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The Great Trek The Great Trek (Afrikaans : Die Groot Trek was a northward migration of Dutch-speaking settlers who travelled by wagon trains from the Cape Colony into the interior of modern South Africa from 1836 onwards, seeking to live beyond the Cape's British colonial administration. The Great Trek resulted from the culmination of tensions between rural descendants of the Cape's original European settlers, known collectively as Boers , and the British Empire . It was also reflective of an increasingly common trend among individual Boer communities to pursue an isolationist and semi-nomadic lifestyle away from the developing administrative complexities in Cape Town . Boers who took part in the Great Trek identified themselves as voortrekkers , Afrikaans: , meaning "pioneers", "pathfinders" (literally "fore-trekkers") in Dutch and Afrikaans . The Great Trek led directly to the founding of several autonomous Boer republics , namely the South African Republic (also known simply as the Transvaal), the Orange Free State , and the Natalia Republic . It also led to conflicts that resulted in the displacement of the Northern Ndebele people , and conflicts with the Zulu people that contributed to the decline and eventual collapse of the Zulu Kingdom . Background Trekboers making camp (1804) by Samuel Daniell . Before the arrival of Europeans, the Cape of Good Hope area was populated by Khoisan tribes The first Europeans settled in the Cape area under the auspices of the Dutch East India Company (also known by its Dutch initials VOC), which established a victualling station there in 1652 to provide its outward bound fleets with fresh provisions and a harbour of refuge during the long sea journey from Europe to Asia In a few short decades, the Cape had become home to a large population of "vrijlieden", also denoted as "vrijburgers" (free citizens), former Company employees who remained in Dutch territories overseas after completing their contracts. Since the primary purpose of the Cape settlement at the time was to stock provisions for passing Dutch ships, the VOC offered grants of farmland to its employees under the condition they would cultivate grain for the Company warehouses, and released them from their contracts to save on their wages. Vrijburgers were granted tax-exempt status for 12 years and loaned all the necessary seeds and farming implements they requested. They were married Dutch citizens, considered "of good character" by the Company, and had to commit to spending at least 20 years on the African continent. Reflecting the multi-national character of the VOC's workforce, some German soldiers and sailors were also considered for vrijburger status as well, and in 1688 the Dutch government sponsored the resettlement of over a hundred French Huguenot refugees at the Cape. As a result, by 1691 over a quarter of the colony's European population was not ethnically Dutch. Nevertheless, there was a degree of cultural assimilation through intermarriage, and the almost universal adoption of the Dutch language. Cleavages were likelier to occur along social and economic lines; broadly speaking, the Cape colonists were delineated into Boers , poor farmers who settled directly on the frontier, and the more affluent, predominantly urbanised Cape Dutch . Following the Flanders Campaign and the Batavian Revolution in Amsterdam , France assisted in the establishment of a pro-French client state, the Batavian Republic , on Dutch soil. This opened the Cape to French warships. To protect her own prosperous maritime shipping routes, Great Britain occupied the fledgling colony by force until 1803. From 1806 to 1814, the Cape was governed as a British military dependency, whose sole importance to the Royal Navy was its strategic relation to Indian maritime traffic. The British formally assumed permanent administrative control around 1815, as a result of the Treaty of Paris . 01 Causes Causes At the onset of the British rule, the Cape Colony encompassed 100,000 square miles (260,000 km2) and was populated by about 26,720 people of European descent, a relative majority of whom were of Dutch origin. Just over a quarter were of German ancestry and about one-sixth were descended from French Huguenots, although most had ceased speaking French since about 1750. There were also 30,000 African and Asian slaves owned by the settlers, and about 17,000 indigenous Khoisan . Relations between the settlers – especially the Boers – and the new administration quickly soured. The British authorities were adamantly opposed to the Boers' ownership of slaves and what was perceived as their unduly harsh treatment of the indigenous peoples. The British government insisted that the Cape finance its own affairs through self-taxation, an approach which was alien to both the Boers and the Dutch merchants in Cape Town. In 1815, the controversial arrest of a white farmer for allegedly assaulting one of his servants resulted in the abortive Slachter's Nek Rebellion . The British retaliated by hanging at least five Boers for insurrection. In 1828, the Cape governor declared that all native inhabitants but slaves were to have the rights of "citizens", in respect of security and property ownership, on parity with the settlers. This had the effect of further alienating the colony's white population. Boer resentment of successive British administrators continued to grow throughout the late 1820s and early 1830s, especially with the official imposition of the English language. This replaced Dutch with English as the language used in the Cape's judicial and political systems, putting the Boers at a disadvantage, as most spoke little or no English. Britain's alienation of the Boers was particularly amplified by the decision to abolish slavery in all its colonies in 1834. All 35,000 slaves registered with the Cape governor were to be freed and given rights on par with other citizens, although in most cases their masters could retain them as apprentices until 1838. Many Boers, especially those involved with grain and wine production, were dependent on slave labour; for example, 94% of all white farmers in the vicinity of Stellenbosch owned slaves at the time, and the size of their slave holdings correlated greatly to their production output. Compensation was offered by the British government, but payment had to be received in London , and few Boers possessed the funds to make the trip. Bridling at what they considered an unwarranted intrusion into their way of life, some in the Boer community considered selling their farms and venturing deep into South Africa's unmapped interior to preempt further disputes and live completely independent from British rule. Others, especially trekboers , a class of Boers who pursued semi-nomadic pastoral activities, were frustrated by the apparent unwillingness or inability of the British government to extend the borders of the Cape Colony eastward and provide them with access to more prime pasture and economic opportunities. They resolved to trek beyond the colony's borders on their own. Opposition Although it did nothing to impede the Great Trek, Great Britain viewed the movement with pronounced trepidation. The British government initially suggested that conflict in the far interior of Southern Africa between the migrating Boers and the Bantu peoples they encountered would require an expensive military intervention. However, authorities at the Cape also judged that the human and material cost of pursuing the settlers and attempting to re-impose an unpopular system of governance on those who had deliberately spurned it was not worth the immediate risk. Some officials were concerned for the tribes the Boers were certain to encounter, and whether these tribes would be enslaved or otherwise reduced to a state of penury . The Great Trek was not universally popular among the settlers either. Around 12,000 of them took part in the migration, about a fifth of the colony's Dutch-speaking white population at the time. The Dutch Reformed Church , to which most of the Boers belonged, explicitly refused to endorse the Great Trek. Despite their hostility towards the British, there were Boers who chose to remain in the Cape of their own accord. For its part, the distinct Cape Dutch community had accepted British rule; many of its members even considered themselves loyal British subjects with a special affection for English culture. The Cape Dutch were also much more heavily urbanised and therefore less likely to be susceptible to the same rural grievances and considerations as those held by the Boers. 02 Exploratory treks to Natal In January 1832, Andrew Smith (an Englishman) and William Berg (a Boer farmer) scouted Natal as a potential colony. On their return to the Cape, Smith waxed very enthusiastic, and the impact of discussions Berg had with the Boers proved crucial. Berg portrayed Natal as a land of exceptional farming quality, well watered, and nearly devoid of inhabitants. In June 1834, the Boer leaders of Uitenhage and Grahamstown discussed a Kommissietrek ('Commission Trek') to visit Natal and to assess its potential as a new homeland for the Cape Boers who were disenchanted with British rule at the Cape. Petrus Lafras Uys was chosen as trek leader. In early August 1834, Jan Gerritze Bantjes set off with some travellers headed for Grahamstown 220 kilometres (140 mi) away, a three-week journey from Graaff-Reinet . Sometime around late August 1834 Jan Bantjes arrived in Grahamstown, contacted Uys and made his introductions. In June 1834 at Graaff-Reinet, Jan Gerritze Bantjes heard about the exploratory trek to Port Natal and, encouraged by his father Bernard Louis Bantjes, sent word to Uys of his interest in participating. Bantjes wanted to help re-establish Dutch independence over the Boers and to get away from British law at the Cape. Bantjes was already well known in the area as an educated young man fluent both in spoken and written Dutch and in English. Because of these skills, Uys invited Bantjes to join him. Bantjes's writing skills would prove invaluable in recording events as the journey unfolded. On 8 September 1834, the Kommissietrek of 40 men and one woman, as well as a retinue of coloured servants, set off from Grahamstown for Natal with 14 wagons. Moving through the Eastern Cape , they were welcomed by the Xhosa who were in dispute with the neighbouring Zulu King Dingane ka Senzangakhona , and they passed unharmed into Natal. They travelled more or less the same route that Smith and Berg had taken two years earlier. The trek avoided the coastal route, keeping to the flatter inland terrain. The Kommissietrek approached Port Natal from East Griqualand and Ixopo , crossing the upper regions of the Mtamvuna and Umkomazi rivers. Travel was slow due to the rugged terrain, and since it was the summer, the rainy season had swollen many of the rivers to their maximum. Progress required days of scouting to locate the most suitable tracks to negotiate. Eventually, after weeks of extraordinary toil, the small party arrived at Port Natal, crossing the Congela River and weaving their way through the coastal forest into the bay area. They had travelled a distance of about 650 kilometres (400 mi) from Grahamstown. This trip would have taken about 5 to 6 months with their slow moving wagons. The Drakensberg route via Kerkenberg into Natal had not yet been discovered. They arrived at the sweltering hot bay of Port Natal in February 1835, exhausted after their long journey. There, the trek was soon welcomed with open arms by the few British hunters and ivory traders there such as James Collis, including Reverend Allen Francis Gardiner , an ex-commander of the Royal Navy ship Clinker, who had decided to start a mission station there. After congenial exchanges between the Boers and British sides, the party joined them and invited Dick King to become their guide. The Boers set up their laager ('wagon fort') camp in the area of the present-day Greyville Racecourse in Durban , chosen because it had suitable grazing for the oxen and horses and was far from the foraging hippos in the bay. Several small streams running off the Berea ridge provided fresh water. Alexander Biggar was also at the bay as a professional elephant-hunter and provided the trekkers with information regarding conditions at Port Natal. Bantjes made notes suggested by Uys, which later formed the basis of his more comprehensive report on the positive aspects of Natal. Bantjes also made rough maps of the bay - although this journal is now missing - showing the potential for a harbour which could supply the Boers in their new homeland. At Port Natal, Uys sent Dick King, who could speak Zulu, to uMgungundlovu to investigate with King Dingane the possibility of granting them land. When Dick King returned to Port Natal some weeks later, he reported that King Dingane insisted they visit him in person. Johannes Uys , brother of Piet Uys, and a number of comrades with a few wagons travelled toward King Dingane's capital at uMgungundlovu, and after making a laager camp at the mouth of the Mvoti River , they proceeded on horseback, but were halted by a flooded Tugela River and forced to return to the laager. The Kommissietrek left Port Natal for Grahamstown with a stash of ivory in early June 1835, following more or less the same route back to the Cape, and arrived at Grahamstown in October 1835. On Piet Uys's recommendation, Bantjes set to work on the first draft of the Natalialand Report. Meetings and talks took place in the main church to much approval, and the first sparks of Trek Fever began to take hold. From all the information accumulated at Port Natal, Bantjes drew up the final report on "Natalia or Natal Land" that acted as the catalyst which inspired the Boers at the Cape to set in motion the Great Trek. 03 First wave The first wave of Voortrekkers lasted from 1835 to 1840, during which an estimated 6,000 people (roughly 20% of the Cape Colony's total population or 10% of the white population in the 1830s) trekked. Hendrik Potgieter at Delagoa Bay , c. 1851–52 The first two parties of Voortrekkers left in September 1835, led by Louis Tregardt and Hans van Rensburg . These two parties crossed the Vaal river at Robert's Drift in January 1836, but in April 1836 the two parties split up, just 110 kilometres (70 mi) from the Zoutpansberg mountains, following differences between Tregardt and van Rensburg. A party led by Hendrik Potgieter trekked out of the Tarka area in either late 1835 or early 1836, and in September 1836 a party led by Gerrit Maritz began their trek from Graaff-Reinet. There was no clear consensus amongst the trekkers on where they were going to settle, but they all had the goal of settling near an outlet to the sea.: 162, 163  In late July 1836 van Rensburg's entire party of 49, except two children who were saved by a Zulu warrior, were massacred at Inhambane by an impi (a force of warriors) of Manukosi . Those of Tregardt's party that had set up around Soutpansberg moved on to colonise Delagoa Bay , with most of the party, including Tregardt, perishing from fever. Conflict with the Matebele In August 1836, despite pre-existing peace agreements with local black leaders, a Ndebele (Matebele) patrol attacked the Liebenberg family part of Potgieter's party, killing six men, two women and six children. It is thought that their primary aim was to plunder the Voortrekkers' cattle. On 20 October 1836, Potgieter's party was attacked by an army of 4,600 Ndebele warriors at the Battle of Vegkop . Thirty-five armed trekkers repulsed the Ndebele assault on their laager with the loss of two men and almost all the trekkers' cattle. Potgieter, Uys and Maritz mounted two punitive commando raids. The first resulted in the sacking of the Ndebele colony at Mosega , the death of 400 Ndebele, and the taking of 7,000 cattle. The second commando forced Mzilikazi and his followers to flee to what is now modern day Zimbabwe .[17] : 163  By spring 1837, five to six large Voortrekker colonies had been established between the Vaal and Orange Rivers with a total population of around 2,000 trekkers. Conflict with the Zulu Blood River King Dingane ordering the killing of Retief and his Boer representatives with the words "Bulalani abathakathi" ('kill the witches'). They were killed outside the royal kraal on the execution rock called Matiwane. Depiction of a Zulu attack on a Boer camp in February 1838. The Weenen Massacre was the massacre of Voortrekkers by the Zulu on 17 February 1838. Main article: Battle of Blood River In October 1837 Retief met with Zulu King Dingane to negotiate a treaty for land in what is now Kwa-Zulu Natal . King Dingane, suspicious and untrusting because of previous Voortrekker influxes from across the Drakensberg, had Retief and seventy of his followers killed . Various interpretations of what transpired exist, as only the missionary Francis Owen 's written eye-witness account survived. Retief's written request for land contained veiled threats by referring to the Voortrekker's defeat of indigenous groups encountered along their journey. The Voortrekker demand for a written contract guaranteeing private property ownership was incompatible with the contemporaneous Zulu oral culture which prescribed that a chief could only temporarily dispense land as it was communally owned. Most versions agree that the following happened: King Dingane's authority extended over some of the land in which the Boers wanted to settle. As prerequisite to granting the Voortrekker request, he demanded that the Voortrekkers return some cattle stolen by Sekonyela , a rival chief. After the Boers retrieved the cattle, King Dingane invited Retief to his residence at uMgungundlovu to finalise the treaty, having either planned the massacre in advance, or deciding to do so after Retief and his men arrived. King Dingane's reputed instruction to his warriors, "Bulalani abathakathi!" (Zulu for "kill the wizards") may indicate that he considered the Boers to wield evil supernatural powers. After killing Retief's delegation, a Zulu army of 7,000 impis were sent out and immediately attacked Voortrekker encampments in the Drakensberg foothills at what later was called Blaauwkrans and Weenen , leading to the Weenen massacre in which 532 people were killed, including 282 Voortrekkers, of whom 185 were children, and 250 Khoikhoi and Basuto accompanying them. In contrast to earlier conflicts with the Xhosa on the eastern Cape frontier, the Zulus killed women and children along with men, wiping out half of the Natal contingent of Voortrekkers. The Voortrekkers retaliated with a 347-strong punitive raid against the Zulu (later known as the Flight Commando), supported by new arrivals from the Orange Free State . The Voortrekkers were roundly defeated by about 7,000 warriors at Ithaleni , southwest of uMgungundlovu. The well-known reluctance of Afrikaner leaders to submit to one another's leadership, which later hindered sustained success in the Anglo-Boer Wars , was largely to blame. In November 1838 Andries Pretorius arrived with a commando of 60 armed trekkers and two cannon to assist in the defence. A few days later on 16 December 1838, a force of 468 trekkers, 3 Britons , and 60 black allies fought against 10,000 to 12,000 Zulu impis at the Battle of Blood River . Pretorius's victory over the Zulu army led to a civil war within the Zulu nation as King Dingane's half-brother, Mpande kaSenzangakhona , aligned with the Voortrekkers to overthrow the king and impose himself. Mpande sent 10,000 impis to assist the trekkers in follow-up expeditions against Dingane.[17] : 164  After the defeat of the Zulu forces and the recovery of the treaty between Dingane and Retief from Retief's body, the Voortrekkers proclaimed the Natalia Republic . After Dingane's death, Mpande was proclaimed king, and the Zulu nation allied with the short-lived Natalia Republic until its annexation by the British Empire in 1843. The Voortrekkers' guns offered them a technological advantage over the Zulu's traditional weaponry of short stabbing spears, fighting sticks, and cattle-hide shields. The Boers attributed their victory to a vow they made to God before the battle: if victorious, they and future generations would commemorate the day as a Sabbath . Thereafter, 16 December was celebrated by Boers as a public holiday, first called Dingane's Day, later changed to the Day of the Vow . Post-apartheid , the name was changed to the Day of Reconciliation by the South African government, in order to foster reconciliation between all South Africans. Impact Conflict amongst the Voortrekkers was a problem because the trek levelled out the pre-existing class hierarchy which had previously enforced discipline, and thus social cohesion broke down. Instead the trek leaders became more reliant on patriarchal family structure and military reputation to maintain control over their parties. This had a large and lasting impact on Afrikaans culture and society. Centenary celebrations Centenary celebrations Afrikaans horsemen celebrating the centenary of the Great Trek in 1938. A group of Afrikaans women at the centenary celebrations in 1938 dressed in Voortrekker clothing most notably the white kappie on their heads. The celebration of the Great Trek in the 1930s played a major role in the growth of Afrikaans nationalism . It is thought that the experiences of the Second Boer War and the following period, between 1906 and 1934, of a lack of public discussion about the war within the Afrikaans community helped set the scene for a large increase in interest in Afrikaans national identity. The celebration of the centenary of the Great Trek along with a new generation of Afrikaners interested in learning about the Afrikaans experiences of the Boer War catalysed a surge of Afrikaans nationalism. The centenary celebrations began with a re-enactment of the trek beginning on 8 August 1938 with nine ox wagons at the statue of Jan van Riebeeck in Cape Town and ended at the newly completed Voortrekker Monument in Pretoria and attended by over 100,000 people. A second re-enactment trek starting at the same time and place ended at the scene of the Battle of Blood River. Monuments to the Great Trek such as this one in Clanwilliam were erected in small towns across the country during the centenary celebrations. The commemoration sparked mass enthusiasm amongst Afrikaners as the re-enactment trek passed through the small towns and cities of South Africa. Both participants and spectators participated by dressing in Voortrekker clothing, renaming streets, holding ceremonies, erecting monuments, and laying wreaths at the graves of Afrikaner heroes. Cooking meals over an open fire in the same way the Voortrekkers did became fashionable amongst urbanites, giving birth to the South African tradition of braaing .  An Afrikaans language epic called Building a Nation (Die Bou van 'n Nasie) was made in 1938 to coincide with the 100th anniversary of the Great Trek.The film tells the Afrikaans version of the history of South Africa from 1652 to 1910 with a focus on the Great Trek. A number of Afrikaans organisations such as the Afrikaner Broederbond and Afrikaanse Taal en Kultuurvereniging continued to promote the centenary's goals of furthering the Afrikaner cause and entrenching a greater sense of unity and solidarity within the community well into the 20th century. 04 Political impact The Great Trek was used by Afrikaner nationalists as a core symbol of a common Afrikaans history. It was used to promote the idea of an Afrikaans nation and a narrative that promoted the ideals of the National Party . In 1938, celebrations of the centenary of the Battle of Blood River and the Great Trek mobilised behind an Afrikaans nationalist theses. The narrative of Afrikaner nationalism was a significant reason for the National Party's victory in the 1948 elections . A year later the Voortrekker Monument was completed and opened in Pretoria by the newly elected South African Prime Minister and National Party member Daniel Malan in 1949. A few years later, "Die Stem van Suid-Afrika " ('The Voice of South Africa'), a poem written by Cornelis Jacobus Langenhoven referring to the Great Trek, was chosen to be the words of the pre-1994 South African national anthem. The post-1997 national anthem of South Africa incorporates a section of "Die Stem van Suid-Afrika" but it was decided to omit the section in "reference to the Great Trek ('met die kreun van ossewa'), since this was the experience of only one section of our community". When apartheid in South Africa ended and the country transitioned to majority rule, President F. W. de Klerk invoked the measures as a new Great Trek BACK TO TOP

South Africa (1928-1994) Flag of 1928-1994 Following the Union of South Africa , that is the joining of the former colonies of Natal , Cape , Transvaal and Orange River on 31 May 1910, South Africa used defaced red and blue ensigns. Having suffered defeat in the Anglo-Boer War (1899-1902), many South Africans particularly of Boer extraction found these flags unacceptable. Discussions about a new flag had taken place from time to time but were interrupted by such pressing issues as World War I and achieving Dominion Status within the British Empire etc. and it was only in 1925 that the matter began to receive renewed attention. The Balfour Declaration adopted at the Imperial Conference of 1926 defined in general terms the mutual constitutional relationship of the self-governing members of the British Empire (later Commonwealth) whereby Great Britain and the dominions were "equal in status, in no way subordinate to one another" and as such South Africa, as an independent state was entitled to a flag of its own. The flag issue in South Africa was also considered along with the question of nationality. The issue of inclusion of the Union Jack proved to be a very emotional subject, with the English-speakers on the one side demanding its inclusion and the Afrikaners (Boers) seeing its a symbol of British imperialism demanding it be excluded! A number of proposals were put forward but it was not until the Prinzenvlag design based on the House of Orange that consensus began to emerge. This design was based on the commonly held view that Jan van Riebeeck has raised an orange, white and blue horizontal tricolour when he arrived at the Cape in April 1652. The original design had a quartered shield in the centre, each quarter having a symbol to represent the territories making up the Union. Various other designs were submitted to a Parliamentary Committee which had been established to resolve the issue but none found favour. The compromise design eventually adopted saw the flag of the Republic of the Orange Free State hanging vertically in the centre of the white stripe of the Prinzenvlag with the Union Jack spread horizontally towards the hoist from the centre and the flag of the Zuid-Afrikaansche Republiek (Transvaal) spread towards the fly. In terms of the Union Nationality and Flags Act of 1927 South Africa had two flags, namely the Union Jack to denote association with the British Commonwealth of Nations and a national flag described as being: "Three horizontal stripes of equal width from top to bottom, orange, white, blue; in the centre of the white stripe the old Orange Free State Flag hanging vertically, spread in full, with the Union Jack adjoining horizontally, spread in full, towards the pole, and the old Transvaal Vierkleur adjoining horizontally spread in full away from the pole, equidistant from the margins of the white stripe. The flags shall be of the same size and their shape shall be proportionally the same as the National Flag and the width of each equal to one-third of the width of the white stripe". This Act came into force on 31 May 1928 when both the new national flag and the Union Jack were hoisted together for the first time at simultaneous ceremonies at the Houses of Parliament in Cape Town and at the Union Buildings in Pretoria. The flags first hoisted at Parliament are now on display in the Old Assembly chamber. The dual flag arrangement continued until 06 April 1957 when the Government brought it to an end with the Flags Amendment Act. This Act also provided for the sole national anthem of South Africa to be Die Stem van Suid-Afrika/The Call of South Africa without "God Save the Queen" despite Queen Elizabeth II still being head of state. South Africa withdrew from the British Commonwealth of Nations and became a republic on 31 May 1961. No changes were made to the national flag or anthem. The flag, commonly known as the oranje-blanje-blou (orange, white and blue) continued to fly until it was replaced on 27 April 1994 by the flag representing a democratic South Africa . Bruce Berry, 01 Feb 1998 What are the colour specifications of the former (1928-1994) South African flag in (BS) RGB values? NB: Blue was BCC 150 Lapis Lazuli in the British Colour Council's "Dictionary of Color Standards". Mark Sensen, 15 Jun 2002 The only colour specifications I could find for the old SA flag in the old British Standard Colour Classifications are: Orange: BBC 57 Blue: BBC 218 Green: BBC 24 Red: BBC 210 Bruce Berry, 03 Jul 2002 Regarding the shade of blue on the former South African flag, the blue stripe was originally described as being "solway" blue but over the years, as can be expected given that South African flags originally came from the UK, the blue stripe changed to the darker "Union Jack blue" until the blue stripe became almost black. This prompted a return to the lighter "solway blue" shade following a Government investigation into the matter in 1982. Speaking to flag manufacturers on this matter yesterday, all agreed that they used the same shade of blue for the blue stripe and in the Union Jack and Vierkleur flags in the centre of the flag as well. The other shades in the flag were described as "Spectrum orange", "Green Beetle" and "Union Jack red" with the BCC classifications as indicated above. Bruce Berry, 06 Dec 2005 Research into the controversy surrounding what flag was used by Jan van Riebeeck when he started his replenishment station in Table Bay on 6 April 1652 reveals the following as outlined in my forthcoming book on SA flags: "Van Riebeeck makes no mention in his Journal that he hoisted a flag, but it is assumed that he did. There is considerable controversy as to which flag Van Riebeeck might have hoisted. The flag generally used by Dutch vessels at, or before that time was in the colours of the House of Orange in honour of the Prince of Orange, the Stadtholder of the Netherlands . It was the orange, white and blue horizontal tricolour or Prinzenvlag. It was originally used by the so-called Watergeuse or Waterbeggars at sea during their struggle against the Spanish during the Eighty-Year's War and by the end of the war it was firmly established as the national flag of the Netherlands Republic. It is considered that the flag had its origins with the flag of the Province of Zealand which was red, white and blue horizontally. The red was then replaced by orange in honour of William the Silent, Prince of Orange and its first appearance as this Prinzenvlag occurred circa 1572. Later, towards the middle of the next century, the orange was again replaced by red. The reason for the change of the orange colour to red is not known with certainty, but some authorities ascribe it to the fact that the orange coloured dye was not easy to make and did not remain colour-fast. Van der Laars, an authority on the flags of the Netherlands, states that from about 1648 and certainly by 1663, the orange had changed to red, and the orange, white and blue tricolour was replaced by the red, white and blue tricolour of today. The point in dispute is whether it was already red at the time of Van Riebeeck's arrival, or still orange. According to Van der Laars, it is likely that it was still the orange version. Gerard in Flags over South Africa (1952) [ger52 ], however, makes out a good case that it was already red. He quotes sources, which indicates that most of the bunting used by the Dutch at that period came from India. Proof of this exists in the archives of Zealand (7.11.1630), which records the delivery of six rolls of bunting, red, white and blue. An advertisement in the Navorsher of 1634 mentions ten rolls of bunting, red, white and blue and in 1653 there is mention of many bales of sater - Indian cotton, dyed red, white and blue. The Indian dyers used kurkuma (turmeric) to which they added kav - a reddish rocky material - in order to obtain the orange colour used to dye the khadi-material (loosely hand-woven cotton cloth which we call bunting) to orange. This kav-stone was ground into a fine dust and then mixed with oil, water and turmeric wherein the khadi-cloth was then soaked. In order to obtain a rich orange colour, more kav and less turmeric was used by the Indian dyers and in time the orange changed to a flame red colour. * Gerard also states that in many of the paintings of the Thirty Year's War (1618 - 1648), the ensigns of the Netherlands are clearly already indicated as red, white and blue. He further states that it is therefore clear that when Jan van Riebeeck arrived at the Cape he did so with flags which were already using flame red instead of orange. Dr Pama in his book Lions and Virgins (1965) [pam65 ] produces evidence that on 14 August 1654 Jan van Reinbeck ordered rolls of red, white and blue bunting from Batavia in order to make flags for the fort and ships at the Cape. This seems to confirm Gerard's view. However, Pama also found an instruction by Van Riebeeck dated 22 August 1653 to the garrison and visiting ships that on the sighting of approaching vessels, the Princevlag (his spelling) must be hoisted over the Fort and the same must be done by the approaching vessels. This was obviously meant as a recognition signal during the time of the First Anglo-Dutch War. Pama explains this contradiction with the view that there was at that time not a great deal of importance attached to whether the upper bar was orange or red, with red probably only regarded as a discolouring of orange. The red took on political importance only during the decades of struggle for power between the States-General of the Netherlands and the Princes of Orange which ended with the confirmation in power of William III in 1672 as Stadtholder and Captain-General of the Dutch forces. The instruction for the signal was arrived at in consultation with Captain Douwe Aukes, captain of the Phenix who was strongly in favour of the orange bar in the flag. The year before he had been in command of another East Indiaman Struisvogel and participated with her in the encounter between the hostile English and Dutch fleets off Plymouth in 1652. It was during this naval battle that the colour of the flag had become a political question and the Dutch sailors refused to fight under any other flag than the orange-white-and blue. The reason for the politicising of the flag was the refusal of the States-General to appoint a member of the House of Orange as head of the government and expressed its enmity by changing the orange to red in the national flag. This decision was strongly resented by the people, especially the sailors. He also quotes the Dutch historian J.C. de Jonge who in his authoritative work on the maritime history of the Netherlands writes as follows: "At least until October 1653 the old Princevlag was still in use by the Netherlands navy" and he shows that between 1653 and 1660 the States-General's red-white-blue flag was generally introduced because of the enmity between the States and the House of Orange. Pama's opinion is that when Van Riebeeck ordered the red bunting he was simply conforming to his superiors instructions and following their declared policy for changing the orange to red". I am of the opinion that no matter whether it was red or orange, Jan van Riebeeck probably used the VOC flag over the fort. He was after all a servant of the Dutch East Indies Company and not of the States-General. What is certain is that the Dutch tricolour was most definitely already red, white and blue fully a century before the First British Occupation of the Cape. Andries Burgers, 02 June 2005 * Gerard claims that he obtained this information from Professor P.K. Gode, curator of the Bhandakar Oriental Research Institute in Poona, India. He unfortunately does not provide his other sources or dates. This was interesting to read. One conclusion could be, that it is not possible to set a date for the change of orange into red of the Dutch flag, because it was made during a span of time. Is that right? If the change would have been made by some decision, who would have decided on this? The States General, the Stadholder or someone else? Elias Granqvist, 06 June 2005 Pending evidence to the contrary, this is (given the so far available data) the only conclusion possible. None the less, we now have a definitive date from which we may say that the change was "documented", and visual proof (upon which we can place reasonable reliance) that the change had become officially recognized by 1665. Christopher Southworth, 06 June 2005 Current status regarding the display of the flag in South Africa South Africa’s Supreme Court of Appeal upheld a ruling that the “gratuitous” public display of the country’s old apartheid-era flag amounts to hate speech and racial discrimination and can be prosecuted reports Associated Press (21 April 2023). The Supreme Court didn’t, however, give a ruling on whether displaying the national flag from South Africa’s era of brutal racial segregation in the privacy of a home should also be considered hate speech or discriminatory. Arguments over that specific matter should first be presented to the lower court that initially banned the flag in 2019, the Supreme Court said. The decision on the public showing of the old flag, which was South Africa’s national flag from 1928 until it was abolished when the country achieved democracy in 1994, upheld that ruling given by the Equality Court four years ago. Afriforum, a lobby group that says it represents the interests of South Africa’s white Afrikaans people, challenged the banning of the flag in the Supreme Court, saying such a “wide-reaching ban” was an infringement of the right to freedom of expression. But in its ruling, the Supreme Court said that “those who publicly hold up or wave the old flag convey a brazen, destructive message that they celebrate and long for the racism of our past.” The fate of the orange, white and blue flag has been a highly charged issue in South Africa, particularly for the country’s Black majority, many of whom view it as an overt symbol of the institutionalized racism and brutality of the apartheid regime. The apartheid system officially came into being in 1948 and was formally dismantled when Nelson Mandela became South Africa’s first democratically elected president in 1994, when Blacks were allowed to vote for the first time. South Africa adopted its current flag at the time of those first all-race elections. For some South Africans, the apartheid-era flag has similar connotations to the swastika flag of Nazi Germany. Arguing in support of the ban, the South African Human Rights Commission referred to the case of Dylann Roof, the white man convicted and sentenced to death for the 2015 racist killings of nine Black church members in Charleston, South Carolina, as an example of how the apartheid-era flag retained clear connections to violent white supremacists. Roof once appeared in a photograph wearing a jacket with the flag on it Gerald Imray (Associated Press), 21 April 2023 The South African Flag Controversy (1927) The Afrikaners - Boere; Voortrekkers; or South African Dutch (according to the English) - in spite of being a mixture of Dutch, French, German and quite a few other nationalities, including Khoi, cherished their Dutch connections for most of the nineteenth century during their increasingly bitter struggles against British imperialism. There is still in Afrikaans today a saying: "Die Kaap is weer Hollands" ("The Cape is Dutch again") meaning everything is all right again. This came about when the Cape was returned to the Batavian Republic at the Peace of Amiens in 1803. Three years later the British were back again for the next 160 years. After the turmoil of the Great Trek when the Voortrekkers left the Cape Colony for the interior, they established the Republic of Natalia and not surprisingly chose the red, white and blue of the old Dutch "Driekleur" (three colour), but with the white an inverted pile, as their flag. This republic did not last long as in 1843 it was annexed by the British who could not stand the thought of British subjects simply trekking away from their allegiance, however unwilling, to the crown. In the 1850's the British suffered a bout of anti-colonialism and abandoned the countries to the north of the Orange River to their fate. In 1854, the Boere in the Trans-Oranje, established the Republic of the Orange Free State (Oranje Vrijstaat). On the day of independence they hoisted the Driekleur for lack of their own flag. This flag they called the Bataafsche Vlag in memory of the Batavian Republic, they having of course no experience with the Dutch Kingdom established in 1816. The first president, Josias Hoffman, then wrote to a friend of the Voortrekkers in Holland asking him to approach King Willem III for the grant of a flag and a coat of arms for the new republic. This must be a unique event in the history of both vexillology and heraldry - a republic asking a monarch to grant a flag and arms? The upshot of all this was the old Orange Free State flag with the Driekleur in the canton and the three orange and four white bars. The Transvalers took a while longer to find unity and establish an organised state, but in 1856 they finally adopted a constitution and a flag. The committee who decided on the design of the Transvaal Vierkleur (four colour) was advised by the Reverend Dirk van der Hoff, his brother Marthinus and Jacobus Stuart, all born Hollanders. The result was the Driekleur (three colour) with a vertical green bar added along the hoist. The continued attachment of the Boere to the old Driekleur and their Dutch heritage comes out clearly in the flag designs which they adopted for these three republics. After the Anglo Boer South African War (1899-1902) and the formation of the Union of South Africa in 1910, the British Union Jack became the national flag of the united South Africa. The Red and Blue ensigns with the Union coat of arms in the fly, were granted by British Admiralty warrants in 1910 (amended in 1912) for use at sea as was the case all over the British Empire. They were not intended as national flags for the Union although some people used them as such (especially the Red Ensign). It was only in 1925, after the first post-Union Afrikaner government took office, that a Bill was introduced in parliament to make provision for a national flag for the Union of South Africa. This action immediately led to some three years of civil strife and near civil war. The British thought that the Boere wanted to do away with their cherished Imperial symbols. The province of Natal even threatened to secede from the Union. A compromise was finally reached which resulted in the adoption of a flag for the Union late in 1927 and which was first hoisted on 31 May 1928. This was based on the so-called Van Riebeeck flag, which was in reality the old Princevlag, of orange, white and blue horizontal stripes with three smaller flags centred in the white stripe. These 'flaglets' were the British Union Jack towards the hoist, the Orange Free State Vierkleur hanging vertically and the Transvaal Vierkleur towards the fly. The choice of the Prinzenvlag as the basis of the new flag had more to do with finding an acceptable compromise (the Prinzenvlag supposedly being the first flag hoisted on South African soil - although this is not at all certain - and being a neutral design as it was no longer a current national flag) than having anything to do with Afrikaner political desires. A further part of the compromise was that the British Union Jack would continue to fly alongside the Union national flag everywhere over official buildings. South Africa was thus one of a few countries in the world, as far as I am aware, that flew two national flags simultaneously! This situation continued until 1957 when the Union Jack was finally dispensed with by an Act of Parliament. Sources: "The South African Flag Controversy" by Henry Saker, Oxford University Press, Cape Town, 1980; [skr80 ] "Die Vlae van Suid-Afrika" by Dr C. Pama, Tafelberg Publishers, Cape Town, 1984; [pam84 ] "SAVA Journal SJ: 4/95: The History of Flags of South Africa before 1900". [zyl95 ] Andre Burgers, 18 Jan 2001 Although it was taken into use in 1928, the parliamentary debate on the orange-white-blue flag took place in 1927, so it is frequently referred to as the flag of 1927. Looking at your page on flag proposals , I notice that one particularly insulting nickname of the House of Assembly’s proposal – the one which stuck – is not mentioned. The National Party, which had a slender majority and was in government, was not able to prevent this flag design from being approved, but maintained that the shield was no more than a scab which would in due course fall away. The shield flag was for many years known as the “scab flag” – possibly because the only people who referred to it in public were the radical Nationalists (especially Dr D F Malan’s Gesuiwerde Nasionale Party which abandoned the coalition government of 1934). Dr Malan’s preference was for the Princevlag, so for him the “scab” (the quartered shield) was totally unacceptable. Yet his party (the Herenigde Nasionale Party which won the 1948 general election) quite happily accepted the 1928 flag (despite the presence of the Union Jack), and eventually abandoned its intention of returning to the Prinzenvlag. Mike Oettle, 24 May 2002 I remember reading somewhere that somewhere around the years 1969-1971 a proposal was made for replacing the "1928" flag with the Prinzenvlag. Does anyone know more details about this? Was it an official proposal and/or was it taken in consideration seriously? Mark Sensen, 24 May 2002 On 28 September 1968 the then ruling National Party announced a commission under the chairmanship of Mr Justice JF Marais to look into the matter of a new flag for South Africa and that any new design should be hoisted on Republic Day (31 May) in 1971 - the 10th anniversary of the declaration of the the republic. However, Mr John Vorster, the then Prime Minister of South Africa, decided later that new flags and symbols were not necessary and that it would be "petty politics" to interfere in the matter and accordingly, no further attempt was made to change the then national symbols of the country until the advent of democracy in 1994. As most vexillologists are aware, the previous South African flag was born following a fierce debate and was in essence a compromise symbol between the English and Afrikaans-speaking white South Africans following the Anglo-Boer South African War of 1899-1902. There were numerous attempts to change the flag, particularly from Afrikaners who detested the "Union Jack" being part of the flag. The former Prime Minister (and architect of apartheid) Dr Verwoerd had a dream to hoist a "clean" flag over South Africa in the 1960s. The proposed design comprised three vertical stripes of blue, white and orange (Princevlag colours) with a leaping springbok over a wreath of six proteas in the centre. This flag was designed by Mr HC Blatt, then assistant secretary in the Department of the Prime Minister. The Prime Minister had already approved this design but his assassination in 1966 left the matter in abeyance until the National Party meeting in 1968, as referred to above. The successor to Dr Verwoerd, Mr John Vorster, raised the flag issue at a news conference on 30 March 1971 and said in the light of the impending elections and 10th anniversary Republic Day celebrations, he preferred "to keep the affair in the background". This he said was done because he did not want the flag question to degenerate into a political football (perhaps reflecting on the 1920s experience) and that the matter would be considered again when circumstances would be "more normal". "I only want to warn, and express the hope, that no person should drag politics in any form into this matter because the flag must, at all times, be raised above party politics in South Africa" he said. Verwoerd's dream for a new South African flag, with black and white illustration, is published in SAVA Newsletter 3/92 (July 1992) and is based on an article published in the Afrikaans newspaper, Rapport, on 15 December 1991. Bruce Berry, 31 May 2002 Coat of arms of South Africa The coat of arms of South Africa is the main heraldic insignia of South Africa . The present coat of arms was introduced on Freedom Day , 27 April 2000, and was designed by Iaan Bekker. It replaced the earlier national arms , which had been in use since 1910. The motto is written in the extinct |Xam , member of the Khoisan languages, and translates literally to "diverse people unite". The previous motto, in Latin, was Ex Unitate Vires , translated as "From unity, strength". South Africa - Coat of Arms Coat of Arms (2000 - ) Coat of Arms (1932 - 2000) Coat of Arms (1930 - 1932) Coat of Arms (1910 - 1930) See also: South Africa South Africa : national index Coat of Arms (2000- ) New national coat of arms for South Africa were adopted on 27 April 2000. The former Arms granted by Royal Warrant to the then Union of South Africa on 17 September 1910 changed only slightly over the years. The Arms did not change when South Africa became a Republic on 31 May 1961 and were adopted unchanged in the Interim Constitution which came into force on 27 April 1994. No mention is made of the Arms in the 1996 Constitution (unlike the flag which is outlined in Schedule 1). Bruce Berry, 20 Feb 2001 Details of the New South African Coat of Arms as unveiled yesterday, the 6th anniversary of Freedom Day by President Mbeki. These Arms replace those which have been in use since 17 September 1910. The Coat of Arms is a series of elements organized in two distinct circles placed on top of one another. The Motto: !ke e:/xarra//ke, is written in the (now extinct) Khoisan language of the /Xam people and literally means: diverse people unite. It addresses each individual effort to harness the unity between thought and action. On a collective scale it calls for the nation to unite in a common sense of belonging and national pride - Unity in Diversity. Elephant Tusks symbolize wisdom, strength, moderation and eternity. The ears of wheat in the circle formed by the tusks symbolize fertility, growth and the development of the potential, the nourishment of people and the agricultural aspects of the earth. The shield is shaped like a drum and has a dualistic function - the display of fertility and of spiritual defence. The human figures on the shield are derived from the images of the Linton Stone, a world famous example of South African Rock Art, which is now housed and displayed in the South African Museum in Cape Town. The Khoisan, the oldest known inhabitants of South Africa, testify to our common humanity and heritage as South Africans. The figures are depicted in an attitude of greeting to symbolize unity. This also represents the beginning of the individual's transformation into the greater sense of belonging to the nation and by extension, collective humanity. The spear and knobkierie are dual symbols of defence and authority and also represent the powerful legs of the Secretary Bird. The spear and knobkierie are lying down to symbolize peace. The protea is an emblem of the beauty of South Africa and the flowering potential of the nation in pursuit of the African Renaissance and also symbolizes the holistic integration of forces that grow from the earth, nurtured from above. The Secretary Bird, characterized in flight, is the natural consequence of growth and speed. It is a powerful bird whose legs, depicted as the spear and knobkierie, serve it well in its hunt for snakes symbolizing protection of the nation against its enemies. It is a messenger of the heavens and conducts its grace upon the earth, in this sense it is a symbol of divine majesty. Its uplifted wings are an emblem of the ascendance of the nation, whilst simultaneously offering us its protection. The rising sun is an emblem of brightness and splendour. Its symbolizes the promise of the rebirth, the active faculties of reflection, knowledge, good judgment and will-power. It is the symbol of the source of life, of light and the ultimate wholeness of humanity. The completed structure of the of the Coat of Arms combines the lower and higher circles in a symbol of infinity. The path that connects the lower edge of the scroll, through the lines of the tusks, with the horizon above which the sun rises at the top, forms the shape of a cosmic egg from which the Secretary Bird rises. In the symbolic sense this is the implied re-birth of the spirit of South Africa. The coat of arms was designed by Mr Iaan Bekker of the design agency, FCB. A previous design submitted by the Heraldry Council was rejected by the Cabinet, which then approached design agencies to present their concepts. Mr. Bekker's design was one of three which was considered by the Cabinet. Bruce Berry, 28 Apr 2000 Some weeks ago Jos Poels gave me the next text which he received by email from the SA government: The Bureau of Heraldry hereby gives notice in terms of section 5 (a) of the Heraldry Act, 1962 (Act No. 18 of 1962), of the registration of the new national coat of arms of the Republic of South Africa. Arms: Or, representations of two San human figures of red ochre, statant respectant, the hands of the innermost arms clasped, with upper arm, inner wrist, waist and knee bands Argent, and a narrow border of red ochre; the shield ensigned of a spear and knobkierie in saltire, Sable. Thereabove a demi-secretary bird displayed Or, charged on the breast with a stylized representation of a protect flower with outer petals Vert, inner petals Or and seeded of nine triangles conjoined in three rows, the upper triangle Gules, the second row Vert, Or inverted and Vert, and the third row Vert, Or inverted, Sable, Or inverted and Vert. Above the head of the secretary bird an arc of seven rays facetted Or and Orange, the two outer rays conjoined to the elevated wings. Upon a riband Vert, the motto !KE E:/XARRA //KE in letters Argent. Issuant from the ends of the riband two pairs of elephant tusks curving inwards, the tips conjoined to the wings of the secretary bird, Or, therewithin and flanking the shields, two ears of wheat Brunatre. Source: Government Gazette of 28 April 2000 (No. 21131) Mark Sensen, 27 Jun 2000 I was just wondering what South African flags will be affected by the new coat-of-arms. For instance, under apartheid the presidential flags had the coat-of-arms on them, but I don't know if presidents Mandela and/or Mbeki use a presidential flag. Mark Sensen, 29 Apr 2000 What I'd like to know is how one reads that "thing". I read somewhere that the exclamation mark is for sound of "clicking" with tongue, but what are the slashes and double shlashes? Željko Heimer, 30 April 2000 The Dispatch newspaper, quoting the news agency SAPA, gave a guide to the pronunciation of the motto: "An approximate pronunciation of the new motto is: (click)-eh-air-(click)-gaara-(click)-eh. The first click is produced by flicking the tongue against the front of the palate. The second is produced by pressing the tip of the tongue against the front teeth. The third is made by sucking air through the side of the mouth. The "g" is guttural." So, just start practising your San. Jan Oskar Engene, 30 Apr 2000 They are also clicks, as also the colon. Human languages may have up to six different clicks (thrown kiss, good wine, donkey pusher and three other -- IYKWIM), and Khoisan had probably the most of them. Glyphing these sounds with strange symbols instead of using normal consonant letters is a way to "civilize" these "primitive" cultures and a generation later prove them that our white man's language (English, Russian, French, Portuguese, whatever) is much more simple and pretty to write and spell -- clearly superior to strange looking url-like galimaties... Instead of "!ke e: /xarra //ke" it could have looked like "Qke egh jhxarra whke" Or something like that... Antonio Martins, 30 Apr 2000 Bruce did say the Khoisan were extinct. Last figures seem to suggest that somewhere between 8.000 and 11.000 still exist, Free to move inside the Kalahari Desert and Gemsbok Park - about 700,000 sq km (250,000 sq mi), situated between South Africa, Namibia and Botswana. The Khoisan language is NOT related to Xhosa (not even the click sounds). Xhosa is like all other southern African languages, Bantu related. The Khoisan language and the San People (Hottentots, Bushmen, Khoikhoi, Pygmies, or whatever other name they have been known under), are the only exception. Franc Van Diest, 01 May 2000 San was chosen because they were the first South African people, and it is meant as a subtle sort of reminder that considering that fact, all other South African peoples are interlopers of a sort, and perhaps they should all just try to get along. Roger & Pam Moyer, 02 May 2000 Does anyone know when the new coat of arms officially adopted? The government homepage mentions the new coat of arms was announced on Apr 27 2000. Is this the official date of adoption? Nozomi Kariyasu, 03 Jun 2000 The official date of adoption of the new South African Coat of Arms is 27 April 2000. Bruce Berry, 05 Jun 2000 A "Coat of Arms Corporate Identity Manual" for the South African Coat of Arms can be found at: http://www.gcis.gov.za/services/govt/corpid.pdf Jan Oskar Engene, 13 Jan 2008 Coat of Arms (1932 - 2000) image from this site , reported by Bruce Berry, 20 Feb 1998 New Armorial Bearings and supporters were granted to the Union of South Africa by Royal Warrant in 1910. These Arms were later changed to improve their "artistic" quality and a new design was approved by the London College of Arms in 1930. An "embellished" version was approved on 21 September 1932 and came into use during 1933. It is this version which was subsequently registered at the South African Bureau of Heraldry on 13 May 1968 with the following blazon: ARMS: Quarterly per fess wavy: I, Gules a female figure representing Hope, resting the dexter arm upon a rock, and supporting with the sinister hand an anchor Argent; II, Or, two black wildebeest in full course at random, both proper; III, Or upon an island an orange tree Vert fructed proper; IV, Vert a trek wagon Argent. CREST: On a wreath of the colours, a lion passant guardant Gules, supporting with the dexter paw four staves erect, alternately Argent and Azure and branded Or. MANTLING: Argent and Gules. SUPPORTERS: Dexter a springbok and sinister an oryx (gemsbok), both proper. COMPARTMENT: Below the shield, on a compartment grassed Vert, two Proteas each with two flower heads proper. MOTTO: EX UNITATE VIRES (Unity is Strength) The shield is quartered with symbols from each of the original four areas (later provinces) which came together to form the Union of South Africa, viz Maiden of Hope (Cape of Good Hope ), wildebeest (Natal ), orange tree (Orange River Colony ) and the trek-wagon (Transvaal ). Bruce Berry, 20 Feb 1998 Coat of Arms (1930-1932) scan by Bruce Berry, 20 Sept 2006 The Arms of the Union of South Africa as recorded by the London College of Arms in 1930. An "embellished" version was approved on 21 September 1932 and came into use during 1933 and became the official coat of arms although versions of the so-called "un-embellished" arms as shown above continued to be used on official documents, government stationary etc. Bruce Berry, 20 Sept 2006 Coat of Arms (1910-1930) scan by Bruce Berry, 20 Sept 2006 The first coat of arms of South Africa were adopted following the formation of the Union of South Africa on 31 May 1910. Since the Union was created out of the Cape Colony , Natal Colony , the Orange River Colony and the Transvaal (the latter two being the former Boer republics which had ceased to exist at the end of the Anglo-Boer War in 1902), there was adequate heraldic material on which the new arms could be based. Accordingly, the shied of the new arms was divided into four and contained images from the arms of the four colonies which formed the Union of South Africa. The blazon of the new arms as granted by Royal Warrant on 17 September 1910 reads as follows: "Quarterly per fesse wavy First Quarter Gules a female figure representing Hope resting the dexter arm upon a rock and supporting with the sinister hand an Anchor Argent Second Quarter Or two Wildebeesten in full course at random both proper Third Quarter Or upon an island an Orange tree Vert fructed proper Fourth Quarter Vert a Trek Waggon Argent And for the Crest On a Wreath of the Colours A Lion passant guardant Gules supporting with the dexter paw four staves erect alternately Argent and Azure and branded Or And for the Supporters, On the dexter side A Spring Buck and on the sinister side An Oryx (Gemsbuck) both proper together with the motto EX UNITATE VIRES" The wavy partition line per fesse represents the Orange River which flows through the country while the four former colonies are represented in shield, viz: Cape Province in the first quarter by the female figure (Maiden of Hope) Natal Colony in the second quarter by the wildebeest Orange River Colony in the third quarter by the Orange tree Transvaal Colony in the fourth quarter by the trek wagon. The motto is from that of the former Zuid-Afrikaansche Republiek's (Transvaal) Eendracht maakt Magt being translated into Latin as Ex Unitate Vires (Unity is Strength). The Arms were used until 1930 when, following criticism of their artistic merit, it was decided that they be redrawn. Bruce Berry, 24 Sept 2006 History Following the end of apartheid , the new constitution of South Africa initially retained the coat of arms granted to South Africa in 1910. However, they had been viewed as outdated due to being designed by the British and Afrikaner minorities and not being representative of the black majority. The design process for a new coat of arms was initiated in 1999, the Department of Arts, Culture, Science and Technology requested ideas for the new coat of arms from the public. A brief was then prepared based on the ideas received, along with input from the Cabinet . The Government Communication and Information System then approached Design South Africa to brief ten of the top designers. Three designers were chosen to present their concepts to the Cabinet, and Iaan Bekker's design was chosen. The new arms were introduced on Freedom Day, 27 April 2000. The change reflected the government's aim to highlight the democratic change in South Africa and a new sense of patriotism. The coat of arms is a series of elements organised in distinct symmetric egg-like or oval shapes placed on top of one another. The completed structure of the coat of arms combines the lower and higher oval shape in a symbol of infinity. The path that connects the lower edge of the scroll, through the lines of the tusks, with the horizon above and the sun rising at the top, forms the shape of the cosmic egg from which the secretary bird rises. In the symbolic sense, this is the implied rebirth of the spirit of the great and heroic nation of South Africa. The coat of arms is also a central part of the Seal of the Republic, traditionally considered to be the highest emblem of the state.[4] Absolute authority is given to every document with an impression of the Seal of the Republic on it, as this means that it has been approved by the president of South Africa. Since 1997, however, the use of the Seal of the Republic has not actually been required by the Constitution, but it continues to be used. The oval shape of foundation The first element is the motto, in a green semicircle. Completing the semicircle are two symmetrically placed pairs of elephant tusks pointing upwards. Within the oval shape formed by the tusks are two symmetrical ears of wheat, that in turn frame a centrally placed gold shield. The shape of the shield makes reference to the drum, and contains two human figures derived from Khoisan rock art Linton Stone, which is housed and displayed in the South African Museum in Cape Town. The figures are depicted facing one another in greeting and in unity. Above the shield are a spear and a knobkierie , crossed in a single unit. These elements are arranged harmoniously to give focus to the shield and complete the lower oval shape of foundation. The motto The motto is: ǃke e꞉ ǀxarra ǁke, written in the Khoisan language of the ǀXam people, literally meaning "diverse people unite". It addresses each individual effort to harness the unity between thought and action. On a collective scale it calls for the nation to unite in a common sense of belonging and national pride – unity in diversity. The ears of wheat An emblem of fertility, it also symbolises the idea of germination, growth and the feasible development of any potential. It relates to the nourishment of the people and signifies the agricultural aspects of the Earth. Elephant tusks Elephants symbolise wisdom, strength, moderation and eternity. The shield It has a dual function as a vehicle for the display of identity and of spiritual defence. It contains the primary symbol of our nation. The human figures The Linton Panel , a famous San rock art displayed at the Iziko South African Museum ; used as inspiration for the human figures on the shield. The figures are depicted in an attitude of greeting, symbolising unity. This also represents the beginning of the individual’s transformation into the greater sense of belonging to the nation and by extension, collective humanity. The spear and knobkierie A dual symbol of defence and authority, they in turn represent the powerful legs of the secretary bird . The spear and knobkierie are lying down, symbolising peace. The oval shape of ascendance Immediately above the oval shape of foundation, is the visual centre of the coat of arms, a protea. The petals of the protea are rendered in a triangular pattern reminiscent of the crafts of Africa . The secretary bird is placed above the protea and the flower forms the chest of the bird. The secretary bird stands with its wings uplifted in a regal and uprising gesture. The distinctive head feathers of the secretary bird crown a strong and vigilant head. The rising sun above the horizon is placed between the wings of the secretary bird and completes the oval shape of ascendance. The combination of the upper and lower oval shapes intersect to form an unbroken infinite course, and the great harmony between the basic elements result in a dynamic, elegant and thoroughly distinctive design. Yet it clearly retains the stability, gravity and immediacy that a coat of arms demands. The King protea The protea is an emblem of the beauty of our land and the flowering of our potential as a nation in pursuit of the African Renaissance. The protea symbolises the holistic integration of forces that grow from the Earth and are nurtured from above. The most popular colours of Africa have been assigned to the protea – green, gold, red and black. The secretary bird The secretary bird is characterised in flight, the natural consequence of growth and speed. It is the equivalent of the lion on Earth. A powerful bird whose legs – depicted as the spear and knobkierie – serve it well in its hunt for snakes, symbolising protection of the nation against its enemies. It is a messenger of the heavens and conducts its grace upon the Earth. In this sense it is a symbol of divine majesty. Its uplifted wings are an emblem of the ascendance of our nation, while simultaneously offering us its protection. It is depicted in gold, which clearly symbolises its association with the sun and the highest power. The rising sun An emblem of brightness, splendour and the supreme principle of the nature of energy. It symbolises the promise of rebirth, the active faculties of reflection, knowledge, good judgement and willpower. It is the symbol of the source of life, of light and the ultimate wholeness of humanity. South African flag Songs Oranje-blanje-blou Oranje-blanje-blou (Afrikaans for Orange, white and blue) refers, of course, to the old South African flag used between 1928 and 1994. This song was popular especially among Afrikaners when this flag flew over South Africa. The tune is by Henry Hugh Pierson (they don't say whether it was borrowed from this composer), and the lyrics are by an Afrikaans poet who wrote under the name Eitemal. The attribution for the text reads: "EITEMAL na: ,,O.D., hoch in Ehren''. (There is a commonly used style of quotation marks, primarily German but often used in Afrikaans, that opens a quote with commas rather than the more familiar "inverted commas"). The title simply gives the colours of the 1928 South African flag, or, more strictly, the Dutch Princenvlag: orange, white and blue. (I am not certain of the derivation of "blanje", since it is not used in ordinary spoken Afrikaans, but I would guess that it is a form of the French "blanc", white). The text reads: Die Hoogland is ons woning, die land van son en veld, waar woeste vryheidswinde waai oor graf van meenge held. Die ruimtes het ons siel gevoed, ons kan g'n slawe wees, want vryer as die arendsvlug, die vlugte van ons gees. Chorus: Dis die tyd, (repeated) dis die dag, (repeated) om te handhaaf en te bou. Hoog die hart, (repeated) hoog die vlag, (repeated) hoog Oranje-blanje-blou! Ons gaan saam die donker toekoms in om as een te sneuwel of oorwin, met ons oog gerig op jou, ons Oranje-blanje-blou! (Note: In the sixth line [hoog Oranje-blanje-blou], there is an echo of "blou, blanje-blou!") Die ruwe berge-reekse staan hoog teen awendlug, soos gryse ewighede daar versteen, verstyf in vlug. En stewig soos die grou graniet ons Boeretrots en -trou, die fondament warop ond hier 'n nuwe nasie bou. (Chorus) Die God van onse vaders het ons hierheen gelei ons dien sy grootse skeppings-plan, solank ons Boere bly. Ons buig ons hoof voor Hom alleen; en as Hy ons verhoor omgord ons bly die lendene: Die toekoms wink daar voor. Translation (off the cuff - any improvements welcome). Note: the reference to Hoogland (translated here as highlands) is probably poetic licence for Highveld (Afrikaans Hoe"veld), a region which includes large parts of both the former Transvaal Province (Zuid- Afrikaansche Republiek) and the current Free State Province (the old Oranje Vrij Staat). The highlands are our home, the land of sun and veld, where wild winds of freedom blow over [the] grave of many a hero. The open spaces have fed our souls, we cannot be slaves [literaaly "we can be no slaves"] as freer than the eagle's flight, the flights of our spirit. Chorus: It's the time, it's the day, to maintain and to build. High the heart, high the flag, high Orange-white-blue! We go together into the dark future together to die or win, with our eye fixed on you, our Orange-white-blue! (Sneuwel means literally to die in warfare; oorwin means to win in battle.) The rugged mountain ranges stand high against the evening light like petrified grey eternities there, stiffened in flight. And firmly like the grey granite our Boer pride and loyalty, the foundation upon which we here are building a new nation. (The word awendlug [evening air] seems to be an error; it seems more logical to say awendlig [evening light]; awend is a poetic form [harking back to Dutch] for the more usual Afrikaans "aand"). The God of our fathers led us here, we serve his mighty creation plan, as long as we Boers remain. Webend our heads before Him alone; and if He hears us we gird our loins joyfully: The future waves us on. (Source: The FAK [Federasie van Afrikaanse Kultuurvereninge] Sangbunde). Mike Oettle, 06 Feb 2004. Vryheidslied On flipping through the FAK book I came across a song. The title is Vryheidslied. The lyrics are by Jan F E Celliers, and the music by Emiel Hullebroeck. The words are: Vrome vad're, fier en groot Deur vervolging, ramp en nood, was hul leuse, tot die dood: Vryheid! Vryheid! Erf'nis van hul moed en trou is die grond waar ons op bou. Juigend tot die hemel-blou: Vryheid! Vryheid! Ere wie die dood mag lei om te rus aan hulle sy, met die sterwenswoord te skei: Vryheid! Vryheid! Op dan, broers, en druk hul spoor, voorwaarts, broers, die vaandel voor, laat die veld ons krygsroep hoor: Vryheid! Vryheid! Woes geweld mag hoogty hou, kettings mag ons lede knou, maar die leuse bly ons trou: Vryheid! Vryheid! Jukke mag vir slawe wees, manneharte ken geen vrees, duld geen boei vir lyf of gees: Vryheid! Vryheid! Now the English translation: Pious fathers (ancestors), proud and brave Through persecution, disaster and need their motto, to the death, was: Freedom! Freedom! The heritage of their courage and faith is the land we build on. Joyful to the blue heavens: Freedom! Freedom! Honours to those led by death to rest at its side, uttering their final word: Freedom! Freedom! Up, then, brothers, and follow their tracks, forwards, brothers, the banner in front, may the veld hear our battle cry: Freedom! Freedom! Brutal force might with the day, chains may chafe our limbs, but to this motto we are faithful: Freedom! Freedom! Yokes may be for slaves, the hearts of men know no fear, tolerating no shackles for body or soul: Freedom! Freedom! Notes: The word "vader" translates as "father", and its usual plural is "vaders" ("fathers"). The plural form "vadere" (here poetically shortened to "vad're") means "ancestors". The word "lede" means "members", but is here an abbreviation of "ledemate" ("body parts" or "limbs"). "Ledemate" is used also of members of a church community, a reference to St Paul's description of the Church as being the Body of Christ, made up of people with different functions. The ordinary translation of "vaandel" is "ensign" (a naval ensign is a vlootvaandel), but in the poetic context, "banner" seems more appropriate. Mike Oettle, 14 April 2004 THE FALLEN FLAG Inscribed to Albert Cartwright – The African Bonivard. Furl the fourfold banner, Lay that flag to rest; In the roll of honour – The brightest, bravest, best. Now no hand may wave it, O'er valley, pass or hill; Where thousands died to save it – The patriot hearts are still. It flew o'er proud Majuba, Where the victor farmers stood: O'er the tide of the Tugela – Dark-dyed with hostile blood. On Stormberg passes glorious – And o'er Ma'rsfontein* height, – Wher Cronje's host victorious Withstood the British might. But a prouder grander story Is the record of the band, Which surpassed all former glory, In the latest greatest stand. When ten to one outnumbered – Of hope and help bereft, On ground with graves encumbered, Defenders still were left. There were hero hearts to lead them, On the path where death was won; To float the flag of Freedom Where the eagle sees the sun. To keep the Vierkleur flying On every fortress hill; From the cold clasp of the dying There were hands to sieze it still. O Land, so fondly cherished – Endeared by patriot graves, – The soil where such have perished Is not the soil for slaves. From age to age your story Shall sound to other days: You leave your sons the glory That fallen flag to raise. O sacred smitten Nation, Crowned on thy Calvary, There's a day of restoration – An Easter Morn for Thee. Vierkleur, young hands shall grab thee – New armies round thee stand; Men whose fathers died shall clasp thee On the blood-bought Burghers' Land. * Magersfontein should thus be pronounced. [This footnote, explaining the spelling Ma'rsfontein, appears under the second stanza.] Mike Oettle, 18 Dec 2008 Ons Vlag Nou waai ons Vlag en wapper fier! Sy kleure is ons vreugde; hul skoonheid spoor ons harte aan tot ware, ed'le deugde. Oranje dui op heldemoed wat krag vind by die Here; die Blanje eis 'n rein gemoed; die Blou verg trou en ere. Ons Vlag bly steeds ons eenheidsband. Al kom ook sware tye; dis God wat waak oor Volk en Land, Suid-Afrika ons eie. Translation: Now our flag waves and flaps bravely! Its colours are our joy; their beauty encourages our hearts to true, noble virtues. Orange stands for heroic courage which draws strength from the Lord; the White demands a pure attitude; the Blue wants loyalty and honour. Our flag remains our bond of unity. Even if times get hard; it's God who watches over Nation and Land, South Africa our own. The forms "sware" (where "swaar" would be the usual way of speaking), "ed'le" (for "edele") and "ere" (for "eer") are poetic forms, adaptations to the scansion. The same goes for the word "meen'ge" in Oranje-blanje-blou, which would normally be "menige". (Source: The FAK [ Federasie van Afrikaanse Kultuurvereninge] Sangbunde). Mike Oettle, 10 Feb 2004 De Vlaamse Leeuw This song is an odd one to find in the FAK Sangbundel, since its title translates as "The Flemish Lion" and the language is Dutch, definitely not Afrikaans. Clearly, it was included because, centuries after the Eighty Years War, the symbol of Flanders still finds a resonance with Afrikaner descendants of those Protestant Flemings who fled Spanish rule and went to live in the Seven Provinces. The words are credited to T H van Peene, and the tune to K Mirij, arrangement by Dirkie de Villiers (son of M L de Villiers, the composer of the music to Die Stem van Suid-Afrika, the former South African national anthem). There are two verses and a refrain: Zij zullen hem niet temmen, de fiere Vlaamse Leeuw, al dreigen zij zijn vrijheid met kluisters en geschreeuw. Zij zullen hem niet temmen, zolang e'e'n Vlaming leeft, zolang de Leeuw kan klauwen, zolang hij tanden heeft. Refrain: Zij zullen him niet temmen zolang e'e'n Vlaming leeft, zolang de Leeuw kan klauwen, zolang hij tanden heeft, zolang de Leeuw kan klauwen, zolang hij tanden heeft. De tijd verslindt de steden, geen tronen blijven staan, de legerbenden sneven, een volk zal niet vergaan. De vijand trekt te velde, omringd van doodsgevaar. Wij lachen met zijn woede, die Vlaamse Leeuw is daar. Here's an attempt at a translation: They won't tame him, the proud Flemish Lion, even if they threaten his freedom with chains and shouting. They will not be able to tame him as long as even one Fleming lives, as long as the Lion can claw, as long as he has teeth. Refrain: They will not tame him, the proud Flemish Lion, as long as one Fleming lives, as long as the Lion has claws, as long as he has teeth, as long as the Lion has claws, as long as he has teeth. Time eats up the cities, no thrones last forever, the armed companies die in battle, a people will not disappear. The enemy goes out to war, surrounded by deadly danger. We laugh at his anger, the Flemish Lion is there. I have written the word een as e'e'n - each 'e' carries an acute accent. This emphasises the word, giving the meaning "even if only one Fleming is left alive". The word verslindt means to destroy by eating - this verb is used literally only of animals (never humans) and, poetically, of things that destroy in like manner. I am not certain that I have the right word for "kluisters" - I don't have a dictionary at hand as I write this - and would be grateful if some Dutch correspondent would check that. "Geschreeuw" can mean either shouting or screaming, but shouting seems more appropriate. In the second verse, "de legerbenden sneven" - "leger" means army, but "armed companies" seems to fit better with "benden" or bands. "Sneven" (in Afrikaans "sneuwel") means to die in war or in battle (rather than dying of disease, another common way in which soldiers have traditionally lost their lives). I have rendered "een volk" as "a people", but "a nation" could also be appropriate. "Trekt te velde" means literally to go out into the fields, but its application to an enemy means that it is out on campaign (after all, campaign comes from a word meaning "fields", also). Mike Oettle, 02 Mar 2004 Transvaalse Volkslied The Transvaalse Volkslied, although the official anthem of the Zuid-Afrikaansche Republiek and when the territory was officially called Transvaal (1879-81and 1901 onwards), it was not well thought of by the authorities. The words and music of the Transvaalse Volkslied are by Catharina F van Rees, and it is dated 1875 - surprisingly it dates to the period before the annexation of 1879, since the emotions seem to blend well with those of the victorious rebels of 1881. Possibly this date accounts for the song's non-avoidance of the word Transvaal, which was the name of the state so strongly rejected in the uprising of 1880-81. The arrangement is by G G Cillie'. (There is an acute accent on the final letter in this surname; it is pronounced "Sil-yee". The surname is French, although its spelling is no longer authentically French; other members of this family spell it as Cilliers or Celliers.) The language is Dutch. (As mentioned previously, Afrikaans was the spoken language of all the 19th-century Boer republics, but was hardly ever written, and was not generally well thought of by those who had been educated in either English or Dutch.) Kent gij dat volk vol heldenmoed en toch zo lang geknecht? Het heeft geofferd goed en bloed voor vryheid en voor recht. Komt burgers! laat de vlaggen wapp'ren, ons lijden is voorbij; roemt in die zege onzer dapp'ren: Dat vrije volk zijn wij! Dat vrije volk, dat vrije volk, dat vrije, vrije volk zijn wij! Kent gij dat land, zo schaars bezocht en toch zo heerlik schoon; waar de natuur haar wond'ren wrocht, en kwistig stelt ten toon? Transvalers! laat ons feestlied schallen! Daar waar ons volk hield stand, waar onze vreugdeschoten knallen, daar is ons vaderland! Dat heerlik land, dat heerlik land, dat is, dat is ons vaderland! Kent gij die Staat, nog maar een kind in's werelds Statenrij, maar tog door 't machtig Brits bewind weleer verklaard voor vrij? Transvalers! edel was uw streven, en pijnlik onze smaad, maar God die uitkomst heeft gegeven, zij lof voor d'eigen Staat! Looft onze God! Looft onze God! Looft onze God voor land en Staat! Now for a translation (again lease excuse and correct! any errors): Do you know the people full of heroic courage and yet so long servants? It has offered possessions and blood for freedom and for justice. Come, citizens, let the flags wave, our suffering is past; be joyous in the victory of our brave ones; We are the free people! The free people, the free people, the free, free people are we! Do you know the land, so seldom visited, and yet so wonderfully beautiful; where nature has wrought her wonders, and profligately puts them on display? Transvalers! let our festival song resound! There were our people stood fast, where our gunshots of joy resound, there is our fatherland, That wonderful land, that wonderful land, that is, that is our fatherland! Do you know the State, yet still a child among the States of the world, but nontheless by the mighty British power truly declared as free? Transvalers! Noble was your struggle, and painful our suffering, but God has given the outcome, and praise for our own State! Praise our God! Praise our God! Praise our God! Praise our God for land and State! In the first verse, "wapp'ren" and "dapp'ren" are poetic forms that omit the middle vowel. The same goes for "wond'ren" in the second verse. "Geknecht" means "reduced to the state of servants" (not quite slaves). In the third verse the word Statenrij has no exact equivalent in English, although English occasionally uses the same construction of ending a word with -ry to form a noun from a shorter one, as in "heraldry". "Statenrij" is perhaps best rendered as "the multitude of States" or "the variety of States" (independent states, that is). "Door't" is a typically Dutch construction which has disappeared from Afrikaans, except in one or two idioms, where the definite object "het" is reduced to its final letter and (sometimes) tagged onto the previous word. (North country English has a comparable usage, although this is a shortening of "the".) Mike Oettle, 04 Mar 2004 Vaarwel aan die Vierkleur Here are the lyrics of Vaarwel aan die Vierkleur, as they appear in the FAK-Sangbundel (Fourth Edition 1979, sixth printing of 2002) published by Protea Boekhuis for the Federasie van Afrikaanse Kultuurvereniginge (FAK). I don't know if I've managed to turn out an acceptable rendition in English. The original is rather tearful I'm afraid. The word 'Vierkleur' I kept, 'Fourhue' rather sounds like a steed ridden by a LOTR character. To pronounce 'Vierkleur', say "veerckler" with -er as in 'her'. One strong image gets lost in translation, the word 'vlag' is feminine you see. Here goes: No longer may the Vierkleur wave, in tears we gave it up, it has been buried with our braves sunk into an honourable grave it has been buried with our braves sunk into an honourable grave. Happier those who fell when still the Flag was borne, than us who had to see and mourn it dragged into the dust than us who had to see and mourn it dragged into the dust. No happy morning for it there, we part from it forever now resting in the Nation's heart and dedicated to the Past now resting in the Nation's heart and dedicated to the Past. Blessed to those who bore it boldly to brave the prideful foe whose feeble arms to it did cling as they went to their death whose feeble arms to it did cling as they went to their death. Let Future Ages never forget them as long as men endure till even Heaven is outworn and Earth reels before its fall, till even Heaven is outworn and Earth reels before its fall. Jan Mertens, 30 Apr 2004 Die Vlaglied / The Song of the Flag Another flag song, this time abut the former South African flag called "Die Vlaglied" / "The Song of the Flag" which was composed by CJ Langenhoven, the composer of the former South African National Anthem "Die Stem van Suid-Afrika" / "The Call of South Africa". This song was sung by a Children's Choir at the dedication ceremony marking the establishment of the Republic of South Africa held at the Cape Show Grounds in Cape Town on 31 May 1961. The English and Afrikaans versions are as follows: "The Song of the Flag" Cradled in beauty forever shall fly In the gold of her sunshine the blue of her sky, South Africa's pledge of her freedom and pride In their home by sacrifice glorified. By righteousness armed, we'll defend in our might The sign and the seal of our freedom and right, The emblem and loyalty, service and love; To our own selves true and to God above, Our faith shall keep what our hearts enthrone - The flag of the land that is all our own. "Die Vlaglied" Nooit hoef jou kinders wat trou is te vra: "Wat beteken jou vlag dan, Suid-Afrika?" On sweet hy's die seel van ons vryheid en reg Vir naaste en vreemde, vir oorman en kneg; Die pand van ons erf'nis, geslag op geslag, Om te hou vir ons kinders se kinder swat wag; Ons nasie se grondbrief van eiendomsland, Uitgegee op gesag van die Hoogste se hand. Oor ons hoof sal ons hys, in ons hart sal ons dra, Die vlag van ons eie Suid-Afrika. Bruce Berry, 31 Aug 2007 1910 arms The first coat of arms was granted by King George V by royal warrant on 17 September 1910. This was a few months after the formation of the Union of South Africa . It was a combination of symbols representing the four provinces (formerly colonies) that made up the Union. The first quarter is the figure of Hope, representing the Colony of the Cape of Good Hope . The two wildebeests of the second quarter represent the Colony of Natal . The orange tree in the third quarter was used as the symbol of the Orange Free State Republic . The wagon in the fourth quarter represented the Transvaal . The supporters are taken from the arms of the Orange River Colony and the Cape Colony. The lion holds four rods, bound together, symbolising the unification of the four former colonies. The motto, Ex Unitate Vires was officially translated as "Union is Strength" until 1961, and thereafter as "Unity is Strength". Evolution Main article: Coat of arms of South Africa (1910–2000) Three official renditions of the arms were used. The original rendition (1910) was the only version used until 1930, and it continued to be used as the rank badge of warrant officers in the South African Defence Force and South African National Defence Force until 2002. The second version, painted in 1930 and known as the "ordinary coat of arms", and the third version, painted in 1932 and known as the "embellished coat of arms", were both used until 2000. The former was also used on the insignia of the South African Police until the 1990s. History 1902–1910 The South African Republic Vierkleur The Second Anglo-Boer War between 1899 and 1902 ended with the Treaty of Vereeniging on 31 May 1902 and resulted in what is now South Africa falling under the British Union Flag . The former Boer Republics of the Orange Free State and the Zuid-Afrikaanse Republiek (Transvaal) became British colonies along with the existing Cape and Natal colonies. Each was also entitled to a colonial flag following in the British tradition. 1910–1928 Main article: South Africa Red Ensign On 31 May 1910 these four colonies came together to form the Union of South Africa and the individual colonial flags were no longer used and new South African flags came into being. Once again, as a British dominion the British Union Flag was to continue as the national flag and the standard British ensign pattern was used as a basis for distinctive South African flags. As was the case throughout the British Empire , the Red and Blue Ensigns were the official flags for merchant and government vessels at sea, and the British Admiralty authorised them to be defaced in the fly with the shield from the South African coat of arms .[6] [7] These ensigns were not intended to be used as the Union's national flag, although they were used by some people as such. Although these ensigns were primarily intended for maritime use, they were also flown on land. 1928–1994 Main article: Flag of South Africa (1928–1994) Union of South Africa (1928–1961) Republic of South Africa (1961–1994) Oranje, Blanje, Blou Use National flag , civil and state ensign Proportion2:3 Adopted31 May 1928 RelinquishedApril 27, 1994; 29 years ago Three small flags on the flag of South Africa, used from 1928 to 1982. Three small flags on the flag of South Africa, used from 1982 to 1994. The three flags in the centre representing the former British colonies of Cape Colony and Natal with the Union Flag on the left, followed by the flags of the former Boer republics of Orange Free State and the South African Republic on the right. The Union Flag is shown with the hoist on the right . Due to the lack of popularity of these flags, there were intermittent discussions about the desirability of a more distinctive national flag for South Africa after 1910  it was only after a coalition government took office in 1925 that a bill was introduced in Parliament to introduce a national flag for the Union. This provoked an often violent controversy that lasted for three years based on whether the British Union Flag should be included in the new flag design or not. The Natal Province even threatened to secede from the Union should it be decided to remove it. Finally, a compromise was reached that resulted in the adoption of a separate flag for the Union in late 1927 and the design was first hoisted on 31 May 1928. The design was based on the so-called Van Riebeeck flag or "Prince's Flag " (Prinsenvlag in Afrikaans ) that was originally the Dutch flag ; it consisted of orange, white, and blue horizontal stripes. A version of this flag had been used as the flag of the Dutch East India Company (known as the VOC) at the Cape (with the VOC logo in the centre) from 1652 until 1795. The South African addition to the design was the inclusion of three smaller flags centred in the white stripe. The miniature flags were the British Union Flag (mirrored) towards the hoist, the flag of the Orange Free State hanging vertically in the middle and the Transvaal Vierkleur towards the fly. The position of each of the miniature flags is such that each has equal status. However, to ensure that the Dutch flag in the canton of the Orange Free State flag is placed nearest to the upper hoist of the main flag, the Free State flag must be reversed. The British Union Flag, which is nearest to the hoist and is thus in a more favoured position, is spread horizontally from the Free State flag towards the hoist and is thus also reversed. Although placed horizontally furthest from the hoist, to balance the British Union Flag, the Vierkleur is the only one of the miniature flags which is spread in the same direction as the main flag. This compensates for its otherwise less favourable position. In this arrangement, each of the miniature flags enjoy equal precedence. Note that the miniature flags of the Transvaal Republic and the Orange Free State both contain miniature flags of the Netherlands , while the miniature flag of the United Kingdom is a composition of the flags of England , Scotland and the Anglo-Irish people , making the old South African flag the only former national flag in the world containing five flags within three flags within a flag. The choice of the Prinsenvlag (which was believed to be the first flag hoisted on South African soil by Jan van Riebeeck of the VOC) as the basis upon which to design the South African flag had more to do with compromise than Afrikaner political desires, since the Prinsenvlag was politically neutral, as it was no longer the national flag of any nation. A further element of this compromise was that the British Union Flag would continue to fly alongside the new South African national flag over official buildings. This dual flag arrangement continued until 1957 when the British Union Flag lost its official status per an Act of Parliament . Following a referendum the country became a republic on 31 May 1961, but the design of the flag remained unchanged. However, there was intense pressure to change the flag, particularly from Afrikaners who still resented the fact that the British Union Flag was a part of the flag. In 1968, the then Prime Minister , John Vorster , proposed the adoption of a new flag from 1971, to commemorate the tenth anniversary of the declaration of a republic but this never materialised. Since 2019, public display of this flag in South Africa is considered hate speech (for being a potential symbol of apartheid and white supremacy ) and therefore prohibited, with exceptions for artistic, academic and journalistic purposes, as well as for museums & places of historical interest. 1994–present 1994–present South African Ambassador to the U.S. Harry Schwarz presenting the new flag to the U.S. president Bill Clinton and vice president Al Gore in May 1994. The present South African national flag was first flown on 27 April 1994, the day of the 1994 election . However, the flag was first intended to be an interim flag only, and its design was decided upon only a week beforehand. The choice of a new flag was part of the negotiation process set in motion when Nelson Mandela was released from prison in 1990. When a nationwide public competition was held in 1993, the National Symbols Commission received more than 7,000 designs. Six designs were shortlisted and presented to the public and the Negotiating Council, but none elicited enthusiastic support. A number of design studios were then contacted to submit further proposals, but these also did not find favour. Parliament went into recess at the end of 1993 without a suitable candidate for the new national flag. In February 1994, Cyril Ramaphosa and Roelf Meyer , the chief negotiators of the African National Congress and the National Party government of the day respectively, were given the task of resolving the flag issue. A final design was adopted on 15 March 1994, derived from a design developed by the State Herald Fred Brownell , who had also claimed to have previously designed the Namibian flag .[citation This interim flag was hoisted officially for the first time on 27 April 1994, the day when the nation's first fully inclusive elections commenced which resulted in Nelson Mandela being inaugurated as South Africa's first democratically elected president on 10 May 1994. The flag was well received by most South Africans, though a small minority objected to it; hundreds of Afrikaner Volksfront members in Bloemfontein burned the flag in protest a few weeks before the April 1994 elections. The flag flying at the Sydney Cricket Ground . The proclamation of the new national flag by South African President F. W. de Klerk was only published on 20 April 1994,[5] a mere seven days before the flag was to be inaugurated, sparking a frantic last-minute flurry for flag manufacturers. As stated in South Africa's post-apartheid interim constitution, the flag was to be introduced on an interim probationary period of five years, after which there would be discussion about whether or not to change the national flag in the final draft of the constitution . The Constitutional Assembly was charged with the responsibility of drafting the country's new constitution and had called for submissions, inter alia, on the issues of its various national symbols. It received 118 submissions recommending the retention of the new flag and 35 suggesting changes to it. Thus on 28 September 1995 it decided that the flag should be retained unchanged and accordingly it was included as Section One of the Constitution of South Africa which came into force in February 1997. Proper display of the flag The South African government published guidelines for proper display of the flag at designated flag stations, in Government Notice 510 of 8 June 2001 (Gazette number 22356). These rules apply only to official flag stations and not to the general public. The Southern African Vexillological Association (SAVA), a non-official association for the study of flags, published their own guide for proper display of the flag in 2002. This guide has no official authority but was drawn up with generally accepted vexillological etiquette and principles in mind. South Africa Republic of South Africa, Republiek van Suid-Afrika, IRiphabliki yeSewula Afrika, IRiphabliki yaseMz Flag adopted 27 Apr 1994 Origin and colours of the new flag Symbolism of the flag Interview with the designer of the flag See also: South African flag observed more closely For all other South African pages see: South Africa : national index Origin and colours of the new flag The strips are red/orange and blue, the same of the previous flag . The added colors are the same of African National Congress 's flag, which is composed of three equal horizontal strips: black, green and yellow. Therefore I argue that the new flag is the merge of the two flags. Apart from strips' colors (orange and blue instead of red and green), the colour of the second fimbriation (green instead of black) and the absence of a coat in the triangle, the new South African flag is very similar to Vanuatu's . Giuseppe Bottasini C-SPAN (Cable-Satellite Public Affairs Network), reporting on the election in South Africa, showed the "interim" flag which will be used for the next five years; the new parliament will choose a permanent flag. In English blazon, it is: Tierced in pairle couchy sable, gules and azure, a pairle couchy vert fimbriated or to dexter and argent to chief and base. I think the interim flag for South Africa is said to be composed of the colours of flags of past administrations. Which is as plausible as anything, since it includes all the heraldic tinctures. Anton Sherwood The current South African flag was designed by Mr Fred Brownell, State Herald of South Africa. Bruce Berry, 26 Mar 1999 Colour Specifications Album 2000 gives the official (Pantone) and approximate (CMYK) specifications as follows: Red: 179c C0-M90-Y90-K0 Green: 3415c C100-M0-Y80-K20 Yellow: 1235c C0-M25-Y80-K0 Blue: Reflex Blue c C100-M80-Y0-K0 Ivan Sache, 15 Jan 2002 The South African flag pantones as I have them are: >Uncoated surfaces: Coated surfaces: Blue: 287u 288c Red: 485u (x2) 485c Yellow: 116u 1235c Green: 355u 349c Black White Source: SA Bureau of Standards - Specifications for the National Flag, 2nd ed. Bruce Berry, 21 Jan 2002 > The protocol manual for the London 2012 Olympics (Flags and Anthems Manual, London, 2012 [bib-lna.html ]) provides recommendations for national flag designs. Each National Olympic Committee was sent an image of their flag, including the PMS shades, by the London Organising Committee of the Olympic Games (LOCOG) for their approval. Once this was obtained, the LOCOG produced a 60 x 90 cm version of the flag for further approval. So, while these specifications may not be the official, government, version of each flag, they are certainly what the National Olympic Committee believed their flag to be. For South Africa : PMS 179 orange/red, 3415 green, reflex blue, 1235 yellow and black. The vertical flag is the horizontal version reversed and turned 90 degrees anti-clockwise - black at the top, orange/red on the left, blue on the right. Ian Sumner, 10 Oct 2012 Symbolism of the flag The colours of the South African flag do not really have symbolic meanings in themselves. People do sometimes assign meanings to the colours (such as red for blood, yellow for mineral wealth etc.) but this is not the case with the current South African flag. According to Mr. Frederick Brownell, the former State Herald who played a large role in the original design, while the colours of the flag do not have any official symbolism, they do represent a synopsis of the country’s flag history. The design in turn, represents a converging of paths, the merging of both the past and the present. Black, gold and green, which were first incorporated into South African national flags in the 19th century, also feature prominently in the flags of the liberation movements, particularly the African National Congress (ANC), the Pan-African Congress (PAC) and Inkatha . These colours can thus be said to broadly represent the country's black population. Blue, white, red and green reflect the British and Dutch (later Boer) influence, as shown in the earliest flags flown in South Africa, and also featured prominently in the old South African National Flag (1928-1994 ) and thus represent the white population of South Africa. The green pall (the Y-shape) is commonly interpreted to mean the unification of the various ethnic groups and the moving forward into a new united South Africa. The South African flag is the only national flag to contain six colours as part of its primary design (excluding those flags which contain various colour shades as part of the detail of coats of arms or other charges etc.). Bruce Berry, 14 Feb 2000 The History and Heritage Section of the South Africa.Info web site has a lengthy section on the present flag of the Republic of South Africa, with some interesting information. The flag material is entitled 'Fly, the beloved flag,' a very clever play on the title of Alan Paton's novel 'Cry, the Beloved Country,' one of the first works in English to describe the former apartheid state. Ron Lahav, 12 Nov 2008 Interview with the designer of the flag Here is an interview with the designer of the South African flag by the BBC on the 20th anniversary of the: adoption of the flag (27 April 2014): Fred Brownell: The man who made South Africa's flag The multi-coloured flag of modern South Africa is a symbol of its post-apartheid rebirth. But while Nelson Mandela led the country on a "long walk" to freedom, the creation of the flag 20 years ago was a frantic sprint by an unsung hero, writes Xin Fan. On a Saturday night at the end of February 1994 Fred Brownell's phone rang. The voice on the other end asked him to get a new national flag designed - within a week. "It scared the living daylights out of me," says Brownell, now 74 and living in retirement in Pretoria . Brownell was state herald, and had long known that the emerging new South Africa would need a new flag, but until this point he had not been asked to play a central role. Initially, members of the public had been asked for their ideas. Some 7,000 sketches had been sent in, but none was judged appropriate. Then the authorities had turned to design studios. That too proved fruitless. he months had passed by and now the first democratic elections - when the new flag was expected to be fluttering in the South African breeze - were little more than eight weeks away. Hence the urgent Saturday night call to Brownell. Fortunately, he had already given the subject some thought. He had been asking himself for some time what the new South African flag should look like. But his sketches had all ended up in the wastepaper basket until one day in August 1993, when he sat listening to an "interminable speech" at an international flag conference in Zurich. "My mind started wandering," he recalls. "And then it struck me - aren't we looking for convergence and unification?" The convergence of the disparate groups within South African society, and their unification in one democratic state. He flipped over the conference programme and started sketching. Three arms came in from the flagpole side of the flag (the "hoist") and became one. "I was struck by the extent it resonated with what Mandela had in mind. 'Yes, it might work!' I thought," Brownell remembers. His first idea was for the three-pronged shape to be coloured red, with green and blue at top and bottom, but he soon concluded it looked better with the colours switched around - the three-pronged shape in green, red at the top and blue at the bottom. But the flag needed other colours too. "I think one must realise that red, white and blue or orange white and blue harked back to South Africa's colonial heritage," Brownell says. Gold was the first he added, then black - both colours found on the flags of the African National Congress , the Zulus' Inkatha Freedom Party , and various other political groupings in South Africa. The final design also used a particular orangey shade of red known as chilli red, which is mid-way between the colours of the British and Dutch colonial-era flags but at the same time reminiscent of South Africa's coral trees, Brownell says, and the flat hats worn by married Zulu women. The only other change to the design was made at the suggestion of Brownell's daughter, Claire, a young schoolteacher. "Dad, use your brain!" she said. "People will stand that on its head and turn it into the nuclear peace sign. The middle leg must go." The three arms converging into one, became just two arms converging into one. So when Brownell got the call asking him to have the issue "solved within the week" he was not starting completely from scratch. In the end it came down to five proposals, two of them Brownell's. Of the others, one was based on an idea from the ANC, another came to a member of the committee Brownell had hastily convened in the middle of a plane flight. The choice was put to (the then) State President FW de Klerk, who said it was not a decision he could take alone and called an impromptu cabinet meeting. "I noticed their eyes", says Brownell. "They were being drawn to my design." Sure enough it was one of his drawings that was selected. Officials then contacted ANC negotiator Cyril Ramaphosa, and a tense wait ensued. His approval finally came through later that afternoon. Many years later Brownell learned that Ramaphosa too had not wished to act alone, and had contacted Nelson Mandela, then in Rustenburg in the north-east of the country, to get his personal blessing. "A design had been sent to Mandela by fax. Somebody on the other end had to run down to the stationery shop, grab some colouring pencils, and colour in the flag," says Brownell. Luckily, Brownell says, "Mandela was happy with it." That same day, 15 March 1994, the design was unanimously adopted by the Transitional Executive Council, which asked President de Klerk to issue a proclamation adopting the national flag. But for reasons that Brownell still cannot explain, the proclamation was made only on 20 April, seven days before the election. During the wait, Brownell says, "lots of us were going frantic". "Flag manufacturers were screaming high and low. South Africa could only produce 5,000 flags per week, and at least around 100,000 were needed for April 27th to fill every flagpole in the country." Manufacturers in the Netherlands helped save the day, although not before exhausting Europe's entire stock of flag material and having to import it from Japan. "Public reaction was muted, originally," recalls Brownell. "But once Mandela was inaugurated on 10 May, with the flags draped over Union Buildings in Pretoria, people warmed to the fact they had a new president, with a new flag to go with him. "The level of acceptance exceeded my wildest expectations," he says. Asked what might have prompted him to come up with his initial three-pronged design, Brownell reflects that it was probably embedded in his mind from childhood. "I grew up in the Anglican church and this particular design was in fact incorporated into the classical chasubles [outer vestments] worn by priests in both the Catholic and Anglican church," he says. "In recent years chasubles have changed very much, but that was the classic design." Twenty years on, Brownell is quietly pleased with his work. He still sees the "convergence and unification" of a diverse country reflected in the flag, and insists there is no-one in South Africa who does not recognise in it colours they hold dear. "I feel happy to have contributed in some small way." (Submitted by Esteban Rivera, 10 Apr 2016) BACK TO TOP

Banknotes and Coin The South African Reserve Bank (SARB) released the upgraded Mandela banknotes and fourth decimal coin series on 3 May 2023. The upgraded banknotes and fourth decimal coin series have new designs and enhanced security features that utilise the latest technological advancements to protect the integrity of our currency and maintain public trust. The upgraded banknotes continue to pay homage to South Africa's first democratically elected president, Nelson Mandela, with his portrait featured on the front of all five denominations while the Big 5 animals are depicted as a family. The fourth decimal coin series is based on the theme of deep ecology, which celebrates the interconnectedness of humans and other living organisms as an integral part of the environment. OLD SOUTH AFRICAN BANK NOTES The South African rand The South African rand, or simply the rand, (sign : R; code : ZAR is the official currency of the Southern African Common Monetary Area : South Africa , Namibia (alongside the Namibian dollar ), Lesotho (alongside the Lesotho loti ) and Eswatini (alongside the Swazi lilangeni ). It is subdivided into 100 cents (sign: "c"), and a comma separates the rand and cents. The South African rand is legal tender in the Common Monetary Area member states of Namibia , Lesotho , and Eswatini , with these three countries also having national currencies: (the dollar , the loti and the lilangeni respectively) pegged with the rand at parity and still widely accepted as substitutes. The rand was also legal tender in Botswana until 1976 when the pula replaced the rand at par. Etymology The rand takes its name from the Witwatersrand ("white waters' ridge" in English, rand being the Afrikaans (and Dutch ) word for 'ridge '), the ridge upon which Johannesburg is built and where most of South Africa's gold deposits were found. In English and Afrikaans (and Dutch), the singular and plural forms of the unit ("rand") are the same: one rand, ten rand, and two million rand. History See also: South African pound The rand was introduced in the Union of South Africa in 1961, three months before the country declared itself a republic .[2] A Decimal Coinage Commission had been set up in 1956 to consider a move away from the denominations of pounds, shillings, and pence; it submitted its recommendations on 8 August 1958 It replaced the South African pound as legal tender, at the rate of 2 rand to 1 pound, or 10 shillings to the rand. The government introduced a mascot, Decimal Dan, "the rand-cent man" (known in Afrikaans as Daan Desimaal). This was accompanied by a radio jingle to inform the public about the new currency. Although pronounced in the Afrikaans style as /rʌnt/ in the jingles when introduce the contemporary pronunciation in South African English is /rænd/ . Brief exchange rate history 1961–2000 Value of the South African rand to the United States dollar from 1975 to 2015 by the blue columns: The percentage rate of change year-on-year is shown by the black line. One rand was worth US$ 1.40 (R0.72 per dollar) from the time of its inception in 1961 until late 1971, and the U.S. dollar became stronger than South African currency for the first time on 15 March 1982. Its value thereafter fluctuated as various exchange rate dispensations[clarification needed ] were implemented by the South African authorities. By the early 1980s, high inflation and mounting political pressure combined with sanctions placed against the country due to international opposition to the apartheid system had started to erode its value. The currency broke above parity with the dollar for the first time in March 1982. It continued to trade between R1 and R1.30 to the dollar until June 1984, when the currency's depreciation gained momentum. By February 1985, it was trading at over R2 per dollar, and in July of that year, all foreign exchange trading was suspended for three days to try to stop the depreciation. By the time that State President P. W. Botha made his Rubicon speech on 15 August 1985, it had weakened to R2.40 per dollar. The currency recovered somewhat between 1986 and 1988, trading near the R2 level most of the time and breaking beneath it sporadically. The recovery was short-lived; by the end of 1989, the rand was trading at more than R2.50 per dollar. As it became clear in the early 1990s that the country was destined for Black majority rule and one reform after the other was announced, uncertainty about the country's future hastened the depreciation until the level of R3 to the dollar was breached in November 1992. A host of local and international events influenced the currency after that, most notably the 1994 general election , which had it weaken to over R3.60 to the dollar, the election of Tito Mboweni as the governor of the South African Reserve Bank , and the inauguration of President Thabo Mbeki in 1999, which had it quickly slide to over R6 to the dollar. The controversial land reform programme that was initiated in Zimbabwe , followed by the September 11, 2001 attacks , propelled it to its weakest historical level of R13.84 to the dollar in December 2001. 2001–2011 Two generations of older notes and coins, later replaced with the "Big Five " notes, which were in turn replaced to show the face of Nelson Mandela in 2012 This sudden depreciation in 2001 led to a formal investigation and a dramatic recovery. By the end of 2002, the currency was trading under R9 to the dollar again, and by the end of 2004, it was trading under R5.70. The currency softened somewhat in 2005, trading around R6.35 to the dollar at the end of the year. At the start of 2006, however, the currency resumed its rally and, as of 19 January 2006, was trading under R6 to the dollar again. However, the rand weakened significantly during the second and third quarters of 2006 (i.e., April through September). In sterling terms, it fell from around 9.5% to just over 7%, losing some 25% of its international trade-weighted value in six months. In late 2007, the rand rallied modestly to just over 8%, only to experience a precipitous slide during the first quarter of 2008. This downward slide could be attributed to a range of factors: South Africa's worsening current account deficit, which widened to a 36‑year high of 7.3% of gross domestic product (GDP) in 2007; inflation at a five-year high of just under 9%; escalating global risk aversion as investors' concerns over the spreading impact of the sub-prime crisis grew; and a general flight to "safe havens", away from the perceived risks of emerging markets. The rand depreciation was exacerbated by the Eskom electricity crisis, which arose from the utility's inability to meet the country's rapidly growing energy demands. 2012–present A stalled mining industry in late 2012 led to new lows in early 2013. In late January 2014, the rand slid to R11.25 to the dollar, with analysts attributing the shift to "word from the US Federal Reserve that it would trim back stimulus spending, which led to a massive sell-off in emerging economies."In 2014, South Africa experienced its worst year against the US dollar since 2009, and in March 2015, the rand traded at its worst since 2002. At the time, Trading Economics released data that the rand "averaged R4.97 to the dollar between 1972–2015, reaching an all time high of R12.45 in December 2001 and a record low of R0.67 in June of 1973." By the end of 2014, the rand had weakened to R15.05 per dollar, partly due to South Africa's consistent trade account deficit with the rest of the world. From 9–13 December 2015, over four days, the rand dropped over 10% due to what some suspected was President Jacob Zuma's surprise announcement that he would be replacing the Finance Minister Nhlanhla Nene with the little-known David van Rooyen . The rapid drop in value stemmed when Zuma backtracked and announced that the better-known previous Minister of Finance, Pravin Gordhan , would instead be appointed to the post. Zuma's surprise sacking of Nene damaged international confidence in the rand, and the exchange rate was volatile throughout much of January 2016 and reached an all-time low of R17.9169 to the US dollar on 9 January 2016 before rebounding to R16.57 later the same day. The January drop in value was also partly caused by Japanese retail investors cutting their losses in the currency to look for higher-yield investments elsewhere and due to concerns over the impact of the economic slowdown in China , South Africa's largest export market. By mid-January, economists were speculating that the rand could expect to see further volatility for the rest of 2016. By 29 April, it reached its highest performance over the previous five months, exchanging at a rate of R14.16 to the United States dollar. Following the United Kingdom voting to leave the European Union, the rand dropped in value over 8% against the US$ on 24 June 2016, the currency's largest single-day decline since the 2008 economic crash. This was partly due to a general global financial retreat from currencies seen as risky to the US dollar and partly due to concerns over how British withdrawal from the EU would impact the South African economy and trade relations. In April 2017, a Reuters poll estimated that the rand would remain relatively stable for the rest of the year, as two polls found that analysts had already factored in a possible downgrade to "junk" status. At the time, Moody's rated South Africa two notches above junk status.[22] When President Jacob Zuma narrowly won a motion of no confidence in South Africa in August 2017, the rand continued to slide, dropping 1.7% that day. In September 2017, Goldman Sachs said that the debt and corruption of Eskom Holdings was the biggest risk to South Africa's economy and the exchange rate of the rand. At the time, it had no permanent CEO, and Colin Coleman of Goldman Sachs in Africa said the company was "having discussions on solutions" on finding credible management. In October 2017, the rand firmed against the US dollar as it recovered from a six-month low. Reuters noted, "South Africa is highly susceptible to global investor sentiment as the country relies on foreign money to cover its large budget and current account deficits." On 13 November 2017, the rand fell by over 1% when the budget chief, Michael Sachs, stood down from his position in Zuma's administration. In October 2022, the rand sank to its lowest point in two years, reaching R18.46 to the US dollar on 25 October 2022. Coins Main article: Coins of the South African rand A 5 rand bimetallic coin issued in 2004. Coins were introduced in 1961 in denominations of 1⁄2, 1, 2+1⁄2, 5, 10, 20, and 50 cents. In 1965, 2-cent coins replaced the 2+1⁄2 cent coins. The 1⁄2 cent coin was last struck for circulation in 1973. The 1 rand coin for circulation was introduced in 1967, followed by 2 rand coins in 1989 and 5 rand coins in 1994. Production of the 1 and 2-cent coins was discontinued in 2002, followed by 5-cent coins in 2012, primarily due to inflation having devalued them, but they remain legal tender. Shops normally round the total purchase price of goods to the nearest 10 cents. To curb counterfeiting, a new 5-rand coin was released in August 2004. Security features introduced on the coin include a bimetal design (similar to the €1 and €2 coins , the Thai ฿10 coin , the pre-2018 Philippine ₱10 coin , the British £2 coin , and the Canadian $2 coin ), a specially serrated security groove along the rim and microlettering. On 3 May 2023, the South African Reserve Bank announced that a new series of coins would be released. These will have the same denominations as the previous series. The 10c will feature an image of the Cape Honey Bee, the 20c the Bitter Aloe, the 50c the Knysna Turaco , the R1 the Springbok , the R2 the King Protea , and the R5 the Southern Right Whale . Banknotes The first series of rand banknotes was introduced in 1961 in denominations of 1, 2, 10, and 20 rand, with similar designs and colours to the preceding pound notes to ease the transition. They bore the image of what was believed at the time to be Jan van Riebeeck , the first VOC administrator of Cape Town . It was later discovered that the original portrait was not, in fact, Van Riebeeck at all, but a portrait of Bartholomeus Vermuyden had been mistaken for Van Riebeeck. In 1966, a second series with designs that moved away from the previous pound notes was released. Notes with 1, 5, and 10 rand denominations were produced with predominantly one colour per note. A smaller 1 rand note with the same design was introduced in 1973, and a 2 rand note was introduced in 1974. The 20 rand denomination from the first series was dropped. The practice of having an English and an Afrikaans version of each note was continued in this series. The 1978 series began with denominations of 2, 5, 10, and 20 rand, with a 50 rand introduced in 1984. This series had only one language variant for each denomination of note. Afrikaans was the first language on the 2, 10, and 50 rand, while English was the first on the 5 and 20 rand. A coin replaced the 1 rand note. Rand banknotes and coins. South African ATM showing R50 and R100 banknotes. In the 1990s, the notes were redesigned with images of the Big Five wildlife species. 10, 20, and 50 rand notes were introduced in 1992 & 1993, retaining the colour scheme of the previous issue. Coins were introduced for the 2 and 5 rand, replacing the notes of the previous series, mainly because of the severe wear and tear experienced with low-denomination notes in circulation. In 1994, 100 and 200 rand notes were introduced. The 2005 series has the same principal design but with additional security features, such as colour-shifting ink on the 50 rand and higher and the EURion constellation . The obverses of all denominations were printed in English, while two other official languages were printed on the reverse, thus using all 11 official languages of South Africa . In 2010, the South African Reserve Bank and commercial banks withdrew all 1994 series 200-rand banknotes due to relatively high-quality counterfeit notes in circulation. In 2011, the South African Reserve Bank issued defective 100 rand banknotes which lacked fluorescent printing visible under UV light . In June, the printing of this denomination was moved from the South African Bank Note Company to Crane Currency's Swedish division (Tumba Bruk ), which reportedly produced 80 million 100 rand notes. The South African Reserve Bank shredded 3.6 million 100-rand banknotes printed by Crane Currency because they had the same serial numbers as a batch printed by the South African Bank Note Company. In addition, the notes printed in Sweden were not the correct colour and were 1mm short. On 11 February 2012, President Jacob Zuma announced that the country would be issuing a new set of banknotes bearing Nelson Mandela 's image. They were entered into circulation on 6 November 2012. These contained the same denominations of 10, 20, 50, 100, and 200 rand. In 2013, the 2012 series was updated with the addition of the EURion constellation to all five denominations. On 18 July 2018, a special commemorative series of banknotes was released in commemoration of the 100th anniversary of Nelson Mandela's birth. This series includes notes of all denominations, 10, 20, 50, 100, and 200 rand. These notes will circulate alongside the existing notes. The notes depict the standard face of Nelson Mandela on the obverse. Still, instead of the Big Five animals on the reverse, they show a younger Mandela with different iconic scenes relating to his legacy. These scenes comprise the rolling hills of the Eastern Cape , featuring Mandela's humble birthplace of Mvezo (10 rand); the home of Mandela in Soweto , where he defined his political life alongside other struggle icons (20 rand); the site where Mandela was captured near Howick , following 17 months in hiding, where a monument to him has been erected (50 rand); the place of Mandela's 27-year imprisonment at Robben Island , showing a pile of quarried limestone (100 rand); the statue of Mandela at the Union Buildings in remembrance of when he was inaugurated there in 1994 (200 rand). On 3 May 2023, the South African Reserve Bank announced that a new series of banknotes would retain the image of Nelson Mandela on the obverse while showing the Big 5 in a family depiction on the reverse. This series contains the same denominations of 10, 20, 50, 100, and 200 rand. BANK NOTES OF THE BIG FIVE South Africa Currency 10 Rand banknote 1961 Jan van Riebeeck South Africa Currency 10 Rand banknote 1961 Jan van Riebeeck South Africa Currency 10 Rand banknote 1961 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. At the top are the name of the bank in Afrikaans and English: "Suid-Afrikaanse Reserwebank" and "South African Reserve Bank". An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria TIEN RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria TEN RAND For the South African Reserve Bank". An Allegory of Hope at lower left corner - seated allegorical female with an anchor symbolizes hope of Voortrekkers for best and richer future. Vignette of pioneers and covered wagons train drawn by bulls rolls across plain (Voortrekkers or Voor-trekkers) at bottom center. (The basic motive was taken after the colored illustration from Ian D. Colvin's book "South Africa", published by London publisher "Caxton Pub. Co." in 1909. The illustration made by G. S. Smithard and J. S. Skelton). At the lower right corner of the banknote depiction of a lemon tree (Citrus limon). On the left from Lemon tree are two Golden Wildebeest (male - forehead and female - on background). Signature: President Governor - Dr. Michiel Hendrik de Kock (29 January 1898 — 18 September 1976) was the third Governor of the South African Reserve Bank. His term of office was from 1 July 1945 to 30 June 1962. Reverse: The South Africa's iconic ship "Dromedaris" at center. The face value of the banknote in words, in English and Afrikaans, are at the top and in arabic numerals "10" in ornate guilloche are at lower corners. The name of the bank in Afrikaans and English: "Suid-Afrikaanse Reserwebank" and "South African Reserve Bank" at left and right. The "Dromedaris" was one of the three ships (Dromedaris, Rejiger and De Goede Hoop) landed by Jan van Riebeeck at the future Cape Town site on 6 April 1652 and the Reijger on 7 April 1652 and then commenced to fortify it as a way station for the Dutch East India Company (VOC "Vereenigde Oost-Indische Compagnie") trade route between the Netherlands and the East Indies. The primary purpose of this way station was to provide fresh provisions for the Dutch East India Company fleets sailing between the Dutch Republic and Batavia, as deaths en route were very high. The arrival of Van Riebeeck marked the beginning of permanent European settlement in the region. Watermark: Portrait of Jan van Riebeeck and the wavy lines along the borders of banknote. Size: 170 x 97 mm. Colour: Green and brown on multicolored underprint. 1961-1965 South African Currency 20 Rand banknote 1962 Jan van Riebeeck South African Currency 20 Rand banknote 1962 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria TWINTIG RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria TWENTY RAND For the South African Reserve Bank". At the left part of the banknote depicted the vignette represents the South African animals: Antelope Springbok, Chacma Baboon, Burchell's zebra and Golden Wildebeest Bulls. At the bottom right corner of the banknote are Zulu woman with child, carrying a vessel on top of her head. Signature: President Governor - Gerard Rissik (21 February 1903 – 4 October 1979) was the fourth Governor of the South African Reserve Bank. His term of office was from 1 July 1962 to 30 June 1967. Reverse: The Line Conveyors at South Africa gold mine, Witwatersrand Basin. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. The face value of the banknote in arabic numerals "20" in ornate guilloche at each corners. Watermark: Portrait of Jan van Riebeeck and the wavy lines along the borders of banknote. Size: 170 x 97 mm. Colour: Brown-violet. 1961-1965 South Africa Currency 1 Rand banknote 1967 Jan van Riebeeck South Africa Currency 1 Rand banknote 1967 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Many Afrikaners view van Riebeeck as the father of the Afrikaner nation. The King Protea flower on the background at center, at bottom right corner and across all the field of the banknote (Proclaimed as South Africa's national flower in 1976, the king protea (Protea cynaroides) is a flowering bush as beautiful and unique as the country itself.). At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria EEN RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria ONE RAND For the South African Reserve Bank". Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: Two South African merino sheep are staying near the plow. Behind them is a corn field. Landscape of corn field and farmhouse and mountain range in the background. A lemon tree (Citrus limon) and tobacco plant at left. The national flower of South Africa - Giant or King Protea, pineapple, watermelon, pear, grapes and other fruits and vegetables at right. The face value of the banknote in arabic numerals "1" in ornate guilloche at upper right and bottom left corners. Watermark: Springbok - national animal of South Africa and mascot for many national sport teams. Size: 126 x 64 mm. Colour: Dark reddish brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. 1966-1975 South African Currency 5 Rand banknote 1967 Jan van Riebeeck South African Currency 5 Rand banknote 1967 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Many Afrikaners view van Riebeeck as the father of the Afrikaner nation. The Voortrekker Monument at center. Vignette of pioneers and covered wagons train drawn by bulls rolls across plain (Voortrekkers or Voor-trekkers) at bottom right corner. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank". An inscriptions: "I promise to pay the bearer on demand at Pretoria FIVE RAND For the South African Reserve Bank" & "Ek beloof op aanvraag te betaal aan toonder te Pretoria VYF RAND Vir die Suid-Afrikaanse Reserwebank". The face value of the banknote in words at center: in English "FIVE RAND" and in Afrikaans "VYF RAND". The face value of the banknote in arabic numerals "5" in ornate guilloche at bottom left, upper right and left corners. Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: Factory with industrial freight train. The face value of the banknote in arabic numerals "5" in ornate guilloche at upper right and left corners. Watermark: Portrait of Jan van Riebeeck. Size: 134 × 70 mm. Colour: Purple on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. 1966-1975 South Africa Currency 10 Rand banknote 1967 Jan van Riebeeck South Africa Currency 10 Rand banknote 1967 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Many Afrikaners view van Riebeeck as the father of the Afrikaner nation. The Union Buildings in Pretoria at center. (The Union Buildings form the official seat of the South African Government and also house the offices of the President of South Africa). The Springbok at bottom right, national animal of South Africa and mascot for many national sport teams. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom part of the banknote. An inscriptions: "I promise to pay the bearer on demand at Pretoria TEN RAND For the South African Reserve Bank" & "Ek beloof op aanvraag te betaal aan toonder te Pretoria TIEN RAND Vir die Suid-Afrikaanse Reserwebank". The face value of the banknote in words at center: in English "TEN RAND" and in Afrikaans "TIEN RAND". The face value of the banknote in arabic numerals "10" in ornate guilloche at upper right and bottom left corners. Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: The Table Bay and Table Mountain with Van Riebeeck’s three ships at his arrival on April 6, 1652: the "Dromedaris", "Reijger" and "Goede Hoop" first time reaching the cape of Good Hope. The face value of the banknote in arabic numerals "10" in ornate guilloche at upper right and left corners. Watermark: Springbok - national animal of South Africa and mascot for many national sport teams. Size: 140 x 76 mm. Colour: Dark green and brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. 1966-1975 South African Currency 2 Rand banknote 1978 Jan van Riebeeck South African Currency 2 Rand banknote 1978 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. A vignette representing the infrastructure of the country: electric power transmission towers. The face value of the banknote in arabic numerals "2" in ornate guilloche at left and right. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria TWEE RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria TWO RAND For the South African Reserve Bank". The face value of the banknote in words at center: in Afrikaans "TWEE RAND" and in English "TWO RAND". Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: A vignette representing the manufacturing of the country: Oil refinery plant of "Sasol Limited". The face value of the banknote in arabic numerals "2" are on left side and in lower right corner. Watermark: Portrait of Jan van Riebeeck. Size: 120 x 57 mm. Colour: Blue on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 5 Rand banknote 1978 Jan van Riebeeck South Africa Currency 5 Rand banknote 1978 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Large Diamond at center. The face value of the banknote in arabic numerals "5" in ornate guilloche at left and right. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom part of the banknote. An inscriptions: "I promise to pay the bearer on demand at Pretoria FIVE RAND For the South African Reserve Bank" & "Ek beloof op aanvraag te betaal aan toonder te Pretoria VYF RAND Vir die Suid-Afrikaanse Reserwebank". The face value of the banknote in words at center: in Afrikaans "VYF RAND" and in English "FIVE RAND". Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: A vignette representing the diamond mining of the country: Diamond mine at center. On right side is the city skyscraper skyline, as parallel between diamonds mining and wealth and civilization. On left side is the small stylized model of hydrocarbon atoms. The face value of the banknote in arabic numerals "5" are on left side and in lower right corner. Watermark: Portrait of Jan van Riebeeck. Size: 127 x 63 mm. Colour: Purple on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 10 Rand banknote 1978 Jan van Riebeeck South African Currency 10 Rand banknote 1978 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. The King Protea flower at center (Proclaimed as South Africa's national flower in 1976, the king protea (Protea cynaroides) is a flowering bush as beautiful and unique as the country itself.). The face value of the banknote in arabic numerals "10" in ornate guilloche at left and right. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria TIEN RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria TEN RAND For the South African Reserve Bank". The face value of the banknote in words at center: in Afrikaans "TIEN RAND" and in English "TEN RAND". Signature: Theunis Willem de Jongh was the fifth Governor of the South African Reserve Bank. His term of office was from 1 July 1967 to 31 December 1980. Reverse: A vignette representing the agriculture of the country - Livestock: the South African merino sheep and Afrikaner bull. The face value of the banknote in arabic numerals "10" in ornate guilloche at left. Watermark: Portrait of Jan van Riebeeck. Size: 134 x 70 mm. Colour: Green on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 20 Rand banknote 1990 Jan van Riebeeck South Africa Currency 20 Rand banknote 1990 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Groot Constantia manor house, a historic building at center (Groot Constantia is the oldest wine estate in South Africa and provincial heritage site in the suburb of Constantia in Cape Town, South Africa). The face value of the banknote in arabic numerals "20" in ornate guilloche at left and right. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom part of the banknote. An inscriptions: "I promise to pay the bearer on demand at Pretoria TWENTY RAND For the South African Reserve Bank" & "Ek beloof op aanvraag te betaal aan toonder te Pretoria TWINTIG RAND Vir die Suid-Afrikaanse Reserwebank". The face value of the banknote in words at center: in Afrikaans "TWINTIG RAND" and in English "TWENTY RAND". Signature: Dr. Chris Stals (born 13 March 1935) was the seventh Governor of the South African Reserve Bank, serving from 8 August 1989 to 7 August 1999. He succeeded Dr. Gerhard de Kock who had died in office. Reverse: The Table Bay and Table Mountain with Jan van Riebeeck’s three ships at his arrival on April 6, 1652: the "Dromedaris", "Reijger" and "Goede Hoop" first time reaching the cape of Good Hope. The (old) Coat of Arms of South Africa between 1910 and 2000, with the Latin motto "Ex Unitate Vires" - "From Unity, Strength" (also translated as "Unity Creates Strength"). "Ex Unitate Vires" was South Africa's motto until 27 April, 2000, when the new Coat of Arms and motto were adopted. Variations of the old motto were common in many Afrikaner and South African institutions, often in Afrikaans ("Eendrag maak mag") or Dutch ("Eendragt maakt magt" in old orthography, "Eendracht maakt macht" in modern orthography). Watermark: Portrait of Jan van Riebeeck. Size: 144 x 77 mm. Colour: Brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 50 Rand banknote 1984 Jan van Riebeeck South African Currency 50 Rand banknote 1984 Jan van Riebeeck South African Reserve Bank - Suid-Afrikaanse Reserwebank Obverse: Portrait of Jan van Riebeeck (1619 – 1677), was a Dutch navigator and colonial administrator and the founder of Cape Town. Close-up of male Transvaal Lion head in under-print at center, as member of "The Famous Big Five animals of Africa". The face value of the banknote in arabic numerals "50" in ornate guilloche at left and right. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom part of the banknote. An inscriptions: "Ek beloof op aanvraag te betaal aan toonder te Pretoria VYFTIG RAND Vir die Suid-Afrikaanse Reserwebank" & "I promise to pay the bearer on demand at Pretoria FIFTY RAND For the South African Reserve Bank". The face value of the banknote in words at center: in Afrikaans "VYFTIG RAND" and in English "FIFTY RAND". Signature: Dr. Gerhard de Kock (14 February 1926 — 7 August 1989) was the sixth Governor of the South African Reserve Bank. He was the son of Dr. Michiel Hendrik de Kock, who was the third Governor of the South African Reserve Bank. Dr. de Kock was the first (and only) Governor of the South African Reserve Bank to die in office. His term was from 1 January 1981 until his death on 7 August 1989. Reverse: The vignette represents the South African animals at the watering, likely at Orange River: a giraffe, zebra, wildebeest, greater and lesser kudu. Crimson sun over a mountain range. The palm trees at the lower right corner. The face value of the banknote in arabic numerals "50" in ornate guilloche at left. Watermark: Portrait of Jan van Riebeeck. Size: 147 x 83 mm. Colour: Red on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 10 Rand banknote 1999 White Rhinoceros South Africa Currency 10 Rand banknote 1999 White Rhinoceros South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a White Rhino head at right and a vignette of a White Rhinoceros mother and her Rhino baby in the African Savanna at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round geometric figure with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom. The face value of the banknote in arabic numerals "10" at center, in numerals and words: in English "TEN RAND" at right and Afrikaans "TIEN RAND" along the left side of the banknote. Signature: Chris Stals - President Governor of the South African Reserve Bank. (Dr. Christian Lodewyk Stals, better known as Chris Stals (born 13 March 1935) was the seventh Governor of the South African Reserve Bank, serving from 8 August 1989 to 7 August 1999. He succeeded Dr. Gerhard de Kock who had died in office). Reverse: The theme of this banknote reverse is Agriculture: Close-up of a Ram head at left. Lower are South African merino sheep on the pasture and mountains in the background, the windmill at lower left corner. Above are three contour image of sunflowers. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom. The face value of the banknote in arabic numerals "10" at center, in numerals and words: in English "TEN RAND 10" at right and Afrikaans "TIEN RAND 10" along the left side of the banknote. Watermark: White rhino and electrotype 10. Size: 128 × 70 mm. Colour: Dark green and dark blue on brown and multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 20 Rand banknote 1993 African Savanna Elephant South African Currency 20 Rand banknote 1993 African Savanna Elephant South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of an African Bush Elephant head at right and a vignette of the African Bush Elephant family walking in the bush at center (The African Bush Elephant, also known as the Savanna Elephant). Outline drawings of round brilliant cut at the bottom. Outline drawing of round brilliant cut with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "20" at center, in numerals and words: in English "TWENTY RAND" at left and Afrikaans "TWINTING RAND" along the right side of the banknote. Signature: Chris Stals - President Governor of the South African Reserve Bank. (Dr. Christian Lodewyk Stals, better known as Chris Stals (born 13 March 1935) was the seventh Governor of the South African Reserve Bank, serving from 8 August 1989 to 7 August 1999. He succeeded Dr. Gerhard de Kock who had died in office). Reverse: The theme of this banknote reverse is Surface mining industry - Open-pit mining. On the upper part of the banknote are three graphic image of round brilliant cut. Outline drawing of round brilliant cut with coinciding register, as security measure at lower right corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "20" at center, in numerals and words: in English "TWENTY RAND 20" at left and Afrikaans "TWINTING RAND 20" along the right side of the banknote. Watermark: African Bush Elephant and electrotype 20. Size: 134 × 70 mm. Colour: Deep brown and red-brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. BANK NOTES OF MANDELA South Africa Currency 50 Rand banknote 1992 Transvaal Lion South Africa Currency 50 Rand banknote 1992 Transvaal Lion South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of male Transvaal Lion head at right and a vignette of the two Transvaal lionesses and cub drinking at water hole. Outline drawings of various round geometric shapes at the bottom. Outline drawing of stylized model of hydrocarbon atom with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "50" at center, in numerals and words: in English "FIFTY RAND" at right and Afrikaans "VYFTIG RAND" along the left side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Manufacturing - Sasol oil refinery at the bottom part of the note. On the upper part of the banknote are stylized model of hydrocarbon atoms. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "50" at center, in numerals and words: in English "FIFTY RAND 50" at right and Afrikaans "VYFTIG RAND 50" along the left side of the banknote. Refining capacity in South Africa is 250 million barrels/year, or about 700 thousand barrels/day, Including 500 thousand barrels/day of crude oil and 195 thousand barrels/day of synthetic liquid fuels from coal. It is interesting that the South African "Sasol" is the pioneer of the Fischer-Tpropsha producing synthetic fuel using this synthesis conversion of the gasified coal since 1955. Watermark: Transvaal lion and electrotype 50. Size: 140 × 70 mm. Colour: Maroon, brown and deep blue-green on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 100 Rand banknote 1999 Cape Buffalo South African Currency 100 Rand banknote 1999 Cape Buffalo South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a Cape Buffalo head at right and a vignette of the two African or Cape Buffalos in the African Savannah at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round brilliant cut with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "100" at center, in numerals and words: in English "ONE HUNDRED RAND" at left and Afrikaans "EEN HONDERD RAND" at right. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote is Tourism. A herd of zebras on the African savanna at the bottom. On the upper part of the banknote are four graphic image of round brilliant cut. At the top are the name of the bank in English "South African Reserve Bank" and in Afrikaans "Suid-Afrikaanse Reserwebank" at the bottom. The face value of the banknote in arabic numerals "100" at center, in numerals and words: in English "ONE HUNDRED RAND 100" at left and Afrikaans "EEN HONDERD RAND 100" at right. Watermark: The African buffalo or Cape buffalo and electrotype 100. Size: 146 × 70 mm. Colour: Blue on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 200 Rand banknote 1994 African leopard South Africa Currency 200 Rand banknote 1994 African leopard South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a Leopard head at right and a vignette showing a leopard lying above the branch of a tree at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round geometric figure with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom. The face value of the banknote in arabic numerals "200" at center, in numerals and words: in English "TWO HUNDRED RAND" at right and Afrikaans "TWEE HONDERD RAND" along the left side of the banknote. Signature: Chris Stals - President Governor of the South African Reserve Bank. (Dr. Christian Lodewyk Stals, better known as Chris Stals (born 13 March 1935) was the seventh Governor of the South African Reserve Bank, serving from 8 August 1989 to 7 August 1999. He succeeded Dr. Gerhard de Kock who had died in office). Reverse: The theme of this banknote reverse is Transport and Telecommunications. The Bloukrans Bridge at center. On left side is a big satellite dish, symbolizing telecommunication. Centered, above, are three images: Left one reminds a the turbine of an aircraft, centered image - stylized wheel of car/truck/tractor and right one reminds the wheel of an Electric locomotive - as symbols of Transport. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in English "South African Reserve Bank" at the bottom. The face value of the banknote in arabic numerals "200" at center, in numerals and words: in English "TWO HUNDRED RAND 200" at right and Afrikaans "TWEE HONDERD RAND 200" along the left side of the banknote. Watermark: The African leopard (Panthera pardus pardus) and electrotype 200. Size: 152 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. Bloukrans Bridge The Bloukrans Bridge is an arch bridge located near Nature's Valley, Western Cape, South Africa. Constructed between February 1980 and June 1983, the bridge stands at a height of 216m above the Bloukrans River. Its central span is 272m and the bridge is 451m in length in total. Its primary use is that of a road bridge, carrying national route N2. Bloukrans Bridge is the site of the world's highest commercial bridge bungee jumping, Bloukrans Bridge Bungy, operated by Face Adrenalin since 1997. The Bloukrans River below forms the border between the Eastern Cape and Western Cape provinces and is located in the Tsitsikamma region of the Garden Route. The Famous Big Five animals of Africa Africa is an environment with a diverse fauna and flora, that captures the hearts and minds of all who visit this beautiful content. A few animals, however, has been awarded a very special award, the Big Five. The famous Big Five refers to five of Africa's greatest wild animals - the Lion, Leopard, Elephant, Rhino, and Buffalo. The term "Big Five" was originally coined by hunters, and referred to the five most difficult animals to hunt on foot in Africa. The Big Five wasn't chosen for their size, but rather for the difficulty in hunting them, and the degree of danger involved. The term is still used today in most tourist and wildlife guides, and are usually high on the priority list and a real treat for many a visitor to African game reserves. African Elephant The African Elephant is a very large herbivore with thick, almost hairless skin. The upper incisors of the elephant forms long curved tusks of ivory. The African Elephant is difficult to spot because despite its large size, they are able to hide in tall grass, and more likely to charge than other species. Lion The Lion is a large carnivorous feline, with a short tawny coat and a tufted tail. Males have magnificent heavy manes around their necks and shoulders. Considered by many the best of the Big Five, lions are very dangerous animals, and would attack if given a chance. Cape Buffalo The African Buffalo is a large horned bovid. Buffalos are considered the most dangerous of the Big Five, reportedly having caused many hunter deaths. Buffalos are known as the "Black Death" in Africa, with wounded animals reportedly ambushing and attacking its pursuers. Rhinoceros Rhinoceros (also called Rhino for short) are large, thick-skinned herbivores with one or two upright horns on the nasal bridge. Rhinos are able to reach one tonne or more in weight. Rhinos are listed as "critically endangered" by the IUCN Red List, as they are killed by humans for their valuable horns, which are made of keratin, and wrongly believed by some to act as an aphrodisiac, amongst other things. Leopard The Leopard is a large, carnivorous feline with either tawny fur with dark rosetto-like markings, or black fur. Leopards are very difficult to spot as they have nocturnal feeding habits and secretive nature. Leopards are also extremely wary of humans, and will take flight in the face of danger. South African Currency 10 Rand banknote 2005 White Rhino South African Currency 10 Rand banknote 2005 White Rhino South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Obverse: Close-up of a White Rhino head at right and a vignette of a White Rhinoceros mother and her Rhino baby in the African Savanna at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round geometric figure with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "10" are in top left and lower right corners and in words: in English "TEN RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Agriculture: Close-up of a Ram head at left. Lower are South African merino sheep on the pasture and mountains in the background, the windmill at lower left corner. Above are three contour image of sunflowers. At the top are the name of the bank in Afrikaans "Suid-Afrikaanse Reserwebank" and in Swati "liBhangi lesiLulu leNingizimu Afrika" at the bottom. The face value of the banknote in arabic numerals "10" are in top left and lower right corners, in numerals and words: in English "TEN RAND" along the right side of the banknote. Watermark: White rhino and electrotype 10. Size: 128 × 70 mm. Colour: Dark green and dark blue on brown and multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South Africa Currency 20 Rand banknote 2005 African Bush Elephant South Africa Currency 20 Rand banknote 2005 African Bush Elephant South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of an African Bush Elephant head at right and a vignette of the African Bush Elephant family walking in the bush at center (The African Bush Elephant, also known as the Savanna Elephant). Outline drawings of round brilliant cut at the bottom. Outline drawing of round brilliant cut with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "20" are in top left and lower right corners and in words: in English "TWENTY RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Surface mining industry - Open-pit mining. On the upper part of the banknote are three graphic image of round brilliant cut. Outline drawing of round brilliant cut with coinciding register, as security measure at lower right corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in Tswana "Banka-kgolo ya Aforika Borwa " and in Southern Ndebele "lBulungelo-mali eliKhulu leSewula Afrika" at the bottom. The face value of the banknote in arabic numerals "20" are in top left and lower right corners, in numerals and words: in English "TWENTY RAND" along the right side of the banknote. Watermark: African Bush Elephant and electrotype 20. Size: 134 × 70 mm. Colour: Deep brown and red-brown on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South African Currency 50 Rand banknote 2005 Transvaal Lion South African Currency 50 Rand banknote 2005 Transvaal Lion South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of male Transvaal Lion head at right and a vignette of the two Transvaal lionesses and cub drinking at water hole. Outline drawings of various round geometric shapes at the bottom. Outline drawing of stylized model of hydrocarbon atom with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "50" are in top left and lower right corners and in words: in English "FIFTY RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Manufacturing - Sasol oil refinery at the bottom part of the note. On the upper part of the banknote are stylized model of hydrocarbon atoms. At the top are the name of the bank in Xhosa "iBhanki enguVimba yoMzantsi Afrika " and in Venda "Bannga ya Vhukati ya Afurika Tshipembe" at the bottom. The face value of the banknote in arabic numerals "50" are in top left and lower right corners, in numerals and words: in English "FIFTY RAND" along the right side of the banknote. Refining capacity in South Africa is 250 million barrels/year, or about 700 thousand barrels/day, Including 500 thousand barrels/day of crude oil and 195 thousand barrels/day of synthetic liquid fuels from coal. It is interesting that the South African "Sasol" is the pioneer of the Fischer-Tpropsha producing synthetic fuel using this synthesis conversion of the gasified coal since 1955. Watermark: Transvaal lion and electrotype 50. Size: 140 × 70 mm. Colour: Maroon, brown and deep blue-green on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South Africa Currency 100 Rand banknote 2005 African Buffalo South Africa Currency 100 Rand banknote 2005 African Buffalo South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a Cape Buffalo head at right and a vignette of the two African or Cape Buffalos in the African Savannah at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round brilliant cut with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "100" are in top left and lower right corners and in words: in English "ONE HUNDRED RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote is Tourism. A herd of zebras on the African savanna at the bottom. On the upper part of the banknote are four graphic image of round brilliant cut. At the top are the name of the bank in Northern Sotho "Panka ya Resefe ya Afrika Borwa " and in Tsonga "Banginkulu ya Afrika-Dzonga" at the bottom. The face value of the banknote in arabic numerals "100" are in top left and lower right corners, in numerals and words: in English "TWO HUNDRED RAND" along the right side of the banknote. Watermark: The African buffalo or Cape buffalo and electrotype 100. Size: 146 × 70 mm. Colour: Blue on multicolored underprint. Printer: South African Bank Note Company Ltd, Pretoria. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South African Currency 200 Rand banknote 2005 African Leopard South African Currency 200 Rand banknote 2005 African Leopard South African Reserve Bank - Suid-Afrikaanse Reserwebank The Famous Big Five animals of Africa Leopard, African Buffalo, Transvaal Lion, African Elephant, Rhinoceros Obverse: Close-up of a Leopard head at right and a vignette showing a leopard lying above the branch of a tree at center. Outline drawings of various round geometric figures at the bottom. Outline drawing of round geometric figure with coinciding register, as security measure at lower left corner. The parts printed on the back perfectly match the ones on the front. At the top are the name of the bank in English "South African Reserve Bank". The present South African Coat of Arms is used prominently on the front top left corner. The face value of the banknote in arabic numerals "200" are in top left and lower right corners and in words: in English "TWO HUNDRED RAND" along the right side of the banknote. Signature: Tito Mboweni - President Governor of the South African Reserve Bank. (Tito Titus Mboweni, born 16 March 1959) is the current Minister of Finance of South Africa. Mboweni was the eighth Governor of the South African Reserve Bank and the first Black South African to hold the post. He was sworn in as Finance Minister on 9 October 2018, following Nhlanhla Nene's resignation.) Reverse: The theme of this banknote reverse is Transport and Telecommunications. The Bloukrans Bridge at center. On left side is a big satellite dish, symbolizing telecommunication. Centered, above, are three images: Left one reminds a the turbine of an aircraft, centered image - stylized wheel of car/truck/tractor and right one reminds the wheel of an Electric locomotive - as symbols of Transport. At the top are the name of the bank in Zulu "iBhange-ngodla laseNingizimu Afrika" and in Sotho "Banka ya Sesiu ya Afrika Borwa " at the bottom. The face value of the banknote in arabic numerals "200" are in top left and lower right corners, in numerals and words: in English "TWO HUNDRED RAND" along the right side of the banknote. Watermark: The African leopard (Panthera pardus pardus) and electrotype 200. Size: 152 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. Bloukrans Bridge The Bloukrans Bridge is an arch bridge located near Nature's Valley, Western Cape, South Africa. Constructed between February 1980 and June 1983, the bridge stands at a height of 216m above the Bloukrans River. Its central span is 272m and the bridge is 451m in length in total. Its primary use is that of a road bridge, carrying national route N2. Bloukrans Bridge is the site of the world's highest commercial bridge bungee jumping, Bloukrans Bridge Bungy, operated by Face Adrenalin since 1997. The Bloukrans River below forms the border between the Eastern Cape and Western Cape provinces and is located in the Tsitsikamma region of the Garden Route. The South African Coat of Arms is used prominently on the front top left corner of all the denominations. It can also be seen in the iridescent band on the back, and as a holographic image in the security thread of the R50, R100 and R200 banknotes. Watermark: This is smaller and the denomination numeral is added to the watermark of the main motif. Perfect registration: This see-through security feature reveals the denomination numeral in perfect registration on the front and back when the banknote is held up to the light. Windowed security thread: On the R50, R100 and R200 banknotes the thread is 4 mm wide. “SARB”, “RAND” and the denomination numeral appear when the banknote is held up to the light, and a holographic Coat of Arms appears in the thread when tilted. On the R10 and R20 banknotes the thread is 2 mm wide and “SARB” and the denomination numeral appear in clear text. Diamond shapes: The dots on the front that assist the blind to distinguish between the denominations have been replaced with diamonds: 1 diamond for the R10, 2 diamonds for the R20, 3 diamonds for the R50, 4 diamonds for the R100, and 5 diamonds for the R200. Unique numbering: This has moved from the front to the back: a vertical number on the left-hand side and a horizontal number top right. The horizontal number is conical. Microlettering: “SOUTH AFRICAN RESERVE BANK” appears in microlettering to the right of the animal’s ear. The microlettering is printed in positive and negative text. Iridescent band: This is a very prominent feature in a gold colour on the back of all banknotes. When tilted, the Coat of Arms and the denomination numeral appear. Different geometric shapes: These have been added to the front of the banknotes as an aid for the partially sighted: diamond on the R10, square on the R20, circle on the R50, and different hexagons on the R100 and R200. Latent image: When the banknote is held almost horizontally at eye level, the denomination numeral appears inside the geometric shapes. Optically variable ink: On the R50, R100 and R200 banknotes the denomination numeral on the front bottom right is printed in colour-changing ink. When the R50 and R100 banknotes are tilted, the colour changes from green to gold. On the R200 it changes from magenta to green. Denomination numerals: These are more prominent on both the front and back of the banknotes. South Africa Currency 10 Rand banknote 2012 President Nelson Mandela South Africa Currency 10 Rand banknote 2012 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "10" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TEN RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The White Rhinos on the background at center. Across all field of banknote are ornaments and leaping antelopes. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of White Rhino and another White Rhino in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 10. Size: 128 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 20 Rand banknote 2012 President Nelson Mandela South African Currency 20 Rand banknote 2012 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "20" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TWENTY RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African bush elephants on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of African bush elephant and another African bush elephant in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 20. Size: 134 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 50 Rand banknote 2012 President Nelson Mandela South Africa Currency 50 Rand banknote 2012 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "50" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "FIFTY RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The Transvaal lions on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of Transvaal Lion and another Transvaal Lion in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 50. Size: 140 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 100 Rand banknote 2012 President Nelson Mandela South African Currency 100 Rand banknote 2012 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "100" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "ONE HUNDRED RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African buffalo on the background at center. Across all field of banknote an ornament and Prehistoric fishing scenes. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of African Buffalo and another African Buffalo in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 100. Size: 146 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 200 Rand banknote 2013 President Nelson Mandela South Africa Currency 200 Rand banknote 2013 President Nelson Mandela The bank's name South African Reserve Bank are translated into two official South African languages: Suid-Afrikaanse Reserwebank (Afrikaans) and liBhangesilulu leNingizimu Afrika (Swati). The notes have been nicknamed the "randela". Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "200" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TWO HUNDRED RAND" along the right side of the banknote. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African leopards on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes with dogs. Reverse: The Famous Big Five animals of Africa - A Closeup of a head of African Leopard and another African Leopard in the background at center. Watermark: Portrait of Nelson Mandela and electrotype 200. Size: 152 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 10 Rand Commemorative banknote 2018 Nelson Mandela Centenary South African Currency 10 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "10" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TEN RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The White Rhinos on the background at center. Across all field of banknote are ornaments and leaping antelopes. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Birth" - Mvezo. The 10 Rand note portrays the humble rural hamlet of Madiba’s birthplace, Mvezo. The small Eastern Cape village solidified its place in the history books by being the official hometown of Nelson Mandela. While Mandela spent most of his childhood in the nearby town of Qunu, a time he describes as the “happiest moments of his childhood”, the honour bestowed upon Mvezo is commemorated by the Madiba Birthplace Museum. Mandela grew up in Qunu after his father was ousted as the chief of Mvezo. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 10. Size: 128 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 20 Rand Commemorative banknote 2018 Nelson Mandela Centenary South Africa Currency 20 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "20" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TWENTY RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African bush elephants on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Life" - Soweto. Nelson Mandela moved into his Soweto home in 1946. The 20 Rand note depicts the humble home at 8115 Orlando West, on the corner of Vilakazi and Ngakane Streets. The story of Mandela’s Soweto home is bittersweet; following his marriage to Winnie Madikizela, the struggle leader was in constant state of flux, evading the apartheid police and intelligence agencies, while being consumed by his commitment to the liberation struggle. In those years, Madiba seldom saw the inside of his Soweto home. Mandela returned here for a brief 11 days after his release from Robben Island in 1990. The house now operates as a museum, honouring the legacy of Madiba, managed by the Soweto Heritage Trust. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 20. Size: 134 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 50 Rand Commemorative banknote 2018 Nelson Mandela Centenary South African Currency 50 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "50" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "FIFTY RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The Transvaal lions on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Capture" - Howick. The 50 Rand note represents a place of pain in the life of Mandela. While the area is now a site for celebration, featuring a commemorative steel sculpture revealing a portrait of the struggle icon, on 5 August 1962 it became the site of Mandela’s capture. Mandella was travelling in disguise as the chauffeur of the car he drove and was on the R103 road between Durban and Johannesburg. Apartheid police and intelligence agencies had been on his trail for 17 months, eventually catching up to him on this stretch of road near Howick in KwaZulu-Natal. Then Nelson Mandela Capture Site is now home to a mammoth steel structure, comprised of 50 steel columns, which reveal a portrait of Madiba when viewed from a certain angle. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 50. Size: 140 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South Africa Currency 100 Rand Commemorative banknote 2018 Nelson Mandela Centenary South Africa Currency 100 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "100" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "ONE HUNDRED RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African buffalo on the background at center. Across all field of banknote an ornament and Prehistoric fishing scenes. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Struggle" - Robben Island. A pile of rocks on Robben Island, where the great liberator was imprisoned from 1964–1982. Mandela spent 18 years on the stark island, working in a lime quarry, busting rocks as part of his forced labour. While on the island, he was permitted one visit and one letter every six months. While enduring physical and psychological torture at the hands of white warders, at night he persevered with his studies for an LLB degree which he was obtaining from the University of London. In April 1982, Mandela was transferred to Pollsmoor Prison in Tokai, Cape Town. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 100. Size: 146 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. South African Currency 200 Rand Commemorative banknote 2018 Nelson Mandela Centenary South African Currency 200 Rand Commemorative banknote 2018 Nelson Mandela Centenary 1918 - 2018 South African Reserve Bank The South African Reserve Bank (SARB) has issued the release of limited edition commemorative banknotes in honour of Nelson Mandela’s legacy, celebrating the liberation icon’s centenary in July 2018, which look to show “the journey of a nation as of the man”. The honorary ‘randelas’ are an ode to the former president’s struggle saga, which ultimately led to the liberation of South Africa and an end to apartheid oppression. Different imagery has been designed for each of the five notes, which look to chronologically “tell the story of Mandela’s life from a young boy through to president of South Africa”. Obverse: An image of Nelson Mandela, considered by most South Africans (both black and white) to be the father of the post-apartheid new South Africa. He is held in deep respect within South Africa, where he is often referred to by his Xhosa clan name, Madiba, and described as the "Father of the Nation". Despite spending 27 years in jail, Mandela's presidency (1994-1999) was marked by a spirit of reconciliation and forgiveness. The denomination of the bank note in the lower-right-hand corner, printed in a special, colour-changing security ink that carries the pattern of Mandela’s famous shirts, and a seven-bar circle that frames Mandela’s portrait image. This aims to represent the bars seen on the post-apartheid South African national flag, and the seven bars on the door of Mandela’s prison cell at Robben Island. These bars also contain ultraviolet (UV) light technology, another security feature. At the top are the name of the bank in English "South African Reserve Bank". The face value of the banknote in arabic numerals "200" at left center and on the right of the portrait of Nelson Mandela along the bottom side of the note, and in words: in English "TWO HUNDRED RAND" along the right side of the banknote. A commemorative inscription "Mandela Centenary 1918 - 2018" along the right side of the bank note. Signature: Lesetja Kganyago - Governor of the South African Reserve Bank. Coat of arms of the Republic of South Africa at upper left. The African leopards on the background at center. Across all field of banknote an ornament and Prehistoric hunting scenes with dogs. A commemorative inscription "Mandela Centenary 1918 - 2018" at right. Reverse: A "youthful" portrait of Mandela dressed in traditional attire. The vignette of the life events of Mandela - "Destiny" - Union Buildings. This 200 Rand note represents the moment Mandela was inaugurated as South Africa’s first democratically elected president in 1994. The image on the note is that of a bronze statue situated at the Union Buildings, unveiled to close the official 10-day mourning period for the much loved former state president, who died at his Johannesburg home on 5 December 2013. South African sculptors André Prinsloo and Ruhan Janse van Vuuren were responsible for creating the statue. According to Prinsloo, the sculptors considered various poses like the Raised Fist Salute, but in the Spirit of Reconciliation, the current open arm pose was suggested. The bank's name South African Reserve Bank are translated into two official South African languages: iBhangle Lombuso laseNingizmu Afrika (Zulu) and Banka ya Risefe ya Afrika Borwa (Sotho). A commemorative inscription "Mandela Centenary 1918 - 2018" at right and "Madiba" at left. Watermark: Portrait of Nelson Mandela and electrotype 200. Size: 152 × 70 mm. Printer: South African Bank Note Company Ltd, Pretoria. BACK TO TOP