter what floods this extreme right wing Army has had to endure, HIS love for them cannot be quenched, and at the right time this vehement and jealous love for the Well Beloved, who are chosen above all the Daughters of Jerusalem in South Africa, will ignite the flames of war – They are Guaranteed of HIS protection. I charge you O daughters of Jerusalem, That you Stir not up nor awake My beloved until he please. When this beloved awakes from her sleep as promised, Her task will be to tread out the Vintage where Grapes of God’s Wrath are stored THIS INCREDIBLE STORY IN PICTOGRAPH ON THE THE GREAT SEAL OF SOUTH AFRICAN COAT OF ARMS. ALL HAIL TO THE ONLY AND MOST MAGNIFICENT GOD! A PEOPLE ARE PRIVALIGED TO SERVE THIS JESUS CHRIST, WHO TELLS AND SHOWS HIS PEOPLE ALL THE DETAILS OF HIS GREAT PLANS AND TRUTHS BY WORDS AND PICTURES PLANED AND DESIGNED IN THE HEAVENS FOR EACH ONE OF HIS TRIBES, DISPELING ALL OTHER MYTHS AND ASSURING US IN SOUTH AFRICA OF HIS ABSOLUTE LOVE FOR THE “WELL BELOVED”, THE EXTREME RIGHT WING. DETAILING IT FOR THE WORLD TO SEE ON OUR COAT OF ARMS.THIS MAGNIFICENT LOVE STORY AND THE HISTORY OF THE TRIBE OF JUDAH IN SOUTH AFRICA IS SUNG IN THE BOOK OF SOLOMON AND LINKED BY PICTURES TO THE GREAT SEAL OF THE SOUTH AFRICAN COAT OF ARMS Coat of arms of the Cape Colony The coat of arms of the Cape Colony was the official heraldic symbol of the Cape Colony as a British colony from 1875 to 1910, and as a province of South Africa from 1910 to 1994. It is now obsolete. The adoption of the arms was a belated response to a British government request, in 1869, for a design for a flag badge to identify the colony. The laying of the foundation stone of the new parliament building in May 1875 was considered as a good opportunity to introduce it. A Cape Town attorney with a keen interest in heraldry, Charles Aken Fairbridge (1824-1893), was accordingly asked to design arms for the Colony. The foundation stone of the colonial parliament was laid on 12 May 1875. According to the Cape Argus newspaper, "among the conspicuous features of the spectacle was the new colonial flag, hoisted aloft above the corner stone, with the heraldic shielding, surroundings and mottoes blazoned on the Union Jack and the Royal Standard floating in the breeze from the loftiest flagstaff in the centre". Queen Victoria formally granted the arms by Royal Warrant a year later, on 29 May 1876. After the Cape became a province of the Union of South Africa in 1910, the provincial administration took over the arms. They were used as provincial arms until the Cape was divided into three smaller provinces in 1994. The original blazon was: Gules, a lion rampant between three annulets Or; on a chief Argent as many hurts each charged with a fleur de lis of the second [i.e. Or]. Crest: the figure of Hope proper vested Azure, resting the dexter arm on a rock and supporting with the sinister hand an anchor Sable entwined with a cable also proper. Supporters: dexter a gnu and sinister an oryx (gemsbok) both proper. Motto: SPES BONA. The symbolism of the arms is obvious. The lion is a South African animal, and also appears in the arms of the two colonial powers which ruled at the Cape, Netherlands and Great Britain. The rings were taken from the arms of the founder of the colony, Jan van Riebeeck. The fleur-de-lis represent the contribution of the Huguenots to the early history of the country. The crest is the Lady of Good Hope, grasping an anchor, first introduced as a symbol of the colony in 1715.The supporters, a gnu (wildebeest) and an oryx (gemsbok), are two typical South African animals. The motto, "Spes Bona" simply means “Good Hope”. New artwork was introduced in 1952. Hope's dress was changed to white, and she was given a blue mantle. The arms were recorded in this form at the College of Arms in July 1955, and registered at the Bureau of Heraldry in 1967. The Free State The coat of arms of the Orange Free State was the official heraldic symbol of the Orange Free State as a republic from 1857 to 1902, and later, from 1937 to 1994, as a province of South Africa. It is now obsolete.The Orange Free State was established as a republic in 1854. It needed official symbols, and its first state president, Josias Hoffman decided to have them professionally designed in the Netherlands. At his request, King Willem III of the Netherlands had a flag and coat of arms designed by the Hoge Raad van Adel during 1855, and sent them out to South Africa. As the Orange Free State was named after the Orange River which, in turn, had been named after the Dutch royal family, the arms depicted a wavy orange fess (stripe) representing the river, and three bugle horns, which are the badge of the House of Orange. By the time the designs reached Bloemfontein, in January 1856, Hoffman had resigned and been succeeded by Jacobus Boshof. Apparently unaware that state symbols were being designed in the Netherlands, Boshof had had a Great Seal designed and manufactured, and approved by the Volksraad (legislature). The seal depicted a tree of liberty, sheep, a lion, and an ox-wagon. When Boshof placed the flag and coat of arms designs before the Volksraad on 28 February 1856, the legislators decided that,The design of the flag sent by the King of the Netherlands shall be adopted, and to the coat of arms sent by the above shall be added the already existing arms in the Great Seal of the State, with omission of the orange stripe. The coats of arms, as actually adopted, then displayed the design of the Great Seal between the three bugle horns. This hybrid design was officially introduced on the republic's third anniversary, 23 February 1857, and was used until the republic ceased to exist on 31 May 1902. As the Orange River Colony (1902-10), the territory had a different coat of arms, granted by King Edward VII of the United Kingdom. When the colony became a province of the Union of South Africa in 1910, the provincial administration took over the Orange River Colony arms, which it used until 1925. In 1937, after a twelve-year period without official arms, the provincial administration adopted the old republican arms, and they were used as the provincial arms until the Orange Free State was reconstituted as the Free State Province in 1994. Coat of arms of the Transvaal The coat of arms of the Transvaal was the official heraldic symbol of the South African Republic from 1866 to 1877 and again from 1881 to 1902, and later the symbol of the Transvaal Province from 1954 to 1994. It is now obsolete. The South African Republic was established in 1857. On 18 February 1858, the Volksraad (legislature) resolved that the new state should have the following coat of arms: On a silver field there shall be placed a wagon and a golden anchor, while an eagle shall rest upon the arms. On the right hand side of the arms a man in national costume with a gun and accessories. On the left hand side a lion. The earliest known appearance of the arms was on banknotes issued in 1866. The crudely drawn arms were depicted as a shield with a lion, an anchor, and a man in the upper half, an ox-wagon in the lower half, and the motto 'Eendragt maakt magt' on a riband across the top. This rendition also appeared on the Staatscourant (government gazette) from 1867. A better version, in which the shield was divided into sections, an eagle was perched on top, and three flags were draped down each side, first appeared on the postage stamps in 1869, and this became the preferred rendition. From 1871, this too appeared on the banknotes,and from 1872 it was on the masthead of the Staatscourant. The arms were in abeyance during the British occupation of the Transvaal, from 1877 to 1881. Revived in 1881, they became obsolete again when the republic ceased to exist in 1902. In 1950, the Transvaal provincial administration decided to adopt the old arms as provincial arms and commissioned chief archivist Dr Coenraad Beyers to investigate and report on the most suitable version.The arms were apparently introduced in 1954,and they were used until the province ceased to exist in 1994. The arms were recorded at the College of Arms in July 1955, and registered at the Bureau of Heraldry in October 1967. The official blazon is: An oval shield per fess, the chief divided per pale; dexter Gules, a natural lion contourne couchant gardant Or; sinister Azure, a bearded man in national dress wearing a hat and bandolier, and holding in the left hand a gun resting upon the ground; in base Vert, a Voortrekker wagon proper; on an inescutcheon Argent an anchor Sable, cabled Gules. Perched on the shield an eagle displayed Or. Behind the shield and draped below on both sides three flags of the South African Republic, green, red, white and blue. Motto: EENDRACHT MAAKT MAGT Coat of arms of Natal The coat of arms of Natal was the official heraldic symbol of Natal as a British colony from 1907 to 1910, and as a province of South Africa from 1910 to 1994. It is now obsolete. As a British colony, Natal's first official symbol was a Public Seal, authorised by Queen Victoria in 1846, and also used as a flag badge from 1870. The seal (illustrated right) depicted the British royal coat of arms in the upper half; in the lower half was an ornamental frame enclosing a scene of two wildebeest (gnu) galloping across a plain. The wildebeest became the popular symbol of Natal, and when the government decided in 1905 to obtain an official coat of arms, the wildebeest were the obvious choice for the design. The arms, designed by G. Ambrose Lee, the York Herald at the College of Arms, were granted by King Edward VII by Royal Warrant on 16 May 1907. After Natal became a province of the Union of South Africa in 1910, the provincial administration took over the arms. They were used as provincial arms until Natal was reconstituted as KwaZulu-Natal in 1994 In their original form, as used by the colonial government, the arms consisted only of a shield, blazoned as follows: Azure, in front of mountains and on a plain two black wildebeesten in full course at random all proper. The provincial administration embellished the arms by placing an imperial crown (so-called 'Tudor crown') above the shield, and a riband inscribed 'Natal' below it. The arms were recorded in this form at the College of Arms in July 1955, and registered at the Bureau of Heraldry in January 1969. As the 'Tudor crown' was no longer the official heraldic version of the crown in 1955, and Natal did not want to change to the new St Edward's crown, the 'Tudor crown' above the arms was modified to make it unique to Natal. The fleurs de lis of the 'Tudor crown' were replaced by crosses, but in general appearance the crown looked the same. Coat of arms of the Orange River Colony The coat of arms of the Orange River Colony was the official heraldic symbol of the Orange River Colony as a British colony from 1904 to 1910, and then of the Orange Free State province of South Africa from 1910 to 1925. It is now obsolete. The Orange Free State republic became a British colony at the end of the Anglo-Boer War in May 1902. The republic's official arms were discontinued, and on 10 December 1904, by Royal Warrant, King Edward VII granted a new coat of arms to the colony. The springbok was chosen as the principal charge in the arms. Although it had made its appearance in heraldry nearly thirty years earlier (in the crest of the arms granted to Edward Randles of Port Natal in 1875), this appears to have been the first time that the animal was used as a charge on a shield. When the colony became a province of the Union of South Africa in 1910, the provincial administration took over the arms, which it used until 1925. In 1937, after a twelve-year period without official arms, the provincial administration adopted the old republican arms, which were used as the provincial arms until the Orange Free State was reconstituted as the Free State Province in 1994. The official blazon is: Argent, on a mound a springbuck and ona chief Azure the Imperial Crown all proper. Gauteng Province (1996) South African heraldry reaches back for more than 350 years, inheriting European (especially Dutch and British) heraldic traditions. Arms are borne by individuals, official bodies, local authorities, military units, and by a wide variety of organisations. South Africa has had its own heraldic authority since 1963, to provide armigers with legal protection, and to promote high standards of armorial practice. Cape Town (1899) South Africa (1910) Origins and history The first known armorial display in South Africa took the form of stone beacons bearing the Portuguese royal arms, which were erected along the coast by navigators who explored the sea route in the 1480s.Some of these beacons still survive. 17th-18th centuries Heraldry was introduced into the region by the Dutch, when they founded the first European colony, at the Cape of Good Hope, in 1652.Under Dutch law, everyone has the right to assume and bear arms, and many settlers bore personal arms, some of which are still borne by their descendants today, The official arms of the Netherlands, and those of the Verenigde Oost Indische Compagnie, which ran the colony, were also used.There do not appear to have been any other corporate arms during the Dutch colonial period, but there is evidence of some use of military unit arms in the 1780s.Civic arms were introduced in 1804. 19th century British military forces occupied the colony during the Napoleonic Wars, and the Netherlands handed it over permanently to Great Britain in 1814. This brought the colony within the jurisdiction of the English College of Arms, the Scottish Lord Lyon and the Irish Ulster Office. British law regards arms as an honour which must be granted or recognised by one or other of these authoritie, but as Roman-Dutch law was retained in the colony, it remained legal to simply assume arms at will. Those who wanted formal grants of arms could apply to one of the three British authorities. As with language, music, and other cultural aspects, then, British and Cape Dutch (Afrikaner) heraldry existed separately side by side. This is still the case, though there has been some cross-pollination during the past half-century. European settlement spread to other parts of the region in the 1830s, as a result of Afrikaner dissatisfaction with British rule. Eventually, the region crystallised into four White-ruled territories: two British colonies and two Afrikaner republics. Their governments adopted official arms. Britain conquered the two Afrikaner republics in the Anglo-Boer War (1899-1902), and the four territories united in 1910 to form the Union of South Africa. As self-government developed during the first half of the 20th century, some official attention began to be paid to heraldry. In 1935, the Union government introduced a system of voluntary registration of "badges" by the Department of the Interior. It applied only to associations and institutions, such as schools and clubs, and several dozen of the more than 1300 items registered over the years were coats of arms.The Department of Education, Arts & Sciences took over as registrar in 1959. The rise of Afrikaner nationalism during the 1930s and 1940s drew heavily on culture and tradition, and several books and articles on Afrikaner family history and heraldry were published during that period. Unfortunately, as later research showed, the heraldic sources were generally not very reliable. After an Afrikaner nationalist government took office in 1948, with a republic high on its agenda, steps were taken to bring order to the armorial chaos. Between 1949 and 1953, the four provincial administrations introduced systems of registering civic arms to protect them against usurpation. The defence force established its own heraldry office in 1954. In 1955, an inter-departmental conference recommended the formation of an official heraldic authority, and a committee appointed in 1956 recommended adopting the Swedish model, of a nominated council and an executive bureau, under the auspices of the state archives service. The 1950s also saw an unprecedented number of English and Scottish grants of arms, to municipalities, corporate bodies, the Anglican dioceses, and a few individuals. With a republic in the offing, there may have been a feeling that it was "now or never". South Africa became a republic and left the Commonwealth in 1961. A Heraldry Act was passed in 1962,and the Bureau of Heraldry and Heraldry Council were established in 1963. The Bureau took over from the Department of Education, Arts & Sciences and the provincial administrations as registering authority, and in addition to registering corporate and civic arms, it registers official and personal arms too. Arms have to be heraldically correct to qualify for registration, which remains voluntary. Matriculation, i.e. re-registration of personal arms for armigers' descendants, was authorised in 1969.Thousands of arms have been registered and matriculated over the years. From 1963 to 1969, the Heraldry Act also provided for arms to be granted by the state president to official bodies and by the provincial administrators to local authorities. Grants were subject to Heraldry Council approval and were registered by the Bureau.The Act has never authorised the Bureau to grant arms, only to register them. Since 1963, the Bureau has introduced many innovations, including lines of partition, charges drawn from South African fauna and flora and the African heritage and, in the early 1970s, a highly stylised, Finnish-influenced, artistic style. Usage of arms Roman-Dutch law allows everyone to assume and bear arms, as long as no one else's rights are infringed in the process.Social status, or service to the country, are not requirements as they are in some other countries. There is therefore a wide range of armigers,including: individual persons national and provincial governments local authorities, e.g. municipalities, city councils, divisional councils, district councils government departments and agencies (though current government "branding" policy requires them to use the national arms instead) defence force units (army, air force, navy, military health service) corporations hospitals churches (especially Anglican and Roman Catholic) professional institutes and associations schools, colleges, technikons, and universities social and sports clubs. Regulation There is little regulation of heraldry in South Africa. Arms which have been registered at the Bureau are protected to the extent that a registered owner can take legal action against anyone who usurps or misuses his arms. In the case of the arms of the national and provincial governments, defence force units, and municipalities, offenders can also be prosecuted and fined,and ridiculing or showing contempt for the national arms is punishable by imprisonment. Registration of arms is entirely voluntary. Start Now BACK TO TOP