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  • Our Music | Radio Sam Broadcaste

    Our Music & Tune-ins TUNE-INTO ONE OF OUR RADIO STATIONS ABOVE AND ENJOY THE MUSIC Welcome to our radio station! We're glad to have you here. Tune in to our live music and enjoy the beats. Stay tuned for more updates exciting programs.Top Songs on Radio SAM Broadcasting from Germany. We have music ,of all kinds for you to Enjoy from Dance to Schlager.With songs to listern to.and for you to enjoy.Just Tune-In and Ask your DJ. We play songs on 6 Servers and 15 radio stations here from Germany. German Schlager music has a rich history that dates back to the early 20th century. It as a popular genre of music that was played at dance halls and festivals across Germany. Over the years, it has evolved to become a beloved part of German culture, with many iconic songs and artists that have left a lasting impact on the music industry. From the catchy to the heartfelt lyrics, German Schlager music continues to captivate audiences around the world. Afrikaans music has a rich history that dates back to the early 1900s. It has evolved over the years, blending traditional Afrikaans folk music with modern genres such as rock, pop, and hip-hop. Some of most popular Afrika musicians include Steve Hofmeyr, Juanita du Plessis, and Kurt Darren Today, Afrikaans music continues to be an important part of South African culture, with many talented artists continuing to produce new and exciting music. BACK TO TOP

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  • Our Radio Player | Radio Sam Broadcaste

    OUR RADIO PLAYERS TO TUNE-INTO RADIO STATIONS RADIO SAM BROADCASTING STUDIOS GRMANY ON -ZENO FM RADIO SAM GERMANY ON -ZENO RADDIO SAM BROADCASTER ON - ZENO RADIO SAM MUSIC GERMANY ON - ONLINE RADIO BOX RADIO VOORTREKKER STEREO ON - ONLINE RADIO BOX RADIO SAM BROADCASTING GERMANY ON - ONLINE RADIO BOX RADIO SAM GERMANY ON - LIVE ONLINE RADIO RADIO SPRINGBOK GERMANY ON - LIVE ONLINE RADIO RADIO VOORTREKKER STEREO ON - ZENO FM RADIO SAM STEREO ON - ZENO FM RADIO EENDRAG GERMANY ON - ZENO FM R ADIO SAM OLDIES - ROCK ON - ZENO FM RADIO SAM OLDIES - ROCK ON - ONLINE RADIO BOX RADIO AFRIKAANS STEREO ON - ONLINE RADIO BOX RADIO INTERNATIONAL MUSIC ON - ONLINE RADIO BOX RADIO SAM BROADCASTER GERMANY ON - YOUTUBE SAM BROADCASTER ON - RADIO BELLS RADIO SAM GERMANY ON - STREEMA RADIO INTERNATIONAL MUSIC ON - STREEMA RADIO SAM COUNTRY GERMANY ON - ZENO FM RADIO SAM BROADCASTER ON - RADIO GARDEN RADIO SAM BROADCASTING ON - RADIO NET RADIO SAM BROADCASTING ON - ZENO MEDIA RADIO SAM LIVE GERMANY ON - ZENO FM RADIO GBM LIVE GERMANY ON - ZENO FM BACK TO TOP

  • https://adezius.wixsite.com/radio-sam-broadcaste | Music

    Welcome to Radio SAM Broadcaster Germany Welcome to our entertainment radio station, Radio Sam broadcasting live from Germany. Tune in to enjoy the best music and stay up-to-date with latest news and events. Thank you for choosing us as your go-to source entertainment.Connect with your audience and community by offering local news, events calendar, contesting and local business landing pages. Our setup includes importing your initial content, on-air schedules, events, contests, etc. We also include up to 10 client banner ads so that your site will be ready to start grabbing new listeners and advertisers the day it launches.Welcome to Radio SAM Broadcastering Studios Germany another Internet Radio Station ,with top music to enjoy,broadcasting Live from Germany on a weekend with Dj Nighthawk and a Auto Dj ,that Entertains you 24/7 around the clock,were ever you are you can tune-in and enjoy our music,with Top Singers from South Africa and Top Singer from Germany. Music that we play on Radio SAM Broadcaster Germany.Welcome to our Radio Station , From a small Village Called Dehrn in Hessen in Germany... Listen Now Music is something to which everyone admires and loves invariably. Irrespective of culture, tradition and political boundaries it is music that binds every human being and provides great mental satisfaction. Anyone, invariably around the globe loves some form of music and its wonderful enjoying. The taste of music is cherished by all ranging from a kid of eight years to an old octogenarian. Music is a healer, a soother and a revitalizer that rejuvenates the soul and motivates the body. Moreover, practically it is the only art form where we can get all the expressions of the human mind that is we can get music perfectly blended to our mind state at that instant. Be it on a journey, on a picnic, party, festival or anything it is music to which everyone adheres and connected emotionally and mentally.Afrikaans music was primarily influenced by Dutch folk styles, along with French and German influences, in the early twentieth century. Zydeco-type string bands led by a concertina were popular, as were elements of American country music, especially Jim Reeves. Melodramatic and sentimental songs called trane trekkers (tear jerkers) were especially common. In 1996 the South African Music scene changed from the Tranetrekkers to more lively sounds and the introduction of new names in the market with the likes of Nádine, Kurt Darren and Nicolis Louw. Afrikaans music is currently one of the most popular and best selling industries on the South African music scene. Afrikaans music saw a surge in new artists, album releases and sales after 2000. In 2004 an Afrikaans album (by balladeer Steve Hofmeyr was named best-selling album of the year. The massive purchasing power of the Afrikaner minority is partly to thank for this. In 2007 an Afrikaans song about Boer War general Koos de la Rey by Bok van Blerk became a hit amid fierce debate on whether it represented a call to arms for the reinstatement of Afrikaner rule or just expressed cultural nostalgia. While the boom in the Afrikaans pop industry has continued from the previous decade as the popularity of the arts festivals and dance halls have stayed strong, other Afrikaans music genres experienced a revival of sorts in the new millenium. Rock and alternative Afrikaans music had stagnated somewhat after the heady days of the "Voelvry" tour and the alternative movement. Signs of a revival could be found in the arrival of Karen Zoid on the music scene with her attention grabbing alternative sound. CDs YOU CAN SUPPORT OR BUY WELCOME TO OUR CHILDRENS FUN PAGE View More View More PAGE 1 View More PAGE 2 VISIT OUR OTHER GREAT WEBSITE AND ENJOY . RISEING MOTOR CLASSICS View More View More SOUTH AFRICAN TOURS View More View More THE WHITE KNIGHTS & TEMPLAR KNIGHTS DISCO NIGHT & SCHLAGER NIGHT ON A WEEK END Our Programs View More Party Time Live Shows Learn More Fan Page Podcasts View More Get to Know Us View More OUR RADIO STATIONS MUSIC & WEBSITES JUST 4U TO LOOK AT 2 . View More View More View More View More View More View More View More View More View More View More Keeping You Free While the Dance Floor Is Busy Our team of experienced DJs and producers work hard to bring you the best in radio broadcasting. We are passionate about music and we want to share that passion with you. Whether you're looking for the latest chart-toppers or classic hits, we've got you covered. Tune in to Radio SAM Broadcaster Germany and let us take you on a musical journey! Listen Live OUR PARTNERS & MEET US MY TUNE-IN RADIO WELCOME & TUNE-INTO ONE OF OUR RADIO SERVERS TO LISTERN TO OUR RADIO STATION. RADDIO Radio Kuasark Radio Garden fmstream.org RADIO BELLS MY RADIOBOX RADIO HOREN HI GREETINGS FROM RADIO SAM BROADCASTING STUDIOS : IF YOU LOVE TO ADD THE RADIO STATION ON YOU WEBSITE - JUST LET US KNOW PER E-MAIL : a.dezius@gmail.com BACK TO TOP

  • Meet the Team | Radio Sam Broadcaste

    Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event About Radio SAM Broadcaster Germany Radio SAM Broadcaster Germany is your go-to destination for the freshest and hottest music from around the world. Our team of experienced DJs and music producers work tirelessly to bring you the best of the best, so you can worry less and dance more. Tune in to our radio station and never miss a beat! The Team who runs this Radio Station ! We started off with Radio sam germany Andreas Dezius Radio Host & DJ Music Curator Executive Board member, Co-founder and former of Radio SAM Broadcaster Live Andre Radio Host & Social Media Manager Board member, Supporter and Advertiser. Designer Pamela Coetzee Radio Host & Social Media Manager Board member, Web Designer Andrew May Radio Host & Program Advertiser Board member,Advertiser Supporter. Welcome Tune-Into One of our Radio Stations and Enjoy the Music Were ever you GO... BACK TO TOP

  • Afrikaans Singers | Radio Sam Broadcaste

    The Afrikaans Music in South Africa in Music Talk Afrikaans music, a diverse and influential genre within South Africa's rich musical landscape, reflects the unique cultural heritage and modern expressions of the Afrikaans-speaking community. This article delves into the evolution, major artists, and contemporary trends in Afrikaans music, illustrating its role in shaping the nation's auditory identity. Historical Roots and Early Influences Afrikaans music has its roots deeply embedded in the folk traditions of the early Afrikaner settlers, blending European influences with local sounds. The early 20th century saw the rise of "Boeremusiek" or farmer's music, characterized by the use of accordions, concertinas, and guitars. These instruments set the foundation for the distinctive sound that would evolve into a broader musical genre, capturing the everyday life and stories of the Afrikaans-speaking people. Rise of Afrikaans Pop and Rock By the mid-20th century, Afrikaans music began to diversify with the introduction of pop and rock elements, giving rise to a new wave of musicians who modernized the traditional sounds. Bands like Fokofpolisiekar and Van Coke Kartel, as well as singers such as Karen Zoid and Laurika Rauch, have played pivotal roles in popularizing the rock and pop sub-genres within the Afrikaans music scene. Their work has bridged generational gaps and brought contemporary issues to the forefront through their lyrics and melodies. The Folk Revival and Its Modern Twist In recent years, there has been a revival of interest in Afrikaans folk music, with artists like Chris Chameleon and Die Antwoord adding a modern twist to traditional styles. This revival has not only enriched the genre but also expanded its appeal to younger audiences both in South Africa and internationally. These artists blend traditional elements with modern music styles, creating a hybrid that is both fresh and deeply nostalgic. Afrikaans Music on the Global Stage Afrikaans music has increasingly made its mark on the international scene, with artists touring globally and participating in international music festivals. Acts like Die Antwoord have gained a following worldwide, showcasing the versatility and global appeal of Afrikaans music. Their unique blend of electronic music with Afrikaans rap has introduced the language and its culture to a global audience, highlighting the genre's ability to transcend cultural and linguistic barriers. The Future of Afrikaans Music The future of Afrikaans music looks promising as it continues to evolve and adapt to new trends and technologies. The genre's ability to innovate while staying true to its roots is a testament to the creativity and resilience of its artists. As more musicians experiment with blending different musical styles and technologies, Afrikaans music is set to continue its growth and influence, both within South Africa and across the world. Afrikaans music, with its rich heritage and dynamic present, plays a crucial role in the cultural expression of South Africa, offering insights into the community's past, present, and future aspirations. To complement the vibrant exploration of Afrikaans music, here are five standout songs that showcase the best of the genre. These tracks not only capture the essence of Afrikaans musical creativity but also offer a great starting point for those new to the scene: "Lisa se Klavier" by Koos Kombuis - Often hailed as one of the most beautiful Afrikaans songs, this track is a poignant ballad that showcases Koos Kombuis' deep lyrical abilities and emotive performance. "Toe Vind Ek Jou" by Francois van Coke ft. Karen Zoid - This powerful duet between two of Afrikaans rock's most iconic voices is both stirring and melodically rich, making it a modern classic in the Afrikaans music scene. "De La Rey" by Bok van Blerk - A contemporary anthem that became hugely popular for its rousing melody and historical references, this song is a staple at many Afrikaans gatherings and continues to resonate with listeners. "Liewe Maatjies" by Die Antwoord - Reflecting the unique style of Die Antwoord, this track mixes rap with electronic music, offering a distinctive sound that has brought international attention to Afrikaans music. "Blou" by Laurika Rauch - A classic by one of Afrikaans music's most enduring artists, this song's melodic flow and nostalgic lyrics offer a tender look at the themes of love and memory. These songs each provide a different flavor of Afrikaans music, reflecting the diversity and depth of the genre while celebrating its South African roots. The Afrikaans Music in South Africa in Music Talk Afrikaans music, a diverse and influential genre within South Africa's rich musical landscape, reflects the unique cultural heritage and modern expressions of the Afrikaans-speaking community. This article delves into the evolution, major artists, and contemporary trends in Afrikaans music, illustrating its role in shaping the nation's auditory identity. Historical Roots and Early Influences Afrikaans music has its roots deeply embedded in the folk traditions of the early Afrikaner settlers, blending European influences with local sounds. The early 20th century saw the rise of "Boeremusiek" or farmer's music, characterized by the use of accordions, concertinas, and guitars. These instruments set the foundation for the distinctive sound that would evolve into a broader musical genre, capturing the everyday life and stories of the Afrikaans-speaking people. Rise of Afrikaans Pop and Rock By the mid-20th century, Afrikaans music began to diversify with the introduction of pop and rock elements, giving rise to a new wave of musicians who modernized the traditional sounds. Bands like Fokofpolisiekar and Van Coke Kartel, as well as singers such as Karen Zoid and Laurika Rauch, have played pivotal roles in popularizing the rock and pop sub-genres within the Afrikaans music scene. Their work has bridged generational gaps and brought contemporary issues to the forefront through their lyrics and melodies. The Folk Revival and Its Modern Twist In recent years, there has been a revival of interest in Afrikaans folk music, with artists like Chris Chameleon and Die Antwoord adding a modern twist to traditional styles. This revival has not only enriched the genre but also expanded its appeal to younger audiences both in South Africa and internationally. These artists blend traditional elements with modern music styles, creating a hybrid that is both fresh and deeply nostalgic. Afrikaans Music on the Global Stage Afrikaans music has increasingly made its mark on the international scene, with artists touring globally and participating in international music festivals. Acts like Die Antwoord have gained a following worldwide, showcasing the versatility and global appeal of Afrikaans music. Their unique blend of electronic music with Afrikaans rap has introduced the language and its culture to a global audience, highlighting the genre's ability to transcend cultural and linguistic barriers. The Future of Afrikaans Music The future of Afrikaans music looks promising as it continues to evolve and adapt to new trends and technologies. The genre's ability to innovate while staying true to its roots is a testament to the creativity and resilience of its artists. As more musicians experiment with blending different musical styles and technologies, Afrikaans music is set to continue its growth and influence, both within South Africa and across the world. Afrikaans music, with its rich heritage and dynamic present, plays a crucial role in the cultural expression of South Africa, offering insights into the community's past, present, and future aspirations. To complement the vibrant exploration of Afrikaans music, here are five standout songs that showcase the best of the genre. These tracks not only capture the essence of Afrikaans musical creativity but also offer a great starting point for those new to the scene: "Lisa se Klavier" by Koos Kombuis - Often hailed as one of the most beautiful Afrikaans songs, this track is a poignant ballad that showcases Koos Kombuis' deep lyrical abilities and emotive performance. "Toe Vind Ek Jou" by Francois van Coke ft. Karen Zoid - This powerful duet between two of Afrikaans rock's most iconic voices is both stirring and melodically rich, making it a modern classic in the Afrikaans music scene. "De La Rey" by Bok van Blerk - A contemporary anthem that became hugely popular for its rousing melody and historical references, this song is a staple at many Afrikaans gatherings and continues to resonate with listeners. "Liewe Maatjies" by Die Antwoord - Reflecting the unique style of Die Antwoord, this track mixes rap with electronic music, offering a distinctive sound that has brought international attention to Afrikaans music. "Blou" by Laurika Rauch - A classic by one of Afrikaans music's most enduring artists, this song's melodic flow and nostalgic lyrics offer a tender look at the themes of love and memory. These songs each provide a different flavor of Afrikaans music, reflecting the diversity and depth of the genre while celebrating its South African roots. AFRIKAANS SINGERS THE HISTORY AND HERITAGE OF POPULAR AFRIKAANS MUSIC A short history of popular Afrikaans music If one wants to understand the heritage of popular Afrikaans music, it has to be viewed against the complex sociopolitical backdrop of the development of the language itself. Briefly explained, Afrikaans emerged as a result of the interaction at the Cape between European (mostly Dutch) settlers, the indigenous Khoikhoi and imported Malay slaves, and their descendants over the last three and a half centuries (Roberge 1993). By the mid-nineteenth century, it had become quite distinct from Dutch and was spoken by people diverse in terms of race, class, geography, reli- gion, culture and identity. Developing in a colonial context, racial hierarchies were established and divisions upheld. From a popular music perspective, this diverse cultural heritage saw music sung in Afrikaans and played by musicians from across the racial spectrum (Martin 2012). Dutch and German (and to a lesser extent English) liturgical music and secular songs formed a founda- tion for songs sung in the new language, while imported minstrel songs from America brought to the colony in the latter part of the nineteenth century added stylistic flavour (Van der Merwe 2015). Also influential were the local indigenous music traditions of the Khoikhoi, as well as those imported from the East by slaves. As a result, the popular music that developed from these sources represented clearly heterogeneous elements. This diversity also forms the basis of fault lines and tensions regarding its heritage. Popular Afrikaans music is, perhaps, with due consideration given to the dangers of what has become known as ‘South African exceptionalism’, unique in global popular music as the actual language itself (and therefore by extension, its music) developed parallel to global record-ing technologies. The first Afrikaans newspaper was founded in 1875, just 2 years prior to the invention of the phonograph in 1877. At the turn of the twentieth century, when gramophone records were becoming mass-produced, the Anglo-Boer War (1899–1902) was raging between Britain and the two independent Boer republics, the Zuid-Afrikaanse Republiek (commonly known as the Transvaal Republic) and the Republic of the Free State. These two republics were the manifestations of white Afrikaner nationhood, based on a specific linguistic and racial identity. Because of the interest the conflict attracted in Europe at the time, a few sympathetic European singers recorded the national anthems of the two republics in Brussels and The Hague during the war. These were the earliest Africana (sung in Dutch, but relating to Afrikaans) records. The first recordings in actual Afrikaans date to 1906 and were made in London Afrikaans Singer A Andriëtte Anke Fatheya Ahmed B Bok van Blerk Cristina Boshoff Piet Botha Bles Bridges Liza Brönner C Mimi Coertse posing in front of a sculpture of herself (Johannesburg, ca. 1965) Arno Carstens Chris Chameleon Mimi Coertse D Kurt Darren Izak Davel Al Debbo Coenie de Villiers Casper de Vries Ray Dylan E Erica Eloff Jurie Els Elvis Blue F Joanna Field Ada Forrest Afrikaans Singer G Anton Goosen H Sonja Herholdt Steve Hofmeyr J Theuns Jordaan Hennie Jacobs Fanie de Jager Lance James Watkin Tudor Jones Arno Jordaan Theuns Jordaan K Ada Cherry Kearton (married name of Ada Forrest) Johannes Kerkorrel Koos Kombuis Gé Korsten Karin Kortje David Kramer L Riku Lätti Patricia Lewis Nicholis Louw Stefan Ludik Laura Lynn Helmut Lotti N Nádine Nádine in the Netherlands in 2009 Nataniël Riana Nel Nianell Afrikaans Singer O Overtone are an a cappella group from Johannesburg . Overtone P Jack Parow Brendan Peyper Juanita du Plessis Koos du Plessis Gert Potgieter R Laurika Rauch S Leon Schuster Snotkop Etienne Steyn Amanda Strydom Valiant Swart T Shaun Tait Adam Tas V Bobby van Jaarsveld Bobby van Jaarsveld in 2009 Piet van Wyk de Vries Yolandi Visser Amor Vittone Francois Van Coke ; also the lead singer of punk rock bands Van Coke Kartel and Fokofpolisiekar W Willim Welsyn Robbie Wessels Heinz Winckler Dana Winner Z Karen Zoid performing on stage in 2009 Karen Zoid Nuutste Afrikaanse Musiek Jan 2023 VIEW THE VIDEO Lekker Afrikaanse Musiek Dec 2022 VIEW THE VIDEO Bernice West - Hy Jy Jy (Official Music Video) VIEW THE VIDEO Nicola Dreyer - Jy Weet Dit Is Jy VIEW THE VIDEO Riaan Benadé - Die Lot (Lirieke Video) VIEW THE VIDEO Ricus Nel - Trek Uit Jou Baadjie (Amptelike Musiekvideo) VIEW THE VIDEO Elandre - Asseblief (DJ Johnny Remix) VIEW THE VIDEO Jan Rhaap - Plaaskind VIEW THE VIDEO Logan Pietersen - Afrikaner Boervrou VIEW THE VIDEO ARMAND HOFMEYR - Case Trekker VIEW THE VIDEO Armand Steenkamp - Johanna Van Saldanha VIEW THE VIDEO Willem Botha - 2010 (Amptelike Musiekvideo) VIEW THE VIDEO Popular Afrikaans music (Van der Merwe 2015). More recordings followed, almost all of them made by white Afrikaans singers who were studying in London on scholarships, something which was not available to Afrikaans speakers of other races at the time. The first advertisements for Afrikaans popular music records started to appear in 1910, a few months after the Union of South Africa, which was a merger of the Cape and Natal Colonies with the defeated Boer republics. These early records were advertised in such a way that it played on the tension between Afrikaans and English speakers and appealed to a sense of Afrikaner nationhood. What this meant, ultimately, is that the very first recordings of popular Afrikaans music had close links to a group of white Afrikaans speakers and their aspirations of nationhood. Coloured and black Afrikaans speakers were excluded from these recordings, despite the fact that they had developed vibrant and unique music styles. The first local recordings were made in 1912 by George Walter Dilnutt on his mobile recording unit. More mobile studios arrived in the 1920s, but it was really with the start of the 1930s that the local recording industry took off, partly thanks to hugely successful working-class boeremusiek (literally translated ‘farmer’s music’) albums, of which those by singer David de Lange were the most popular. Such records caused tension among class-aware nationalists who, from the 1930s onwards, were intent on co-opting Afrikaner culture as a vehicle for white Afrikaner nationalism. Although these albums were recorded by white musicians, traditional boeremusiek represented a complex mixture of the urban and the rural, and of race and class. Developing during the nineteenth century and the early parts of the twentieth, it was regularly performed by coloured labourers for white farm- ers at their dance parties, just like other types of labour on the farms were designated to them. Ideologues from nationalist cultural organisations laboured to codify the language and cul- ture to embody a white Afrikaans-speaking volk (nation). Part of this project was the publication of a Volksangbundel (Folk songbook) by the Federasie van Afrikaanse Kultuurvereniginge (Federation of Afrikaans Cultural Organisations, or FAK for short) in 1937 with 314 sanctioned Afrikaans songs, ranging from national anthems to picnic songs. Popular Afrikaans music that did not meet the cultural requirements, like that of David de Lange, were deliberately excluded. The South African Broadcasting Corporation (SABC) was established in 1936, and from 1937 had a dedicated Afrikaans channel that transformed popular Afrikaans music. The ushering in of the apartheid era in 1948 heralded fleeting changes for South Africa. Its segregationist laws impacted on music performance in various ways. The destruction of mix- race urban centres like Sophiatown in Johannesburg in the mid-1950s also affected the perfor- mance of vibrant music styles like marabi jazz and swing by local black musicians. However, during the 1950s, kwela music (pennywhistle jive music that emerged among black musicians in and around Johannesburg) became a very popular genre for white recording artists (Allen 2008). Many Afrikaans musicians recorded kwela; the most prominent was the accordion virtuoso, Nico Carstens, who managed to sell in excess of a million LPs between 1954 and 1959. This coincided with the introduction of rock music to South Africa in 1956. Rock had a delayed influence on Afrikaans music. Although (possibly) the earliest Afrikaans song, ‘Gogga’ (an overt reference to The Beatles) dates to 1964, it was only from the late 1970s and early 1980s that Afrikaans music artists started playing rock music in Afrikaans. While abroad rock music had links with the social movements of the 1960s, it had limited impact among South African, including Afrikaans, youth. The 1960s represented the height of apartheid and white Afrikaners mostly accommodated its policies (Van der Merwe 2014). Furthermore, cen- sorship was strict: television was banned until 1976, and generally Afrikaans music remained superficial and heavily influenced by European Schlager music. It was only towards the end of the 1970s and into the 1980s that Afrikaans music artists started to question the political status quo. This happened at a time of growing wider discontent with the system of apartheid among Schalk van der Merwe white Afrikaans speakers. The 1980s were tumultuous years as South Africa erupted in wide- spread violence in the townships, forcing State President P.W. Botha to call a national state of emergency in 1985. White men also started campaigning against conscription, while mostly English bands performed under the banner of the End Conscription Campaign (ECC). Also around this time, early hip hop groups started to form in and around the coloured neighbour- hoods of Cape Town, although they remained largely underground. By the end of the decade, alternative Afrikaans rock musicians became staunchly critical of not just the political system but also the conservative white middle class in which they grew up. In the post-apartheid context, the Afrikaans culture industry has done well. After the state support it received under apartheid was suspended in 1994, it mostly withdrew into corporate hands (Steyn 2016). Dedicated Afrikaans television channels, radio stations, print media, online communities, brand identities and so forth have grown significantly, while Afrikaans arts festi- vals were established to ensure a vitality in the Afrikaans arts. The Afrikaans music industry has also boomed. Since 2000, a number of artists have passed the 1 million mark in sales in what is a small market. Since 2004, five Afrikaans artists have won the South African Music Award (SAMA) for best-selling local album, while in the 2012/2013 season the five top-selling local albums (of all genres, regardless of language) were Afrikaans (Van der Merwe 2017). However, the top rung of popular Afrikaans artists represent only a specific segment of the Afrikaans- speaking community. A long history of separation has made a lasting impact on commercial Afrikaans music. The mainstream remains overwhelmingly white and caters specifically for its own audience (some, like singer Steve Hofmeyr, have even come to embody right-wing Afrikaner political aspirations), despite the fact that they constitute a minority of first-language Afrikaans speakers. Although one can certainly argue that the Afrikaans recording business is – and always has been – driven by a profit model (aimed mostly at white Afrikaans speakers who have more spending power), it has at times caused friction and drawn accusations of exclusion. As a result, popular Afrikaans music has been included in political debates around linguistic identity, authenticity and the very future of Afrikaans itself. A brief tour of popular Afrikaans music studies The field of popular Afrikaans music studies is relatively young when compared to more estab- lished counterparts in Europe and the USA, or even wider popular music studies in South Africa itself. When the International Association for the Study of Popular Music (IASPM) was founded at the first popular music studies conference in Amsterdam in 1981, no academic study had yet been done on popular Afrikaans music. In fact, it was only towards the end of the 1990s, but especially from the early 2000s onwards, that academic work – emanating from a variety of disciplines – on popular Afrikaans music started to appear. One of the first was by Ingrid Byerly (1998), who identified early forms of resistance in popular Afrikaans music and brought it into the wider discussion on late-apartheid South African music. However, to date, very few articles on popular Afrikaans music have appeared in leading journals such as Popular Music (oneexception is Froneman 2014) or the Journal of Popular Music, or in major international collec-tions of work. There is also no local branch of IASPM in South Africa, although SASRIM (the South African Society for Research in Music), which is primarily a society for musicologists, has hosted conferences where papers on popular Afrikaans music have been presented. The newly formed Africa Open Institute for Music Research and Innovation at Stellenbosch University is partly dedicated to the advancement of popular music studies, but popular Afrikaans music stud- ies as a ‘field’ is yet to be formally institutionalised at a South African university. There are, of course, historical factors that have delayed and frustrated its development. Popular Afrikaans music The political context of the apartheid era was instrumental in dividing the local attentions of musicologists between Western classical music (as many Afrikaans conservatoires tended to do, thereby also subtly accommodating the dominant narrative of white cultural supremacy) and ethnomusicology involved with local black music that represented various forms of resistance, mostly undertaken by liberal scholars in opposition to apartheid (Lucia 2005, p. xxxv). Thus, while popular music studies were gaining legitimacy abroad and among liberal local scholars (for example Anderson 1981, Coplan 1985), popular Afrikaans music was doubly excluded: from within the conservative Afrikaans scholarly community which did not regard it as a legitimate field (reflecting the global stance before the 1980s) to other scholars who regarded it as part of the culture of the oppressor. There was some merit in this assumption, since white Afrikaners as a group had the most invested in apartheid, and popular Afrikaans music often complied with, and reflected, its cultural requirements. There were, however, instances towards the end of apartheid when Afrikaans music artists resisted these requirements, and these were the first to draw academic attention, mostly from outside the field of musicology. The most prominent example of this was the anti-establishment Afrikaans rock music of the 1989 Voëlvry (literally translated as ‘free as a bird’, or even ‘free penis’) tour. The tour consisted of three acts, head- lined by Johannes Kerkorrel (Johnny Church Organ) and the Gereformeerde (‘Reformed’) Blues Band, with Bernoldus Niemand (Bernard Nobody, the working-class alter ego of native English-speaking artist James Phillips) and poet/songwriter André Letoit, who later changed his name to Koos Kombuis (Jacob Kitchen). Voëlvry is commonly regarded as the height of political Afrikaans music against a con- servative white middle-class Afrikaner society and apartheid politics. Journalist and writer Pat Hopkins (2006) published an authoritative book on Voëlvry, accompanied by a DVD produced by Shifty Records (a small, progressive record company that recorded, among other things, political music during the 1980s) boss Lloyd Ross. Although perhaps not strictly speaking an academic investigation, the book is more than just a documentation of the tour, and Hopkins successfully interrogated the way in which Voëlvry subverted the deep historical relationship between Afrikaner nationalism and Afrikaans music. Koos Kombuis’s Sex, drugs en boeremusiek (2000) and Short drive to freedom (2009), on the other hand, offer autobiographical accounts of his experiences as part of Voëlvry. Apart from these books, there is a substantial body of academic articles on Voëlvry. Jury (1996), Bosman (2004), Grundlingh (2004), Laubscher (2005), Viljoen (2005), Baines (2008) and Suriano and Lewis (2015) have all focused on either the movement directly, or the artists associated with it. Not unlike popular music studies elsewhere, protest singers, poets (through literature studies of their lyrics) and music movements are often explored themes and Voëlvry embodied all of these. Apart from Voëlvry (and distinctly different in what it represented), the hit song ‘De la Rey’ has featured prominently in the literature on popular Afrikaans music. It was released in 2006 by singer Bok (‘Buck’) van Blerk and the album (with the same name) became the fastest sell- ing Afrikaans debut album in history. The song was a reference to Koos De la Rey, a revered Boer general in the Anglo-Boer War (1899–1902), and the stunning effect of this invocation in post-apartheid South Africa drew much scholarly attention (Du Pisani 2001, Bezuidenhout 2007, Lotter 2007, Baines 2009, Lambrechts and Visagie 2009, van der Waal and Robins 2011, Pretorius 2013). Furthermore, apart from a flood of local newspaper articles, it also featured in UK’s The Guardian (McGreal 2007) and The New York Times (Wines 2007). Although not groundbreaking in terms of musical style (a slow paced, folky ballad with a 6/8 time signature that is easy to sing along to) ‘De la Rey’ struck a nerve which is of significant importance for the study of post-apartheid Afrikaner identities. It is a controversial song. Some interpret it as a call to arms (McGreal 2007), while others have questioned its play on Afrikaner nostalgia: Schalk van der Merwe (Bezuidenhout 2007, Baines 2009, van der Waal and Robins 2011). The song’s popularity hinted at a surprisingly high degree of social cohesion among white Afrikaans speakers in the absence of political party platforms. ‘De la Rey’ provided an opportunity for many to express solidarity with an Afrikaner identity that was rooted in victimhood (the loss of independence in the Anglo-Boer War and the horrors of British concentration camps), instead of relating to the days of being in power (during apartheid). Such nostalgia encodes all sorts of meanings, from rightwing Afrikaners trying to hijack the song as an anthem of white power, to representing a retreat from the wider South African society in which it is felt that Afrikaans as a language and a culture is under threat. Expanding somewhat on this topic is Senekal and Van den Berg’s (2010) lyrical analyses of 62 post-apartheid Afrikaans songs released between 1998 and 2009. The most common themes they identified had to do with crime, service delivery, appeals to stand together and more com- plex issues surrounding (assumedly white) Afrikaner identity. Under the latter, they included issues surrounding the problematic place of the Afrikaner in South Africa, the new generation positioned between the past and the future, the changing landscape (including Afrikaans place names), the maltreatment of the past and emigration as an alternative. These themes suggest that a number of Afrikaans artists experience a sense of friction within the wider, culturally plural- istic South African society. Stylistically, many of the younger generation of Afrikaans protest singers seem to have continued on a trajectory established by Voëlvry, but since the context has changed so dramatically, so has its meaning. The broader South African public is sensitive to Afrikaner calls ‘to stand together’ or complaints about crime and the government’s ineffi- ciency, and often, whether legitimately or not, see them as the cultural tropes of right-leaning Afrikaners. Deidre Pretorius (2013) has made an important study of stylised representations of masculinity in Huisgenoot Tempo magazine (the premier Afrikaans pop magazine). Here, she identified seven stereotypes: boer, metroman, sportsman, retroman, student, worker and rebel, all vari- ations of white male identities. Another more recent phenomenon that has attracted much academic interest is Afrikaans music’s biggest export, the zef (‘common’ or working class) rap group, Die Antwoord (‘The Answer’). Haupt (2012a) has looked at both Bok van Blerk and Die Antwoord (specifically their use of blackface) while exploring important issues of race and agency in post-apartheid music, media and film. Heavily influenced by coloured and black gangster culture even though they are white, Die Antwoord’s appropriation of the cultural practices of the ‘other’ was discussed in a special roundtable edition in the Journal of South African and American Studies, or Safundi (Haupt 2012b, Kreuger 2012, O’Toole 2012, Van der Watt 2012). Other articles on Die Antwoord have also appeared elsewhere that focus on issues of authenticity, whiteness, cultural appropriation and the like (Marx and Milton 2011, Scott 2012, Haupt 2013, Smit 2015). Haupt is a leading author on South African hip hop and has focused especially on its development around col- oured neighbourhoods on the outskirts of Cape Town from the 1980s onwards, and how it has encoded issues of power, authenticity, race, identity and language. Often rapping in vernacular Afrikaans, these artists portray an alternative type of popular Afrikaans music that stands outside the standard space where mainstream white popular Afrikaans music, with its exclusive and insu- lar nature, dominates. They also represent deep-rooted fault lines among the various first language Afrikaans-speaking communities. Haupt (2006) has also addressed the motives behind Afrikaans arts festivals that invite coloured Afrikaans groups to perform there. He questions whether or not these are acts of buying legitimacy, and furthermore, if coloured artists are only acceptable (and thereby given access) if they perform music that caters for the tastes of white Afrikaans speakers. Whereas the literature on Voëlvry, ‘De la Rey’ and Die Antwoord is very specifically focused, there has been a number of works that have employed a broader scope. The widest Popular Afrikaans music is On Record: Popular Afrikaans Music and Society, 1900–2017 (Van der Merwe 2017), which provides a historical take on salient themes in the entire history of recorded Afrikaans music to the present, starting with the first Africana and Afrikaans records. Rob Allingham, archivist of the Gallo Record Company (an important South African label that has released a trove of local music since 1930, including very popular early boeremusiek records), was the first to provide a summary of the history of popular Afrikaans music, in the African, European and Middle Eastern section in World Music: The Rough Guide (Allingham 1999). Although a potted version, he did manage to highlight many important historical themes such as the influence of imported American music on the ‘concertina-led brand of dance-music’ of the 1930s (a reference to boeremusiek), the ubiquitous background of Afrikaner nationalism, the post-war imitation of middle-of-the-road European light music styles, the emergence of alternative Afrikaans music during the 1980s and 1990s, and the link between music revivalists and right-wing politics after 1994 (Allingham 1999, p. 651). Denis-Constant Martin’s Sounding the Cape (2012) is a notable work that provides a long his- torical account of the social complexities that played on the development of music traditions in and around Cape Town and beyond. It pays proper attention to the enormous cultural contri- butions of coloured and black musicians across a variety of genres and also highlights the role of racial segregation in breaking musical relations that have historically transcended such bounda- ries. Although it is not specifically focused on Afrikaans music, a large part of the study includes Afrikaans music elements that have emerged in this setting. Importantly, the book bridges the lasting insularity that persists in the music industry to give a comprehensive and balanced view of the music of the Cape. Another important study is Froneman’s ethnomusicological work on boeremusiek (2012), which is of special significance for the period from the 1930s to the 1950s, when it was one of the most popular genres of recorded Afrikaans music. The literature on boer- emusiek actually has a longer history. Between the 1940s and the 1960s, nationalist intellectuals wrote numerous papers and articles and made regular speeches on whether or not boeremusiek resembled an authentic Afrikaans folk tradition. They were especially interested in the cultural value of the genre and how to preserve it against foreign influences like jazz. These were, how- ever, written from a nationalist angle and subscribed to the dominant narrative of racial segrega- tion and hierarchies of apartheid. Froneman succeeds in portraying the position of boeremusiek as a juncture between race, class, religion, morality, politics, power and identity, and is authorita- tive. Klopper’s (2009) dissertation on the Afrikaans punk rock band, Fokofpolisiekar (‘Fuck off police car’), is authoritative and provides a lyrical analysis of this hugely influential group’s work. Klopper (2011) also published a biography on the band for a wider, less academic, readership. There are also other popular works, like Danie Pretorius’ Musieksterre van gister en vandag: Lewensketse En Foto’s Van Meer as 100 Musieksterre (‘Music stars of yesterday and today: life sketches and photos of more than 100 music stars’; Pretorius 1998) and Ilza Roggeband’s 50 Stemme: Die grootste name in Afrikaanse musiek (‘50 voices: the biggest names in Afrikaans music’; Roggeband 2009) that provide biographic and discographic information about prominent Afrikaans singers. Another example is the 2003 documentary, Kom laat ons sing (‘Come let us sing’), presented and co-produced by singer Laurika Rauch (Rauch et al. 2003). Here, the main focus was on Musiek-en-Liriek (‘Music and Lyric’), a television programme aired in 1979 that heralded a new phase in Afrikaans music. Although more folk than overtly political, some sub- tle resistance started to emerge in the music. The documentary also provided a wider historical perspective on popular Afrikaans music, including the manner in which apartheid censorship prohibited a lot of music innovation and how the post-apartheid era represents a time of libera- tion. The South African music industry during apartheid was indeed subject to strict censorship, mostly written about by Merrett (1994) and Drewett and Cloonan (2006). This had a direct Schalk van der Merwe impact on the production of popular music, including popular Afrikaans music. The SABC used extremely subjective measures to determine which songs could be broadcast or not. As political tension increased during the 1980s, so did the power and intensity of censorship. It is clear that, although a relatively new field, the literature on popular Afrikaans music stems from numerous disciplines and is growing at a rapid pace. There is, however, still much room and scope for studies on, for example, Afrikaans music videos, postmodernity in popular Afrikaans music, issues of gender, its role in mass Afrikaner culture and the relationship between music and technology. In terms of archives, most South African university libraries have music collections that range from ethnic to Western art music, and in some cases also popular music. However, archival material of specifically popular Afrikaans music is more limited. An impor- tant archive is the Documentation Centre for Music (DOMUS) at Stellenbosch University, which houses the personal archives of influential Afrikaans artists like Anton Goosen and Nico Carstens. DOMUS also houses the Hidden Years Music Archive Project (HYMAP), which is a vast collection of material (live recordings, albums, ephemera) documenting the popular music scene in South Africa between 1960 and 2005, and is currently being sorted. It is one of the best sources of information on popular music performance in South Africa during apartheid. The radio archives of the SABC in Johannesburg hold numerous transcription records (many in Afrikaans), censored albums (of which offending tracks were scratched out) and the like, and although it is not all sorted, it remains an important source. The Gallo Record company has an archive in Johannesburg, but it is currently (as far as can be ascertained) not curated and difficult to access. One of the more useful online sources is the South African Audio Archive (2017), which features audio clips and visuals donated by private collectors. The oldest Afrikaans recording on the site dates to 1912. Another useful online resource is the South African Rock Encyclopaedia (2017), which focuses on local rock in both English and Afrikaans. A welcome new venture is the Music van de Caab Museum on the Solms-Delta wine farm in Franschhoek which aims at showcasing the music heritage of the Cape, which is in line with the farm’s broader policy of empowering farm workers and celebrating their cultural roots. This is important in a wider context of not just preserving, but re-discovering, aspects of coloured Afrikaans music heritage that fall outside the popular mainstream. If one looks at more modern manifestations of such linguistic and racial identities in Afrikaans music (mostly hip hop), artists like Jitsvinger (who performs in an Afrikaans dialect called Afrikaaps), Churchill Naudé and Hemelbesem are notable names. The history of popular Afrikaans music is a rich one and part of a tumultuous and complex past. It is an especially relevant topic when it comes to determining the contours, or looking for indications of, social cohesion (and tension) among its various speak BACK TO TOP

  • Our Programm | Radio Sam Broadcaste

    Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event Radio SAM Broadcaster Germany - Our Programm when we Broadcasting Hours... Mondays to Fridays DJ HERBERT 24/7 Top Mixed Music Friday DJ Nighthawk 19h30 till 22h00 Afrikaans Music and Germany Schlager Music Saturdays DJ Nighthahwk 19h00 till 21h30 German Schlager Music - Afrikaans Music - Oldies But Goldies Music Music Music to Enjoy were ever you go,your Internet Radio Stations Our Tune-In Downloads for PC for Phone and Ipad. And to Share with friends and Family... Welcome to Radio SAM Broadcaster Germany! We are dedicated to bringing you the best music experience possible. Our platform is designed to make sure you never miss out on your favorite artists, and discover new ones. Click here to start exploring our wide range of music genres, and customize your own playlist today! Radio SAM Broadcaster Germany - Your Ultimate Music Companion Discover Your Unique Music Taste At Radio SAM Broadcaster Germany, we understand that music is personal. That's why we offer a variety of music genres for you to explore, from classic rock to modern pop, and everything in between. Discover your unique music taste today and let us be your ultimate music companion. Professional Music Curation Our team of professional music curators works tirelessly to bring you the best music experience possible. We carefully select each track to ensure that our platform is always up-to-date with the latest hits and hidden gems. Trust us to provide you with the best music curation service around. Peace of Mind Guaranteed At Radio SAM Broadcaster Germany, we strive to provide you with peace of mind. Our platform is user-friendly, reliable and always up-to-date. With us, you never have to worry about missing out on that amazing event or concert again. Let us take the hassle out of finding out where your favorite artist is performing. BACK TO TOP

  • Our Radio Stations | Radio Sam Broadcaste

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  • Geustbook | Radio Sam Broadcaste

    Say Hello Welcome to Our Gestbook if you are enjoying the Website Leave us Please a Small Message or Note Thankyou for Visiting our Website / Homepage . Steedener weg 65594 Dehrn/ Runkel Germany Phone Andreas Dezius Email First Name Last Name Email Message Send Thanks for submitting! a.dezius@gmail.com Facebook Twitter Youtube Instagram

  • Afrikaans Music | Radio Sam Broadcaste

    AFRIKAANS MUSIC Afrikaans music is a genre that originated in South Africa and is sung in the Afrikaans language. It is known for its emotional and heartfelt lyrics, often touching on themes of love, loss, and the beauty of the South African landscape. The music is typically accompanied by guitar and other traditional instruments, and can range from slow ballads to upbeat, danceable tunes. Some popular Afrikaans artists include Spoegwolf, Riaan Benadé, and Theuns Jordaan. (AI Generated) Top Afrikaans Songs of All Time Friday, August 02, 2019 at 8:29 AM by Peris Walubengo 6 min read Music is highly placed in the life of an African since it is one of the integral parts of their culture. Over the years the Afrikaans tribe of South Africa has produced some of the best musicians who have confounded fans with their amazing hits in the unique Afrikaans language. Did you know that, fine music can always be defined by more than just the language it is sung in? Keep reading to discover the Top Afrikaans Songs of All Time. Read more: https://briefly.co.za/34552-top-afrikaans-songs-all-time.html die heuwels fantasties Jack Parow Bok van Blerk rock south africa Fokofpolisiekar Glaskas Jan Blohm Van Coke Kartel Zinkplaat happy Laurika Rauch Robbie Wessels Spoegwolf Koos Kombuis Ray Dylan Francois Van Coke Jay Karlien van Jaarsveld Kurt Darren Straatligkinders Straatligkinders Valiant Swart chill Karen Zoid Riana Nel Theuns Jordaan aKING eden indie Desmond & The Tutus Die Tuindwergies Foto Na Dans Lianie May Shortstraw Various acoustic afrikaans rock classic afrikaans dance easy listening pop sokkie south african suid-afrikaans éF-éL Adam Alleen Na Desember Bobby van Jaarsveld David Kramer Die Antwoord Gerhard Steyn Jakkie Louw Jeremy Loops Johannes Kerkorrel Juanita du Plessis Lukraaketaar Mel Botes Pierre Greeff Snotkop folk sing along suidafrika Bittereinder Borrah And Borrah And Mad ProfessorMad Professor Brendan Peyper Dans Dans Lisa Dewald Wasserfall Dozi Elvis Blue Etienne Steyn Frank Ocean Frieda van den Heever Gazelle Goldfish GoodLuck Haezer Jak de Priester Joshua Na Die Reën Justice Kaleidoskoop Kevin Leo Klopjag Kongos Koos Du Plessis LCNVL MK Mandoza Matthew Mole Milky Chance Mimi Coertse Miriam Makeba Nicholis Louw Okay Orange Sector Rooies Grobbelaar Shadowclub Stef Bos Steve Hofmeyr The Parlotones The Plastics Akkedis Al Bairre AlexDavid-2 Amanda Strydom Andre Swiegers Andriette Angus Angus & Julia Stone Anke Anna Davel Anton Botha Arno Carstens Arno Jordaan August Rush (Motion Picture Soundtrack) Autoheart BLEACHERS BLK JKS Barry Louis Polisar Bebo Best Ek Mis Jou Elizma Theron Elvis se Seun Estevan Cruz 1 FPK Farryl Purkiss Fifth Harmony Flip a Coin Frankie Goes to Hollywood Fredrik Thordendal's Special Defects Freshlyground Frikkie En Die Dolfyne Fuzigish Gang of Rhythm George Ezra Gerrie Pretorius Gert Bekker Gert Vlok Nel Gone In The Daylight Guus Meeuwis List of South African musicians A Afrotraction (Mzwandile Moya; born 1983), R&B and neo-soul musician and producer AKA (1988–2023), hip-hop artist and record producer aKing , acoustic rock band Akustika Chamber Singers , chamber choir from Pretoria Sizwe Alakine , Amapiano musician (aka Reason, rapper) Amampondo , traditional Xhosa percussion group from Cape Town Anatii (born 1993), hip-hop artist and record producer A-Reece (born 1997), hip-hop artist and lyricist Leigh Ashton (born 1956), singer-songwriter from Johannesburg Assagai , Afro-rock band active in the early 1970s Robin Auld , singer songwriter The Awakening , gothic rock Aymos , singer songwriter B Julian Bahula (1938–2023), jazz drummer Ballyhoo , 1980s pop band best known for the hit "Man on the Moon" Zakes Bantwini [1] Leonel Bastos (born 1956), Mozambiquan adult contemporary musician and producer working in South Africa Battery 9 , industrial music project from Johannesburg Beatenberg Amanda Black (born 1993), Afro-soul singer-songwriter BlackByrd , pop trio BLK JKS , rock band Elvis Blue , musician and songwriter Bongo Maffin , kwaito music group Boo! , band Boom Shaka , kwaito music group Stef Bos (born 1961), singer Cristina Boshoff (born 1980), folk pop singer and pianist Brasse Vannie Kaap , hip-hop group Bles Bridges (1947–2000), singer Bright Blue , 1980s pop band, best known for the hit song "Weeping" The Brother Moves On , performance art ensemble Buckfever Underground , folk/punk/art band Bucie (born 1987), R&B and soul singer Bulletscript , metal band Busiswa (born 1988), house musician Jonathan Butler (born 1961), singer-songwriter and guitarist Guy Buttery (born 1983), guitar player C Adrienne Camp (born 1981), singer-songwriter Captain Stu , ska, funk, punk, and soul fusion band Arno Carstens (born 1972), former lead singer of Springbok Nude Girls Louise Carver (born 1979), folk rock singer-songwriter and pianist Cassette , rock band Cassper Nyovest (born 1990), rapper and record producer Tony Cedras (born 1952), musician Chad , (born 1993), rapper Yvonne Chaka Chaka (born 1965), singer Chris Chameleon (born 1971), solo artist, lead singer and bass guitarist for Boo Blondie Chaplin (born 1951), singer and guitarist Jesse Clegg (born 1988) Johnny Clegg (1953–2019) Clout , 1970s rock group Basil Coetzee (1944–1998), saxophonist Mimi Coertse (born 1932), soprano singer Fifi Cooper (born 1991), singer Tony Cox (born 1954), guitarist Crashcarburn , rock band Crossingpoint , Christian progressive hardcore band Cutting Jade , five-piece rock group Civil Twilight , four-piece rock band Crow Black Sky , black metal band Costa Titch (1995–2023), Amapiano rapper and dancer Covenant Voices , mass gospel choir with elements of traditional Zulu music, jazz, R&B and contemporary music D Da L.E.S (born 1985), hip-hop artist Simphiwe Dana (born 1980) Danny K (Daniel Koppel), R&B singer-songwriter Kurt Darren , singer Pierre de Charmoy (born 1961), singer-songwriter Steven De Groote (1953–1989), classical pianist and winner of the Van Cliburn International Piano Competition Fanie de Jager (born 1949), operatic tenor Die Antwoord , alternative hip hop group[2] Die Heuwels Fantasties , Afrikaans rock band Bonginkosi Dlamini (born 1977), poet, actor and singer, also known as Zola Dollar Brand (born 1934) Donald (born 1985), singer Dorp , rock band Downfall , ska and punk band Dr Victor and the Rasta Rebels, reggae Dreamteam , hip-hop group from Durban Jabulani Dubazana , singer, Ladysmith Black Mambazo Lucky Dube (1964–2007) Ampie du Preez , singer and guitarist Johnny Dyani (1945–1986), jazz double bassist DJ Speedsta , hip-hop DJ E Dennis East , singer Shane Eagle (born 1996), hip-hop artist Alton Edwards , singer Eden , pop band Elaine (born 1999), singer and songwriter Endorphine Emtee (born 1992), hip-hop artist Dawid Engela (1931–1967), composer and musicologist éVoid , 1980s new wave Erica Eloff , soprano F The Fake Leather Blues Band Falling Mirror , alternative rock band Brenda Fassie (1964–2004) Ricky Fataar (born 1952), drummer Duncan Faure , singer-songwriter formerly with the band Rabbitt Mongezi Feza (1945–1975), trumpet player and flautist Anton Fig (born 1952), drummer Josh Fix , singer-songwriter Fokofpolisiekar , Afrikaans rock band Foto na Dans , Afrikaans rock band Four Jacks and a Jill , folk rock ensemble Johnny Fourie (1937–2007), jazz guitarist Freshlyground , Afro-fusion band Fuzigish , ska punk band G Hotep Idris Galeta (born 1941), jazz pianist Goldfish , electronic duo Goodluck , electronic music band Anton Goosen (born 1946), singer Die Grafsteensangers , comical entertainment group Lani Groves (born 1980), cellist and singer H Half Price , punk rock band Paul Hanmer , composer, pianist, and jazz musician The Helicopters , pop rock band active in the 1980s Ken E Henson (born 1947), musician Henry Ate , band Sonja Herholdt (born 1952), singer-songwriter Hog Hoggidy Hog , band Steve Hofmeyr (born 1964), singer and actor I Abdullah Ibrahim (born 1934) Zaki Ibrahim , singer-songwriter iFANi (born 1985), hip-hop/rap artist, Isochronous , rock band J Jabu Khanyile (1957–2006) Robbie Jansen (1949–2010) Jeremy Loops (born 1986), modern folk, singer Jesse Jordan Band Theuns Jordaan (born 1971), singer and songwriter Claire Johnston (born 1967), lead singer of Mango Groove Trevor Jones (born 1949), composer Armand Joubert (born 1995), singer-songwriter Joy , a vocal group John Edmond (born 1936), singer John Ireland (born 1954), singer and songwriter Juluka , band Just Jinjer (previously Just Jinger) JR , rapper Junkyard Lipstick , five-piece, female metal band L-Tido (born 1982), hip-hop artist, aka 16V K Kabelo Mabalane (born 1976), kwaito artist, former member of TKZee Kabza de small , an amapiano producer and DJ Kalahari Surfers Kamo Mphela , an amapiano musician and dancer Wouter Kellerman (born 1961), flautist Johannes Kerkorrel (1960–2002) Sibongile Khumalo (born 1957), singer Francois Klark , pop singer based in Canada KOBUS! , band Koos Kombuis (born 1954) John Kongos (born 1945) Kongos , band Gé Korsten (1927–1999) David Kramer (born 1951) Kwesta , hip-hop artist and poet K.O , hip-hop artist and record producer Kyle Watson , record producer and DJ L Felix Laband , electronic musician Riku Lätti , songwriter, composer, music producer Ladysmith Black Mambazo (born 1960), isicathamiya group Don Laka , jazz musician, pianist, producer Robert Lange (born 1948), music producer Lark , band Jack Lerole (c. 1940–2003), tin whistle player; singer Solomon Linda (1909–1962), songwriter Lira (Lerato Moipone Molapo; born 1979), singer Locnville , electro hop music duo Steve Louw (born 1955), singer-songwriter Roger Lucey , singer and guitarist Lucky Dube , singer and keyboard player M Mark Haze , rock singer Sipho Mabuse (born 1951), singer Arthur Mafokate , kwaito singer and composer Mahlathini and the Mahotella Queens , a mbaqanga band Vusi Mahlasela (born 1965) Patricia Majalisa , bubblegum artist Makgona Tsohle Band (1964–1999), a mbaqanga instrumental band Bongi Makeba (1950–1985), singer-songwriter Miriam Makeba (1932–2008) Malaika (group) Petronel Malan (born 1974), concert pianist Man As Machine Mandoza (born 1978), kwaito singer Mango Groove Mildred Mangxola (born 1944), singer in Mahlathini and the Mahotella Queens and member of the Mahotella Queens Manfred Mann MarcAlex , group known for the hit "Quick Quick" Josef Marais (1905–1978) Martin PK Hugh Masekela (born 1939) Dorothy Masuka (born 1935), jazz singer Neels Mattheus (1935–2003), traditional musician Dave Matthews (born 1967), lead singer and founding member of Dave Matthews Band Irene Mawela (born 1940), veteran singer and composer Illana May Abednego Mazibuko , singer with Ladysmith Black Mambazo Albert Mazibuko (born 1948), singer with Ladysmith Black Mambazo Thandiswa Mazwai (born 1976) Chris McGregor (1936–1990), jazz pianist and composer Busi Mhlongo (1947–2010), singer, dancer and composer Mind Assault Moreira Chonguica (born 1077), jazz saxophonist and producer Kippie Moeketsi (1925–1983), saxophonist Pops Mohamed (born 1949), jazz musician Louis Moholo (born 1940), drummer Matthew Mole Moonchild Sanelly (Sanelisiwe Twisha, born 1987), musician and dancer Moozlie (born 1992), hip-hop artist and television presenter Lebo Morake (aka Lebo M) Shaun Morgan (born 1980), singer also known as Shaun Morgan Welgemoed Ike Moriz (born 1972), singer, composer and lyricist Jean Morrison , alternative rock singer-songwriter Mshengu White Mambazo (1976–2003), junior choir of Ladysmith Black Mambazo Mthunzi, amapiano singer-songwriter Colbert Mukwevho , reggae singer Russel Mthembu , singer with Ladysmith Black Mambazo Muzi (born 1991), electronic musician MVZZLE (born 1995), record producer Msaki (born 1988) singer-songwriter, composer N Nádine (born 1982), singer-songwriter The Narrow Nasty C (born 1997), hip-hop artist and record producer Bongani Ndodana-Breen , composer Jim Neversink , alternative country singer-songwriter and guitarist New Academics Steve Newman Bernoldus Niemand (1959–1995) Simon "Mahlathini" Nkabinde (1937–1999), Mbaqanga singer Nkosazana Daughter , an upcoming amapiano artist West Nkosi (1940–1998), mbaqanga musician No Friends of Harry Nobesuthu Mbadu (born 1945), singer in Mahlathini and the Mahotella Queens and member of the Mahotella Queens Siphiwo Ntshebe (1974–2010), operatic tenor from New Brighton , Port Elizabeth Ashton Nyte , solo artist as well as lead singer and producer of The Awakening Nadia Nakai (born 1990), hip-hop artist O Sarah Oates , violinist and associate leader Philharmonia orchestra Wendy Oldfield , rock singer-songwriter Oskido (born 1967), record producer and songwriter P Jack Parow (born 1982), hip-hop artist The Parlotones , indie rock band Al Paton , singer-songwriter, producer, and percussionist Orville Peck , country musician Petit Cheval , New Romantic rock group Ray Phiri (1947–2017), Jazz, jazz fusion, reggae and mbaqanga musician James Phillips , singer-songwriter also known as Bernoldus Niemand Anke Pietrangeli (born 1982), winner of the second series of Idols Dizu Plaatjies , founder and former lead singer of Amampondo PJ Powers (born 1960) Prime Circle , rock band Professor (born 1978), Kwaito musician Dudu Pukwana (1938–1990), saxophonist, pianist, and composer Purified , Christian hip-hop artist Q Qkumba Zoo R Rabbitt Trevor Rabin (born 1954), musician Dolly Rathebe (1928–2004) Laurika Rauch , Afrikaans singer Reason , rapper Surendran Reddy (1962–2010) pianist and composer Riddare av Koden Riky Rick (born 1987), hip-hop artist and record producer Rooibaardt , rock band Rouge (rapper) R Rabbitt Trevor Rabin (born 1954), musician Dolly Rathebe (1928–2004) Laurika Rauch , Afrikaans singer Reason , rapper Surendran Reddy (1962–2010) pianist and composer Riddare av Koden Riky Rick (born 1987), hip-hop artist and record producer Rooibaardt , rock band Rouge (rapper) S Sandy B , house music singer Savuka , band Robert Schneider of The Apples in Stereo Leon Schuster (born 1951), singer Seether , formerly called Saron Gas, hard rock and alternative metal band Gerard Sekoto (1913–1993) Judith Sephuma (born 1974), jazz and Afro-pop singer Jockey Shabalala (1943–2006), singer with Ladysmith Black Mambazo Joseph Shabalala (born 1941), lead singer and founder of Ladysmith Black Mambazo Msizi Shabalala (born 1975), singer with Ladysmith Black Mambazo Sibongiseni Shabalala (born 1973), singer with Ladysmith Black Mambazo Troye Sivan (born 1995), South African-born Thamsanqa Shabalala (born 1977), singer with Ladysmith Black Mambazo Thulani Shabalala (born 1968), singer with Ladysmith Black Mambazo Shane Eagle (born 1996), hip-hop artist and lyricist Shiraz , band active 1984–1984 Silver Creek Mountain Band , folk band Margaret Singana (1938–2000) Robert Sithole , pennywhistle player Skylight , pop rock band Kyla-Rose Smith (born 1982), violinist and dancer Enoch Sontonga , teacher, lay-preacher and composer who wrote "Nkosi Sikelel' iAfrika " South African National Youth Orchestra Springbok Nude Girls The Square Set Zanne Stapelberg (born 1977), opera soprano Dale Stewart (born 1979) Sterling EQ , Classical crossover group Stimela , Afro-fusion band formed in 1982 Straatligkinders , Afrikaans rock band Sugardrive , rock group Valiant Swart (born 1965) Okmalumkoolkat (born 1983), hip-hop artist Stogie T , hip-hop artist Sun-El Musician , DJ and music producer Y Pretty Yende (born 1985), operatic soprano from Piet Retief, Mpumalanga Yorxe (born 1998), singer and songwriter YoungstaCPT (born 1991), rapper and songwriter T Tananas Taxi Violence Peta Teanet , singer TKZee , kwaito group Hilda Tloubatla (born 1942), lead singer of Mahotella Queens , and singer in Mahlathini and the Mahotella Queens Tokollo Tshabalala , kwaito singer also known as Magesh Peter Toussaint , singer-songwriter and guitar player Toya Delazy , pop singer and pianist Tribe After Tribe , alternative rock band Tuks , hip-hop artist Tumi and the Volume , hip-hop music ensemble Tweak , alternative rock band Tyla , a South African pop artist U Uhuru , Kwaito and afropop music group Uncle Waffles , Swazi-born DJ and record producer Urban Creep , rock band V Bobby van Jaarsveld (born 1987), singer-songwriter and actor Bok van Blerk (born 1978) Van Coke Kartel , Afrikaans alternative rock band Amor Vittone (born 1972), singer W Watershed , pop rock band founded in 1998 Shaun Welgemoed (born 1978) Heinz Winckler (born 1978), singer who won the first series of Idols Winston's Jive Mixup (1943–2009), tenor saxophone player Babes Wodumo (born 1994), gqom musician Wonderboom , rock band Markus Wormstorm , electronic musician and composer Y Pretty Yende (born 1985), operatic soprano from Piet Retief, Mpumalanga Yorxe (born 1998), singer and songwriter YoungstaCPT (born 1991), rapper and songwriter Z Zahara (born 1987), singer-songwriter and poet Zebra & Giraffe , alternative rock band Karen Zoid (born 1978) Zola (born 1977) Zonke (born 1979), singer-songwriter and record producer DJ Zinhle , DJ and producer AFRIKAANS MUSIC LINKS Top Afrikaans 2020 - YouTube Music Best Afrikaans 2024 ♫ Top 100 Afrikaans Songs 2024 ... - YouTube Music 45 Free Afrikaans music playlists | 8tracks radio Best Afrikaans Songs of 2023 - New Afrikaans Songs - Chosic Afrikaans musiek - YouTube Music Afrikaanse Musiek Videos - Nuutste December 2024 - YouTube AFRIKAANS SOKKIE TREFFERS 2024 (BESTE SOKKIE MUSIEK) Top afrikaans artists - Last.fm Afrikaanse musiek videos - Nuutste Nov 2024 - Best AFRIKAANSE BESTES 2024 - playlist by JouTaal - Spotify Nuutste Afrikaans Musiek 2024 - Beste Afrikaans 2024 (Nuutste ... - YouTube Top Afrikaans songs 2019 Afrikaans musicians have done an excellent job in releasing Top Afrikaans songs over the past couple of decades. Ranging from rock to electro and gospel, the mesmerizing Afrikaans hits have no doubt managed to give the world a fair dose of the sweet African musical flavor. It is on this note that we bring to you 10 of the Best Afrikaans songs of all time. Read also Jack Parow: Thrilling facts about the Afrikaans rap king Die Antwoord - Cookie Thumper The rap hit song “Cookie Thumper” , which was released in 2014, has a whopping 35,700,991 views on YouTube and still counting. Sung by the famous South African rap-rave group Die Antwoord (Afrikaans for “The answer”) the song has been sending shockwaves both in mainstream and social media. The group Die Antwoord was founded in Cape Town in 2008, by rappers Yolandi Visser, Ninja and God (previously known as DJ Hi-Tek). The group’s image is premised on a counterculture movement popularly called Zef in South Africa. Jack Parow - Cooler as Ekke This Hip-Hop/Rap hit song by Jack Parow was released in 2009, and it had hit three million views on YouTube by June 2015. Currently, the song has 4,450,570 views on YouTube and still going strong. Jack Parow is an acclaimed South African Afrikaans rapper who hails from Bellville, Western Cape. Read also Is Simphiwe Dana wedding any time soon? The rapper who is known to have started by rapping for a burger and a beer over 13 years ago is also well known for his role in the song “Die Vraaqstuk”, in collaboration with Die Heuwels Fantasies, with whom he also performed at the 2009 Oppikoppi Music Festival. “Cooler as eke,” Jack Parow’s debut single, has become his most identifiable song, getting a lot of airplay on 3fm - Dutch national radio station. Tarryn Lamb – Mal Oor Jou The hit song “Mal Oor Jou” is found in Tarryn Lamb’s debut solo album named “Mal Oor Jou,” which was released in 2018 and as so far won three Ghoema Music Awards this year. Released on 10 August 2018, the song has already garnered 1,646,638 views on YouTube just one year down the line and promises to be a monster hit. Tarryn Lamb is a South African actor, pop singer, and songwriter, best known for her role as the lead singer in the band BlackByrd. The band has so far won 2 South African Music Awards. Read also Top 20 trending Blaq Diamond songs to listen to in 2022: latest and classic hits Jack Parow ft. Francois van Coke - Dans Dans Dans This hit song by Jack Parow featuring the Fokofpolisiekar frontman Francois van Coke was released in Jack Parow’s self-titled studio album in 2010, and it so far has 1,973,630 views on YouTube. “Dans, Dans, Dans" which means "Dance, Dance, Dance" is one of the most popular Afrikaans songs in South Africa today. Released in the wake of Jack Parow’s highly successful debut single “Cooler as eke,” the song “Dans, Dans, Dans” has received favorable attention from Afrikaans songs lovers. Read also: Nasty C on lookalike, Nasty B: 'Maybe high key proud of brah' Bok Van Blerk - De La Rey Bok van Blerk released the song "De la Rey" in 2006 , and it became one of his best hit songs with a massive 1,973,630 views on YouTube currently and still counting. He characterizes the song as a stand against historical guilt. Read also What are the most popular Duncan songs and videos? The famous Afrikaans musician is on record saying that Young Afrikaners are tired of having the apartheid guilt trip shoved down their throats. “This song makes them proud of their heritage,” he added. Born Louis Pepler on March 30, 1978, Bok van Blerk shot into the limelight after his 2006 rendition of “De la Rey” by Johan Vorster and Sean Else. Lianie May & Jay - Toe Stop My Hart - 2,113,359 views Released in 2009, the song “Toe Stop My Hart” is in the album “Boeremeisie." One of the most popular Afrikaanse songs, “Toe Stop My Hart” has hit a total of 2,113,359 views on YouTube and still counting. Lianie May launched her Afrikaans music career in 2007 with her debut album “Vergeet My Nie” (Forget Me Not). Together with Jay du Plessis, a renowned Afrikaans musician, they made “Toe Stop My Hart” one of the most sought after Afrikaans song of the recent past. Read also Top 20 bolobedu music jams from 2019 to 2020 Bok Van Blerk - Afrikanerhart - 1,277,773 views Another of Bok van Blerk’s massive hits is “Afrikanerhart," which currently has over 1, 277,770 views on YouTube. Released on 27 July 2009, under the Mozi Records label, it is one of the hit songs in the album “Afrikanerhart.” Bok van Blerk shot into fame in 2006 for his rendition of "De la Rey" by Sean Else and Johan Vorster, and he has since never looked back. Kurt Darren - Kaptein - 403,842 views Released in 2008, this Afrikaans pop song is found in the album "Uit die diepte van my hart." The song has been enjoying fair airplay across South African FM stations, and so far, it is about to hit the half a million mark with a 403, 842 views on YouTube. Kurt Darren shot into the limelight when he recorded his number one hit song “Meisie Meisie,” which was immediately followed by a chain of other hits, including "Loslappie," "Sê Net Ja" and "Hemel Op Tafelberg." Read also Katlego Maboe biography Steve Hofmeyr – Redgebed - 383,367 views The Afrikaans hit song “Redgebed,” which was released in 2017, was in the album “Skree.” The song is destined to be a huge success having garnered 383,367 views on YouTube up to date. Steve Hofmeyr, the writer, and composer of the hit song is arguably South Africa’s most successful musician. From his humble beginnings as an actor in the popular TV show "Agter Elke Man" then "Egoli" and eventually his TV show "Dis Hoe Dit Is Met Steve," (aired on Kyk Net) Steve has proven himself both as a formidable actor and prolific singer. Elizma Theron – Marilyn Monroe 137,591 views Released in 2018, this particular song is in the album "Hierdie Hart Barand Liefde." The song has been getting fair airplay across radio and TV stations in South Africa, and it promises to be one huge hit. It was one of best Afrikaans songs 2018. Apart from singing Afrikaan songs, Elizma Theron also doubles up as a well-known actress. Read also Mandla Maphumulo biography: girlfriend, success story, life, and albums There is no doubt that Afrikaans music has been growing from strength to strength in the past two decades. Initially, the Afrikaan language was associated mainly with apartheid and “whiteness” in South Africa. However, this view has been gradually changing as more South Africans embrace diversity in the music industry, thanks to the top Afrikaans songs of all time, and music from other main South African languages that seem to enjoy acceptance across the race divide. Read more: https://briefly.co.za/34552-top-afrikaans-songs-all-time.html The country's most internationally recognized and prominent musicians include Solomon Linda , Miriam Makeba , Hugh Masekela , Stimela , Ladysmith Black Mambazo , Ray Phiri , Abdullah Ibrahim , Wouter Kellerman , Brenda Fassie , Seether , Die Antwoord , Jeremy Loops , Yvonne Chaka Chaka , Lucky Dube , Lebo M , Goldfish , Freshlyground , Black Coffee , Anatii , Zakes Bantwini , Master KG , Nomcebo Zikode , Nasty C , and Tyla . Rock There was a thriving, mostly white, rock music scene in Cape Town in the 1970s. The album McCully Workshop Inc. from the psychedelic rock band McCully Workshop is a good example the genre on Trutone Records. The Trutone label was owned by South African company Gallo (Africa) Limited an internationally recognised music producer. Afrikaans music Afrikaans music was primarily influenced by Dutch folk styles, along with French and German influences, in the early twentieth century. Zydeco -type string bands led by a concertina were popular, as were elements of American country music , especially Jim Reeves . The most prolific composers of "tiekie draai" Afrikaans music were lyricist Anton De Waal who wrote many hit songs with songwriters, pianist Charles Segal ("Hey Babariebab Se Ding Is Vim", "Kalkoenjie", "Sy Kom Van Kommetjie" and many others) and accordionist, Nico Carstens . Bushveld music based on the Zulu were reinterpreted by such singers as Marais and Miranda . Melodramatic and sentimental songs called trane trekkers (tearjerkers) were especially common. In 1973, a country music song won the coveted SARI Award (South African Music Industry ) for the Song of the Year – "My Children, My Wife" was written by renowned South African composer Charles Segal and lyricist Arthur Roos . In 1979 the South African Music scene changed from the Tranetrekkers to more lively sounds and the introduction of new names in the market with the likes of Anton Goosen , David Kramer (singer) , Koos du Plessis , Fanie de Jager , Flaming Victory and Laurika Rauch . Afrikaans music is currently one of the most popular and best selling industries on the South African music scene. South African rock music Afro rock, characterized by its fusion of Western rock music with African musical elements, saw the emergence of bands and artists like Assagai in the late 1960s and early 1970s. The original lineup of Assagai comprised five members, three hailing from South Africa and two from Nigeria : Louis Moholo on drums, Mongezi Feza on trumpet and flute, Dudu Pukwana on alto saxophone, Bizo Mngqikana on tenor saxophone, and Fred Coker on guitar and bass. According to Rob Fitzpatrick of The Guardian , Coker played a pivotal role in positioning Assagai as significant competition to Ghana's Osibisa , before departing to join Osibisa, replacing Spartacus R. Keyboardist Alan Gowen from the Canterbury scene and percussionist Jamie Muir from King Crimson briefly joined the band from 1971 to 1972. Operating under the British label Vertigo Records , Assagai is believed to be the sole African or "Black" band ever signed by the label. Their eponymous debut album, featuring collaboration with African musicians like Terri Quaye , was released in 1971. Repertoire Records reissued Assagai on CD in 1994. Their second and final album, Zimbabwe adorned with cover art by Roger Dean , also released in 1971, was later reissued as AfroRock by the Music for Pleasure record label. Both albums featured compositions by members of the British group Jade Warrior , with guest appearances from them as well. BACK TO TOP

  • Just 4U | Radio Sam Broadcaste

    JUST 4U CAMPING RESORTS View More Camping Germany Germany is a diverse and fascinating holiday destination with modern cities, medieval villages, impressive natural landscapes and fascinating traditions. The rural regions offer the perfect setting for a successful camping holiday. Fairytale castles and palaces, rolling green landscapes, meandering rivers and majestic mountains make Germany a great travel destination for camping holidaymakers. FOOD & BACKING View More The history of South African recipes reflects the country’s complicated past, which has seen colonialism, slavery, apartheid, and liberation movements. South African cuisine is a unique blend of flavors and influences from the country’s diverse cultural heritage, including indigenous African, Dutch, Malay, Indian, and British.Before European colonization, South African food was based on a hunter-gatherer culture, with traditional dishes consisting of game meat, fruits, and vegetables. The arrival of Dutch settlers in the 17th century brought about significant changes in the local cuisine. The Dutch introduced farming and livestock, which led to the introduction of South African recipes such as biltong (dried, cured meat), boerewors (sausage), and potjiekos (stew). WEATHER REPORT GERMANY View More Germany is known for its unpredictable weather, which can change from one moment to the next. Whether you're planning a trip or just to stay informed, our weather reports provide up-to-date information on current conditions, as well as forecasts for the coming days. From sunny skies to thunderstorms, we've got you covered. prepared and stay safe with our reliable weather reports. SPORT NEWS View More Sports have always been a great way to bring people together, and the world becoming more connected than ever, it's no surprise the love of sports is spreading worldwide. From soccer in Europe to basketball in the United States, there's no shortage of exciting sports to follow. Stay up to date with latest news and scores from around the globe with our comprehensive coverage of top sports worldwide. TRAVEL INFORMATION View More Travel Tours Information Worldwide is your ultimate guide to exploring the world. From the bustling streets of New York City to the serene beaches of Bali, we provide you with all the information you need to plan your dream vacation. Our of experts has traveled the globe to bring you the best tips, tricks, and recommendations for your next adventure. Let us help you make unforgettable memories on your next trip. NEWS View More In today's breaking news, we bring you the latest updates from around the world. Stay tuned for the most recent developments on politics, business, entertainment, and. Our team of reporters is working around the clock to bring the most accurate and up-to-date information. TRAFIC REPORTS IN GERMANY View More Looking for up-to-date traffic information in Germany? Our live traffic reports provide real-time updates on road conditions, accidents, and traffic jams to help you plan your route and avoid delays. Stay informed and stay on schedule with our reliable traffic reports. SOUTH AFRICA INFORMATION View More Southernstar-africa is a Homepage and Website based on South Africa,The Life and Culture and Wildlife and as Well of our Lives ,when we were still Liveing in South Africa .This Homepage has Information on South African History,on the Wildlife and the Big Five Game of South Africa. You Can find Pictures ,Links ,News,Recipes,Joke ,South African Ghost Stories and many other things that mite Intrest you,and also for School Projects,Some Pages are not for childrens View. You will find link banner on top of the webpages,at the bottom of the website,and on the left side of the page,you will also see alot of pages are link to other sites ,on the Net,and as well linked to partner and our own websites and Homepages... MUSIC 4 U View More Welcome to Music 4U, where you can enjoy the top music on our website. We offer a wide range of genres to suit every taste, so sit back, relax, and let music take you away. RADIO SAM BROADCASTING STUDIOS View More "Welcome to my YouTube channel! Enjoy the latest music and playlists that I have curated just for you. Don't forget to hit the subscribe button for more." ONLINE MUSIC View More If you just want to listen to your favorite online radio stations, you can of course do so here: You can click through the music genres or topics you want and you will find enough material to stream continuously for days! Here, the many German channels are just a few clicks away from the small regional channel from Italy. Thanks to the radio cloud, you don't even have to turn on your computer or smartphone to record, you don't even have to be at home. The scheduled shows are simply saved in the cloud, where you can easily stream them or download them for later use. Radio programs and tips - radio plays and more That's all well and good, but you don't even know what you want to hear in the wide landscape of internet radio? No wonder, after all, there are many of programs on all sorts of genres. Our editorial team therefore studies the radio program every week and always has a few tips ready to make your choice easier: There is also something for the little listeners on a separate page for children. Do you want to let off steam in the wide world of internet radio? Radio SAM Broadcaster Germany makes this particularly easy for you . MUSIC TUNE-IN View More Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event….No need to go to different websites, only here, one place….all in one. ‘ Radio SAM Broadcsater Germany’strive to work closely with all different artists and their support to give you up to date fixtures as they happen, so you can plan and attend. ‘ ‘ Radio SAM Broadcaster Germany’’ wants to be part of your journey to that life changing event. Even more, follow us on social media and let’s share that special life changing event . Contacts Email:a.dezius@gmail.com Facebook:https://www.facebook.com/Radio-SAM-Broadcaster-Germany-109034484821095/ Twitter:https://twitter.com/broadcaster_sam

  • Top Music | Radio Sam Broadcaste

    Rating: 4.3 Reviews: 3 Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, TOP MUSIC GERMAN SCHLAGER MUSIC Schlager (German: is a style of European popular music generally defined by catchy instrumental accompaniments to vocal pieces of pop music with simple, easygoing, and often sentimental lyrics. Michelle performing in Berlin, 15 March 2017, where she sang schlagers as well as ballads Schlager tracks are typically light pop tunes or sweet, sentimental ballads with simple, catchy melodies. Their lyrics typically center on love, relationships, and feelings. The northern variant of schlager (notably in Finland) has taken elements from Finnic, Nordic, Slavic, and Eastern European folk songs , with lyrics tending toward melancholic and elegiac themes. Musically, schlager bears similarities to styles such as easy listening .[citation needed ] The style has been frequently represented at the Eurovision Song Contest and has been popular since the contest began in 1956, though it is gradually being replaced by other pop music styles. Als Schlager werden allgemein leicht eingängige instrumentalbegleitete Gesangsstücke der populären Musik mit oft deutschsprachigen Texten bezeichnet. Das Spektrum reicht dabei von ernsten und sentimentalen Texten bis hin zu fröhlichen und humorvollen Texten. Manche Schlager entwickeln sich zu sogenannten Gassenhauern. Ausgehend von populären Operettenmelodien machte sich seit den 1920er Jahren der Einfluss von jazzigen Rhythmen und Harmonien in der Schlagermusik bemerkbar. Seit den 1950er Jahren wird Schlager als „schwer zu umgrenzender Begriff in der neueren Unterhaltungsmusik“ sowie als „Kurzform für leicht eingängige Tanz- und Unterhaltungsmusik “ beschrieben. Microsoft Encarta definierte 2003 Schlager als „einerseits kommerziell erfolgreiches Musikstück, andererseits als eine Gattung der Unterhaltungsmusik“. Kennzeichnend seien „einfachste musikalische Strukturen und triviale Texte, die an das Harmonie- und Glücksverlangen des Zuhörers appellieren“. Dabei seien „die Grenzen zur Popmusik und volkstümlichen Musik fließend“ TOP MUSIC AFRIKAANS MUSIC Afrikaans music was primarily influenced by Dutch folk styles, along with French and German influences, in the early twentieth century. Zydeco -type string bands led by a concertina were popular, as were elements of American country music , especially Jim Reeves . The most prolific composers of "tiekie draai" Afrikaans music were lyricist Anton De Waal who wrote many hit songs with songwriters, pianist Charles Segal ("Hey Babariebab Se Ding Is Vim", "Kalkoenjie", "Sy Kom Van Kommetjie" and many others) and accordionist, Nico Carstens . Bushveld music based on the Zulu were reinterpreted by such singers as Marais and Miranda . Melodramatic and sentimental songs called trane trekkers (tearjerkers) were especially common. In 1973, a country music song won the coveted SARI Award (South African Music Industry ) for the Song of the Year – "My Children, My Wife" was written by renowned South African composer Charles Segal and lyricist Arthur Roos . In 1979 the South African Music scene changed from the Tranetrekkers to more lively sounds and the introduction of new names in the market with the likes of Anton Goosen , David Kramer (singer) , Koos du Plessis , Fanie de Jager , Flaming Victory and Laurika Rauch . Afrikaans music is currently one of the most popular and best selling industries on the South African music scene. The South African music scene includes both popular (jive) and folk forms like Zulu isicathamiya singing and harmonic mbaqanga . Other popular genres are marabi , kwaito ,house music , pop music, isicathamiya , gqom , rock music , hip hop and amapiano . Among the most prominent South African singers are Miriam Makeba , Brenda Fassie , Hugh Masekela , Yvonne Chaka Chaka and Lucky Dube . BACK TO TOP

  • Boere Musiek | Radio Sam Broadcaste

    Goeie dag, en dankie vir u besoek, na ons Webwerf. Boeremusiek (Afrikaans for Boer music) is a kind of South African instrumental folk music. Its was made to go with social dancing at parties and festivals.Boeremusiek is from Europe. It was brought to South Africa and changed into its own style. It is thought to have got to South Africa by British Empire military bands. Every artist or band comes up with their own sound and style. They make up their own style by playing different types of concertinas and using different instruments in the band.A concertina is similar to an accordion and is the lead instrument in most Boeremusiek bands. There are many different types of concertinas, which is why Boeremusiek has so many sounds and styles, and the construction the concertina is what makes the different sounds in the Boeremusiek band; it depends on where the slots and holes are put makes the difference on the sound that the concertina makes.Other instruments that might be in a Boeremusiek band are piano accordions , button harmonicas , accordions , pianos , harmoniums and the guitar . Sometimes, a cello or bass guitar may be seen.Today, there are many successful Boeremusiek bands that have recorded albums. Some famous bands and individual artists today are Klipwerf Boereorkes, Danie Grey, Nico Carstens, Taffie Kikkilus, Brian Nieuwoudt, Samuel Petzer, Worsie Visser and Die Ghitaar Man: Die Wals Die wals is 'n dansvorm in drieslagmaat, wat die gewildste balsaaldans in Europa geword het gedurende die 19de eeu. Die dans het vir langer as 'n eeu gewild gebly en het ook die belangstelling gewek van die komponiste van klassieke musiek gedurende die 19de en die begin van die 20ste eeu, wat die opgewekte walsmusiek in baie van hulle komposisies ingeweef het. As 'n dansvorm is die musiek tot 'n buitengewone hoë peil verhef.Alhoewel daar 'n vroeë musiekstuk van 1754 in die walsvorm bestaan, het die dans op walsmaat eers teen die einde van die 18de eeu ontwikkel. In die suide van Duitsland, in Beiere, Oostenryk en Bohemië was danse in drieslagmaat wat bekend was onder name soos Deutscher, Dreher, Weller, en Ländler, gedans. Die eenvoudige, ongesofistikeerde Duitse danse, in teenstelling met die statige minuet, het toegeneem in gewildheid. Die gly- en draaibewegings van die dansvorm het mettertyd gelei tot die naam waltz vir die besondere dansvorm.In die balsale was 'n onderskeid gemaak tussen die wals en die versamelnaam deutscher vir verskillende danse in drieslagmaat. Amadeus Mozart, wat baie deutscher-en Ländlerwerke gekomponeer het, het nie na een daarvan as waltz verwys nie. In 1786 het egter 'n publikasie met 'n versameling danse, wat ook walse insluit, verskyn.Gedurende die laaste dekade van die 18de eeu het baie verslae in nuusblaaie verskyn oor die gewildheid van die wals. Daar word op gewys dat die wals die kontradans vervang het. Die gewildheid van die wals het, soos verwag kan word, ook besware van sekere kringe uitgelok.Weenen, die hoofstad van Oostenryk, het die stad van die wals geword, want daar het die dans alle ander danse in gewildheid oortref. Die wals het alle nasionale grense oorgesteek, en in 1804 is berig dat die Franse dolverlief is op hierdie ligtende, swewende dans. " 'n Wals, 'n wals!" was telkens die uitroep vanaf die dansvloer, want die Franse kon net nie genoeg van hierdie dans kry nie. Sommige sedewagters oor die openbare moraliteit het natuurlik hulle afkeur oor hierdie "malle gedraaiery" van die wals uitgespreek en dit het eers in 1812 in Engeland posgevat. In die Pruisiese Hof in Berlyn was dit verbied en is eers in 1818 toegelaat, alhoewel Koningin Luis dit reeds in 1794 gedans het terwyl sy nog 'n prinses was. Toestande in Europa gedurende die laaste kwart van die 18de eeu was maar bra onstabiel en dit is onwaarskynlik dat die dans voor die einde van die eeu na die Kaap sou gekom het. Daar word nie in enige literatuur van die vroee 19de eeu wat oor die Kaap handel na die wals verwys nie. Soos hierbo aangedui, is die wals eers in 1812 in Engeland bekend gestel en dit is hoogs waarskynlik dat die Britse militêre orkeste dit kort na die datum in die Kaapkolonie bekend sou gestel het. Die eerste skrywer wat na die wals verwys is Bird. Hy skryf dat die wals daardie tyd (1822) baie gewild was. Van die beroemdste komponiste van die 19de eeu, onder andere Beethoven, Schubert, List, en Von Weber, het walse in hulle komposisies ingesluit. Von Weber se meevoerende "Uitnodiging tot die dans" (1819) is welbekend. Hulle komposisies is egter verhoogwerke en nie vir die dansvloer bedoel nie. Joseph Lanner (1801 - 1843) en Johann Strauss sr. (1804 - 1840) was twee komponiste van die nuwe orde wat werke gekomponeer het wat die wals op 'n hoë vlak geplaas het, wat musikale komposisie sowel as dansvorm betref. Hulle het 'n aantal jare saamgewerk maar die venootskap is in 1825 beëindig. Voordat hulle paaie geskei het, was Lanner se komposisies hoofsaaklik in die Ländlerstyl. Nadat hulle geskei het, het albei hulle op die wals toegelê. In Weenen het die gewildheid van dans so toegeneem dat groot danssale soos die Sperl in 1807 en die Apollo in 1808 geopen is, laasgenoemde met dansruimte vir 6000 dansers. Gedurende die dertigerjare het Johann Strauss sr. toere onderneem, na ander Europese lande en sodoende is die wals in al die lande wat hy besoek het goed gevestig. Na Lanner se dood in 1843 is sy mededinger, J. Strauss sr., se plek geneem deur laasgenoemde se seun Johann jr., wat spoedig die bekendste komponis en aanbieder van ligte musiek geword het, wat daar ooit geleef het. Sy musiekstyl het moontlik meer ooreengestem met die van Lanner as die van sy Vader, met die klem oorwegend op melodie instede van op ritme. Na die dood van J. Strauss sr. is die Strauss-familie tot nog 'n groter mate met die wals verbind met die toetrede van die ander twee seuns, Joseph in 1853 en Eduard in 1859. 'n Menigte komposisies is deur die broers geskep maar dit was onder Johann en Joseph dat die wals gedurende die sestigerjare 'n hoogtepunt bereik het, beide wat die dansvorm en musikale komposisie betref het, en ook as simbool van 'n vrolike en elegante eeu. Johann Strauss jr. se "Blou Donou" en "Verhale van die Weense Woude" is twee musiekwerke wat waarskynlik meer as enige ander klassieke komposisie oor die hele wêreld opgevoer word. Richard Strauss (11 Junie 1864 - 8 September 1949) het tot gedurende die eerste kwart van die 20ste eeu meesterlike werke wat op die walsvorm gebaseer is gekomponeer, en wat hoë lof verdien as verhoogwerke. Hierdie komponis was nie verwant aan bogemelde "walskonings" nie. Die goue tydperk van die wals as 'n dansvorm het ten einde geloop toe die Oostenryk-Hongaarse monargie gedurende die eerste wêreldoorlog vernietig is. Die historiese agtergrond van die wals, met beklemtoning van die bydrae van die Strauss-walskonings, word enigsins volledig geskets, aangesien daar waarskynlik 'n spesiale betekenis geheg kan word aan die feit dat geeneen van hulle mooi walse en ander musiekstukke in die boere-musiekrepertorium opgeneem is nie. Die wals het 'n groot verskeidenheid afstammelinge deur die hele Europa gehad. In Duitsland is sulke variante as die schottische ontwikkel, met draaibewegings soos die van die wals. Frankryk het sy eie balance valse gehad. In Amerika het later hulle eie Boston-waltz ontwikkel- 'n stadiger, swewende variasie. Ongeveer 1840 het die wals 'n sterk mededinger gekry in die polka; die naam is afgelei van die woord polka, 'n "halwe pas". Dit was 'n vurige dans. NUWE, JONG EN OPKOMENDE SANGERS Nuwe, jong en opkomende sangers - Neem kennis: Ons het die afgelope tyd geweldig baie navrae gekry van nuwe, jong en opkomende sangers om hulle te bemark. Daarom het ons besluit om soos volg te werk te gaan: Stuur vir ons 'n e-pos na: AndreC27.demo@gmail.com en heg asseblief nie meer as 2 demo snitte daarby aan nie. Die e-pos moet asseblief die volgende bevat: Naam en kontaknommer; e-pos adres; Stad en Provinsie woonagtig; Repertoire. OF Pos 'n demo CD met nie meer as 8 snitte daarop nie, aan ons met al die bogenoemde kontakbesonderhede, ens daarby ingesluit, na: AndreC27 Promotions Posbus 50286 Hercules Pretoria 0030 Van ons kant, sal ons dan na julle demo snitte luister. 'n Afspraak sal met julle gereel word om bemarkingsopsies en terme met julle te bespreek en ooreenkom. Ons hoop om gou van julle te hoor. Groete Andre & AndreSee more by: André Craucamp Boere musiek View More BOERE MUSIEK BOERE MUSIEK Nou op Youtube Boeremusiek, also known as Boeremusik, is a traditional Afrikaans folk music genre that originated in South Africa. It is characterized by the use of instruments such as the concertina, accordion, and violin, and features lively, upbeat rhythms that are perfect for dancing. Boeremusiek has a rich history and is still enjoyed by many today as a celebration of South African culture and heritage. Click Here Boeremusiek Boeremusiek (Afrikaans: ‘Boer music’) is a type of South African instrumental folk music. Its original intent was to be an accompaniment to social dancing at parties and festivals.Boeremusiek is originally European, but once it was brought to South Africa and Namibia, it gradually changed and became its own style. A concertina is similar to an accordion and is the lead instrument in most Boeremusiek bands. There are many different types of concertinas, which is why Boeremusiek has so many unique sounds and styles, and the construction the concertina is what makes the different sounds in the Boeremusiek band; it depends on where the slots and holes are put makes the difference on the sound that the concertina makes. A Boeremusiek band may include piano accordions , button harmonicas , accordions, pianos , harmoniums and the guitar , and sometimes, a cello or bass guitar may be seen.The sound of a Boeremusiek band may depend on what region the band is from (for example, Boeremusiek in Potchefstroom can differ from ones in Stellenbosch ), seeing that Boermusiek's intent is to be informal, instrumental dance music. Today, there are many successful Boeremusiek bands that have recorded albums. Some famous bands and individual artists today include Klipwerf Boereorkes, Danie Grey, Nico Carstens, Taffie Kikkilus, Brian Nieuwoudt, Samuel Petzer, Worsie Visser and Die Ghitaar Man. What is boermusic? This is a question that has experts pondering for years and can not be answered without a measure of controversy. In short we, The Traditional Boer Music Club, can define Boermusic as instrumental folk music, dating from the period during which the people who practiced it where internationally know as "Die Boere" (The Boers) of South Africa. It is informal music that is played in a distinctive way and was primarily intended as accompaniment for social dancing. For the purpose of this conversation we exclude other kinds of Afrikaans music from the same period like ballads, serenades and music aimed at passive audiences. What is the Character of Boermusic? It is nearly impossible to put the rich variety of feeling elements, nuances and sounds that form the essence of Boermusic into words. It is an "experience" of strong and unique character that can not be described in music science terms. The concertina was, and is still to this day, the top lead instrument in Boermusic. Apart from the different types of concertinas that are found in Boer music, there are different dance rhythms and variations in accompaniment. It is striking how each artist often develops a unique and recognizable style. Just as amazing is how the different types of concertinas as well as the different geographical regions created divergent disciplines within Boermusic. What are the origins of Boermusic? The origins of Boermusic is like a vine with entangled roots and the development has to be distilled from history and myth. The earliest writings contained no reference to the term "Boermusic" or "Boere orkes" (Boermusic band). It is therefor necessary to search for clues that point to the music in question as light, cheerful, informal and indigenous dance music and not formal or classical music. For that we have to follow references to music-, dance- and song habits during the course of history to determine the inception of Boermusic and how it developed. Boermusic is largely European in origin and it would be a misconception to think that it was brought to South Africa by the early settlers. Most of it was imported fairly recently but aquired a flavour of its own and remained in vogue here long after it went out of fashion abroad. How did it get to South Africa? Whenever a certain dance became popular in Europe or anywhere else, it was not long before it was introduced in the Cape by military bands of the British Empire. Whenever they were off duty, they hired themelves out for parties, weddings and other social events. There where dance masters who taught the new dances to the locals and from there it spread into the hinterland. It acquired a local flavour and character of it's own in the process. A large volume of Boermusic was consequently composed by local musicans, as is still the case today. There where also music teachers who noted down local tunes. The first person to do this was Charles Etienne Boniface (1787-1853) who arrived in the Cape in February 1807 1. Short exerpts from the book by Wilhelm Shultz, "Die ontstaan en ontwikkeling van Boeremusiek" Welkom Hartlik welkom by die webtuiste van die Tradisionele Boeremusiekklub van Suid-Afrika [TBK] wat sedert 1981 toegewy is aan Tradisionele Boeremusiek, ons volkskat en kleinnood. Ons nooi almal uit om meer oor die TBK en ons tradisionele boeremusiek te wete te kom en dan tradisionele boeremusiek saam op te pas en uit te bou. Lees meer oor hierdie besonderse styl van konsertina spel asook die verskillende ander instrumente. Daar word ook verwys na verskillende orkeste, hulle opnames en die geskiedenis van die Tradisionele Boeremusiekklub van Suid-Afrika. U word uitgenooi om nuus of biografiese inligting van persone en orkeste by te voeg – Vandag se algemene kennis en alledaagse gebeurtenis vorm die grondslag van môre se geskiedenis. Stuur gerus u bydrae aan info@boeremusiek.org om te keer dat hierdie erfenis vir ewig verlore gaan. Boeremusiek - Ou Waenhuis Vastrap BOERE MUSIEK VIDEO Dagbreek Boereorkes by die Voortrekkermonument BOERE MUSIEK VIDEO Bosveld Vastrap BOERE MUSIEK VIDEO Kosie Beukes BOERE MUSIEK VIDEO Boeremusiek: Die Kalfie Wals BOERE MUSIEK VIDEO Boeremusiek - Vir Ons Ysters BOERE MUSIEK VIDEO Jakarandameisie BOERE MUSIEK VIDEO Kosie Beukes speel die Blou Bul liedjie BOERE MUSIEK VIDEO Kaapland Boereorkes - Blomtyd in Namakwaland BOERE MUSIEK VIDEO Die Magalies Boereorkes BOERE MUSIEK VIDEO BACK TO TOP

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You Can find Pictures ,Links ,News,Recipes,Joke ,South African Ghost Stories and many other things that mite Intrest you,and also for School Projects,Some Pages are not for childrens View. You will find link banner on top of the webpages,at the bottom of the website,and on the left side of the page,you will also see alot of pages are link to other sites ,on the Net,and as well linked to partner and our own websites and Homepages... View More We're here for you! With an optimistic view of the world around us, our content uplifts others using the cosmos above. No matter which part of your life you want to focus on, we’re here for you. With horoscope topics that range from love, work, health, online streaming, and more, we’ve got fresh, daily content to guide you in the right direction.Our library of Tarot readings and games provide a space to ask your most burning questions. Is your relationship meant to be? Should you ask for a raise? Are you on the right path? 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Radio SAM Broadcaster Germany View More Music Assent has been voted TOP MUSIC BLOG, and TOP MUSIC SITE FOR INDEPENDENT ARTISTS in 2017, 2019, 2021, & 2022 by: ontoplist.com THE TOP 200 MOST INFLUENTIAL MUSIC BLOGS OF 2019 by: artistdevelopmentandproduction.com The Top 75 American Music Blogs by: kingsofar.com & The Top 100 Independent Music Blogs Of 2021 by: Musicroo.com Music Assent is a global music news & media platform that provides a wealth of information for music enthusiasts. Global Music News: Music Assent covers a wide range of music-related topics, including album releases, artist news, music videos, and industry updates. You can find articles on artists, events, and trends from around the world. Upcoming Albums: View More South African cuisine is diverse and reflects the country’s culture and palate. Here are some traditional South African dishes: destinavo.com+2 Biltong: a dried, cured, and spiced meat, similar to American beef jerky. 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Whatever your idea of economic justice, you can probably find some revolutionary sentiment to hold on to in these ten classic oldies, all of which protested the power government holds on the people. Though not generally considered his finest work, this ex-Beatle's 1972-1974 period of intense social activism occasionally produced some stirring music, including "Power to the People," which Lennon intended to be sung my marchers in the street, much as he envisioned with "Give Peace a Chance. View More Here are some great options for camping in Germany: Diverse Locations: Germany offers a variety of camping experiences, from the North Sea to the Bavarian Alps, with stunning landscapes and welcoming campsites. Top Campsites: Popular campsites include those near lakes, mountains, and forests, providing family-friendly options and activities. Comprehensive Resources: You can find over 2,100 campsites across Germany, with detailed reviews and photos available online. 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Weather icons are shown alongside worded forecasts in this version to facilitate visual inspection. By August 2024, WWIS provided official weather information for 3465 cities in which 3314 cities are available with forecast from 139 Members while 2225 cities are available with climatological information from 171 Members. Suggestions to enrich the contents of this website are welcome. View More German playgrounds do meet safety regulations — which are certified by the TÜV ("Technischer Überwachungsverein" or Technical Inspection Association) and their trained playground inspectors — but the parameters of these regulations might differ from those in other countries. While parents from the U.S. might be used to playgrounds with rubberized flooring and enclosed play structures, German playgrounds use sand, gravel, or grass as ground cover. Also, not all playgrounds in Germany have safety barriers around high platforms or steep tree-high climbing walls. How else will kids learn that there is a consequence to falling? After all, the ground is hard, not a soft, spongy cushion. View More family activities GERMANY From thrilling amusement parks to delicious chocolate factories, and everything in between, we explore the best activities for kids in Germany.When it comes to family entertainment in Germany, nail-biting roller coaster rides are just the tip of the iceberg. There are numerous activities and attractions to generate excitement and adventure for kids – and big kids! Just take a look at these fun things to do with kids in Germany. View More CrazyGames features the latest and best free online games. You can enjoy playing fun games without interruptions from downloads, intrusive ads, or pop-ups. Just load up your favorite games instantly in your web browser and enjoy the experience. You can play our games on desktop and on mobile devices. That includes everything from desktop PCs, laptops, and Chromebooks, to the latest smartphones and tablets from Apple and Android. View More Discover Germany’s nightlife with our ultimate guide! From Berlin’s iconic clubs to Munich’s lively beer halls and Hamburg’s trendy bars, explore the best nightlife destinations. Plan your perfect night out in Germany with our expert recommendations View More Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event….No need to go to different websites, only here, one place….all in one. ‘ Radio SAM Broadcsater Germany’strive to work closely with all different artists and their support to give you up to date fixtures as they happen, so you can plan and attend. ‘ ‘ Radio SAM Broadcaster Germany’’ wants to be part of your journey to that life changing event. 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  • Loof En Prys | Radio Sam Broadcaste

    Ek glo in God die Vader, die Almagtige, die Skepper van die hemel en die aarde. En in Jesus Christus, sy eniggebore Seun, ons Here; wat ontvang is van die heilige Gees, gebore is uit die maagd Maria; wat gely het onder Pontius Pilatus, gekruisig is, gesterf het en begrawe is en ter helle neergedaal het; wat op die derde dag weer opgestaan het uit die dode; wat opgevaar het na die hemel en sit aan die regterhand van God, die almagtige Vader, van waar Hy sal kom om te oordeel die wat nog lewe en die wat reeds gesterf het. Ek glo in die heilige Gees. Ek glo aan ‘n heilige, algemene, Katolieke kerk, die gemeenskap van die heiliges; die vergewing van sondes; die opstanding van die vlees en ‘n ewige lewe. Audio Bibles '...blessed are they that hear the word of God ...'[Luke 11:28] If using an Android or Apple device please download and use our Bible App to read and listen to the Bible in English and other languages: [Now in a new improved format for the Android version Quick link to: English Audio Bible [KJV] You may listen, from an audio playlist, any Book of the Bible. Choose your language from the list of languages below. [Alphabetical order] Amharic - አማርኛ Arabic للغة العربية Bengali - বাংলা Bulgarian - Библия Burmese - မြန်မာ Chinese - 廣東話 [Cantonese - CUV] Chinese - 中文 [Mandarin - CUV] 思高繁体圣经 [Si Gao Version] 思高繁体聖經 [Si Gao Version] Czech - Český English Audio Bible [kjv] Farsi (Persian) رسدن Finnish - Suomalainen - NT French - Français German - Deutsch Greek - ελληνική - NT Modern Greek - ελληνική Gujarati - ગુજરાતી Hebbrew הקודש במקרא Hindi - हिंदी भाषा [Hungarian Holy Bible] Biblia Indonesian [TB] - Italian - Italiano Japanese - 日本語 Kannada - ಕನ್ನಡ Khmer - ព្រះគម្ពីរបរិសុទ្ធ Korean - 한국의 Latin - Vulgata Latina - NT Luganda Audio Bible Makhuwa - [Macua] - NT Malayalam - മലയാളം Marathi - मराठी Oriya - ଓଡ଼ିଆ Polish - Polski Portuguese - Português Portuguese - Português - BR Punjabi - ਪੰਜਾਬੀ Romanian - Român Russian - русский Serbian - Српски Somali - Soomaaliga Spanish - Español Swahili - Kiswahili Swedish - Svenska - NT Tagalog - Filipino Tamil - தமிழ் மொழி Telugu - తెలుగు Thai - ไทย Turkish - Türk Turkmen - Turkmenistan - NT Ukrainian - Yкраїнський Urdu اردو Uyghur Vietnamese - Tiếng Việt Zulu - isiZulu Important Without proper rendering support, you may see question marks, boxes, or other symbols instead of characters. How to do it: To download audio Bible files into your computer or smartphone, please click on your language, on the next page chose the book you wish to download, and at the end of the resulting page, click on the tab: Zip_ Download will start and you find all files for that book in a ZIP format. Unzip [or uncompress] with a free program such as 7-zip. The resulting directory contains all audio chapters for that Bible book. Beware if you are downloading from your smarthphone or mobile phone, unless you are using Wi-Fi, the volume (size) of certain books may be large, which may result in costly charges on your phone. We suggest that you download the files on a computer and copy them into your smartphone or mobile phone. Hoofstuk 1 In die begin het God die hemel en die aarde geskape. 2 En die aarde was woes en leeg, en duisternis was op die wêreldvloed, en die Gees van God het gesweef op die waters. 3 En God het gesê: Laat daar lig wees! En daar was lig. 4 Toe sien God dat die lig goed was. En God het skeiding gemaak tussen die lig en die duisternis; 5 en God het die lig dag genoem, en die duisternis het Hy nag genoem. En dit was aand en dit was môre, die eerste dag. 6 En God het gesê: Laat daar ‘n uitspansel wees tussen die waters, en laat dit skeiding maak tussen waters en waters. 7 God het toe die uitspansel gemaak en die waters wat onder die uitspansel is, geskei van die waters wat bo die uitspansel is. En dit was so. 8 En God het die uitspansel hemel genoem. En dit was aand en dit was môre, die tweede dag. 9 En God het gesê: Laat die waters onder die hemel hulle op een plek versamel, sodat die droë grond sigbaar word. En dit was so. 10 En God het die droë grond aarde genoem, en die versameling van die waters het Hy see genoem. Toe sien God dat dit goed was. 11 En God het gesê: Laat die aarde voortbring grasspruitjies, plante wat saad gee en bome wat, volgens hulle soorte, vrugte dra, waarin hulle saad is, op die aarde. En dit was so. 12 Die aarde het voortgebring grasspruitjies, plante wat saad gee volgens hulle soorte en bome wat vrugte dra, waarin hulle saad is, volgens hulle soorte. Toe sien God dat dit goed was. 13 En dit was aand en dit was môre, die derde dag. 14 En God het gesê: Laat daar ligte wees aan die uitspansel van die hemel, om skeiding te maak tussen die dag en die nag; en laat hulle dien as tekens sowel vir vaste tye, asook vir dae sowel as jare. 15 Laat hulle ook dien as ligte aan die uitspansel van die hemel om lig te gee op die aarde. En dit was so. 16 God het toe die twee groot ligte gemaak: die groot lig om te heers oor die dag en die klein lig om te heers oor die nag; ook die sterre. 17 En God het hulle aan die uitspansel van die hemel gestel om lig te gee op die aarde 18 en om te heers oor die dag en oor die nag en om skeiding te maak tussen die lig en die duisternis. Toe sien God dat dit goed was. 19 En dit was aand en dit was môre, die vierde dag. 20 En God het gesê: Laat die waters wemel met ‘n gewemel van lewende wesens, en laat die voëls oor die aarde vlieg langs die uitspansel van die hemel. 21 En God het die groot seediere geskape en al die lewende wesens wat beweeg, waar die waters van wemel, volgens hulle soorte; en al die gevleuelde voëls volgens hulle soorte. Toe sien God dat dit goed was. 22 En God het hulle geseën en gesê: Wees vrugbaar en vermeerder en vul die waters in die see, en laat die voëls op die aarde vermeerder. 23 En dit was aand en dit was môre, die vyfde dag. 24 En God het gesê: Laat die aarde lewende wesens voortbring volgens hulle soorte: vee, kruipende diere en wilde diere van die aarde volgens hulle soorte. En dit was so. 25 En God het die wilde diere van die aarde gemaak volgens hulle soorte en die vee volgens hulle soorte en al die diere wat op die grond kruip, volgens hulle soorte. Toe sien God dat dit goed was. 26 En God het gesê: Laat Ons mense maak na ons beeld, na ons gelykenis, en laat hulle heers oor die visse van die see en die voëls van die hemel en die vee en oor die hele aarde en oor al die diere wat op die aarde kruip. 27 En God het die mens geskape na sy beeld; na die beeld van God het Hy hom geskape; man en vrou het Hy hulle geskape. 28 En God het hulle geseën, en God het vir hulle gesê: Wees vrugbaar en vermeerder en vul die aarde, onderwerp dit en heers oor die visse van die see en die voëls van die hemel en oor al die diere wat op die aarde kruip. 29 Verder het God gesê: Ek gee nou aan julle al die plante wat saad gee, wat op die hele aarde is, en al die bome waar boomvrugte aan is, wat saad dra. Dit sal julle voedsel wees. 30 Maar aan al die diere van die aarde en al die voëls van die hemel en al die kruipende diere op die aarde, waarin ‘n lewende siel is, gee Ek al die groen plante as voedsel. En dit was so. 31 Toe sien God alles wat Hy gemaak het, en—dit was baie goed. En dit was aand en dit was môre, die sesde dag. Afrikaanse Teksverse Indien jy wil weet wat die Bybel sê oor sekere kwessies en onderwerpe, is spesifieke teksverse ´n goeie plek om te begin. Dit is altyd goed om die Bybel in sy volle konteks te lees, maar soms help dit ons om sleutel verse beter te onthou. Verse wat fundamenteel is vir ons geloof, vir bemoediging, en vir krag - veral oor spesifieke kwessies of selfs in dringende situasies. Kies uit een van die volgende kategorieë. [1] Redding [2] Gebed [3] Prys [4] Geloof [5] Liefde [6] Rus in die Here [7] Die Woord van God [8] Vryheid van vrees [9] Toevoer [10] Vergifnis en bitterheid [11] Geestelike groei [12] Gee [13] Genesing [14] Beskerming [15]Volharding [16] Die stryd teen die vyand [17] Geluk [18] Sterkte en krag [19] Skepping van die wêreld teenoor evolusie [20] Die Here sal vir julle stry [21] Eerlikheid [22] Dissipline [23] Swangerskap en bevalling [24] Aborsie [25] Resultate van lof [26] Vrede [27] Rus en vakansies [28] Slegs afhanklik van die Here [29] Oorlewing in moeilike tye [30] Om besluite te neem [31] Vrymoedigheid en oortuiging [32] Alkoholmisbruik [33] Trots [34] Skeiding van geliefdes [35] Regs [36] Perversie [37] Die stryd teen die vyand [38] Aanspraak maak op die land [39] Die huwelik en seks [40] Hou dit eenvoudig Geklap in de handen en gejuich voor God Psalmen 28:2 Hoor mijn smeekbede als ik u om hulp roep, als ik mijn handen ophef naar het hart van uw heiligdom. Psalmen 63:4 (63:5) U wil ik prijzen, mijn leven lang, roepend uw naam, de handen geheven. Psalmen 134:1 ¶ Een pelgrimslied. Zegen de HEER, u allen die de dienst van de HEER verricht en in het huis van de HEER staat, nacht aan nacht. Psalmen 134:2 Hef uw handen op naar het heiligdom en zegen de HEER. Psalmen 141:1 Een psalm van David. HEER, u roep ik aan, kom mij te hulp, luister naar mij nu ik tot u roep. Psalmen 141:2 Laat mijn gebed voor u zijn als reukwerk, mijn geheven handen als een avondoffer. Psalmen 47:1 Voor de koorleider. Van de Korachieten, een psalm. (47:2) Klap in de handen, o volken, juich God toe met jubelzang: Psalmen 47:2 (47:3) geducht is de HEER, de Allerhoogste, machtige koning van heel de aarde. Klaagliederen 3:40 Laten we ons leven onderzoeken en doorvorsen, laten we terugkeren naar de HEER, Klaagliederen 3:41 laten we met onze handen ook ons hart opheffen tot God in de hemel. 2 Kronieken 5:13 op dat moment moesten de blazers en zangers samen muziek ten gehore brengen ter ere van de HEER. Zodra het geluid van de trompetten, cimbalen en andere instrumenten opklonk en de zangers de lofzang aanhieven: ‘De HEER is goed, eeuwig duurt zijn trouw, ‘vulde de tempel, het huis van de HEER, zich met een wolk. Nehemia 8:6 Ezra prees de HEER, de grote God, en heel het volk antwoordde ‘Amen, amen, ‘en ze hieven hun handen op, knielden neer en bogen diep voor de HEER. Ezra 9:5 Toen stond ik op, beëindigde mijn boetedoening, en met gescheurde kleren en mantel viel ik op mijn knieën en spreidde mijn handen uit naar de HEER, mijn God. 1 Koningen 8:22 Toen wendde Salomo zich naar het altaar van de HEER, ten aanschouwen van de verzamelde Israëlieten, hief zijn handen ten hemel 1 Koningen 8:23 en zei: ‘HEER, God van Israël, er is geen god zoals u, noch in de hemel daar boven, noch op de aarde hier beneden. U houdt u aan het verbond en blijft trouw aan uw dienaren die u met heel hun hart toegewijd zijn. 1 Koningen 8:54 Tijdens dit hele smeekgebed lag Salomo geknield voor het altaar van de HEER, met zijn handen ten hemel geheven. Toen hij zijn gebed tot de HEER beëindigd had, 1 Koningen 8:55 stond hij op en sprak met luide stem zijn zegen uit over de gemeenschap van Israël: 1 Timotheüs 2:8 Ik wil dat bij iedere samenkomst de mannen met geheven handen bidden, vol toewijding, zonder wrok of onenigheid. Efeziërs 5:18 Bedrink u niet, want dat leidt tot uitspattingen, maar laat de Geest u vervullen Efeziërs 5:19 en zing met elkaar psalmen, hymnen en liederen die de Geest u ingeeft. Zing en jubel met heel uw hart voor de Heer Johannes 4:24 want God is Geest, dus wie hem aanbidt, moet dat doen in Geest en in waarheid.’ God liefhebben en Bekommeren om je medemensen “4 Luister, Israël: de HEER, onze God, de HEER is de enige! 5 Heb daarom de HEER, uw God, lief met hart en ziel en met inzet van al uw krachten. 6 Houd de geboden die ik u vandaag opleg steeds in gedachten. 7 Prent ze uw kinderen in en spreek er steeds over, thuis en onderweg, als u naar bed gaat en als u opstaat. 8 Draag ze als een teken om uw arm en als een band op uw voorhoofd.” (Deuteronomium 6:4-8 NBV) “8 Wanneer u echter het koninklijke gebod volbrengt dat de Schrift geeft: ‘Heb uw naaste lief als uzelf, ‘dan handelt u juist. 9 Maar als u op het uiterlijk afgaat, begaat u een zonde en bestempelt de wet u als overtreders. 10 Wie de hele wet onderhoudt maar op één punt struikelt, blijft ten aanzien van alle geboden in gebreke.” (Jakobus 2:8-10 NBV) “Wees niet partijdig wanneer je rechtspreekt. Trek onaanzienlijken niet voor en zie machthebbers niet naar de ogen. Spreek rechtvaardig recht over je naasten.” (Leviticus 19:15 NBV) “door je te wreken of wrok te blijven koesteren. Heb je naaste lief als jezelf. Ik ben de HEER.” (Leviticus 19:18 NBV) “want de hele wet is vervuld in één uitspraak: ‘Heb uw naaste lief als uzelf.’” (Galaten 5:14 NBV) “Draag elkaars lasten, zo leeft u de wet van Christus na.” (Galaten 6:2 NBV) “36 ‘Meester, wat is het grootste gebod in de wet?’ 37 Hij antwoordde: ‘Heb de Heer, uw God, lief met heel uw hart en met heel uw ziel en met heel uw verstand. 38 Dat is het grootste en eerste gebod. 39 Het tweede is daaraan gelijk: heb uw naaste lief als uzelf. 40 Deze twee geboden zijn de grondslag van alles wat er in de Wet en de Profeten staat.’” (Mattheüs 22:36-40 NBV) “28 Een van de schriftgeleerden die naar hen geluisterd had terwijl ze discussieerden, en gemerkt had dat hij hun correct had geantwoord, kwam dichterbij en vroeg: ‘Wat is van alle geboden het belangrijkste gebod?’ 29 Jezus antwoordde: ‘Het voornaamste is: “Luister, Israël! De Heer, onze God, is de enige Heer; 30 heb de Heer, uw God, lief met heel uw hart en met heel uw ziel en met heel uw verstand en met heel uw kracht.” 31 Het op een na belangrijkste is dit: “Heb uw naaste lief als uzelf.” Er zijn geen geboden belangrijker dan deze.’” (Markus 12:28-31 NBV) “38 U moet dus weten, broeders en zusters, dat het dankzij hem is dat aan u de vergeving van de zonden verkondigd wordt; iedereen die op grond van de wet van Mozes geen vrijspraak kon krijgen, 39 wordt door hem geheel vrijgesproken, mits hij gelooft.” (Handelingen 13:38-39 NBV) “Wij weten dat de wet het werk van de Geest is, maar door mijn natuur ben ik uitgeleverd aan de zonde.” (Romeinen 7:14 NBV) “Is het niet: je brood delen met de hongerige, onderdak bieden aan armen zonder huis, iemand kleden die naakt rondloopt, je bekommeren om je medemensen?” (Jesaja 58:7 NBV) “Of weet u niet dat uw lichaam een tempel is van de heilige Geest, die in u woont en die u ontvangen hebt van God, en weet u niet dat u niet van uzelf bent?” (1 Corinthiërs 6:19 NBV) “‘Dit is, voor altijd, mijn rustplaats, hier verlang ik te wonen.” (Psalmen 132:14 NBV) Tekenen van de laatste dagen wanneer moeilijke tijden zullen komen “De verstandige ziet het ongeluk en verbergt zich; de verstandelozen gaan voort en moeten boeten.” (Spreuken 22:3 LU) “1 Maar dit moet gij weten, dat in de laatste dagen moeielijke tijden zullen komen. 2 Want de mensen zullen zijn vol eigenliefde, geldgierig, laatdunkend, hoovaardig, lasteraars, den ouders ongehoorzaam, ondankbaar, onheilig, 3 liefdeloos, onverzoenlijk, kwaadsprekers, onkuis, wreed, tot het goede ongezind, 4 verraders, overmoedig, opgeblazen, die meer den wellust lief hebben dan God; 5 die den schijn hebben van godzaligheid, maar hare kracht verloochenen. Vermijd dezulken.” (2 Timotheüs 3:1-5 LU) “Doch met de kwade mensen en verleiders wordt het hoe langer hoe erger; zij verleiden en worden verleid.” (2 Timotheüs 3:13 LU) “3 dit allereerst wetende, dat in de laatste dagen spotters zullen komen, die naar hunne eigene lusten wandelen, 4 en zeggen: Waar is de belofte zijner toekomst? Want nadat de vaderen ontslapen zijn, blijven alle dingen gelijk zij van het begin der schepping geweest zijn!” (2 Petrus 3:3-4 LU) “Daarom, geliefden, dewijl gij dit verwacht, benaarstigt u, dat gij onbevlekt en onberispelijk door hem bevonden wordt in vrede;” (2 Petrus 3:14 LU) “17 Gij dan, geliefden, dewijl gij dit te voren weet, zo wacht u, dat gij niet door de dwaling der zedeloze lieden u laat medeslepen, en uit uwe eigene vastheid valt; 18 maar wast in de genade en kennis van onzen Heer en Zaligmaker Jezus Christus. Hem zij eer, èn nu èn tot den dag der eeuwigheid! Amen.” (2 Petrus 3:17-18 LU) “En toen hij op den Olijfberg zat, traden zijne jongeren tot hem afzonderlijk, en zeiden: Zeg ons, wanneer zal dat geschieden? En welk zal het teken zijn van uwe toekomst en van de voleinding der wereld?” (Mattheüs 24:3 LU) “Want het ene volk zal opstaan tegen het andere, en het ene koninkrijk tegen het andere; en er zullen pestziekten en hongersnoden en aardbevingen zijn, hier en ginds.” (Mattheüs 24:7 LU) “10 Dan zullen velen zich ergeren, en elkander verraden en elkander haten. 11 En vele valse profeten zullen opstaan, en zullen velen verleiden. 12 En dewijl de ongerechtigheid de overhand nemen zal, zal de liefde bij velen verkoelen. 13 Maar wie volhardt tot aan het einde, die zal behouden worden. 14 En het evangelie van het rijk zal gepredikt worden in de gehele wereld, tot ene getuigenis voor alle volken; en dan zal het einde komen. 15 Wanneer gij nu den gruwel der verwoesting, waarvan gesproken is door den profeet Daniël wie het leest, lette daarop, zult zien staan in de heilige plaats, 16 alsdan vliede op de bergen, wie in Judéa is;” (Mattheüs 24:10-16 LU) “Want alsdan zal er ene grote verdrukking zijn, hoedanige er niet geweest is van het begin der wereld tot nu toe, en ook niet wezen zal.” (Mattheüs 24:21 LU) “30 En alsdan zal aan den hemel verschijnen het teken van des Mensen Zoon; en dan zullen al de geslachten der aarde weeklagen, en zullen des Mensen Zoon zien komen op de wolken des hemels met grote kracht en heerlijkheid. 31 En hij zal zijne Engelen uitzenden met schelklinkende bazuinen, en zij zullen zijne uitverkorenen vergaderen uit de vier winden, van het ene einde des hemels tot het andere.” (Mattheüs 24:30-31 LU) “33 alzo ook gij, wanneer gij dit alles ziet, zo weet, dat het nabij is, voor de deur. 34 Voorwaar, ik zeg u: Dit geslacht zal niet vergaan, totdat dit alles zal geschied zijn.” (Mattheüs 24:33-34 LU) “37 Maar gelijk het in de dagen van Noach was, zo zal ook zijn de toekomst van des Mensen Zoon. 38 Want gelijk zij waren in de dagen vóór den zondvloed, zij aten en zij dronken, zij trouwden, en zij lieten zich trouwen, tot den dag toe, dat Noach in de ark ging, 39 en zij zagen het niet in, totdat de zondvloed kwam en hen allen wegnam; -zo zal ook de toekomst zijn van des Mensen Zoon. 40 Dan zullen er twee op het veld zijn: de een zal aangenomen en de ander verlaten worden; 41 twee zullen er malen in den molen: de ene zal aangenomen en de andere verlaten worden.” (Mattheüs 24:37-41 LU) “45 En wie is nu de getrouwe en verstandige knecht, dien zijn heer gesteld heeft over zijn huisgezin, om hun spijs te geven ter rechter tijd? 46 Zalig is die knecht, dien zijn heer, als hij komt, zó doende vindt: 47 voorwaar, ik zeg u: hij zal hem over al zijne goederen stellen. 48 Maar zo gene, de ontrouwe knecht, in zijn hart zal zeggen: Mijn heer komt nog lang niet, 49 en beginnen zal zijne medeknechten te slaan, en te eten en te drinken met de dronkaards, 50 zo zal de heer van dien knecht komen ten dage op welken hij het niet vermoedt, en ter ure die hij niet denkt, en hij zal hem in stukken houwen, 51 en zal hem zijn loon geven met de huichelaars: dáár zal geween zijn en geknars der tanden.” (Mattheüs 24:45-51 LU) “31 Als nu des Mensen Zoon komen zal in zijne heerlijkheid, en alle heilige Engelen met hem, dan zal hij zitten op den troon zijner heerlijkheid; 32 en alle volken zullen vóór hem vergaderd worden, en hij zal hem vanelkander scheiden, gelijk een herder de schapen scheidt van de bokken;” (Mattheüs 25:31-32 LU) “3 En toen hij op den Olijfberg zat, tegenover den tempel, vraagden hem Petrus en Jakobus en Johannes en Andréas afzonderlijk: 4 Zeg ons, wanneer zal dit alles geschieden? En wat is het teken, wanneer dit alles zal voleindigd worden?” (Markus 13:3-4 LU) “Het ene volk zal zich verheffen tegen het andere, en het ene koninkrijk tegen het andere, en er zullen aardbevingen zijn hier en ginds, en er zullen hongersnoden zijn en verschrikkingen. Dit is het begin van den nood.” (Markus 13:8 LU) “En het evangelie moet te voren gepredikt worden onder alle volken.” (Markus 13:10 LU) “21 Zo iemand in dien tijd tot u zeggen zal: Ziet hier is de Christus, of: Ziet, hij is daar, zo gelooft het niet. 22 Want er zullen valse christussen en valse profeten opstaan, die tekenen en wonderen doen zullen, om, indien het mogelijk ware, zelfs de uitverkorenen te misleiden.” (Markus 13:21-22 LU) “Voorwaar, ik zeg u: Dit geslacht zal niet vergaan, totdat dit alles zal geschied zijn.” (Markus 13:30 LU) “32 Maar van dien dag en die ure weet niemand, zelfs de Engelen in den hemel niet, ook de Zoon niet, maar alleen de Vader. 33 Ziet toe, waakt en bidt, want gij weet niet, wanneer de tijd daar is.” (Markus 13:32-33 LU) “5 En toen sommigen zeiden van den tempel, dat hij met fraaie stenen en kostbaarheden versierd was, zeide hij: 6 De tijd zal komen, in welken van dit alles, wat gij ziet, geen steen op den anderen zal gelaten worden, die niet in stukken zal worden gebroken. 7 En zij vraagden hem, zeggende: Meester, wanneer zal dit geschieden? En wat is het teken, wanneer dat geschieden zal?” (Lukas 21:5-7 LU) “11 en er zullen zijn grote aardbevingen hier en ginds, hongersnoden en pestziekten; ook zullen er verschrikkingen en grote tekenen aan den hemel geschieden. 12 Maar vóór dit alles zullen zij de handen aan u slaan en zullen u overleveren in hunne synagogen en gevangenissen, en voor koningen en landvoogden leiden, om mijns naams wil; 13 en dit zal u overkomen tot ene getuigenis. 14 Zo neemt nu ter harte, dat gij niet bezorgd zijt hoe gij u verantwoorden zult. 15 Want ik zal u mond en wijsheid geven, welke al uwe wederpartijders niet zullen kunnen tegenspreken noch wederstaan. 16 En gij zult overgeleverd worden door ouders, broeders, bloedverwanten en vrienden, en zij zullen sommigen van u doden, 17 en gij zult gehaat worden door iedereen om mijns naams wil.” (Lukas 21:11-17 LU) “Wanneer gij nu zien zult, dat Jeruzalem belegerd wordt door een heir, zo merkt, dat hare verwoesting nabij gekomen is.” (Lukas 21:20 LU) “En er zullen tekenen geschieden aan zon en maan en sterren, en op de aarde zullen de volken angstig en radeloos zijn, bij het bruisen van zee en watergolven;” (Lukas 21:25 LU) “31 Alzo ook gij, wanneer gij dit ziet geschieden, zo weet, dat het rijk Gods nabij is. 32 Voorwaar, ik zeg u: Dit geslacht zal niet vergaan, totdat het alles zal geschied zijn. 33 Hemel en aarde zullen vergaan, maar mijne woorden zullen niet vergaan. 34 Maar wacht u, dat uwe harten niet bezwaard worden met brasserij en dronkenschap, en met zorgen voor het levensonderhoud, en die dag u niet onvoorziens overkome! 35 Want hij zal als een valstrik komen over allen, die op de aarde wonen. 36 Zo zijt altijd wakker, en bidt, dat gij waardig moogt geacht worden te ontvlieden dit alles, hetgeen geschieden zal, en te staan voor des Mensen Zoon,” (Lukas 21:31-36 LU) “Gij hebt het aardrijk op zijnen bodem gegrondvest, dat het blijve altoos en eeuwig.” (Psalmen 104:5 LU) “Het ene geslacht gaat, het andere komt, maar de aarde blijft eeuwig.” (Prediker 1:4 LU) “En zie, ik ben bij u al de dagen tot aan des werelds einde.” (Mattheüs 28:20 LU) “De rechtvaardigen beërven het land, en blijven er eeuwiglijk in.” (Psalmen 37:29 LU) “Want de bezoldiging der zonde is de dood, maar de gave Gods is het eeuwige leven in Christus Jezus, onzen Heer.” (Romeinen 6:23 LU) “29 Jezus antwoordde en zeide: Voorwaar, ik zeg u: Er is niemand, indien hij verlaat huis, of broeders of zusters, of vader of moeder, of vrouw of kinderen, of akkers, om mijnentwil en om des evangelies wil, 30 die niet honderdvoudig ontvangt, nu in dezen tijd huizen, en broeders en zusters, en moeders en kinderen, en akkers, onder vervolgingen, en in de toekomende wereld het eeuwige leven.” (Markus 10:29-30 LU) “3 Geloofd zij de God en Vader van onzen Heere Jezus Christus, die ons naar zijne grote barmhartigheid wedergeboren heeft tot ene levende hoop, door de opstanding van Jezus Christus uit de doden, 4 tot ene onvergankelijke en onbevlekte en onverwelkelijke erfenis, die weggelegd is in den hemel voor u, 5 die uit Gods macht door het geloof bewaard wordt tot de zaligheid, die bereid is om geopenbaard te worden in den laatsten tijd;” (1 Petrus 1:3-5 LU) “Het einde nu aller dingen is nabij gekomen: daarom zijt matig en nuchter tot het gebed.” (1 Petrus 4:7 LU) “Zo laat ons nu niet slapen, gelijk de anderen, maar laat ons waken en nuchter zijn.” (1 Thessalonicen 5:6 LU) Die Ou Testament - O.T. Genesis Eksodus Levitikus Numeri Deuteronomium Josua Rigters Rut 1 Samuel 2 Samuel 1 Konings 2 Konings 1 Kronieke 2 Kronieke Esra Nehemia Ester Job Psalms Spreuke van Salomo Prediker Hooglied van Salomo Jesaja Jeremia Klaagliedere van Jeremia Esegiël Daniël Hosea Joël Amos Obadja Jona Miga Nahum Habakuk Sefanja Haggai Sagaria Maleagi Die Nuwe Testament - N.T. Matteus Markus Lukas Johannes Die handelinge van die apostels Romeine 1 Korintiërs 2 Korintiërs Galasiërs Effesiërs Filippense Kolossense 1 Tessalonisense 2 Tessalonisense 1 Timoteus 2 Timoteus Titus Filemon Hebreërs Jakobus 1 Petrus 2 Petrus 1 Johannes 2 Johannes 3 Johannes Judas Die openbaring BACK TO TOP

  • South African Culture | Radio Sam Broadcaste

    Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event South African Culture Click Here The history of South African culture is a rich and diverse one, shaped by a variety of influences over the centuries. From the indigenoushoisan people to the Dutch settlers and British colonizers, South Africa's cultural heritage is a fascinating tapestry of traditions, languages, and customs. Let me know if you need more specific information or if you have any other requests! Visit our Website for more INFORMATION. VISIT OUR SOUTH AFRICAN WEBSITE - SOUTH AFRICAN TOURS & SEE TOP SITES ALL ABOUT SOUTH AFRICA. View More View More View More BACK TO TOP

  • Top News Extras | Radio Sam Broadcaste

    ENJOY YOUR STARS WEBSITE ; JUST 4 U Latest News Playlist THEUNS JORDAAN View More TOM BECK View More RIANA NEL View More THOMAS ANDERS View More Collections REX GILDO HELENA FISCHER NINO DE ANGELO WINCENT WEISS View More View More View More View More Categories ANTON THOMAS LIANIE MAY BOBBY VAN JAARVELD BLES BRIDGES View More View More View More View More Music You'll Love SCHLAGER MUSIC VANESSA MAI ROLAND KAISER VICKY LEANDROS TOM ASTOR View More View More View More View More WE PRESENT SINGERS ON OUR RADIO Read More JUANITA DU PLESSIE Read More STEVE HOFMEYR Read More FREDI NEST Read More GERHARD STEYN Our Radio Streams WEBSITE RADIO SAM GERMANY RADIO SAM BROADCASTING BLOGGER Singer News on Their Websites WEBSITE ANDREA JÜRGENS WEBSITE CHRISSIE ROSSOUW WEBSITE WEBSITE JURGEN DREWS MARIANNE ROSENBERG WEBSITE BOK VAN BLERK WEBSITE MAITE KELLY FROM OUR PROGRAM PIETER KOEN ROBBIE WESSELS KURT DARREN DEWALD WASSERFALL WEBSITE WEBSITE WEBSITE WEBSITE SOUTH AFRICA’S BIGGEST, FAMILY-FRIENDLY, MUSIC FESTIVAL SERIES ‘GET LUCKY SUMMER’ IS BACK THIS SUMMER HOLIDAY SEASON! Get Lucky Summer has just announced 10 concert dates kicking off in the Mother City with a BRAND NEW venue – Sunningdale Cricket Club on 7th December, then heading up to Plett and Knysna for the Summer holiday season. This year, they’ve knocked it out of the park with some of SA’s biggest acts: GOODLUCK, ZAKES BANTWINI, WILL LINLEY, THE PARLOTONES, PRIME CIRCLE, BOK VAN BLERK, JEREMY LOOPS, JESSE CLEGG & MUCH MORE! View More Provinces Eastern Cape Gauteng KwaZulu-Natal Limpopo Mpumalanga North West The Free State The Northern Cape The Western Cape Neighbouring Countries Botswana Kenya Lesotho Malawi Mozambique Namibia Swaziland Tanzania Zambia Zimbabwe Afrikaans is Groot Never miss another Afrikaans is Groot concert. Get alerts about tour announcements, concert tickets, and shows near you . Afrikaans is Groot is 2024 is back and it is taking over Time Square Arena from Friday, 08 November till Sunday, 17 November 2024. Afrikaans is Groot is as its name says, big. It is one of the country’s biggest annual Afrikaans concerts. Founded in 2012, Afrikaans is Groot sold out nine concerts within 24 hours in 2022. This impressive feat demonstrates the loyalty and love that Afrikaans-speaking people have for their language and the artists who create music in it. Afrikaans is in our hearts! Afrikaans is Groot het 15 jaar gelede ontstaan as ’n idee om die grootste Afrikaanse snitte op een versamelalbum te voeg. Die handelsmerk het ongelooflike ondersteuning van Afrikaanse mense ontvang, uit sy nate gebars en gegroei tot waar dit vandag die grootste konsert in die land is. Afrikaans is Groot gaan oor trots, vol-mond musiek en ’n ervaring vir ons mense, in ons geliefde taal. Dit is ’n feesviering van jou gunsteling Afrikaanse kunstenaars op ’n verhoog wat meeding met enige internasionale konsert. Ons doel is om Afrikaans met musiek uit te bou en groot te hou. BACK TO TOP

  • Livestream | Radio Sam Broadcaste

    Radio SAM Broadcaster Germany Video abspielen Alle Videos

  • Radio News | Radio Sam Broadcaste

    RADIO NEWSPAPER Radio News - Radio Eendrag Maart 2024 https://drive.google.com/file/d/1iwWGfom64Z1jBqz–q8v8O3LSykX98Nv/view?usp=sharing Februarie 2024 https://drive.google.com/file/d/11LitLJvkbRlz1Pt4NQdterPf7QSBHioe/view?usp=sharing .Februarie 2022 https://drive.google.com/file/d/1xotyCeXZZMR4z2-Gl3WUSllER4K6HxbQ/view?usp=sharing Januarie 2022 https://drive.google.com/file/d/1AK0PMPP022sJveUxlI7_24aLwCPgHzCo/view?usp=sharing Januarie 2021 https://radioeendrag.com/eendragnuus/jan2021.pdf Januarie 2020 https://drive.google.com/file/d/1LAScEY4FfLW7hwbTB3aa6M3KwxxSWBh0/view?usp=sharing Februarie 2020 https://drive.google.com/file/d/1t9UTw6tH1a5BBmRPBDjmXpUuJvyLhiOO/view?usp=sharing Maart 2020 https://drive.google.com/file/d/1cbDkrggx0vEKqan4HMcrHa_o8JK6qTrB/view?usp=sharing

  • Childrens Page | Radio Sam Broadcaste

    FUN FOR THE CHILDREN This page is just for Children to Enjoy and have fun ,We will be adding Links - Places to Visit - Video Links - Pictures & Things to Make and to Model. WHAT YOU WILL FIND ON THIS PAGE EASY TO MAKE THINKS TO MAKE PICTURE BOOK SHARE WITH FRIENDS CRAFT WORK CHILDERN LINKS VIDEOS MANY LINKS TO ENJOY tv.disney. View More The Crafty Crow began in 2008 and came out of my need to keep track of all the wonderful children's crafts I see on the internet. This collective specializes in crafts found on weblogs of creative people who either have, or work with, kids. There is an emphasis on projects inspired by nature, crafts that make use of recyclable materials and open-ended art meant to bring families closer together through the creative experience. You will also find tips, tools, resources, and other ideas sprinkled in too. Welcome to The Crafty Crow ! View More “I’m bored,” are often two of the most terrifying words heard by parents. But with a little brainstorming, they don’t have to be. Instead, you can turn boring into a wonderful time of fun, learning and adventure! Growing up my parents didn’t allow “boredom”. Any time I even acted sort of bored they would “find something for me to do!”(some of the most terrifying words to a child!) As a result, I never developed an aptitude for boredom… at least not that I would admit! This list has grown out of many of those early boredom busters. Saying NO to Boredom and YES to Fun View More Hiya! I'm Andrea and together with my mom Jantje, I've been leading the way in art education on the Internet since 1997. For more than 25 years, our goal has been to make art lessons accessible to people around the world. More than 80 million visitors have used our free collection of ideas in their homes and classrooms and thousands have joined our premium art lesson membership club . We make teaching art easier and we're so glad you found us! View More Wat is Filaflooi? Filaflooi is kinders en filaflooi is Afrikaans! Ons het 'n kinderklere-reeks met Afrikaanse kinderrympies daarop - ons ouderdomme strek van 1-2 jaar tot en met 5-6 jaar. In die t-hempies gee ons uiting aan ons passie vir Afrikaans. Ons "leer ou woorde kantel tot 'n nuwe samesyn, sodat hul dan presies bepaalde vreugdes wek..." (NP van Wyk Louw).Dit is wat ons doen! Ons skep deur 'ou woorde' uit kinderrympies bepaalde vreugdes vir die leser daarvan. As ons iets kan bydra tot 'n nuwe geslag kinders se bewustheid van hoe mooi Afrikaans is en hulle kan trots maak op hulle taal, sal dit vir ons 'n groot pluimpie wees. Hoekom Filaflooi? Filaflooi klink soos kind-wees en is ook 'n tipies Afrikaanse woord. Die naam is 'n speling op die woord "filafooi" wat in ou kinderrympies voorkom. Ons spel dit graag met 'n klein lettertjie om dit meer kinderlik te maak. View More Listen now! All your favorite Kidsongs are available to stream!ALSO AVAILABLE on 7 digital, 8tracks, kazoo, anghami, AWA, Deezer, iMusica, InProdicon, KDigital, KKBox, Kuack, Line Music, Media Net, Napster, NetEase Cloud Music, Qobuz, Saavn, Shazam, Slacker Radio, SoundExchange, Tencent Music Entertainment, Tidal, YouTube Music View More Die webtuiste wat jou en jou kleuter die langste sal besig hou- nog jare ebn jare lank- is Juffer se blog: My Klaskamer- idees en gedagtes uit 'n juffrou se pen. Wat 'n vonds! Baba & Kleuter kan nie genoeg lofliedere oor hierdie webskat sing nie, Nie net lei Juffer jou kind op 'n prettige manier stap vir stap deur graad R, 1, 2 en 3 nie, sy bied ook voorskoolse raad en aktiwiteite. Daar is skakels na bruikbare takkaarte en blink idees en jy kan ook inteken as jy personnl;ike aandag nodig het. 'n Nuttige skakel vir kraakvars kleuteraktiwiteite in die blog self is http://juffer.wordpress.com/2009/09/30/inkleurprente-en-aktiwiteite . View More Welcome to DLTK's Crafts for Kids DLTK's Crafts for Kids is your go-to website for fun and educational activities for children! With a wide range of printables, crafts, coloring pages, worksheets, and other resources, DLTK-Kids has something for every young learner. Whether you're looking for a rainy day activity or a way to reinforce important concepts learned in school, DLTK's is the perfect destination. I've done my best to design projects that are simple and easy to follow, so even the littlest hands can create something amazing. View More Looking for a list of easy and fun crafts for kids ? On the hunt for easy and simple craft ideas for kids ? I’ll be sharing our favorite art and craft for kids that are tried and true and so much fun! I love bringing forth easy craft kid ideas and I am happy to include all of our popular kids craft ideas within this page for easy access for you and for me too! 😀 Some of these crafting ideas for kids are seasonal, include a certain theme for the current month, for any occasion that can be made within any day of the year! I am especially fond of crafting and creating with supplies you may already have on hand. View More Easy Crafts for Kids We have hundreds of crafts for kids: paper crafts, recycled craft projects, paper plate craft ideas, animal crafts, back to school, holidays, and tons more. We think all of our crafts are doable for children, but there are definitely some that are easier and quicker than others. Here's over 300 craft projects for kids of all ages! View More Children Channel Children Channel Video abspielen Teilen Ganzer Kanal Dieses Video Facebook Twitter Pinterest Tumblr Link kopieren Link kopiert Search videos Video suchen... Wird abgespielt Finger Family Song + More Nursery Rhymes & Kids Songs | Sing, Laugh & Learn | NuNu Tv 19:01 Video abspielen Wird abgespielt Tom & Jerry | Tom & Jerry in Full Screen | Classic Cartoon Compilation | WB Kids 21:38 Video abspielen Wird abgespielt PAW Patrol Rescue Wheels Adventures! #7 w/ Chase 🚗 2 Hours | Nick Jr. 01:59:18 Video abspielen We have hundreds of easy to make ideas with simple step by step tutorials you and your kids will easily follow. From the simple no-prep crafts that take minutes to make (and are perfect for the classroom) to engaging paper crafts that both you and your kids or students will fall in love with. Our aim is to make crafting fun and frugal – with supplies most households already have at hand (or won’t cost you a fortune). What ages are these crafts suitable for? We have ideas for all age ranges, you will find many easy projects toddlers can make, crafts simple enough for preschoolers to do at home or in preschool, kids in kindergarten will be able to make most of our crafting projects and there is a ton of projects for older kids and kids at heart (yes, you will enjoy quite a few of these too!). View More

  • About Us | Radio Sam Broadcaste

    Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, Hey There to All Friends and Fans RADIO SAM Germany is Running Worldwide Internet Radio Station ,South African Music and German Music based as a Online Music Radio Station ,from Germany ,and is also a South African and German Music Time shareing Homepage to share with People all around the World for Young and Old,It was founded in March 2014 in Germany. The Facebook Group was founded at the same time - South African Music, then got bigger and greater with our supporters ,friends and also visitors .Youtube Videos that we were shareing through Youtube . In April 2014 the Google Blogger was openened ,through the high visit of friends and visitors, Online around the world and Thankyou to our supporters AND FRIENDS. Die schönsten Schlager im Internet radio Das Radio SAM Germany von Andreas Dezius ist der Radiosender für Schlager Fans. Wenn Sie von einem Internetradio mehr erwarten als die Hits der 80er, 90er und die Charts von heute, dann schalten Sie unser Schlager Radio ein. Radio SAM Germany – das bedeutet Internetradio für die ganze Familie. Radio SAM Germany gibt all den Musikliebhabern eine Chance, die ihr Recht auf einen eigenen Musikgeschmack im anderen Webradios nicht durchsetzen können. Radio SAM Germany finden deutsche Schlager und Volksmusik endlich wieder ein neues Zuhause! Das Radio-Programm vom Radio SAM Germany bietet für jeden Schlagerfan genau das Richtige: Egal ob deutsche Schlager oder, Discofox oder Country, Party-Schlager oder Deutsch Rock, von volkstümlicher Musik bis zu schönen Oldies – auf Radio SAM Germany werden 24 Stunden pro Tag die besten deutschen und internationalen Schlager gespielt, und das an allen 7 Tagen der Woche. Moderne Musiktrends kommen und gehen, die Geschichte des deutschen Schlagers reicht jedoch bereits vom Ende des 19. Jahrhunderts bis in die Gegenwart des Radio SAM Germany. Seit jeher spiegelt die Schlagermusik den Wandel von Gesellschaft und Mentalität wider. Schlagermusik reagiert seit ihren Anfangstagen auf politische und gesellschaftliche Strömungen. So ist die Schlagermusik in der heutigen Zeit als kommerzielles Massenprodukt eng mit der modernen Industriegesellschaft und ihren technologischen Neuerungen verbunden. Das Radio SAM Germany von .FM ist ein Symbol dieser technologischen Neuerungen, denn wir senden nicht über UKW, sondern über das Internet. So ein Internetradio hat gegenüber dem klassischen FM-Radio viele Vorteile. Dank des Internets können Sie Ihr Schlager Radio nun überall auf der Welt genießen. Alles, was Sie benötigen, um in den Genuss von Schlagern über ein Internetradio zu kommen, ist ein Computer und ein schneller Internetzugang. Damit Sie das Radio SAM Germany ohne Störungen genießen können, empfehlen wir dazu einen DSL-Anschluss. Computer und Internetanschlüsse finden Sie heute nicht nur in jedem Haushalt, sondern auch in den meisten Hotels weltweit. Somit sind Schlagerfans keine Grenzen mehr gesetzt, wenn Sie nicht nur zu Hause, sonden auch im Urlaub ihr Schlagerradio hören möchten. Dabei spielt es keine Rolle, ob Sie sich auf Mallorca, in der Türkei, Ägypten oder in einem noch weiter entfernten Land befinden: Dank Internetradio bringen wir das Radio SAM Germany auch in den hintersten Winkel der Welt. Wer summt nicht besonders gerne im Urlaub eine bekannte Schlagermelodie vor sich hin? Dank Radio SAM Germany über das Internet haben alle Schlagerfans nun die Möglichkeit dazu! We support and promote our friends that was at that time playing in some of the local upcoming bands, and give our other local musicians a way through which they could share their music to their South African fans, and hopefully internationally. We are a dedicated and unique team of music lovers and professionals brought together from all walks of life and from all around the World, from all over South Africa, and Europa ,all with one thing in common... our love and passion for music! WE OFFER MUSIC , AN AUTO DJ AND DJS THAT WILL BE ADDED TIME BY TIME TO SHARE MUSIC WITH FRIENDS AND FAMILY NEWS,PICTURES,Djs ON A SATURDAY NIGHT ON Radio SAM Germany. All we ask is that you share or Homepage,Facebook Group,and Google Bloggers and be Kind to sighn into our Geustbook as return we add you a as friend on Facebook, and put an small partnet banner on our Page to help to share also your Homepage around the World ,Thankyou your Radio SAM Germany Team . Radio SAM Music is an online radio station sponsored by ZenoRadio allows you to listen to your favorite radio stations from around the world. , find your favorite radio station by country and listen by streaming or dialing a phone number to save data. With an expanding list of stations and new countries being added weekly, the new ZenoRadio is the best way to listen to your countries home radio stations. that aims at providing the best disco music to fans all over the world. We work as a team to make sure we play the best, the latest and consistently entertain our listeners with the music they would love to hear. In simple terms, we bring the disco experience right to you. You do not have to visit a disco, but you can have the experience right in your office, car or just at home. This is the right music for anyone who feels like dancing but does not want the hassle that comes with being in a club or disco. How do we Ensure Our Visiters and Listerners and are Well Entertained? Our online radio station Websites ,Bloggers and Radio Station gets over 900 visitors and listerner every day. This is quite a number, but we ensure that everyone who visits the site leaves satisfied and entertained. In fact, many find it hard to switch off the music and carry it on throughout the day as they attend to their daily obligations. Our team does daily research on our visiters’ likes and preferences, music searches and needs to ensure that we only play music that is relevant to them. We do not just play the music, but we go a step further in making sure that what we play is actually what our visitors and listerners are looking for. Why the Online Radio Station? As we played the disco music in various clubs and settings, we realized that more and more people were looking for us and it was hard to meet the needs of different groups all at the same time. We had to seek for a way to please all our clients and ensure they can get to listen to our music from wherever they are 24/7. So rather than our visitors and listerners are waiting until we get a chance to play at their local music, or follow us wherever we go for gigs, they can listen to our music whenever they feel like any time of the day. Who Can Listen to the Radio Station? Anyone anywhere in the world can access Radio SAM Music . We do not have demographic inhibitions and ensure that anyone can access the music any time of the day or night whenever they are in the mood to dance. When you are having a party or entertaining some guests, this is the music that will take the party to the next level. Just make sure you have enough dancing room. Your guests will rock to the music the whole night as tune after tune belts out of the online music radio station. It is not just when you have guests, but the music can help you unwind and change your mood after a long day in the office. Even when you are in the office and want to switch to a more relaxed mood, just log in the online radio. You will be able to relax and forget about the day’s pressures and demands ,Because of the many visitors our radio station gets every day, it’s a good marketing hub for advertisers.With over 900 daily visitors, you are assured of getting a large audience for your products or services. We also built ‘Radio SAM Broadcaster Germany’ for YOU…….. For you to NEVER miss that amazing event. We strive to, at all times, try to take the hassle out of finding out where that favourite artist is performing, have a look at some other artists also performing, and at what venue it is going to be held, at what time, and maybe it will be the end of life as you know it. We love radio! Radio SAM Broadcaster Germany makes life a little easier for everyone who feels the same way. We offer you the opportunity to listen to internet radio from all over the world in a particularly uncomplicated manner and free of charge. With the push of a button, you can also record it very easily thanks to Radio SAM Broadcaster Germany. Don't you ever want to miss your favorite internet radio radio again? Our tools make it possible! You can put together your own program in the Radio SAM Broadcaster Germany player, in the app and directly on our website. This is then conveniently recorded and saved for you. If you just want to listen to your favorite online radio stations, you can of course do so here: You can click through the music genres or topics you want and you will find enough material to stream continuously for days! Here, the many German channels are just a few clicks away from the small regional channel from Italy. Thanks to the radio cloud, you don't even have to turn on your computer or smartphone to record, you don't even have to be at home. The scheduled shows are simply saved in the cloud, where you can easily stream them or download them for later use. Radio programs and tips - radio plays and more That's all well and good, but you don't even know what you want to hear in the wide landscape of internet radio? No wonder, after all, there are many of programs on all sorts of genres. Our editorial team therefore studies the radio program every week and always has a few tips ready to make your choice easier: There is also something for the little listeners on a separate page for children. Do you want to let off steam in the wide world of internet radio? Radio SAM Broadcaster Germany makes this particularly easy for you. You can listern completely free of charge and without obligation. In your own account under “Radio SAM Broadcaster Germany” you can start immediately, put together your own program and use the free radio cloud storage of two hours. In the download area you will find the Radio SAM Broadcaster Germany players for PC and Mac and the app is available for free download in the app store for iOS, Android or Windows Phone Hoekom moet jy op LEKKER FM Radio SAM Germany adverteer? Die antwoord is baie eenvoudig! Jou besigheid is vir ons belangrik!Radio Springbok Germany bied 'n bekostigbare advertensiemedium wat 'n massa-gehoor in beide Afrikaans en Engels kan bereik. Ons multi-media advertensiebenadering bied 'n ideale geleentheid wat individueel vir jou, die adverteerder, saamgestel word. Dit bied aan jou besigheid (klein of groot) die geleentheid om jou teikenmark oor radio, en digitale en sosiale media platforms, gelyktydig te bereik - volgens jou voorsiene begroting! Radio SAM Germany produk!Wees die eerste nuwe of kleinsake-eienaar om jou een-jaar radio-advertensieveldtog met ons te registreer, en ons sal jou webwerf ontwerp en publiseer op 'n baie lae koste, insluitend e-pos adresse. Om jou selfs verder te help, sal ons al jou sosiale media bladsye met jou webwerf aaneenskakel, sodat jy onmiddellike regstreekse skakels het om jou webwerf op datum te hou. Kontak ons vandag nog om seker te maak jou besigheid word raakgesien! (Kliek Hier) Hoekom radio?Die volgende kan jou help om 'n suksesvolle radio-advertensie veldtog te hê: Frekwensie van advertensies"Gryp jou verbruikers aan die oor, en hul harte en gedagtes sal volg! " Andreas Dezius In kort: 'n kommersiële radio-advertensie moet verskeie keer gespeel word voordat dit insink in die gedagtes van die luisteraar. As jy van plan is om jou kommersiële handelsflits een keer per week vir 'n maand lank te skeduleer, sal dit nie voldoende wees om jou produk tot aan die toppunt van jou teikengehoor se gedagtes te bring nie.Die suksesvolle radioveldtog bestaan uit 'n kommersiële flits wat aanvanklik vir meer as een keer deur die loop van 'n dag uitgesaai word, in teenstelling met een of twee keer per week. Ken jou teikenmark se programskedule inskakel . Dis sinvol om jou parfuumwinkel byvoorbeeld tydens 'n tipiese huisvrouprogram te adverteer. Daarom sal jy nie 'n hardeware-en gereedskapswinkel in dieselfde gleuf adverteer nie. Jou vaardigheid om die teiken te tref is noodsaaklik vir elke advertensie wat jy skep . Daarom moet jy seker maak dat jy weet waar jou teikenmark op Radio Springbok Germany Radio SAM Germany se ervare media-strateeg sal jou help met die keuse van die regte programme en skedules om die beste waarde uit jou produk en bemarkingsveldtog te verkry. By langer veldtogte, kan jy selfs jou radio-flitse rondskuif om te probeer verseker dat jy deur 'n wyer teikengroep gehoor word, sodat die sukses van jou belegging verhoog word. Vervaardiging van kommersiële flitse. Vervaardiging van radio-advertensies is eenvoudig en baie koste-effektief. Jy moet twee basiese elemente hê: 'n teks en 'n talentvolle stemkunstenaar. Maar wees versigtig om nie bloot net 'n paar sinne uit te skryf en dan jou vingers te kruis met die hoop dat jou advertensie die merk sal tref nie. Onthou: radio is die teater van die gedagte. Jou flits se sukses maak staat op duidelike inligting , spraak en klank wat jou besigheid vanuit die klankrommel lig en jou naam in die geheue van die luisteraar ets. Onthou , frekwensie is die sleutel! So maak seker dat jou advertensie in die kol is en jy sal die verbruiker se aandag die eerste keer trek. Navorsing toon dat dit ‘n paar keer neem voordat die verbruiker uiteindelik verstaan wat jou maatskappy behels. Dit is daarom belangrik dat jou advertensie sal uitstaan en jou boodskap herhaaldelik sal dra. About Radio SAM Broadcaster Germany Radio SAM Broadcaster Germany is your go-to destination for the freshest and hottest music from around the world. Our team of experienced DJs and music producers work tirelessly to bring you the best of the best, so you can worry less and dance more. Tune in to our radio station and never miss a beat! The Team who runs this Radio Station ! We started off with Radio sam germany Andreas Dezius Radio Host & DJ Music Curator Executive Board member, Co-founder and former of Radio SAM Broadcaster Live Andre Radio Host & Social Media Manager Board member, Supporter and Advertiser. Designer Pamela Coetzee Radio Host & Social Media Manager Board member, Web Designer Andrew May Radio Host & Program Advertiser Board member,Advertiser Supporter. Welcome Tune-Into One of our Radio Stations and Enjoy the Music Were ever you GO... Our Radio Monthly Analytics Country Sessions Sum of unique IPs per stream TLH % United States 431 84 3,09 59.20 Germany 273 19 84,36 37.50 The Netherlands 5 2 0,09 0.69 Portugal 4 4 0,03 0.55 South Africa 4 3 0,18 0.55 South Korea 3 3 0,02 0.41 Russia 3 2 0,16 0.41 Australia 1 1 0,02 0.14 Canada 1 1 0,01 0.14 Italy 1 1 0,04 0.14 Country Sessions Sum of unique IPs per stream TLH % United States 189 75 1,37 75.00 Germany 39 9 33,35 15.48 South Africa 6 5 0,22 2.38 India 5 3 0,09 1.98 Russia 4 4 0,13 1.59 Portugal 2 2 0,02 0.79 South Korea 2 2 0,02 0.79 Slovenia 2 1 0,02 0.79 Australia 1 1 0,12 0.40 Italy 1 1 0,17 0.40 Total sessions completed 2,53 K Total unique IPs 1,37 K Average listening minutes 13,87 Total listening hours 581,13 Total ad impressions 396 Call Email a.dezius@gmail.com Follow BACK TO TOP

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