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Welcome to Radio SAM Broadcaster Germany Welcome to our entertainment radio station, Radio Sam broadcasting live from Germany. Tune in to enjoy the best music and stay up-to-date with latest news and events. Thank you for choosing us as your go-to source entertainment.Connect with your audience and community by offering local news, events calendar, contesting and local business landing pages. Our setup includes importing your initial content, on-air schedules, events, contests, etc. We also include up to 10 client banner ads so that your site will be ready to start grabbing new listeners and advertisers the day it launches.Welcome to Radio SAM Broadcastering Studios Germany another Internet Radio Station ,with top music to enjoy,broadcasting Live from Germany on a weekend with Dj Nighthawk and a Auto Dj ,that Entertains you 24/7 around the clock,were ever you are you can tune-in and enjoy our music,with Top Singers from South Africa and Top Singer from Germany. Music that we play on Radio SAM Broadcaster Germany.Welcome to our Radio Station , From a small Village Called Dehrn in Hessen in Germany... Listen Now Music is something to which everyone admires and loves invariably. Irrespective of culture, tradition and political boundaries it is music that binds every human being and provides great mental satisfaction. Anyone, invariably around the globe loves some form of music and its wonderful enjoying. The taste of music is cherished by all ranging from a kid of eight years to an old octogenarian. Music is a healer, a soother and a revitalizer that rejuvenates the soul and motivates the body. Moreover, practically it is the only art form where we can get all the expressions of the human mind that is we can get music perfectly blended to our mind state at that instant. Be it on a journey, on a picnic, party, festival or anything it is music to which everyone adheres and connected emotionally and mentally.Afrikaans music was primarily influenced by Dutch folk styles, along with French and German influences, in the early twentieth century. Zydeco-type string bands led by a concertina were popular, as were elements of American country music, especially Jim Reeves. Melodramatic and sentimental songs called trane trekkers (tear jerkers) were especially common. In 1996 the South African Music scene changed from the Tranetrekkers to more lively sounds and the introduction of new names in the market with the likes of Nádine, Kurt Darren and Nicolis Louw. Afrikaans music is currently one of the most popular and best selling industries on the South African music scene. Afrikaans music saw a surge in new artists, album releases and sales after 2000. In 2004 an Afrikaans album (by balladeer Steve Hofmeyr was named best-selling album of the year. The massive purchasing power of the Afrikaner minority is partly to thank for this. In 2007 an Afrikaans song about Boer War general Koos de la Rey by Bok van Blerk became a hit amid fierce debate on whether it represented a call to arms for the reinstatement of Afrikaner rule or just expressed cultural nostalgia. While the boom in the Afrikaans pop industry has continued from the previous decade as the popularity of the arts festivals and dance halls have stayed strong, other Afrikaans music genres experienced a revival of sorts in the new millenium. Rock and alternative Afrikaans music had stagnated somewhat after the heady days of the "Voelvry" tour and the alternative movement. Signs of a revival could be found in the arrival of Karen Zoid on the music scene with her attention grabbing alternative sound. WELCOME TO OUR CHILDRENS FUN PAGE View More View More PAGE 1 View More PAGE 2 VISIT OUR OTHER GREAT WEBSITE AND ENJOY . RISEING MOTOR CLASSICS View More View More View More THE WHITE KNIGHTS & TEMPLAR KNIGHTS SOUTH AFRICAN TOURS View More DISCO NIGHT & SCHLAGER NIGHT ON A WEEK END Our Programs View More Party Time Live Shows Learn More Fan Page Podcasts View More Get to Know Us View More OUR RADIO STATIONS MUSIC & WEBSITES JUST 4U TO LOOK AT 2 . View More View More View More View More View More View More View More View More View More View More Keeping You Free While the Dance Floor Is Busy Our team of experienced DJs and producers work hard to bring you the best in radio broadcasting. We are passionate about music and we want to share that passion with you. Whether you're looking for the latest chart-toppers or classic hits, we've got you covered. Tune in to Radio SAM Broadcaster Germany and let us take you on a musical journey! Listen Live OUR PARTNERS & MEET US MY TUNE-IN RADIO WELCOME & TUNE-INTO ONE OF OUR RADIO SERVERS TO LISTERN TO OUR RADIO STATION. RADDIO Radio Kuasark Radio Garden fmstream.org RADIO BELLS MY RADIOBOX RADIO HOREN HI GREETINGS FROM RADIO SAM BROADCASTING STUDIOS : IF YOU LOVE TO ADD THE RADIO STATION ON YOU WEBSITE - JUST LET US KNOW PER E-MAIL : a.dezius@gmail.com BACK TO TOP

ARNO JORDAAN - ROBBIE WESSELS - RAY DYLAN - NICHOLIS LOUW - ANDRIETTE NORMAN - LEAH - JAY DU PLESSIS - WILLEM BOTHA - KARLIEN VAN JAARSVELD - KURT DARREN - NADINE - ELIZMA THERON SINGERS FAN PAGE SOUTH AFRICAN MALE & FEMALE SINGERS FANPAGE ARNO JORDAAN ARNO JORDAAN SINGER Read More Arno Jordaan, a South African singer and performer, began his educational journey at Hoërskool Framesby and Hoërskool Brandwag. Initially passionate about rugby, he represented his province in the prestigious Craven Week competition. His musical career took off in 2003 when he participated in the reality television show kykNET Zing on the Afrikaans-language TV station kykNET. Partnering with fellow contestant Susan, Jordaan finished as the runner-up and was subsequently signed by the EMI label. Their debut album, Vir altyd in jou drome, was a collaborative effort that marked the beginning of his professional music career. Jordaan released several successful solo albums under EMI, starting with Altyd. He has performed alongside renowned South African artists such as Steve Hofmeyr, Kurt Darren, Dozi, and Pieter Smith. His album Ek wil jou hê achieved platinum status. He has also sung the South African national anthem at various international rugby events and released the soccer-themed single “The Time Is Now.” His performance at the 10th anniversary of Huisgenoot Skouspel in Sun City and multiple appearances at the Innibos Nasionale Kunstefees festival have cemented his popularity. Jordaan enjoys a significant following among the South African diaspora in Australia, the UK, and the United States. His fourth album, Gee my, was nominated for the South African Music Awards (SAMA) in the “Best African Dance Album” category and also went platinum. His most recent album, Stukkie van my hart, was certified gold. Arno Jordaan, our esteemed ambassador of the Princess Charlene of Monaco Foundation South Africa, took center stage, performing the Irish national anthem at a significant event where KB Motsilanyane delivered a stirring rendition of South Africa’s anthem during the opening ceremony. Jordaan’s participation not only highlighted his deep love for rugby but also underscored his commitment to fostering unity and mutual respect between nations through the universal language of music. His connection to rugby is matched only by his dedication to uplifting the youth of South Africa. As an ambassador for the Foundation, Jordaan exemplifies the values of hard work, dedication, and perseverance, promoting water safety, education, and sports among young South Africans. Additionally, his significant contributions to fundraising efforts for Lifesaving South Africa, including his participation in last year’s Sun City Water Bike event, have raised vital funds to support lifesaving initiatives across the country. ROBBIE WESSELS ROBBIE WESSELS SINGER Read More Robbie is `n kunstenaar eie in sy soort. As akteur, sanger, liedjieskrywer en filmmaker kan hy jou laat lê van die lag, maar jou ook dieper laat delf in die dinge van die lewe. `n Grapjas is hy beslis, maar dis ook daardie ander sielvolle kant wat hom oor die jare `n groot gunsteling onder Afrikaanse aanhangers gemaak het. Oorspronklik, humoristies, diep. Dit is die drie woorde waarmee Robbie Wessels se werk beskryf kan word. Robbie is as Vrystater gebore en het op ’n plaas buite Kroonstad groot geword, as Kapenaar gematrikuleer, en as Gautenger het hy sy diploma in Drama by Tshwane Universiteit van Tegnologie gewerf. In 2002 het hy bekend geword as die karakter Poena in die gewilde TV-reeks Gauteng-alêng-alêng en in 2005 verras hy die land met sy talent as sanger en liedjieskrywer met die album “My Vissermanvriend se Pa”. Hierdie album het 120 000 kopiee verkoop. In 2005 word Robbie by die Huisgenoot Tempo-toekennings as gunsteling nuweling aangewys en in 2006 word sy tweede album, Halley se Komeet, by die KKNK vrygestel.Die reuse trefferliedjie “Leeuloop” word deur Vodacom gebruik vir hul advertensieveldtog en skielik weet die hele land wie Robbie Wessels is. Hierna het Robbie nie opgehou met sy kreatiewe produsering nie. Opvolg albums is,“ Afrika Sonsak“ in 2009, „“Kaalvoet“ in 2011 asook “Als wat ek het“ in 2014. Treffer liedjies op hierdie albums is, Hou Vas Jou Matras, Waar Lê Jy Vanaand? Verbode Vrugte, Leeuloop, Asseblief my lief, Die Coach se Speech, Asetileen en Suurstof, All Blacks teen die All Blacks en vele meer. Al Robbie se liedjies is oorspronklik en word uit persoonlike ervaring neergepen. Met sy lewenspad kruis Robbie baie interessante mense, wat toevoeg tot al die stories wat hy met soveel deernis vertel deur sy musiek. Robbie het ‚n unieke aanvoeling vir die wereld se dinge en sy mense, dit word duidelik gesien en gehoor deur sy werk en gee hy slegs die krediet aan sy Skepper wat hom hierdie geskenk gegee het om mense te kan vermaak. "Ek is 'n rustige ou wat lief is vir my land, my familie en 'n glasie rooiwyn so nou en dan," sê Robbie."Afrikaanse musiek is nog een van my liefdes en ek hoop dat ek 'n bydrae kan lewer. Dit is 'n plesier om vir die land en sy mense op te tree." Gepraat van sy vele talente, Robbie en sy broer Hamilton het saam hul eerste draaiboek geskryf genaamd “100 Meter Leeuloop“ Hierdie skreeusnaakse film is tans beskikbaar by dvd-winkels en het sy verskyning op die groot skerm gemaak in 2013. Met die groot sukses hiervan verseker Robbie en Hamilton dat daar wel uitgesien kan word vir nog films in die toekoms. Robbie se liefde vir teater word ook nie opsy gesit nie, in 2013 maak Robbie sy verskyning in die Jesus Musiekblyspel as Johannes die Doper by die Staatsteater, onderleiding van Deon Opperman. Hierdie rol het vir Robbie baie na aan die hart gele. Robbie is tans te sien in die plaaslike sepie Binnelanders. VIR MEER OOR ROBBIE Noemnaam: Robbie Bynaam: Gomaan Verjaardag: 30 Oktober 1980 Waar is jy gebore? Kroonstad Waar het jy skool gegaan? Hoërskool Kroonstad en Hoërskool Strand Enige na-skool opleiding? Diploma in drama, Tshwane Universiteit van Tegnologie Waar woon jy nou? Pretoria Gunsteling musiek: Theuns Jordaan en Koos du Plessis Stokperdjies: Waterski, visvang, kamp, stap Lees jy graag? Wat is jou gunsteling boeke? Lees te min, maar hou van Afrikaanse storieboeke asook biografieë. Gunsteling fliek: Of Mice and Men en Legends of the Fall Wanneer was jou eerste optrede voor 'n gehoor? By ‘n koshuis op Tukkies se kampus. Het jy koor gesing en aan kunswedstryde deelgeneem? Ja, en ‘n middelpaadjie gehad. Wie is jou mentor? Ek het ‘n hele paar. Wat is die beste raad wat jy nog ooit gekry het? Leef jou lewe. Watter vyf mense sal jy graag vir ete wil nooi? Leon Schuster, Borat, Will Ferrell, Tanya van Graan, Bono. Waar sien jy jou loopbaan oor vyf jaar? Ek probeer die lewe dag vir dag vat. Al worry ek soms oor onbenullighede, wil ek nie so ver vooruit beplan nie. RAY DYLAN RAY DYLAN SINGER Read More Ray Dylan (born 15 August 1978) whose real name is Jacobus Frederick Jersich is a South African singer who sings in Afrikaans and English. Read more https://wikisouthafrica.co.za/ray-dylan/ | Wiki South Africa Jacobus Frederik Jersich, also known as Ray Dylan is a musician from Odendaalsrus,a small town in South Africa.Dylan is a singer in South Africa and most of his songs is in his native language, Afrikaans, but some is in English. In fact, his debut album was called "New Kid in Town." Ray was born on August 15, 1978 in a small town in South Africa and grew up in the North West area of the country.Dylan kicked off his career by performing in clubs and bars, he performed with fellow South African stars in South Africa. Dylan sings a lot of ballads, and incorporates electric guitar into most of his hits “The singer I am referring to is Ray Dylan. He sings mostly in his mother tongue, Afrikaans. His real name is Jacobus Frederik Jersich. I read that he is known as ‘Jaco’ to his family and ‘Jakes’ to his friends. I have also noticed in the media that some fans address him as 'Raytjie,' a diminutive form of Ray. Ray Dylan, Born on the Anniversary of the Death of Elvis, Developes a Fascination with the King Recently, a local news magazine ran an article about Ray Dylan and featured him on the cover. I thought he looked a bit like Elvis Presley, and when I read that Ray has a near-obsession about Elvis and that he was born exactly one year after Elvis’s death, I started wondering about the possibility that he could be a reincarnation of Elvis.From that point onwards, every time this magazine had a feature on Ray Dylan, there was also an article on Elvis Presley elsewhere in the magazine—for example an article about a lady in England who has a very big collection of Elvis memorabilia. These synchronicities went on for some time. Then a popular Afrikaans TV show featured an interview with Ray Dylan–barely a week after Oprah Winfrey’s famous interview with Lisa-Marie Presley was broadcast on TV in South Africa. I was pleasantly surprised when I watched the TV interview with Ray. He is very charming and has an endearing personality. He is also a very, very talented singer and guitar player (apparently Ray has 41 guitars at home). He produces music too.There seem to be many parallels between Ray’s and Elvis’s lives. Ray struggled at school and did not enjoy it very much. All that he wanted to do was to work in the music industry. Ray lost his beloved father a few years ago. It took him a long time to get over this loss. He became a close friend of one of his late father’s old friends.This friend had a young daughter. By the time she turned 16, Ray was already in love with her. She felt the same. They started going out. As she was so young, Ray kept their relationship hidden from the public. When she turned 18, they eventually went public about their romance. NICHOLIS LOUW NICHOLIS LOUW SINGER Read More Nicholas Louw (born 30 December 1979) is a well-known South African pop and opera singer and signed to Select Music, the major South African record label. His repertoire mainly in Afrikaans includes rock, pop, country and music ballads, often incorporating strong classical elements. Louw has had a number of successful albums through releases through Select Music starting with his debut album in 2003, selling over 650,000 albums. His major hits include "Ek wil my baby hê vanaand", "Rock daai lyfie" and "Generaal". He tours extensively averaging above 100 gigs a year. On 12 July 2014, he married Denise Shrewsbury Being a multifaceted artist, his repertoire includes rock, pop and ballades, often incorporating strong classical elements. Nicholis released his first album in 2003. Within months it reached double platinum.Strong sales drove it to triple platinum status. Subsequent albums continued in this trend with multiple Gold, Platinum, Double Platinumand Tripple Platinum achievements. On his country wide tours his shows are famous for his energetic performances placing him in a league of his own. He tours with one of the best Sound & Lighting systems available and averages 120 performances per year. His shows are lively events where the audiences usually sing and dance to every word of every song. He is signed with Select Music and his Events Management is done by Platinum Promotions. Discography Albums 2003: My Hart is an Die Brand 2005: Rock Daai Lyfie 2007: Hier Naby Jou 2008: Vergeet en Vergewe 2008: Elvis on My Mind 2009: Energie DVDs 2006: Rock Daai Lyfie 2009: Intiem Met... Nicholis Louw Singles (Selective) 2007: "Hier naby jou" 2008: "Vergeet en Vergewe" 2009: "Welkom by my party" 2009: "Hoe ver sal jy gaan" 2009: "Generaal" 2009: "Ek wil my baby he vanaand" 2010: "Nommer asseblief" 2010: "Water jou mond" 2011: "Ek is daar vir jou" 2010: "Emmers vol liefde" 2012: "Net 'n Mens" 2014: "Bring die storm" ANDRIETTE NORMAN ANDRIETTE NORMAN SINGER Read More After Andriëtte Norman was crowned as the runner-up of the 2007 Idols South Africa singing competition, she launched her debut album, Diamant, in 2008. Andriëtte already tasted success early in her career and was marvelled at by Afrikaans music lovers. In 2008 she received a Vonk award for Diamant in the Best Contemporary female album category. In 2009 she released Dink Aan My, followed by Vat My Hoër in 2011. This Capetonian was born and bred in Brackenfell. She felt right at home on big stages such as Huisgenoot Skouspel, and performed hits composed especially for her by Steve Hofmeyr en Rudi Claase. She was awarded a Ghoema in 2014 for Wat Rym met Liefde as Best Contemporary Female album. She remembers: “I had a wonderful childhood with fond memories of playing rugby and cricket with my brother. The singing bug bit me during my primary school years when the choir teacher gave me a microphone and asked me to sing in front of the choir.” At that moment she knew she just wanted to sing. Six albums later she is one of the most popular Afrikaans artists, seen and heard often on the stages of big festivals and events like the Krone concert. “Of course I have my favourite songs,” she admits. Steve’s Napoleon and Rudi’s Sewe Oseane rise above the rest. After school Andriëtte trained in the beauty industry and owned a clothing boutique. These days she acts as an event planner and her hobbies include being a nutritionist. She describes herself as having a fine sense of humour. “I love being able to make people laugh, although I can also be serious and deep. In general I always have a smile on my face. I like talking to people,” she says. In the extremely competitive Afrikaans music industry she is especially thankful towards the late Theuns Jordaan. Andriëtte tells: “Theuns took me under his wing directly after Idols and invited me to perform with him. I will never forget this.” Andriëtte and Glynn Moolman have been happily married for the past few years, and she has three boys that keep her busy. “At the moment I am working on new material, but I am also working on myself. Working toward a healthier, happier me!” she proclaims. After she was signed with a local label for the past 15 years, Andriette is now a proud, independent artist in the Afrikaans music industry. If she could gaze into the crystal ball to peek at herself in twenty years, she would like to see a woman who lived each moment to the fullest, someone who didn’t allow any opportunity to pass her by. “If I can still do what I love, namely singing and performing, it will be a bonus. I hope to have an English hit somewhere on my journey,” she added. LEAH LEAH SINGER Read More Met ’n nuwe klank wat ’n ander sy van Afrikaans ten toonstel, bring Leah, gebore en getoë in Bellville, Kaapstad se noordelike voorstede in die kollig as die oorsprong van alles wat vars is – en musiekliefhebbers gaan mal wees daaroor! “Ek gaan stroom-op,” vertel Leah van Niekerk. “Ek wil hê my musiek moet mense wys Afrikaanse musiek het meer om te bied as wat hulle verwag. My klank is totaal bekend en gemaklik maar daar is ook die subtiele nuanses wat die evolusie aanvoer van musiek wat ek baie liefhet.” Sy is nie net toegerus met ’n 14-snit debuut wat vroeg in 2015 die lig sal sien nie – Leah is ook ongelooflik goed gekwalifiseerd op vele vlakke. Sy het ‘n BCom (Regte) agter haar naam en opleiding aan die Waterfront Teaterskool, en het grootgeword in ’n huis gevul met deuntjies van haar pa se keuse. “Musiek is in my bloed,” voeg sy by. “Albei my ouers ondersteun my geweldig. My ma was nog altyd ’n voorstander daarvan dat ek eties and eerlik is in alles wat ek doen, wat dalk vreemd mag klink – maar dit is eienskappe waaraan ek hard werk en oral toepas.” Ná inskrywings in ’n magdom musiekkompetisies, met TV-advertensiewerk tussenin, het Leah se groot deurbraak gekom in die vorm van modelwerk: sy is raakgesien in November 2011 in Rapport se Model van die Jaar-kompetisie wat sy ook gewen het. Kort daarna het die vermaarde liedjieskrywer Johan Vorster haar hoor sing en onmiddellik aan die werk gespring om haar binne maande ’n opnamekontrak te verseker. Terwyl sy gewerk het aan haar langverwagte solo-debuutalbum, is die sangeres, wat in haar twintigs is en onlangs getroud is, ook genooi om in die hoogs-aangeskrewe silwerskermsukses As Jy Sing te sing en toneel te speel. “Dit was ’n ongelooflike ervaring. Soveel so dat ek elke oomblik geniet het en dit met liefde weer sal doen,” deel sy mee. Johan en Christof Kotze het 13 van die 14 snitte geskryf op hierdie koel versameling saamgeselsliedjies wat Leah se toetrede verteenwoordig. Die uitsondering is Leah se betowerende interpretasie van Christina Perri se trefferenkelspeler “A Thousand Years”. “Wat ek doen is meer kontemporêr as pop,” verduidelik Leah. “Dink aan vroëe Rihanna, gemeng met ’n bietjie Jason Mraz, ‘n tikkie Jack Johnson daarby, met ’n groot skep passievolle organiese varsheid, en dan kom jy hopelik by my uit.” Snitte soos Ek Moes Jou Gesoen Het, met Bobby van Jaarsveld as gaskunstenaar, getuig van Leah se vernuf, van begin tot einde. “Ek wil net optree en musiekmaak,” gee sy toe. “Toe ek grootgeword het was Laurika Rauch and Karen Wessels se Hoe Durf Jy name en liedjies wat so by my aanklank gevind het dat ek hulle navolg en alles waarvoor hulle en hul musiek staan. Maar hierdie keer lewer ek dit op my eie terme.” Sy is popmusiek se mezzo-soprano, behendig en tersiêr opgelei – Leah is alles behalwe ’n oornagsukses of ’n verskietende ster. Wat sy is, is 100% oorspronklik, dapper en krities oor musiek wat vir vele ander week in en week uit deug as agtergrond vir partytjies. “Ek dryf myself elke liewe dag, wat my stem betref, fisies en emosioneel, om my beste te gee in alles wat ek doen,” deel sy mee. “Anders, wat is die punt?” Om haar stembande uit te daag, en haar gehoor saam te nooi vir die uitstappie is iets waarin Leah uitblink. “Ek beoog altyd om my luisteraars op ’n reis te neem,” vertel Leah. Stel jouself voor ’n hoë C, klavier, ’n bietjie ligte kitaar, en funky, ongewone en totaal moderne vertolkings van die wêreld om haar – Leah het bewys sy is die ware Jakob, selfs voor die eerste van baie nommer-een treffers sy merk vind. “Ek het grootgeword en geniet my lewe,” sluit Leah af. “Ek is meer volwasse as toe ek in die musiekbedryf begin het. Vandag is ek gevestig en geheel en al betrokke by wat ek wil behaal. Ek weet wat ek wil hê en daarmee saam kom insig en die besef dat dit die moeite werd is om te wag vir goeie dinge.” Baie soos Leah se toetrede tot wêreldwye sukses. Leah is a bundle of energy that always makes time for others. Her debut album, Wonderwerk, boasts a golden status for sales and is also the presenter of kykNET’s ever-popular Farmer Seek a Woman series where she helps farmers in their search for love. Leah’s major breakthrough came in the form of model work: she was spotted in November 2011 in Rapport’s Model of the Year competition, which she also won. Shortly thereafter, award-winning songwriter Johan Vorster heard her sing and immediately went to work to secure her a recording contract. She entered the silver screen in 2013 in the musical movie “As Jy Sing”. She is definitely one of our country’s busiest artists with performances all over our country where she captures hearts and evenings with her unique sound and personality. Leah took the South African Music industry by storm in 2015 with her very successful debut album including the hits “Met Jou Klere aan” Spreading her wings she also became the host and actress in popular TV Series like “Boer Soek ‘n Vrou”, “Duidelik Dapper” and “Lottoland Help ‘n Dorp” KURT DARREN KURT DARREN SINGER Read More Full name: Kurt Johan van Heerden Nickname: Big KD Place of birth: Pretoria, South Africa Date of birth: 19th February 1970 Age: 50 years Gender: Male Height: 1.92 metres Nationality: South African Spouse: Dunay Nortjé Marital status: Married Profession: Television presenter, singer, and songwriter Instagram: @kurtdarren Twitter: @kurtdofficial Kurt Darren het sy eerste CD For Your Precious Love in 1995 opgeneem, maar dit was nie tot 1999, toe hy sy eie liedjies begin skryf het nie, dat hy begin het om groot opslae in die Suid Afrikaanse musiek wêreld te maak. Met liedjies soos Kaptein, Loslappie, Meisie Meisie, Hemel op Tafelberg, Dans op die tafels en nog vele ander, het hy sinoniem geraak met party, dans en saamsing musiek in SA, maak nie saak watse taal jy praat nie. Kurt het in sy loopban van 30 albums tot dusvêr al 9 SAMA toekennings, 12 dubbel-platinum en 21 goue verkope toekennings ontvang, sowel as talle ander soos Tempo, Ghoema, Vonk, Geraas ensv. Hy was al n aanbieder op Kyknet en Jacarand met Jukebox, en het al in 5 flieks verskyn, sy nuutste skiet hy op n cruise in Januarie saam met van die land se top akteurs. Hy is deesdae net so besig soos altyd, elke 3 maande stel hy n nuwe enkelsnit vry, en het geen planne om die pas stadiger te vat vorentoe nie, daar is nog baie musiek vasgevang in sy kop! Hy skryf meeste, 95%, van sy eie liedjies, en liedjies soos Kaptein, Hemel Op Tafelberg, Meisie Meisie en vele ander is al 35 keer deur kunstenaars in Nederland, Duitsland en België opgeneem. Kurt toer wêreldwyd, en het al in 15 verskillende lande opgetree. Hy besit Super Events, wat hy saam met sy vrou, Dunay, behartig, waar hulle, onder andere, 7 luukse bootvarte en groot feeste by Sun International aanbied. Kurt Darren career While serving in the army, Kurt continued with his passion as he was in the entertainment unit. He made his debut into the music industry in 1995 with the album For Your Precious Love. He struggled underground for seven years before he had his big break with the track Meisle Meisle in 2002. This track at the time sold over 60,000 copies which were a big deal for any artist. Johan worked as a presenter from 2006 to 2011 for Jukebox broadcast on kykNET. Kurt Darren Selfie song is another popular track that is largely loved by many. Kurt Darren albums Kurt has released a total of eighteen solo albums in his music career and many other songs. Here are the CDs he has released: 1995: For Your Precious Love 1997: Just When I Needed You Most 1998: Kurt Darren 2000: Since I Found You 2001: Net Jy Alleen 2002: Meisie Meisie 2003: Sê Net Ja 2004: Staan Op 2005: Vat my, maak my joune 2006: Lekker Lekker 2007: Voorwaarts Mars 2008: 30 Goue Sokkietreffers 2008: Uit die diepte van my hart 2009: Smiling Back At Me 2009: Die Beste Medisyne 2010: Met Liefde/With Love 2010: Oos-Wes Tuis Bes (Deluxe edition) 2011: Kurt Kaptein se platinum treffers 2012: In jou oë 2014: Seerower 2015: Lied Vir Die Vrou 2016: Sal Jy Met My Dans? 2017: Laat Die Dansvloer Brand 2019: #Partytjiedier LIANIE MAY NADINE SINGER Read More Nadine Hoffeldt is a renowned South African Afrikaans singer and presenter, popular for her Kaapse Draai hit song. In 2003, this song got nominated among the best five songs in 2003 Geraas Musiek Toekenning (GMT) awards. The GMT awards recognize Afrikaans music. She has also released English songs. She started her music career as a teenager and for the past 17 years Nádine has taken up occupation in the hearts of Afrikaans music fans, selling an astonishing 500 000 albums along the way. But in 2008 the singer is stretching her creative soul, in the most breathtaking way, with the release of an album that contemporary album on the global stage.Titled ‘This Time I know’, the 15-track album has all the makings of bonafide smash hit, taking Nádine into new markets – including international waters – whilst never leaving behind the core base of fans who have allowed her to enjoy the astonishingly successful music career that she has enjoyed up to now.“I cannot imagine not recording an album that I know my fans will love – after all, they have helped sustain my career for so long,” Nádine says – and the inclusion of four Afrikaans songs on ‘This Time I know’ is nothing short of a gift to her fans from an artist who has never lost sight of the important role they play in her life.With 17 years in the business, over 500 000 albums sold in multiple languages and with success in her home country South Africa and Europe, Nádine is the country's top pop act.Welkom & Welcome to my official Facebook fan page. Page Policy: Adverts, derogatory, offensive and abusive posts will be removed from this wall. About Nádine has sold more than 500 000 albums in South Africa, and for the past 15 years she’s been performing for grateful audiences with her powerful voice and soulful lyrics. Now South African music lovers get the chance to experience another side of Nádine… as presenter of a music programme. The popular singer was chosen as presenter of “Musiek Roulette”, a new music game show on SABC2. The series is being produced by Stemmburg TV. She’s also working on two new albums, one for her Afrikaans fans as well as an English album which will focus on the international market. Nádine – the first South African singer to win the “World Peace Song Festival” when she beat Coldplay and Ladyhawke in 2010 – is becoming more and more popular overseas. With regular shows in Europe and Asia, her crowds are growing every day. Launch of the new English album : July 8 & 10 in London!OVER 500.000 ALBUMS SOLD IN HER OWN COUNTRY .Nádine has become one of the most popular artists in South Africa since the release of her first album more then fifteen years ago when she was only 13 years old. She has sold more than 500 000 albums in South Africa. Her crystal clear voice and moving lyrics were a crowd favourite from the word ‘go’. In 1997 Nádine took the stage during “Two Nations in Concert”, a musical event in Johannesburg, where she shared the stage with the Spice Girls and Billy Ocean. THIS TIME I KNOW Nádine has won several platinum and golden awards; with more than 120 shows a year she is one of the most succesful artists in South Africa. A few years ago her musical career skyrocketed. Nádine travelled to Europe where she signed with a Belgian management company. She also recorded a new album with the top Swedish producer, Nick Manic. Hits from the album included “This Time I Know”, “Made Up My Mind” and “Coming Home”.BEST CROSSOVER ALBUM During the summer of 2009 Nádine launched the first part of her European adventure with some accomplished showcases. In the autumn of th same year she travelled to New Zealand for a succesful concert tour. She ended the year of a high note when “This time I know” won the sought-after Vonk Award in South Africa for Best Crossover Album. WORLD PEACE SONG FESTIVAL Nádine is the first South African to win the annual World Peace Song Festival. On February 16, 2010 the much-loved South African artist was named the winner by organizers OGAE Italy, with her song “This Time I Know It’s For Real”, beating off competition from the likes of Coldplay (England’s entry) and Ladyhawke (New Zealand). An ecstatic Nádine said the award gave her “huge confidence” ahead of the release of her album ‘This Time I Know’ across several European territories and the Asian market. TOP LIVE PERFORMER – MUSICAL STAR – CHINA HERE WE COME Her stunning live performances quickly caused a buzz, also in theatre… Early 2012 Nádine was nominated for the South African Theatre awards as the leading lady Mary Magdalene in “Jesus Christ Superstar”. The team of Toco Asia saw only one performance, but that was enough to convince them to take this pop star to Shanghai, Beijing, Wuhan, Wenzhou, Tianjin and Changsha later in 2012! NUMBER ONE @ JACARANDA Nádine released a new Christmas album in December 2012. “Christmas in South Africa” focuses on the multi-cultural pride of SA. “The land of the sun” is showcasing all the different cultures and colours to the rest of the world. “Light In The Sky”, Nádine’s hitsong from 2012, received lots of airplay in South Africa and Belgium. The song reached the top of several charts and was number one on Jacaranda Top 20, South Africa’s leading hit radio station, broadcasting for Gauteng and the area’s around. 2013 & 2014 – FLYING HIGHER ONTO BIGGER DREAMS After a nation wide tour in 2013, her preparation starts for a new English and a new Afrikaans album. Inspired by top performances at the biggest music festival in her country, “Innibos”, as well as the amazing “Skouspel” productions in SA (the biggest shows of the country, held in Johannesburg and Cape Town), Nádine is ready to release two amazing albums. One for her home market, in Afrikaans, as well as an English album made to surprise nations all over the world. Both are pop albums with a touch of rock and a flavour of electro! A NEW TV STAR IS BORN It’s more exciting time for Nádine, with the recording of a new TV show starting in May 2014… with Nádine as presenter! “Musiek Roulette” will be produced by the iconic production company, Stemmburg TV. The programme will air on SABC2. The leading lady of Afrikaans pop music will sing along with the audience, as well as guide three contestants through the game and in the process will present the South African TV audience a show that has all it takes to go far outside South Africa. FROM CITY TO TOWN TO VILLAGE As much as Nádine knows she’s emotionally ready for the big leap into new waters that’s currently underway, she’s well aware of all the hard work that lies ahead. “I started out just going from city to town to village in a touring bus asking to play my music and entertain people. I’m very excited to do all that hard work all over again, and to meet people and see places that I’ve never done before.” Home Town Johannesburg, South Africa Short Description Nádine's Official Page. 17 yrs, over 500 000 albums sold in multiple language, success in South Africa & Europe. Nádine is the country's top pop act. ELIZMA THERON ELIZMA THERON SINGER Read More Elizma Theron is 'n Afrikaanse sangeres en aktrise. Gebore in Bethlehem in die Vrystaat, maar begin en voltooi haar skoolloopbaan in Kuruman, Noord Kaap. Reeds op twee jarige ouderdom is sy lief vir sing en sing sy, tydig en ontydig die enigste liedjie wat sy ken. Dit is ‘n ou liedjie, “Gaan kyk wie klop daar Jannie.” wat die verhaal vertel van die smart van ‘n boere gesin tydens die Anglo Boereoorlog. Haar vermoë om noot te hou en met gevoel te sing, het toe reeds mense verbaas. Op twaalfjarige ouderdom neem sy aan ‘n plaaslike sangkompetisie, vir Hoër-en-Laerskoolleerlinge, deel en sy wen dit met die liedjie “A whole new world.” Hierdie liedjie se titel het vir haar waar geword, want ‘n heel nuwe wêreld het vir haar oopgegaan. Twee jaar later neem sy deel aan die landswye sangkompetisie, “Reik na die Sterre” en word deur CJ de Swart in die tydskrif Keur, spesiaal vermeld vir haar “kommersiële trefkrag” Deur gereelde plaaslike optredes kry sy geleentheid om haarself as sangeres te slyp. Sy hou egter nie net by sang nie, want in haar graad 9 en 10 jaar besoek sy Italië en Griekeland vir modelwerk. Na sy matriek aan die Hoërskool Kalahari voltooi, begin sy die Elizma Theron Kultuurskool, waar sy klasse aanbied in moderne danse, modelwerk en sang. Begin 2005 voel sy dat sy gereed is om ‘n professionele sangeres te word. In die tyd skryf sy die liedjie “Lapaside” wat later die titelsnit van haar eerste album sou word. Die lirieke van hierdie liedjie is sprekend van haar self-motivering om die sprong van die bekende na die onbekende lewe as sangeres te maak.Die baie bekende Dennis East neem haar eerste album, “Lapaside” op waarna die plate-maatskappy Next Music die album by haar oorneem en haar ‘n platekontrak aanbied. Elizma Theron die professionele sangeres word “gebore”.Verskeie liedjies op die album, maar veral die titelsnit “Lapaside” word deur verskeie radiostasies gespeel en beland dit op die Top 20 van verskeie radiostasies. Haar musiekvideo van “Lapaside” bereik by ‘n paar geleenthede die nommer 1 posisie op die program 6@6 op MK89. Gedurende Januarie 2007 verskyn sy op “Dis hoe Dit is met Steve” en in Maart 2007 begin Elizma Theron, Adam Tas, Beeskraal, Mel Botes en MD Greyling, in samewerking met Solidariteit die “Stop die moorde-toer” met die doel om fondse in te samel vir slagoffers van plaasmoorde en om die fokus te plaas op die ongesonde hoë geweldsmisdaadsyfer in Suid-Afrika. Elizma Theron se loopbaan neem ‘n baie opwindende wending toe sy gedurende die tweede helfte van 2007 aansluit by die dinamiese plate-maatskappy, Select Musiek en is sy tans besig om haar tweede album op te neem. Met hierdie album wag daar beslis ‘n verrassing vir die ondersteuners van Elizma Theron. BACK TO TOP

Music Entertainment Rating: 4.3 Reviews: 3 Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event….No need to go to different websites, only here, one place Um zu sehen wie dies funktioniert, öffne deine veröffentlichte Website. Kategorien Alle Beiträge Meine Beiträge Forum Welcome! Have a look around and join the discussions. Create New Post General Discussion Share stories, ideas, pictures and more! subcategory-list-item.views subcategory-list-item.posts 4 Abonnieren Questions & Answers Get answers and share knowledge. subcategory-list-item.views subcategory-list-item.posts 0 Abonnieren Neue Beiträge Andy Dezius 17. März 2024 Radio SAM Germany General Discussion Gefällt mir 1 0 Kommentare 0 Andy Dezius 13. März 2024 Welcome to the Forum General Discussion Share your thoughts. Feel free to add GIFs, videos, hashtags and more to your posts and comments. Get started by commenting below. Gefällt mir 1 0 Kommentare 0 Andy Dezius 13. März 2024 Introduce yourself General Discussion We'd love to get to know you better. Take a moment to say hi to the community in the comments. Gefällt mir 1 0 Kommentare 0 Forum - Frameless BACK TO TOP

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South African Spiced Shakshuka is a captivating dish that brings together the vibrant flavors of North Africa and the unique spices of South Africa. It has gained recognition for its harmonious blend of tastes and textures, making it a favorite among food enthusiasts. Easy South African Recipes For Your Kitchen The history of South African recipes reflects the country’s complicated past, which has seen colonialism, slavery, apartheid, and liberation movements. South African cuisine is a unique blend of flavors and influences from the country’s diverse cultural heritage, including indigenous African, Dutch, Malay, Indian, and British.Before European colonization, South African food was based on a hunter-gatherer culture, with traditional dishes consisting of game meat, fruits, and vegetables. The arrival of Dutch settlers in the 17th century brought about significant changes in the local cuisine. The Dutch introduced farming and livestock, which led to the introduction of South African recipes such as biltong (dried, cured meat), boerewors (sausage), and potjiekos (stew). The Dutch also brought slaves from Indonesia, Malaysia, and Madagascar, who introduced their own cuisine to South Africa. One of the most significant contributions was the Cape Malay cuisine, which originated from the Cape Muslim community. This South African food is known for its use of spices such as cinnamon, cardamom, and turmeric, as well as the use of fruit in savory dishes. Indian laborers were also brought to South Africa in the 19th century to work on sugarcane plantations. They brought with them their own foods, which included curries, biryanis, and samoosas. Today, Indian cuisine is an integral part of South African food, and South African recipes such as bunny chow (a hollowed-out bread loaf filled with curry) and breyani (spicy rice dish) are popular across the country. The arrival of British colonizers in the 19th century also had an impact on South African recipes. British cuisine was introduced, which included dishes such as roast beef, fish and chips, and pudding. However, the British also brought their love of tea, which became a popular beverage in South Africa and is still enjoyed today. South African Lamb Sosaties Recipe The South African Lamb Sosaties Recipe is a traditional dish with a rich history and a delicious taste. These skewered lamb kebabs are marinated in a flavorful mixture of spices, dried fruits, and vinegar, creating a unique and savory flavor profile. Historically, sosaties have deep roots in South African cuisine, particularly among the Cape Malay community. They are believed to have originated from Indonesian and Malay influences during the spice trade era. The name “sosatie” is derived from the Indonesian word “sate,” which means skewered meat, reflecting the dish’s Indonesian origins. Method Peel the garlic and deseed the chillies, then roughly chop and place into a pestle and mortar. Bash with a pinch of salt to a rough paste. Peel, finely chop and add the ginger, then bash until broken down and combined. Finely slice the mushrooms and bamboo shoots. Heat a lug of oil in a large wok or heavy-based saucepan over a medium-high heat, add the mushrooms and fry for 4 minutes, or until lightly golden. Stir in the chilli paste and bamboo shoots and fry for a further minute. Meanwhile, mix together 3 tablespoons of soy, 4 tablespoons of rice wine vinegar, the honey and a good pinch of white pepper. Stir the mixture into the pan and cook for a minute, then pour in the hot stock and bring gently to the boil. Reduce the heat to low and simmer for 10 minutes, or until slightly reduced. Meanwhile, chop the tofu into 1cm cubes, finely slice the spring onions and chives and whisk the egg well. Once reduced, remove the soup from the heat. Using a chopstick, stir the soup in a clockwise direction until you get a little whirlpool, then slowly add the beaten egg, stirring continuously to form thin ribbons. Stir in the tofu and return to the heat for 1 minute to warm through. Season to taste with soy and vinegar, then serve immediately with the spring onions and chives scattered on top. Equipment Skewers Mixing bowls Chef's knife Cutting board Basting brush Grill or grill pan Mixing spoon Ingredients Lamb 4½ lb lamb shoulder 3 1/3 cups apricots large dried 3 onions cut into 1 inch wedges Marinade 4 oz apricot jam 2¾ oz white wine vinegar 1/4 cups brown sugar 3 bay leaves 4 garlic cloves finely chopped 2 tsp turmeric ground ¼ tsp cinnamon 1 tbsp curry powder mild Instructions Get the lamb marinating a day ahead of time. You will need 12 metal skewers. Put all the marinade ingredients in a big basin and mix them together. Take a quarter of the marinade and put it in a separate bowl. Toss the lamb chunks in the remaining marinade. Place in the fridge overnight. For 30 minutes, or until plump, soak dried apricots in boiling water. Drain and put away. Put three apricot slices and three onion wedges on each skewer, and four pieces of lamb. Prepare a grill or chargrill for medium heat. Skewers should be grilled for 15 minutes, basting occasionally with the leftover marinade and turning to brown all sides. Notes Soak skewers in water before use to prevent burning.Marinate lamb for at least 2 hours for flavor.Baste sosaties with marinade while grilling.Grill over medium heat for even cooking.Use a meat thermometer to check doneness.Serve with a dipping sauce for added flavor. South African Bunny Chow Recipe The South African Bunny Chow recipe is a South African culinary delight deeply rooted in the country’s diverse culture and history. This beloved dish, which originated in the Indian community of Durban, showcases the rich tapestry of South African cuisine. It is a testament to the fusion of flavors and traditions that make South African culture so unique. At its core, a South African Bunny Chow recipe consists of a hollowed-out loaf of bread filled with a flavorful curry. The bread serves as both a vessel and an accompaniment to the aromatic and spicy curry, creating a satisfying and hearty meal. This dish perfectly embodies the idea of using simple ingredients to create something extraordinary. Equipment Large Skillet Cutting board Chef's knife Wooden spoon or spatula Measuring cups and spoons Hollowed-out bread loaves for serving Ingredients For the curry powder ¼ tsp Cayenne pepper powder 1 tsp ground coriander ¼ tsp ground cumin 1 pinch fennel seeds 1 pinch ground fenugreek ¼ tsp black pepper ½ tsp ground turmeric ½ tsp ground ginger 1 tsp garlic powder ¼ tsp chilli powder For the bunny chow 3 tablespoons vegetable oil 1 tsp cumin seeds ½ tsp fennel seeds 1 stick cinnamon 2 pods green cardamom 1 star anise 1 bay leaf 1 onion chopped 2 tbsp curry powder 2 tomatoes peeled, seeded and chopped 20 oz. lamb cut into ½ inch (1,5 cm) cubes 1 tbsp ginger finely chopped fresh 1 tsp garam masala 3 cloves garlic finely chopped 12 curry leaves 3 potatoes cut into ½ inch (1,5 cm) cubes Salt 3 tbsp cilantro leaves finely chopped 2 tbsp lime juice freshly squeezed 2 cups water 2 loaves bread not sliced, each cut in half in the middle and emptied of the crumb 2 tbsp cilantro for serving Instructions Bunny Chow Brown the whole spices and bay leaf in a pan with oil over medium heat until the spices crackle and the bay leaf turns a deep brown, releasing their scents. Sauté the onion for 5–7 minutes, or until it has lost its raw color. Cook for 1 minute over medium heat with the curry powder and garam masala you set aside, then add the tomatoes and stir to incorporate. Ten minutes covered, stirring often over medium heat. Throw in the meat along with a quarter cup of water (300 ml), raw ginger, garlic, and curry leaves. Simmer for 50 minutes, or until the meat is cooked, stirring regularly over low to medium heat after it has come to a boil. Toss in the potatoes and a pinch of salt, then top off the saucepan with the remaining 3/4 cup (200 ml). Maintain a healthy blend. The meat and potatoes need to simmer for another 15 to 20 minutes to reach an internal temperature of 165 degrees. Mix in the lime juice and chopped cilantro. Curry Powder Put everything in a spice grinder and pulse until it resembles a fine powder. In other words, put aside. Notes Use pre-cut vegetables to save time on preparation.Brown the meat before adding it to the curry for added flavor.Adjust the level of spiciness by varying the amount of chili used.Stir the curry occasionally to prevent sticking and ensure even cooking.Taste and adjust seasonings before serving for the perfect flavor.Allow the curry to simmer to meld flavors for a more delicious result.Customize the recipe with your choice of protein for variety. South African Koeksisters Recipe The South African Koeksisters recipe for these sweet treats is deeply rooted in South African culture and have a history that dates back to the Dutch colonial era. Koeksisters are made from a simple dough consisting of flour, sugar, butter or margarine, and milk. The dough is mixed and then braided into distinctive shapes, usually twisted or plaited, before being deep-fried to a golden brown perfection. Once fried, they are immediately immersed in a syrup made from sugar, water, and sometimes a hint of lemon juice or cinnamon, creating a sticky, sweet coating. Equipment Large mixing bowl Frying pan or deep fryer Slotted spoon or tongs Saucepan for syrup Cooling rack Ingredients Soaking Syrup: 3 cups sugar 2 cups water ½ medium lemon zested in large strips 3 ginger 1/4 inch thick slices peeled fresh 1 teaspoon lemon juice Koeksisters: 2 cups flour 1 tablespoon baking powder ¼ teaspoon salt 2 tablespoons butter cold unsalted cut into chunks ½ cup milk 2 cups oil or as needed oil for frying sunflower or canola Instructions To prepare the syrup, Over medium heat, bring a mixture of sugar, water, lemon zest, ginger, and lemon juice to a boil. Ten minutes at medium heat should suffice. Take the syrup off the fire and let it cool for 30 to 45 minutes until it reaches room temperature. Place in a bowl, cover, and chill for 8 hours or overnight to let the flavors meld. To prepare the koeksisters, combine the flour, baking powder, and salt in a basin and sift. Incorporate the butter by rubbing it in with your fingers until the mixture resembles coarse cornmeal. To get a smooth dough, add the milk and whisk. Don't touch the dough for at least 2 hours after wrapping it in plastic. Spread a little flour on a clean work surface, dump out the dough, and roll it out into small round bals for frying. Bring 2 inches of oil to 350 degrees Fahrenheit (175 degrees C) in a deep fryer or large saucepan. Prepare a baking sheet with a wire rack. Spoon some of the chilled syrup into a serving bowl and put the rest back in the fridge. Two to five minutes, or until fragrant and golden brown, fry three koeksisters in heated oil. Take out with a slotted spoon and cool for 10 seconds in cold syrup. Place on the cooling rack. Fry and dip the remaining koeksisters until done, and then repeat with fresh cool syrup. Notes Use a thermometer to maintain the correct frying temperature.Ensure the syrup is warm when dipping the Koeksisters for better absorption.Fry in batches to prevent overcrowding in the pan.Allow Koeksisters to cool slightly before transferring to the syrup.Gently press them to absorb the syrup evenly.Use a slotted spoon to remove excess syrup and transfer to a cooling rack.Serve freshly made Koeksisters for the best taste and texture. South African Biltong Recipe South African Biltong recipe are used to create a traditional South African snack. This dried meat delicacy is not only a popular snack but also a reflection of South African culture, history, and even offers some health benefits. Originating in South Africa, Biltong has a history dating back centuries. It was initially created as a way to preserve meat in a harsh climate where refrigeration was not readily available. The process involves marinating thin slices of meat, often beef or game meats, in a mixture of vinegar, salt, and various spices, such as coriander and pepper. This marinated meat is then air-dried, allowing it to gradually dehydrate and develop a distinctive flavor and texture. Equipment Dehydrator Sharp knife for slicing meat Mixing bowl (for marinating) Measuring Spoons Ziplock bags for marinating Paper towels for patting meat dry Butcher's twine (optional) Ingredients Meat 4 1/2 lb Beef Curing spice mix 5 tbsp vinegar Brown or cider 2½ tbsp salt Coarse 2 tsp black pepper Ground 2 tbsp Coriander seed 1½ tbsp sugar Brown Instructions The coriander seeds should be toasted in a dry pan before being ground in a mortar and pestle or spice grinder. You want primarily powder with some whole or broken seed shells. Cut the meat into 1-inch (2.5-cm) thick lengths, making sure to cut against the grain, and store in a non-metallic container. Mix all the seasonings together and rub them into the meat. While flipping the meat with your hands, sprinkle it with vinegar and fully rub it in. Refrigerate the biltong, covered, for 24 hours, during which time you will turn and rub the meat with your hands occasionally. Using paper towels, pat the meat dry, being careful not to remove too much of the seasoning. Each length needs a hook attached to its thickest end. Paper clips with plastic coatings are an inexpensive alternative. Keep it hanging in your biltong box or in a well-ventilated area with a gentle breeze. To prevent the meat's casing from hardening, don't aim a fan at it. Check that nothing is touching. Use a sheet of newspaper to catch any juices that may drip from the meat. Time required to dry will change depending on ventilation, temperature, and humidity. Every few days, using clean fingers, squeeze the sides to see if the biltong is ready. 'Wet' flesh has a slight give when gently squeezed. Notes Use lean cuts of beef for a healthier option.Adjust spice levels to suit your taste preferences.Regularly check the dehydrator for even drying.Experiment with different spices for unique flavors.Slice the meat thinly for faster drying.Marinate the meat for at least 4 hours for flavor.Use a fan to improve air circulation during drying. South African Cheese Scones Recipe “We are a couple who has visited and sampled food in every country in the world. We strive to get a local recipe for every dish we place on our blog. Some we have cooked in our kitchen but most we enjoyed in the restaurants and streets of the world. Our thoughts and opinions are based on the food we loved the most, and you may find them and others you will fall in love with as well. Please enjoy the recipe and comment below.” These South African Cheese Scones are characterized by their fluffy texture and rich, cheesy flavor. They embody a fusion of influences, including Dutch, British, and indigenous African culinary traditions. Key ingredients include cheddar cheese, buttermilk, and butter. These are combined to create a dough that is gently mixed to maintain its lightness. Once baked, the scones have a golden-brown exterior and a soft, cheesy interior. The South African Cheese Scones recipes are a great snack, often served warm with butter or chutney. They hold a special place in South African culture, enjoyed at tea time or as a side dish with stews and soups. Whether made at home or savored in local eateries, these scones are a testament to the nation’s diverse heritage. Equipment Mixing bowl Baking sheet Pastry cutter or fork Grater (for cheese) Measuring cups and spoons Whisk or wooden spoon Pastry brush (optional) Ingredients 1 cup flour 1 tsp baking powder 1 tsp salt 1/2 cup milk 2 tbsp mayonaise 1 cup cheese 1/2 cup chives Instructions Preheat oven to 400F. Spray a 12 cup muffin pan with cooking spray. Mix ingredients until blended. The batter should have a drop scone consistency. Spoon batter into muffin cups until 3/4 full. Bake for 20-25 minutes, until golden brown. Remove from oven. Allow to cool for 5 minutes and turn out onto a cooling rack, or into a lined basket. Serve warm, with finely shaved smoked ham or apricto preserves (South Africans like the combination of savory and sweet). Notes Ensure your ingredients are at room temperature for better mixing.Use cold butter to achieve a flaky texture.Grate the cheese finely for even distribution.Handle the dough gently to avoid overmixing, which can make scones tough.Consider adding herbs or spices to customize the flavor.Preheat your oven to the recommended temperature for consistent baking.Brush the scones with an egg wash for a golden brown finish. South African Chakalaka Recipe The South African Chakalaka Recipe is a traditional and flavorful dish that holds a special place in South African cuisine. It is known for its rich combination of ingredients and bold flavors. Chakalaka is typically made from a base of sautéed onions, garlic, and green peppers, which are cooked until they become tender and aromatic. One of the key elements of this dish is the addition of various vegetables such as carrots, cabbage, and tomatoes. These vegetables are finely chopped and added to the sautéed mixture, enhancing both the texture and taste of the dish. Spices play a crucial role in Chakalaka, with the inclusion of ingredients like curry powder, chili flakes, and paprika, which give it a distinct and spicy flavor profile. Equipment Large Skillet wooden spoon Cutting board knife Measuring cups and spoons Serving plates Ingredients 1 tbsp olive oil extra virgin 1 cup carrots chopped 1 cup celery chopped 2 cans tomatoes diced 1 tsp salt kosher ½ tsp black pepper freshly ground 2 tsp South African smokey spices 4 eggs fresh 4 slices wheat bread 4 slices cheese low moisture mozzarella 2 cups arugula Instructions Prepare a big pan over medium heat. After warming a pan, add some olive oil and chopped vegetables. For about 5 minutes, sauté the vegetables until they are transparent. Add diced tomatoes, seasonings, and salt to the vegetables. Ten minutes should be enough time for it to thicken while simmering. Don't let it burn on the bottom by not stirring it occasionally. When the sauce has thickened, use a wooden spoon to form four wells in the tomato mixture for the eggs. Crack eggs carefully into divots and heat for 6 to 8 minutes, or until done. The whites will be bright and fluffy, while the yolk should be liquid. Cover the dish, if you have a lid big enough, to make sure the eggs cook evenly. Toasted whole wheat bread should be served alongside the eggs. Layer cheese and greens on top of toasted bread. When the eggs are done to your liking, combine the tomato sauce with the eggs and serve over bread. If more salt and pepper are desired, add them. Notes Use canned diced tomatoes for convenience.Adjust chili pepper quantity for desired spiciness.Crack eggs gently to keep yolks intact.Cover the skillet for even poaching of eggs.Garnish with fresh herbs before serving.Serve with crusty bread for a complete meal.Experiment with different spice blends. South African Pepper Steak Pie Recipe The South African Pepper Steak Pie Recipe is a traditional dish from the vibrant and diverse culinary landscape of South Africa. This flavorful recipe is known for its rich history and is a favorite among locals and visitors alike. South Africa, with its blend of cultures and traditions, has given rise to a unique fusion of flavors in its cuisine. One of the standout dishes in this culinary tapestry is the South African Pepper Steak Pie Recipe. This dish holds a special place in the hearts and kitchens of many South Africans, reflecting the country’s diverse heritage. Additionally, the South African Pepper Steak Pie Recipe often features a variety of vegetables and protein sources such as beef, lamb, or chicken. These ingredients contribute to a well-balanced meal that provides essential nutrients like protein, vitamins, and minerals. The use of aromatic spices like cloves, cinnamon, and cardamom not only enhances the flavor but may also offer health benefits, such as anti-inflammatory properties. South African Cheese Scones Recipe South African Cheese Scones recipes are a baked pastry often enjoyed as a snack or appetizer. They are characterized by their fluffy texture and cheesy, slightly tangy taste. Historically, South Africa’s traditions have been influenced by various cultures, including Dutch, British, Indian, and indigenous African cuisines. The cheese scone recipe is a testament to this fusion. The use of cheese, a staple in many Western diets, combines with indigenous ingredients and techniques, creating a unique South African twist on a classic British pastry. Equipment Mixing bowl Baking sheet Pastry cutter or fork Grater (for cheese) Measuring cups and spoons Whisk or wooden spoon Pastry brush (optional) Ingredients 1 cup flour 1 tsp baking powder 1 tsp salt 1/2 cup milk 2 tbsp mayonaise 1 cup cheese 1/2 cup chives Instructions Preheat oven to 400F. Spray a 12 cup muffin pan with cooking spray. Mix ingredients until blended. The batter should have a drop scone consistency. Spoon batter into muffin cups until 3/4 full. Bake for 20-25 minutes, until golden brown. Remove from oven. Allow to cool for 5 minutes and turn out onto a cooling rack, or into a lined basket. Serve warm, with finely shaved smoked ham or apricto preserves (South Africans like the combination of savory and sweet). Notes South African Pumpkin Fritters Recipe South African Pumpkin Fritters recipes are a delightful dish that holds a special place in South African culture. These fritters, commonly known as “Pampoenkoekies” in Afrikaans, are a part of the country’s heritage. Their history dates back to the early Dutch settlers who brought their cooking traditions to the region in the 17th century. The South African Pumpkin Fritters recipe is made from a simple yet wholesome combination of grated pumpkin, flour, sugar, and a hint of spices such as cinnamon and nutmeg. These ingredients are mixed together to form a thick batter, which is then spooned into hot oil and fried until golden brown. The result is a crispy, golden exterior that encases a soft and tender interior. The South African Pumpkin Fritters recipes are more than just a tasty treat; they are also a reflection of the country’s cultural influences. South Africa’s culinary traditions have been shaped by the indigenous people, Dutch, Malay, Indian, and other communities who have made this land their home. The South African Pumpkin Fritters recipe, with their blend of sweet and spicy flavors, showcases this fusion. Historically, South African Pumpkin Fritter recipes were prepared during special occasions and celebrations, such as weddings and festivals. They symbolize unity and togetherness, as they are often shared among family and friends. Equipment Pots, Pans and Cooking Equipment Needed for The South African Pumpkin Fritters Recipe Top Ways to Make A Better South African Pumpkin Fritters Recipe Best Way to Store Leftovers From The South African Pumpkin Fritters Recipe Tips and Tricks For Easier Creation Ingredients 2 cups pumpkin cooked 1/2 cup all-purpose flour 1/2 teaspoon salt 1 teaspoon ground cinnamon 2 teaspoons baking powder not soda 2 tablespoons sugar granulated 2 large eggs oil for frying sugar cinnamon flavor Instructions 1.The dry ingredients should be combined in a food processor. If you don't have a food processor, just use a bowl to combine everything. 3.Whether using a food processor or a mixing bowl, add the eggs and process until a thick batter develops. When tested with a spoon, the batter should nearly retain its form. If the batter is overly thick, a drop or two of milk should do the trick. If the mixture is too thin, which shouldn't happen, add a little more flour. Put oil in a pan and turn the heat up to medium-high. Drop heaping spoonful of batter into the pan. Make sure they're not touching. Since some of the batter will inevitably be left on the spoon, don't expect very large fritters. Fry one side until it is firm and brown, then flip it over and do the same. Although a non-stick pan eliminates the need for oil or butter, even a small amount of oil yields better results. The fritters will rise and retain their form while cooking, but they will deflate a little as soon as you remove them from the pan. Lightly pressing on the fritters should reveal whether or not they are done. When finished, they have a tendency to bounce back. No batter should be escaping from the sides, so if you're worried, press down even more. Sprinkle with heaps of crunchy cinnamon-flavored sugar and serve warm as a side dish or dessert. Notes Maintain consistent oil temperature while frying for even cooking.Use a spoon or ice cream scoop for uniform fritter sizes.Flip fritters gently to avoid splattering hot oil.Ensure the batter is well-mixed to incorporate all ingredients.Adjust sugar and spice levels to suit personal preferences.Test oil readiness by dropping a small piece of batter; it should sizzle and float.Serve fritters immediately for the best taste and texture. South African Oxtail Potjiekos Recipe The South African Oxtail Potjiekos recipe is a renowned and flavorful dish rooted in the country’s culinary heritage. This hearty and aromatic dish has a history dating back to the early days of Dutch settlers in South Africa, and it continues to be a beloved choice for gatherings and special occasions across the nation. Oxtail Potjiekos, often simply referred to as “Potjiekos,” embodies the essence of South African cuisine, showcasing a richblend of flavors and a cooking method that brings people together around a communal pot.The South African Oxtail Potjiekos recipe is a South African dish with Dutch origins. Oxtail, a flavorful and gelatinous meat, is slow-cooked in a traditional cast-iron potjie over an open flame. This dish’s charm lies in its rich flavors, blending spices like cloves and bay leaves with tomatoes and red wine, creating a mouthwatering sauce that clings to the tender oxtail. Equipment Cast-iron potjie pot (traditional) Large cooking pot (alternative) Cooking utensils (e.g., wooden spoon) Cutting board knife Plate or tray for meat preparation Stove or open flame for cooking Ingredients 2 whoe onions Cut into rings 4 tbsp cooking oil 1/8 Cup wheat Flour 1 tsp salt 1 tsp pepper 4 1/2 lbs beef Oxtail Cut into about 5 cm long pieces 1/2 cup vinegar White Wine 3/4 cup Sugar brown 5 carrots Cleaned and cut into large chunks 4 potatoes Cleaned and cut into quarters 1 pkt Oxtail soup powder Instructions Put some flour in a bag and season it with salt and pepper powder. To ensure that the oxtail is evenly coated with the seasoned flour, place the pieces in the bag and shake vigorously. 3.Cook the floured oxtail in oil that has been warmed in a skillet. To ensure even browning, turn the oxtail pieces while they cook. Throw all of this into a big saucepan and set it aside. Fry the sliced onions in the same pan until they are golden. Bring water to a boil in a saucepan, then add the oxtail. When the oxtail has softened, about 2 hours, add the fried onions and continue simmering. Put the sugar and vinegar into the pot. Add the soup powder and the sliced carrots and potatoes to the pan. Keep the vegetables in the oven for another 15 minutes. Notes Brown the oxtail meat for added flavor.Use a lid on your potjie pot for even cooking.Stir occasionally to prevent sticking.Add vegetables and herbs for depth of flavor.Adjust seasoning gradually to taste.Simmer over low heat for tender meat.Skim off excess fat during cooking. South African Melktert Recipe The South African Melktert recipe is a South African dessert that holds a special place in the country’s heritage. It’s a creamy and delightful treat that has been enjoyed for generations. In South African households, Melktert is often prepared for special occasions and family gatherings. It’s a sweet and comforting dessert that brings people together.This dessert has an interesting historical background. It is believed to have been influenced by Dutch and Indonesian culinary traditions, as these cultures have had a significant impact on South African cuisine. The name “Melktert” translates to “milk tart,” and this dish lives up to its name with its rich and creamy filling. Equipment Mixing bowls Whisk or mixing spoon 9-inch pie or tart pan Measuring cups and spoons Rolling pin (for pastry) Cooling rack Ingredients Sucre Patee (Pastry Crust) 1 1/2 cups all-purpose flour 1/3 cup sugar confectioner’s powdered ¼ teaspoon salt 9 Tablespoons butter unsalted 1 large egg yolk Milk filling 2 1/4 cups milk 2 tablespoon butter 2 tablespoons flour 3-4 tablespoons cornstarch 1/2 cup sugar 2 Large eggs 2 teaspoons vanilla extract ½ teaspoon almond extract optional ½ teaspoon cinnamon ½ teaspoon nutmeg or replace with cinnamon Instructions Crust Pastry Prepare a 9-inch pie pan with a detachable bottom by buttering or spraying it thoroughly. Put away for now. Put the flour, salt, and sugar into a food processor and pulse a few times to combine. Add the butter and pulse until a dough-like consistency is reached. The dough will barely come together after adding the egg yolk and pulsing. Take the dough out and lay it on the counter; knead it briefly to bring together all the pieces. Minimal dough handling is optimal. If the dough is overworked, it will become tough. The dough is done when it can be shaped into a ball with very little further moisture. Be extremely gently as you press the dough into the prepared pie pan, beginning in the middle and working your way outward and up the edges until the pan is completely lined with pastry. Put the pie pan in the freezer for at least 30 minutes; if time is short, use a brick and bake it with beans to keep the dough from rising. Put a rack in the middle of the oven and preheat it to 400 degrees Fahrenheit (205 degrees C). If you want a dry and golden crust, bake it for 20–25 minutes. Put apart Filling Milk Stir together the butter, nutmeg, and milk in a saucepan set over medium heat; bring to a boil, then turn off the heat. Whisk together the eggs, flour, cornstarch, sugar, vanilla extract, and almond extract in a separate basin. In a pot, stir gently to avoid lumps. Bring the pan back to the heat source, and whisk continually until bubbles form in the mixture. Preparation time is roughly 5-6 minutes. Take off the stove and ladle the filling into the prebaked pastry casing. Cinnamon powder, please. Put in the fridge and wait to serve. Notes When making the custard, constantly stir to prevent lumps.Allow the custard to cool slightly before pouring it into the pastry crust.Sprinkle cinnamon or nutmeg on top for added flavor.Serve the Melktert at room temperature for the best taste and texture.For a decorative touch, use a fine sieve to dust powdered sugar on the top. South African Chicken Curry Recipe The South African Chicken Curry is a popular dish known for its rich and aromatic flavors. It comes originally from the southern region of India, where it is a staple in many households. This curry is well known there for its diverse range of spices and seasonings, each contributing to its distinct taste profile. Equipment Large saucepan or Dutch oven Wooden spoon or spatula Cutting board knife Measuring cups and spoons Mixing bowl Serving platter or bowls Ingredients 6 chicken thighs 2 tbsp curry powder 2 tbsp flour 2 tbsp brown sugar 1 tbsp black pepper powder 1/2 cup jam apricot 2 tbsp vinegar 1 tbsp mustard 1 1/2 cup water 2 tbsp garlic chopped 1 onion sliced into rings 1 green pepper diced 8 oz mushrooms halved 3 tbsp vegetable oil Instructions To make the curry flour, combine curry powder, flour, brown sugar, and black pepper. Stir together the apricot jam, vinegar, mustard, and water in a separate basin. In a pan with a shallow rim, heat the oil. Season the chicken on both sides with salt and pepper and then Brown the chicken in the cooking oil. Put on a plate and put away temporarily. Sauté onion in the same pan until translucent, then add the garlic and stir for an additional 30 seconds.The good brown bits left behind from the chicken add great flavor to the curry if you scrape them off. After a few minutes of stirring, add the mushrooms and peppers. Put the chicken thighs back into the pan, and sprinkle spice mixture over them. Stir in the apricot preserves mixture and cook for a few more minutes. Cover and cook over low heat, checking and tossing periodically, until chicken is cooked through. Serve it over a bed of rice Notes Sauté onions and spices until fragrant for enhanced flavor.Use boneless, skinless chicken pieces for quicker cooking.Simmer the curry on low heat to allow flavors to meld.Adjust the spiciness by adding or reducing chili powder.Stir occasionally to prevent sticking or burning.Garnish with fresh cilantro before serving for a burst of freshness.Consider marinating the chicken beforehand for more flavor. South African Cheeza Recipe The South African Cheeza Recipe, also known as South African Cheese and Corn Bread, is a delightful culinary creation with a rich history and some health benefits worth noting. This dish is a fusion of flavors and cultures, combining elements from both African and European culinary traditions.The combination of corn and cheese in this dish creates a satisfying and flavorful meal that’s not only delicious but also provides essential nutrients. However, it’s important to enjoy it in moderation, especially if you’re watching your calorie intake. Equipment a. Oven b. Baking dish c. Mixing bowls d. Whisk e. Measuring cups and spoons f. Grater or shredder g. Knife and cutting board h. Serving platter or dish Ingredients 12 slices Bacon 6 Spring Onions 6 slices Wheat Bread ⅜ cups Mayonnaise tngy 3 cups Cheddar Cheese Grated and roughly grated Instructions Crumble the bacon once it has been fried. Separate the green and white sections of the spring onion and chop them into small pieces. Warm up the bread in a toaster. Combine the mayonnaise, cheese, spring onions, and bacon in a bowl and stir to combine. Put the buttered toast on a baking sheet and top it with Cheeza. To get a bubbling, golden sauce, grill it for a while. Notes Use high-quality cheese for enhanced flavor.Grate the cheese fresh for better melting.Mix corn and cheese thoroughly for even distribution.Preheat the oven for consistent baking.Adjust seasoning to taste.Experiment with different cheese varieties.Customize with herbs or spices for a unique twist. South African Bobotie Recipe The South African Bobotie recipe is a dish that captures the essence of South African culinary traditions. This savory creation boasts a rich history and flavors that make it a part of South African culture.Imagine a dish where minced meat mingles with an assortment of spices to create a flavorful base. What sets it apart is the golden-brown topping, a creamy mixture of eggs and milk that adds a touch of sweetness to balance the savory goodness below. Bobotie’s origins can be traced back to the Dutch East India Company’s influence on South Africa, infusing Indonesian and Dutch elements into the local cuisine. Over time, it has evolved into a South African classic, celebrated for its unique blend of influences Equipment Ovenproof dish (for baking the bobotie) Frying pan (for sautéing ingredients) Mixing bowls (for combining ingredients) Whisk (for mixing the egg topping) Cutting board and knife (for chopping ingredients) Grater (for grating spices) Measuring cups and spoons (for precise measurements) Ingredients Main 1½ pound beef 1 large onion finely diced 2 cloves garlic minced ⅔ cup raisins 3 tablespoons apricot jam 2 slices bread white remove crusts ½ cup milk full cream 2 tablespoons almonds flaked 2 tablespoons cooking oil Spices 1 tablespoon turmeric 1 teaspoon cumin ground ½ teaspoon cinnamon ground ¼ teaspoon cayenne pepper 2 teaspoons curry powder mild 1 teaspoon dried herbs oregano and basil mix pepper to taste salt to taste Instructions Have a 365F/185C oven ready to go. Put this in two bowls. Milk should be used to soak crustless bread. Soak the raisins for a while. Don't touch those dishes for now. To make translucent onions, heat oil in a big pan or skillet over medium heat and sauté the onions for 5 minutes. While tossing often to break down into small grains, add all the spices, minced garlic, and ground beef. To get a nice brown color, cook for around 10 minutes. Add the apricot preserves and stir to combine. Meanwhile, using your hands, squeeze the milk out of the bread, setting the milk aside to use as a topping for the eggs. Take the raisins out of their water. Toss the bread cubes, almond flakes, and raisins into the bowl and mix thoroughly. Add another 5 minutes of cooking time at a medium heat. Put the ingredients in an oven-safe dish. Press the beef mixture down with the back of a spoon and smooth the top. The egg topping must remain on top of the meat and not sink into it. Combine the soaked bread's milk with the eggs, turmeric, cumin, salt, and a mixing bowl. The meat should be covered with the egg mixture, and the bay leaves should be placed on top. Bake for 20 minutes, or until the center is set, if using an egg custard. Notes Use lean ground beef for a healthier option.Toast the bread for breadcrumbs to enhance flavor.Soak the raisins in warm water for easier blending.Adjust spice levels to taste, as bobotie can be mild or spicy.Add a pinch of turmeric for a vibrant color.Garnish with chopped fresh herbs for freshness. South African Lemon Meringue Tart The South African Lemon Meringue Tart recipe is a dessert that holds a special place in South African cuisine. This exquisite treat combines the zesty tang of lemons with the sweetness of meringue in a balance of flavors and textures. Its creation and popularity are deeply ingrained in South African culture. The South African Lemon Meringue Tart recipe a delightful experience with a touch of history and potential health benefits. Equipment Mixing bowls 8 or 9-inch tart pan with a removable bottom whisk Saucepan for lemon curd Electric mixer for meringue Zester or grater for lemon zest Oven for baking Ingredients 1 Crust any crumbled cookie type mixed with a tiny bit of butter African Tennis Biscuits but Digestives works well too) 1/2 cup emon juice 1 can condensed milk 2 eggs separated Pinch salt 3 tablespoons sugar castor castor type Instructions Turn the oven temperature up to 160 degrees Celsius (325 degrees Fahrenheit). Combine condensed milk and lemon juice until smooth and thick. Mix the egg yolks with the salt. Combine with the sweetened condensed milk. Add to a deep tart dish, on top of the crust you've already pushed into the dish. Put it in the oven for 20 minutes with no cover. Egg whites should be beaten until stiff peaks form for the top layer. Beat for another minute after gradually adding the castor sugar. Dollop this on top of the baked filling to create peaks. Add another 20 minutes to the baking time, or until the meringue is a light golden color. Notes Use fresh lemons for the most vibrant lemon flavor.When making the lemon curd, stir continuously to avoid curdling.Ensure the tart crust is baked to a light golden color for a crisp base.Let the tart cool completely before adding the meringue to prevent melting.Use room temperature egg whites for better meringue stability.When piping the meringue, create decorative swirls for an appealing presentation. BACK TO TOP

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BOK VAN BLERK - THEUN JORDAAN - LIANIE MAY - JUANITA DU PLESSIS - RIANA NEL - BOBBY VAN JAARSVELD - JAY DU PLESSIS - WILLEM BOTHA - KARLIEN VAN JAARSVELD - DEWALD WASSERFALL SOUTH AFRICAN MALE & FEMALE SINGERS FANPAGE BOK VAN BLERK BOK VAN BLERK SINGER Bok (GewildesMusikantus) Kenmerke Hierdie is die vermaaklikste boksoort en is bekend daarvoor dat hy musiek maak wat die kol tref en by alle Suid-Afrikaners aanklank behoort te vind. Hou ook sy lyf gereeld akteur en spog met meer as 163 000 volgelinge of Facebook, 105 000 op Twitter, CD verkope van by die half miljoen en ‘n lang lys toekennings. Gebore op 30 Maart 1978 in Pretoria, het hy na skool Boukunde en Konstruksiebestuur gestudeer voordat hy vir sewe jaar lank in die boubedryf gewerk het. Maar die passie om musiek te maak het hom voortdurend daaraan herinner dat hy iets anders wil doen en teen 2005, het Bok bouwerk van ‘n ander aard aangepak deurdat hy as professionele musikant aan sy bewonderaarsbasis begin bou het. Vier albums en ‘n hele rits toekennings later, is Bok een van die land se mees herkenbare stemme en gesigte in die vermaakwêreld, veral nadat hy oor die laaste drie jaar ook gereeld in Suid-Afrikaanse films te siene was. Bok se musiek spreek van ‘n liefde vir sy land en sy mense met ‘n sweempie humor wat hier en daar bygevoeg word. “De La Rey,” die eerste album met die gelyknamige titelsnit, het mense laat regop sit en notisie neem en multi-platinum verkope is behaal. In 2007 het Bok drie Huisgenoot Tempo Toekennings gewen, asook vyf Vonk Toekennings en die MK Musiekvideo van die Jaar. Tussendeur dit alles, help hy ook met die vervaardiging van die rugby musiekalbum “Ons Vir Jou” wat meer as 90 000 kopieë verkoop soos wat Wêreldbekerkoors die land oorheers. Daar word ook gewerk aan die opvolgalbum, “Afrikanerhart,” wat in 2009 vrygestel word en vinnig dubbel platinum verkope aanteken. In 2010, wen Bok die SAMA vir Bes Verkopende Album vir “Afrikanerhart” en word hy ook aangewys as die top verkopende Suid-Afrikaanse kunstenaar van die jaar. Na die vrystelling van sy derde album, “My Kreet,” skaars ‘n jaar later, ontvang hy ‘n goue ere-toekenning by die 2011 Vonk Afrikaanse Musiek Toekennings. Dis ook in 2011 wat Bok as die hoofakteur in die film Platteland verskyn teenoor Lianie May en Steve Hofmeyr. Die rolprent word die grootste Afrikaanse film van die jaar en die DVD verkope bereik dubbel platinum status. Die situasie herhaal homself in 2013 toe Bok in die film “As Jy Sing” verskyn en dit die grootste Afrikaanse rolprent van die jaar word. Rondom dieselfde tyd wat die DVD vroeg in 2014 uitgereik is, verskyn Bok weer op die grootskerm in “Vrou Soek Boer.” Bok gaan ook in “Leading Lady,” ‘n internasionale rolprent wat later in 2014 vrygestel word, verskyn. En hoewel als in groot geheimsinnigheid gehul is, is daar ook bevestig dat Bok aan nog ‘n ander rolprent gaan begin skiet in 2014. Bok se vierde album, “Steek die vure aan,” word tydens Braaidag en Erfenisdagverrigtinge in 2013 bekendgestel aan ‘n handjievol media, mede-kunstenaars en lojale bewonderaars wat vinnig genoeg kaartjies kon bekom. Verkoopsukses is hoofsaaklik te danke aan die gewildheid van die eerste treffer, “Land van melk en heuning,” ‘n tipiese Bok testament van kragtige lirieke, ‘n dieper betekenis en iets wat trots aanwakker. Die CD was die top verkopende album in die land vir ses weke en “Land van melk en heuning” het die nommer 1 posisie op verskeie radiostasies se treffersparades gehaal. Die tweede treffer is die titelsnit self en het reeds die nommer 1 posisie behaal op verskeie stasies, insluitende beide Jacaranda FM se treffersparades, die Afrikaanse Top 20 en die Kia Top 20. Bok is mal daaroor om te toer en optredes te hou. Twee persoonlike hoogtepunte vir hom was die eerste Afrikaans Is Groot konsert in 2012 voor ‘n skare van 28 000 mense in Pretoria en die daaropvolgende jaar se Afrikaans Is Groot konserte in Pretoria en Kaapstad voor 70 000 mense. Die DVDs van die konserte het ook onderskeidelik dubbel platinum en platinum status bereik met laasgenoemde wat steeds van die winkelrakke afvlieg. Bok is ook ‘n direksielid van die Afrikaans Is Groot Bestuurskomitee en ‘n aktiewe lid van die Hanna Liefdadigheid- en Bemagtigingsorganisasie. Hy het ook reeds twee keer deelgeneem aan die Bikers for Mandela Day inisiatief. Bok glo vas daaraan dat bewonderaars nie altyd besef hoe baie hul lojaliteit en erkenning vir kunstenaars beteken nie. Juis daarom maak hy ‘n punt daarvan om met hulle te kommunikeer en op die hoogte te hou van waarmee hy besig is, hetsy by konserte of deur sosiale media. Daarvan getuig die meer as 120 000 volgelinge op Facebook en die meer as 68 000 Twitter volgelinge. Naas die bewonderaars, is Bok ook baie trots op sy assosiasie met borge soos Blaser, Sensation Boats, Samsung, Guvon Hotels, Titleist, The Dental Spa en Kingsley Heath en maak hy seker dat hulle gelukkig is met hul verhouding met hom. Bok is ook mal daaroor om saam met ander kunstenaars te werk en het reeds liedjies opgeneem saam met Steve Hofmeyr, Valiant Swart, Robbie Wessels en Die Heuwels Fantasties. Hy is ‘n gewilde persoonlikheid in die Suid-Afrikaanse media en verskyn gereeld in koerante, tydskrifte en aanlyn, asook op radio en TV. Op TV het Bok ook al as aanbieder verskyn op programme soos die eerste seisoen van Toks & Tjops, gasaanbieder van Jukebox en Bok vir Sports waarvan die nuwe seisoen in 2014 vervaardig sal word en vroeg in 2015 uitgesaai sal word. Bok het selfs sy stem dik gemaak op die radiogolwe en in Maart 2014 vir drie dae lank as Anna Visser se mede-aanbieder op OFM se Breakfast Special verskyn. Bok se belangstellings en stokperdjies sluit in, die buitelewe, diepseehengel, jag, gholf, die bosveld en braai. “Dis in my bloed. Ek geniet musiek maak. Geniet is miskien nie ‘n sterk genoeg woord nie. Ek is mal daaroor. Mal daaroor om te sien hoe mense aanklank vind by my lirieke, hoe hulle saamsing… mal daaroor om te hoor by my bewonderaars hoe ‘n liedjie hulle lewe geraak het of net hul gemoedstoestand gelig het. Ek voel geseënd om te kan sê ek geniet wat ek doen.” As jy op die hoogte wil bly van Bok van Blerk se planne en optredes, sluit gerus aan by hom op sosiale media: Twitter: @BokvanBlerkReal Facebook: Bok van Blerk Read More THEUNS JORDAAN THEUNS JORDAAN SINGER Persoonlike inligting:Theuns Jordaan is op 10 Januarie 1971 gebore en het op ‘n plaas naby Venterstad, 30km van Bethulie, grootgeword. In sy matriekjaar aan die Hoër Volkskool Graaff-Reinet het hy sy liefde vir rugby met ‘n kitaar begin deel. Ná skool is hy weermag toe, daarna na die Universiteit van Stellenbosch waar hy ‘n B.Ekon.-graad verwerf het. Dit was ook op Stellenbosch waar Theuns al meer begin sing het. Op 21 Oktober 1992 het hy vir die eerste keer voor ‘n gehoor in die kuierplek The Terrace opgetree met ‘n paar rand en ‘n pizza as enigste betaling. Met sy graad in die hand verruil Theuns in 1998 Stellenbosch vir Pretoria en by die KKNK van 2000 word sy debuutalbum, Vreemde Stad, vrygestel. Vreemde Stad word een van die suksesvolste debuut-albums nog ooit in Afrikaans met verkope wat reeds verby die 210 000-merk is.Die kitaarspeler Anton L’Amour begin gereeld saam met Theuns optree, ‘n samewerking wat vandag nog deel is van Theuns se loopbaan. In November 2005 word Seisoen vrygestel en hierdie keer is L’Amour in die regisseurstoel. Seisoen sorg ook vir rekordverkope met meer as 115 000 CD’s wat verkoop is. Theuns het dus met slegs drie albums verkope van meer as 500 000 behaal. In 2007 besluit Theuns om sy sewe jaar as professionele sanger op een album saam te vat. Grootste Treffers word in Maart vrygestel en verkoop byna 85 000 tot op datum. Op 28 Maart 2008 word Theuns en Juanita du Plessis se Bring Jou Hart op DVD vrygestel. Dis ‘n reuse sukses en daar word ook ‘n CD vrygestel. Die DVD se verkope was 105 000 en die CD ‘n ongelooflike 120 000. Theuns was nog altyd ‘n groot aanhanger van die musiek van Koos du Plessis en in April 2009 word Koue Vuur vrygestel. Dit behaal binne twee maande platinumstatus en die verkope staan tans op meer as 100 000.2012 is ‘n groot jaar vir Theuns. Nie net stel hy sy vyfde solo-CD, Roeper, vry nie, maar hy en Juanita werk weer saam op Hart Vol Drome. Roeper is een van 2012 se grootste verkopers en boer lank op die topverkoper-lyste van platewinkels en programme soos RSG se Top 20 en DKNK. Die album se verkope was in Maart 2013 reeds by bykans 115 000, maar die handvol Ghoema-toekennings wat die album in April 2013 gewen het – onder meer vir album van die jaar - het beteken dat dit later die maand wéér op RSG se Top 20 was. Theuns is met sy diep rasperstem nie net ‘n uitstekende sanger nie, hy het ook deur die jare sy staal as liedjieskrywer gewys. Verskeie groot treffers – Soos Bloed, Jou Asem, Roeper van My Hart en Net Voor die Storm Kom om net ‘n paar te noem – is uit sy pen en daar is beslis nog ‘n paar wat wag om geskryf te word. Musiekloobpaan: Met die sukses van sy splinternuwe album,Roeper, en ook sy suksesvolle samewerking met Juanita du Plessis op hul nuwe DVD,Hart vol drome, het Theuns nou deel van die uitgelese miljoen-groep geword. “Dis natuurlik ‘n baie groot eer en meer as wat ek ooit verwag het,” sê Theuns. “My droom was nog altyd om die sanger te wees wat in die hoek van ‘n pub sit en sing. Om dus dié sukses te behaal is soveel groter as wat ek ooit gedink het dit sou wees.” Roeper, Theuns se vyfde solo-CD, het reeds goue status behaal voor dit nog op die rak was. Dit is tans nommer een op Musica se Top-20 en is ook die afgelope twee weke die nommereen-CD in die land volgens RSG se Top-20. Hart vol drome is wat DVD-verkope aangaan die nommer een op Musica se verkooplys. Twee van Theuns se vorige albums, Vreemde stad en Tjailatyd, het die 200 000-merk verbygesteek en Seisoen se verkope is meer as 110 000. Koue vuurhet meer as 100 000 eenhede verkoop en sy Grootste Treffers-album het meer as 80 000 verkoop. Roeper beloof om net so ‘n groot sukses soos sy voorgangers te wees. ”Ek het lank gewerk aan Roeper en is baie dankbaar vir die sukses,“ sê Theuns. Die album bestaan uit veertien snitte waarvan Theuns op tien die skrywer of mede-skrywer was. Een van die liedjies, Voor die storm kom, is reeds ‘n treffer, en die duet met Marta Gomez, die Spaans-Afrikaanse weergawe van Soos bloed, wys hoe ver Afrikaanse musiek kan strek. Die duet met Doctor Victor op die prettigeWie se kind is jy is ’n gunsteling onder aanhangers, maar dis veral die nuwe snitte soos Honger hart, Hartseer vir die reën en Bloutrein wat Theuns vestig as een van die beste sanger/liedjieskrywers in Afrikaans.Death AN ICONIC South African singer has passed away at 50 years old after battling leukemia. Theuns Jordaan, who was being the tracks Beautiful in Beaufort-Wes and Soos Bloed, died on Wednesday morning. Read more https://wikisouthafrica.co.za/theuns-jordaan/ | Wiki South Africa Read More LIANIE MAY LIANE MAY SINGER Biography Lianie May (born August 2, 1976) is a South African actress and musician. She has released many songs in her native language, Afrikaans. Some of her works are in the English language. May is the artist behind the songs Bietjie Benoni, da’ Vat Hy, Dancing Queen Medley, and Reggae Medley. She joined the music industry in September 2007 after dropping the album Vergeet My Nie. Early Life Lianie May was born on August 2, 1976, in the Industrial city of Sasolburg, South Africa. The musician grew up on a farm near Oranjeville, a small town on the banks of the Wilge River in the Free State. She lost her father, Niccie Oosthuizen, to lung cancer in 2015. Education Lianie May attended the Afrikaans Hoërskool Sasolburg and graduated in 1994. Career Johan Vorster and Sean Else approached May to join Mozi records in 2006. She did and dropped her first CD in 2007. She dropped her first album Vergeet My Nie. Bobby van Jaarsveld… Jaco Jacobs Biography:… Msaki Biography: Age,… Zamajobe Biography:… K.O Biography: Age,… The Unsung Heroes of… The musician is best known for her hit Soen My Nie Meer Nie. Some of her work has received many recognitions and climbed local music charts. Her song Pretoria made it to Radio Rippel’s top 20. Apart from being a talented musician, she is an actress. In November 2011, the actress made her acting debut in the Afrikaanse film Platteland. Awards 2009 Tempo Award for Best Newcomer Tempo Pop Album of the Year Vonk Award Best Newcomer Vonk Award Best Music Video with You don’t kiss me anymore Country Newcomer of the Year, Elite Melody SA Country Award Best solo song for Soen mi ni meer ni, MK award 2009 The top seller of the year for the album Don’t Forget Me, SAMA Award DKNT (No one album of the year) 2010 Tempo Award for Music Video of the Year for When My Heart Stopped (with Jay) 2011 Long live the love, VAMT Award – Gold sales (20,000 sales) 2012 Music Video of the Year for Long Live the Love (with Jay), Tempo Award 2013 Patch for my heart No 1 Song of the Year, Radio Overvaal Patch for my heart No 1 Song of the Year, Radio 90.6 VCR Bonnie & Clyde – duet song award, Radio 90.6 VCR 2014 Radio 90.6 VCR Top 20 Songs of the Year Radio 90.6 VCR Top 20 Songs of the Year 2015 Most Popular Song of the Year, Ghoema Awards Read More JUANITA DU PLESSIS JUANITA DU PLESSIS SINGER Biography Juanita du Plessis (born 26 April 1972) is a Namibian singer, songwriter and presenter popularly known for her song Ska-Rumba. Juanita du Plessis Age She was born on 26 April 1972 in Windhoek, Namibia. Juanita is 48 years old as of 2020. Juanita du Plessis Education She attended Suiderhof Primary School and then proceeded to Windhoek High School for secondary education. After school, Plessis immediately got a job as a secretary in a transport company before venturing into her current career. Advertisement Juanita du Plessis Family Juanita is married to Herman du Plessis and they have three children: Ruan, Mario and Franja (the last two are twins). Her brother, Pieter Naudé, is also an accomplished South African artist. Her oldest son Ruan is also an Afrikaans singer, and manager at Juanita Records. He performs under the stage name Ruan Josh. Her only daughter Franja is also a successful Afrikaans singer and won 2 Ghoema awards in 2017. Juanita du Plessis Career Her singing career began in 1998 with her debut album Juanita. That year she won the CMA (Country Music Association in Namibia) awards as best singer, best songwriter and the Association’s Award for outstanding achievement. Her record sales total over 3 000 000. In 2010 she received a South African Music award in the category Best Afrikaans DVD for her 10 Year Hit Celebration Production. The DVD contains her most successful hits over the first 10 years of her singing career. She was also crowned the most popular female artist for the seventh consecutive year at the Huisgenoot’s Tempo Awards ceremony in Johannesburg during 2011.In 2018 she celebrated 20 years in the music industry, releasing a greatest hits album 20 Jaar – Treffers van 2008–2018. Juanita du Plessis Albums Young Hearts (platinum) Ek en Jy (Ska-rumba) (3x platinum) Dis waar ek wil wees (2x platinum) Jy is… (3 x platinum) Altyd Daar (3x platinum) Bly by my (2x platinum) Jou Skaduwee (2x platinum) Vlieg Hoog (5x platinum) Volmaakte Kring (3x platinum) Bring jou Hart, duet with Theuns Jordaan (3x platinum) 10 Jaar Platinum Treffers (4x platinum) Engel van my hart (4x platinum) Wees Lig (3x platinum) (SA No. 1) Hart vol Drome, duet with Theuns Jordaan (Platinum) Jy Voltooi My (2x Platinum) (SA No. 3) Nashville (Platinum) (SA No. 15) Toe Staan Die Wêreld Stil (Platinum) (SA No. 7) Koningskind (Platinum) (SA No. 7) Kaalvoetkinners (Juanita du Plessis, Franja du Plessis & Ruan Josh) 20 Jaar – Treffers van 2008–2018 Dis Tyd (SA No. 1) Juanita du Plessis Awards Country Music Association Award back in Namibia as Best Songwriter (1998) Outstanding Achievement Award (1998) South African Music Award for Best Afrikaans DVD for Ten Years (2010) Huisgenoot Tempo Award for Most Popular Female Artist in Johannesburg (2011) Read More RIANA NEL RIANA NEL SINGER Biography Nianell (born September 25, 1971 as Sonia Aletta Nel in Omaruru, Namibia) is a singer, pianist, guitarist and composer. Who is Riana Nel? The latter is a multi-talented artist who is famous for songwriting and performing country music. You might think she is South African, but then she was born in Namibia, after which she relocated to South Africa where she established her career in music. That is how far she associates herself with South Africa. She is one of the oldest bust most consistent artists. The country is super proud to associate with her. Going through her biography will reveal so much information that most people do not know! South Africa is one of the countries which is richly invested in the entertainment industry. The country's music industry is one of the most flooded industries whose representation cuts across nearly all genres. For you to thrive in the industry and make the best out of it, it is key for you to be consistent and try out the unique styles to capture the attention of your audience. That is exactly what Riana Nel is doing, as depicted by her biography. She was born on 9th November 1982; in the year of the Dog. She was born in Namibia where she also grew up. She later on relocated to South Africa to develop her music career. As of date, Riana Nel age is thirty-six years old. Looking at her photos on social media would make a dispute that she is thirty-six. She looks way younger than that, probably you would judge her for a twenty-four-year-old. Very little is known about the latter's childhood life and her family, apart from the fact that she has a sister called Nianell. Nianell is her elder sister who is forty-seven years old. Nia Nel has also ventured into music, as she is a composer and a singer too. Apart from that, she also plays the guitar and the piano. Besides that, Riana Nel got married in 2013, and the name of Riana Nel husband is; Cornel de Beer. The two had their first baby whom they named Tristan in February 2016, and the second baby boy, Sebastian in September 2017. Her Instagram page depicts her life as a mother. Riana Nel albums He remarkable artist has given her musical career her very best. She has been releasing her albums and taking a hiatus which would consequently be followed by another album. So far, she has done six albums which are the reason beOopmond’ wic se released in 2001. The cure which she released in 2003. Someone With Skin released in 2005. Die Moiete Werd that she released in 2011. Die Regte Tyd that she did in 2014. Jy Sal Weet, which she released in 2017. Needless say that the latter takes time to invest in her career before she releases an album. The best part of it is that the albums have been performing well and are the reason for her fame. If you were not sure about the style that the latter has been pulling for her music, then you need to take a break and listen to her song. They will automatically make you fall in love with country music. They are the type that will serenade you into getting into the mood of the song. So far, these are some of her most-loved songs; Are you in despair and are looking for a song to clam your soul and lift your spirits? Listening to this song will change your situation for the better. The song is two years old and has accumulated more than 1.6 million views on YouTube. 2. Riana Nel skouers This is another beautiful piece that the artist did in Afrikaans. Her beautiful voice blends perfectly with the beats in the song. Listening to it from afar will make you think that it is in Spanish. It is the kind that will touch your heart, even when you do not understand the intended message. 3. Riana Nel weier In this hit, Riana has showcased her diversity in trying out a style that is completely different from the one that most people are used to watching her perform in. She is bolder and the beats of this particular hit are fast and more pronounced. You cannot help but fall in love with her style in this case. 4. Riana Nel dans It is beautiful how Riana can juggle through gospel and love hits in her country music style and not sound odd. 5. Riana Nel Glass feat. Coleske brothers It is amazing how fluent Riana can sing so fluently in Afrikaans and reciprocate the same in English country songs. This piece, for instance, is a masterpiece. The message of the song comes out so flawlessly. She hits the highest notes with ease and blends in her voice with the guitars and pianos. This is one hit that you would wish to listen to over and over again, despite it not being among the Riana Nel new songs. Rian Nel is by far one of the best South African country songs artist. It is amazing and encouraging how one can thrive in a genre that is not flooded, the type that stands out from the rest. Her music is so calming and brings forth good vibes. She is the type of artist that you would listen to and not get bored. Read More BOBBY VAN JAARSVELD BOBBY VAN JAARSVELD SINGER Biography Pieter van Jaarsveld, professionally known as Bobby van Jaarsveld, (born 6 March 1987) is a South African Afrikaans -language pop singer-songwriter and actor. Early life Van Jaarsveld, who was nicknamed "Bobby" after his father, was born on 6 March 1987 in Paarl , Western Cape. He is the second of three children and has two sisters, one of whom is also a singer (Karlien van Jaarsveld ). As a child, he attended several primary schools before matriculating from Brits High School. Career Music Van Jaarsveld started his professional singing career in high school when he was offered singing record, and he released his first solo album in his later receiving three nominations from the Klein Karoo Nasionale Kunstefees , Vonk (a local music magazine) and Huisgenoot Tempo magazine. As the winner of this category, Van Jaarsveld performed at the Skouspel Extravaganza hosted at Sun City , and continued to do until 2011. In November 2006, Theuns Jordaan Productions offered Van Jaarsveld a recording contract. His first album, 'n Duisend Ure, was released later that year and album sales reached gold status. His second album, Net Vir Jou, was released in 2009 by Coleske Artists. Van Jaarsveld wrote and composed each of the tracks on the album. Album sales reached platinum status within eight weeks, and have since reached double platinum status with sales of 83,000 units. Songs from the album include Spieëltjie and Net Vir Jou.award for 2001 on DKNT, a local music program on DStv . That same year, "Spieëltjie", a song from his second album, won Best Afrikaans Song at both the Huisgenot Tempo and Vonk Awards. He went on to release two more albums, "Wat Geld Nie Kan Koop Nie" and "Maak 'n Wens" in 2012 and 2014, respectively. In February 2016, his single "Middernag Serenade" peaked at number 2 on the Maroela Media Afrikaanse Top-20 chart of the top-selling Afrikaans singles in South Africa. In the same year, his single "HOLY" topped the South African iTunes chart. In 2018, he released a new single, "Die Land", with Steve Hofmeyr , Bok van Blerk , Jay , and Rohan du Toit. The song peaked at number 2 on the Maroela Media Afrikaanse Top-20 chart. In December 2019, his single "Ek weet al kanal", a duet with Demi Lee Moore, topped the Maroela Media Afrikaanse Top-20 chart. In October 2020, his single "Sprokie", a duet with Early B, peaked at number 11 on the Maroela Media Afrikaanse Top-20 chart. In August 2023, his single "Toe, nou en altyd", also peaked at number 11 on the Maroela Media Afrikaanse Top-20 chart. In March 2024, he released the single "Verlore seun", which peaked at number 7 on the Maroela Media Afrikaanse Top-20 chart. In August of the same year, he released the single "Lief My Weer Lewendig". The song peaked at number 14 on the Maroela Media Afrikaanse Top-20 chart.In August, he also performed the national anthem of South Africa in Perth in Australia before kickoff of the test match between the Australia national rugby union team and South Africa national rugby union team . In December 2024, he released a new single, "Niks Soos Liefde Nie" (Nothing Like Love), which reflects on the end of his marriage.The song debuted at number 18 on the Maroela Media Afrikaanse Top-20 chart. Film and television Van Jaarsveld played the lead character in the Afrikaans film Liefling – Die Movie, which was released in November 2010 by Hartiwood Studios South Africa and fetched R 16 million at the local box office. He also starred in the film As Jy Sing in 2013. In 2022, he was cast in the fourth season of the South African crime drama anthology television series Spoorloos . In 2024, he starred in Eksie Perfeksie, an Afrikaans comedy on Showmax . Reality TV In 2016, Van Jaarsveld began appearing as a judge on the local singing competition The Voice SA . Between 2017 and 2019, he and his sister were the subjects of the Showmax reality series Bobby & Karlien: In Jou Skoene. In each episode, the siblings spend 48 hours with people that have fallen on hard times or face other immense challenges in their lives. In 2024, he participated in the new season of Tropika Island of Treasure in Zanzibar , which his sister, Karlien, won the previous year. In the same year, he appeared as a contestant on SABC 's local version of Masked Singer . He used the alter-ego "Mielie" for his performances. Read More Singles 2009: "Spieëltjie" 2010: "Net vir jou" 2011: "Kyk Waar is ons Nou" 2013: "'n Vrou wil dit hoor" 2014: "My Alles" 2015: "Een vir Een" 2016: ""Middernag Serenade" 2017: "HOLY" 2018: "Die Land" (with Steve Hofmeyr , Bok van Blerk , Jay , and Rohan du Toit) 2019: "Ek weet al kanal" (with Demi Lee Moore) 2020: "Sprokie (featuring Early B)" 2023: "Toe, nou en altyd" 2024: "Verlore seun" 2024: "Lief My Weer Lewendig" 2024: "Niks Soos Liefde Nie" (Nothing Like Love) Filmography Liefling – Die Movie (2010) As Jy Sing (2013) Free State (2016) Mense Mense (2018) Spoorloos (2022) Eksie Perfeksie (2024) JAY FROM THE BOY GROUP EDEN JAY DU PLESSIS SINGER Biography Birth Name: Jay du Plessis Occupation: Pop Singer Born In: South Africa Birthdate: Age: 47 years old (as of 2024) Jay (Jaco du Plessis) Jaco du Plessis also known by the stage name Jay is the most visible and media-savvy of the band. Considered a sex symbol, he has performed on stage with international acts like The Corrs, Bono, Ronan Keating and Westlife. He has also developed a very successful solo singing career. His beginnings were with theatre. Then he took part as a solo act, and won the annual South African Crescendo award for Afrikaans music organised by ATKV (the Afrikaans Language and Culture Association, in Afrikaans Afrikaanse Taal- en Kultuurvereniging). The win was jointly with another contestant named Joe Niemand. Following that, he released a solo album that earned two nominations for the local GMT Awards winning the title for "Best Pop Album".He was very active on stage in theatrical performances. His debut was with Neil Lessick in the musical Let's Rock in 1999 as a lead singer and was an actor under study for South African State Theatre production of Joseph and the Amazing Technicolor Dreamcoat. Immediately after that he appeared in The Rocky Horror Picture Show, a member of the DooWah Boys and a lead role in pantomime in A Lad in a Lamp for which he was nominated for an acting prize. Years later he would appear yet again in Janice Honeyman's local remake of Aladdin. In 2010, with his band Eden taking a break, Jaco du Plessis released a popular solo album titled SOLO, that sold more than 40,000 copies and gained platinum status in South Africa. the album was in the making for three years starting 2007, with most materials written by Ewald Coleske with additional co-writing by Jay and Reana Nel. Some materials were also contributed by Dewald Wasserfall and by Johan Vorster, the latter his colleague in Eden. The debut single was "Is ek nie die een". Nitable tracks were "Melanie" also used in Platteland, and two duets with Lianie May. Jay was awarded as a solo act two Tempo Awards by the popular Huisgenoot magazine for "Best Pop Album" and for "Song of the Year" for his single solo release "Melanie". Music video for "Toe Stop My Hart" was nominated for Huisgenoot Tempo award for "Best Music Video of the Year". Jay was also nominated for two South African Music Awards (SAMA) nominations in 2010 for "Best Pop Album" and "Best Newcomer" (as a solo act). Starting 2011, he concentrated his efforts with Eden, in preparation for their big launch with the massive album success Point of No Return'. Eden is a South African pop band. Originally made up of Jay, Paulo, Johan and Sean, the band debuted during the popular South African Aardklop Festival followed by a tour all over South Africa releasing their album In in 1997. After Sean Else left in 2006, the boy band continued as a trio. Since 2003, the band has released three more albums, Point of No Return (2003), Eden (2006) and Knieë Lam (2008), a live DVD Live at The Mardi Gras (2008) and a compilation album Dekade (2009).They are signed to Jukebox label. The debut was with the limited edition album release titled In on the local label Volstruis Plate. The official national debut release was the album Point of No Return on Select Music / Jukebox Records / Coleske Artists / Sony Music / Sheer. It was a huge hit that went three times platinum in South AfricaThe self-titled album Eden on Jukebox Records went double platinum. Eden sings a variety of power pop and soft melody ballads, both in Afrikaans language and in English, the latter mostly comprising covers of well-known hits. Read More Tracklist Bright New Day Baby, Baby Catch Me I Won't Let You Go Promise Me When Your Angels Fall You Are The One Dink Jy Darem Nog Aan My? Always Love Will Keep Us Alive Ek Hou Van Jou It's All Because of You Point of No Return Play Me Right Little Bit of Love I Got You Amazed Duo Jay en Lianie May Besides his solo and band acts, Jay has also cooperated with the South African singer Lianie May forming a duet called Jay en Lianie. They had released a 2012 joint duets album together called Bonnie en Clyde including 16 tracks most notably the songs "Toe Stop my Hart" and "In a Moment Like This". in Platteland Jaco du Plessis also took part in a major South African musical drama film Platteland co-written by Deon Opperman and by Sean Else, an earlier member of Eden. The film premiered on screen on 12 November 2011. Jay plays in the film the role of Jakes Ferreira, the son of Mike Ferreira which is played by singer, songwriter and actor Steve Hofmeyr. The film also stars Lianie May as Riana van Niekerk and Bok van Blerk as Dirk Pretorius. The song "Melanie" sung by Jay is on the soundtrack and one of the contemporary music hits woven in the storyline of Platteland with other popular tunes included "Tyd om te Trek" from Bok van Blerk, "Vergeet My Nie" by Lianie May, "Pa en Seun" by Steve Hofmeyr and Bok van Blerk and "Sweet Dreams" by Karlien van Jaarsveld. Commercial endorsements He has signed a contract with the brand "Lee Cooper" and is the official face of the firm for its jeans wear and perfume series in South Africa. Album #DisHoeOnsRol In 2013, he released a new solo album titled #DisHoeOnsRol WILLEM BOTHA WILLEM BOTHA SINGER Biography Willem Botha (born 17 April 1987) is a South African singer, actor, and music producer from Riversdale, Western Cape. He was the runner-up of the Afrikaanse Idols reality music show. Willem Botha Age He was born on April 17, 1987, in South Africa. As of 2024, he is 37 years old and celebrates his birthday on April 17th every year. Since 2006 he kissed Idols loyalists goodbye and since he hugged tens of thousands of his own fans with two award-winning albums and major movie, theatre and TV roles to boot. At 27 most young South Africa ns are happy with a qualification and, even better, a steady job to help build their dreams. At the same age Willem had just returned from Europe where he made history as the first Afrikaans artist ever to take part in the Eurovision Song Contest. He was part of the team competing for Belarus and made the final. 100 million viewers watched the final live in 44 different countries. A dream come true for Willem! He also performed in Belgium, Netherlands, Sweden, Luxemborg and Dubai to name a few. Never one to take any part of his multifaceted and highly decorated career for granted, Willem makes work of pushing himself, and his talent, to the edge of even bigger things. “I’m living my dream,” he acknowledges. “I’ve always known I have wanted to be more than just a musician. First and foremost I’m an entertainer, in every sense of the word.” Singer, dancer, actor and more recently songwriter, he is on another growth spurt, and the benefactors are the ever-increasing number of fans that share a love for world-class entertainment. To confirm that there’s plenty more where the last two albums came from, July 2012 marks the release of Willem’s latest, 14-track album. Offering a level of maturity and sophistication fans familiar with 2006’s ground-breaking debut, Ko^ Ma Hier, and 2010’s Se^ My Nou SAMA -nominated follow-up will relish, My Stem Is Joune is filled with bold progression. “I wrote Vat Oor By My Jesus, Breek Op In Stereo and co-wrote Sad Song, and I loved the entire process,” he says. “This album is a game changer for me. The songs are all incredibly strong thanks to the great team of talented songwriters Johan Oberholzer and Machiel Roets. Roets, best known for the hit single My Lewe Draai Om Jou (the title track from Liefling Die Movie) co-wrote Sad Song, and Oberholzer delivered eight songs, including the title track to Willem’s new hit-peppered fan collectable. Willem may already be successful, but he wakes every day, open and keen to embrace the industry that feeds his ever-evolving ability. Music is also just one facet of this multi-talented guy’s other gifts. Having made his movie debut in 2010’s Liefling, Die Movie (officially the most successful Afrikaans motion picture of all time) and followed up with his role in 2012’s Pretville. Mid 2011 he played a very emotional role in a musical about the Border War, TREE AAN, which ran for two sold out seasons. 2013 marks his breakthrough role and TV-debut in the drama, Donkerland, written by renowned Deon Opperman. Mid 2014 will mark his return to the theatre as the lead in the musical, Reik Na Die Sterre. “I do not believe in luck,” he says matter-of-factly. “You create your own. I work incredibly hard, every day, to find opportunities and work with great, like-minded people.” With time comes experience and maturity, two attributes Willem’s harnessing at every turn. “My vocal ability has grown and improved,” he responds when asked how My Stem Is Joune compares to his previous two releases. “The overall sound of every song is strong. The quality and production is also the best it’s ever been. I write about life, experiences I have lived through, so there is a level of honesty and integrity there that I am very proud of.” As far as the music he writes, sings and performs, hes not precious about any aspect. “I don’t mind what I sing,” he adds. “If people enjoy it, that is what makes me happy. ” Willem’s also no stranger to sharing stages with the likes of Steve Hofmeyr as guest artist on his Haloda DVD released in September 2012. “It’s always a great privilege to be invited to perform with the like of Steve,” he says. “I love performing live, and being on stage, that’s when I am in my element. That is where I am truly content.” A stickler for detail, and insisting that every aspect of what he touches is the best it possibly can be, Botha made it his business to influence every aspect of My Stem Is Joune – right down to the artwork that adorns the album sleeve. “We shot the cover on a horse farm outside Pretoria,” he shares. As a Springbok rider, he still makes time in his hectic schedule to ride at his horse-trainer brother’s school. “I grew up on a farm in Riversdal, so any opportunity I get back in touch with my roots I jump at it.” One spin of My Stem Is Joune will have long-time fans beaming that the best parts they’ve got to know and love about Willem Botha are all still very much intact. “I’ve even included a club mix of Breek Op In Stereo, as well as a three-song medley of songs from my debut, Ko^ Ma Hier,” he says. “I’ve been performing the medley at almost all of my shows. Now, for the first time, fans can take the experience home with them and play it, at full tilt, as often as they like.” He knows where his bread is buttered, making work and takes time to respond to every aspect of his social media reality. “I’m very active on Facebook and Twitter,” he points out. “If I have fans making the effort to talk to me, I look to return the favour. Since the early days on Idols I’ve been very active online. It’s a great way to stay in touch with the people who allow me to keep doing what I love.” Willem Botha may have already tasted success, but he is hungry for more, and even happier to prepare every meal himself along the way. “There is a great saying that I’ve adapted. It’s become something of a mantra for me, and sums up how I live my life. It goes something like this: ‘The elevator to dreams is broken, so I take the stairs.’” Between a family and good friends that all help to keep him grounded, through to strong management and a record label equally invested in his future, Willem Botha surrounds himself with talented people. “What I do is often filled with challenges,” he concludes. “ How many people get to do what I do? There’s not a day that goes by that I don’t stop and give thanks for every opportunity I get. Hopefully fans hear that in the songs, and more especially when I perform live and get to thank them in person.” Read More KARLIEN VAN JAARSVELD KARLIEN VAN JAARVELD SINGER Biografie Karlien van Jaarsveld is die oudste van 3 kinders. Sy is die ouer suster van die reeds bekende Bobby van Jaarsveld. Karlien is nie ‘n nuwe gesig in die musiekbedryf nie.Sy het 3 jaar gelede begin om saam met Bobby op te tree as sy kitaarspeler en backing vocalist. Sy het ook ‘n duet saam met Bobby gedoen op sy eerste album. Karlien het so 2 jaar gelede besluit om haar eie ding te doen en het toe ‘n rockband gestig, REVOLUSIE. Sy was dus die stigter en hoofsanger van die groep, REVOLUSIE. Rockmusiek was maar altyd in haar bloed en sy het die 2 jaar saam met REVOLUSIE beskou as een van die beste leerskole ooit.Karlien het egter in Oktober 2008 besluit om solo te gaan met haar loopbaan en sy het REVOLUSIE verlaat.Johan Vorster Songs het Karlien as kunstenaar ingeneem. Karlien se album “Jakkals Trou Met Wolf Se Vrou” is uitgereik. Twee videos is ook geskiet van “Beter as Liefde” en “Jakkals Trou met Wolf se Vrou”. Karlien se album is alreeds vir ‘n hele paar weke onder die Top 5 verkopers op die DKNT ranglys. Die album se verkope het ook Platinum Status bereik.Karlien verskyn ook in November in die nuwe Afrikaanse fliek Platteland saam met Steve Hofmeyr, Bok van Blerk, Jay & Lianie. Sy speel die rol van ‘n parmantige matriekdogter.Sy is in 2011 vir 3 Tempo Toekennings benoem – Beste Nuweling, Beste Pop Album en Beste Vroulike Kunstenaar waarvan sy as Beste Nuweling benoem is.Karlien is ook benoem in die Ghoema Toekenning vir die volgende kategoriee: Beste Vroulike Kunstenaar; Liedjie van die Jaar vir “Jakkals Trou met Wolf se Vrou”, Musiekvideo van die Jaar vir “Jakkals Trou met Wolf se Vrou”, Album van die Jaar vir “Jakkals Trou met Wolf se Vrou”, Beste Pop Album vir “Jakkals Trou met Wolf se Vrou”.Karlien is as wenner aangewys in die volgende kategoriee: Beste Vroulike Kunstenaar, Musiekvideo van die Jaar en Beste Pop Album.Karlien is ook deel van ‘n nuwe Afrikaanse fliek wat in 2013 geskiet word.Wees op die uitkyk vir Karlien van Jaarsveld! Eers was daar "Jakkals trou met wolf se vrou." Platinum verkope. Toe volg sy dit op met “Uitklophou." Weer platinum verkope. So dis geen wonder daar heers soveel opwinding rondom die nuus dat Karlien van Jaarsveld besig is met die finale afrondingswerk aan haar nuwe album nie. Die album met die titel “My Hartjie” behoort binnekort op die rakke te wees en beloof om weer propvol treffers te wees, insluitende die titelsnit wat Karlien vir die eerste keer by die Afrikaans Is Groot konserte einde 2014 gesing het. En as die reaksie van die 80 000 konsertgangers enigsins ‘n aanduiding was van hoe groot die liedjie gaan wees, kan menshaar en haar produksiespan se opgewondenheid rondom die nuwe vrystelling verstaan. Die hoofskrywers op die nuwe album is weer Johan Vorster en Christoph Kotze, dieselfde span agter van haar vorige groot treffers soos “Jakkals trou met wolf se vrou” en “Hande.” Die nuwe album gaan ook ‘n toonvenster wees van hoeveel Karlien as kunstenaar gegroei het en ‘n kant van haar wys wat aanhangers tot nou toe nog nie gesien of gehoor het nie, sonder om afstand te doen van die kunstenaar wat ‘n liefling onder musiekliefhebbers en die media geraak het. Beide TV en radio is reeds bewus van die album en is reeds besig met beplanning rondom die promosie van “My Hartjie.” En met ‘n reuse media en publisiteitsveldtog wat saamgestel word, gaan die album die standaard vir record albumverkope sommer vroeg in 2015 al stel.Vir meer inligting en gereelde nuus oor die vordering van die nuwe album, volg Karlien op twitter: Lys van liedjies op My Hartjie My Hartjie Geskeurde Jeans Woorde Jy is Go your own way Holding out for a hero Breek Daniel en Elia Lewe vir liefde Tot die perde eendag horings kry Voel weer Bitter Blue Dancing in the dark Kyk hoe glinster die maan/Stille waters KARLIEN VAN JAARSVELD - JAKKALS TROU MET WOLF SE VROU “Jakkals trou met wolf se vrou” gaan sorg dat Karlien Van Jaarsveld die Afrikaanse mark verder betower. Met vyf splinternuwe treffers is die album beslis ‘n sukses storie wat wag om te gebeur..Die album bestaan uit agtien snitte waarvan sestien oorspronklik is . Dit is popmusiek op sy suiwerste met polsende klanke en sielvolle ballades en Karlien se sterk stem wat bydra tot die uitstekende eindproduk.Beter as liefde en Jakkals trou met wolf se vrou is twee reuse treffers albei uit die pen van Johan Vorster. Die titelsnit is ‘n metafoor binne ‘n metafoor van die onverwagse draai wat die liefdespad kan loop. Beter as liefde is die eerste enkelsnit en weerspieëldie geduld en passie van die hart en dien as bewys dat niks beter is as die liefde nie.Verskeie van die liedjies kom uit Karlien se eie pen, wat insluit Daar’s ‘n Storm, Feëverhaal, Sonder Jou en Van Jaarsveldhartedief. Hiermee bewys Karlien dat sy nie net ‘n mooi gesig is nie maar ook ‘n talentvolle sangeres en liedjieskrywerKarlien se droom vir die album is dat die musiek mense positief sal aanraak. ``Enigiets wat Johan aanpak is `n sukses en ek glo natuurlik dit gaan weer die geval wees.“Daar het twee musiekregisseurs op die album gewerk. Juan ``Floors“ Oosthuizen was verantwoordelik vir die ballades en Robin Kielly was weer aan die stuur van die dansliedjies. ``Beide meesters in wat hulle doen en ek is baie tevrede met die eindproduk,“ sê Karlien.Karlien maak ook later vanjaar haar debuut as aktrise in die musiekrolprent, Platteland. Twee van haar album se liedjies, Sweet Dreams en As die Gordyn Val, gaan op ‘n vars manier gehoor word in die fliek.Met haar sagte hart en opgeruimde geaardheid gaan Karlien van Jaarsveld nog derduisende mense se harte verower! Read More STEVE HOFMEYR STEVE HOFMEYR SINGER Biografie Karlien van Jaarsveld is die oudste van 3 kinders. Sy is die ouer suster van die reeds bekende Bobby van Jaarsveld. Karlien is nie ‘n nuwe gesig in die musiekbedryf nie.Sy het 3 jaar gelede begin om saam met Bobby op te tree as sy kitaarspeler en backing vocalist. Sy het ook ‘n duet saam met Bobby gedoen op sy eerste album. Karlien het so 2 jaar gelede besluit om haar eie ding te doen en het toe ‘n rockband gestig, REVOLUSIE. Sy was dus die stigter en hoofsanger van die groep, REVOLUSIE. Rockmusiek was maar altyd in haar bloed en sy het die 2 jaar saam met REVOLUSIE beskou as een van die beste leerskole ooit.Karlien het egter in Oktober 2008 besluit om solo te gaan met haar loopbaan en sy het REVOLUSIE verlaat.Johan Vorster Songs het Karlien as kunstenaar ingeneem. Karlien se album “Jakkals Trou Met Wolf Se Vrou” is uitgereik. Twee videos is ook geskiet van “Beter as Liefde” en “Jakkals Trou met Wolf se Vrou”. Karlien se album is alreeds vir ‘n hele paar weke onder die Top 5 verkopers op die DKNT ranglys. Die album se verkope het ook Platinum Status bereik.Karlien verskyn ook in November in die nuwe Afrikaanse fliek Platteland saam met Steve Hofmeyr, Bok van Blerk, Jay & Lianie. Sy speel die rol van ‘n parmantige matriekdogter.Sy is in 2011 vir 3 Tempo Toekennings benoem – Beste Nuweling, Beste Pop Album en Beste Vroulike Kunstenaar waarvan sy as Beste Nuweling benoem is.Karlien is ook benoem in die Ghoema Toekenning vir die volgende kategoriee: Beste Vroulike Kunstenaar; Liedjie van die Jaar vir “Jakkals Trou met Wolf se Vrou”, Musiekvideo van die Jaar vir “Jakkals Trou met Wolf se Vrou”, Album van die Jaar vir “Jakkals Trou met Wolf se Vrou”, Beste Pop Album vir “Jakkals Trou met Wolf se Vrou”.Karlien is as wenner aangewys in die volgende kategoriee: Beste Vroulike Kunstenaar, Musiekvideo van die Jaar en Beste Pop Album.Karlien is ook deel van ‘n nuwe Afrikaanse fliek wat in 2013 geskiet word.Wees op die uitkyk vir Karlien van Jaarsveld! Eers was daar "Jakkals trou met wolf se vrou." Platinum verkope. Toe volg sy dit op met “Uitklophou." Weer platinum verkope. So dis geen wonder daar heers soveel opwinding rondom die nuus dat Karlien van Jaarsveld besig is met die finale afrondingswerk aan haar nuwe album nie. Die album met die titel “My Hartjie” behoort binnekort op die rakke te wees en beloof om weer propvol treffers te wees, insluitende die titelsnit wat Karlien vir die eerste keer by die Afrikaans Is Groot konserte einde 2014 gesing het. En as die reaksie van die 80 000 konsertgangers enigsins ‘n aanduiding was van hoe groot die liedjie gaan wees, kan menshaar en haar produksiespan se opgewondenheid rondom die nuwe vrystelling verstaan. Die hoofskrywers op die nuwe album is weer Johan Vorster en Christoph Kotze, dieselfde span agter van haar vorige groot treffers soos “Jakkals trou met wolf se vrou” en “Hande.” Die nuwe album gaan ook ‘n toonvenster wees van hoeveel Karlien as kunstenaar gegroei het en ‘n kant van haar wys wat aanhangers tot nou toe nog nie gesien of gehoor het nie, sonder om afstand te doen van die kunstenaar wat ‘n liefling onder musiekliefhebbers en die media geraak het. Beide TV en radio is reeds bewus van die album en is reeds besig met beplanning rondom die promosie van “My Hartjie.” En met ‘n reuse media en publisiteitsveldtog wat saamgestel word, gaan die album die standaard vir record albumverkope sommer vroeg in 2015 al stel.Vir meer inligting en gereelde nuus oor die vordering van die nuwe album, volg Karlien op twitter: Lys van liedjies op My Hartjie My Hartjie Geskeurde Jeans Woorde Jy is Go your own way Holding out for a hero Breek Daniel en Elia Lewe vir liefde Tot die perde eendag horings kry Voel weer Bitter Blue Dancing in the dark Kyk hoe glinster die maan/Stille waters KARLIEN VAN JAARSVELD - JAKKALS TROU MET WOLF SE VROU “Jakkals trou met wolf se vrou” gaan sorg dat Karlien Van Jaarsveld die Afrikaanse mark verder betower. Met vyf splinternuwe treffers is die album beslis ‘n sukses storie wat wag om te gebeur..Die album bestaan uit agtien snitte waarvan sestien oorspronklik is . Dit is popmusiek op sy suiwerste met polsende klanke en sielvolle ballades en Karlien se sterk stem wat bydra tot die uitstekende eindproduk.Beter as liefde en Jakkals trou met wolf se vrou is twee reuse treffers albei uit die pen van Johan Vorster. Die titelsnit is ‘n metafoor binne ‘n metafoor van die onverwagse draai wat die liefdespad kan loop. Beter as liefde is die eerste enkelsnit en weerspieëldie geduld en passie van die hart en dien as bewys dat niks beter is as die liefde nie.Verskeie van die liedjies kom uit Karlien se eie pen, wat insluit Daar’s ‘n Storm, Feëverhaal, Sonder Jou en Van Jaarsveldhartedief. Hiermee bewys Karlien dat sy nie net ‘n mooi gesig is nie maar ook ‘n talentvolle sangeres en liedjieskrywerKarlien se droom vir die album is dat die musiek mense positief sal aanraak. ``Enigiets wat Johan aanpak is `n sukses en ek glo natuurlik dit gaan weer die geval wees.“Daar het twee musiekregisseurs op die album gewerk. Juan ``Floors“ Oosthuizen was verantwoordelik vir die ballades en Robin Kielly was weer aan die stuur van die dansliedjies. ``Beide meesters in wat hulle doen en ek is baie tevrede met die eindproduk,“ sê Karlien.Karlien maak ook later vanjaar haar debuut as aktrise in die musiekrolprent, Platteland. Twee van haar album se liedjies, Sweet Dreams en As die Gordyn Val, gaan op ‘n vars manier gehoor word in die fliek.Met haar sagte hart en opgeruimde geaardheid gaan Karlien van Jaarsveld nog derduisende mense se harte verower! Read More DEWALD WASSERFALL BACK TO TOP DEWALD WASSERFALL SINGER Biografie Vir amper 20 jaar al is Dewald Wasserfall se wêreld so te sê oorheers deur musiek, en oor die afgelope dekade het hy in ’n suksesvolle en hoogs gerespekteerde sanger en liedjieskrywer ontpop. Liedjies skryf is in sy bloed. Op die jong ouderdom van 12 het Dewald alreeds sy eerste liedjie geskryf. Ná matriek het hy sy talent na die destydse Pretoria Technikon geneem en sy algemene bekwaamheid verder geslyp deur ’n diploma in vermaaklikheidstegnologie te verwerf. Dubbeld gekwalifiseer, beide op papier en met loutere talent, het hy die volgende vier jaar sy groep Wasserfall gelei, en twee albums, insluitende die treffers Suikerbos en All About Me, vrygestel – onderwyl hy liedjies geskryf het vir sommige van Suid- Afrika se grootste sterre, soos Jay, Karlien van Jaarsveld, Bok van Blerk en Lianie May. “My grootste vyand is ek self,” lag hy. “Ek kan nie stilsit nie. Wanneer ek nie slaap nie, hol ek rond en voeg verkieslik nuwe idees en kleure by my progressiewe musieksmaak.” Sedert 2010 bou Dewald aan ’n suksesvolle solo-loopbaan. Hierdie perfeksionis, professioneel tot die murg toe, het twee jaar lank aan sy langverwagte solo-debuut, 2012 se Vergeet Wat Jy Weet Van Liefde, saam met medeskrywers en tydgenote Johan Vorster en Ewald Coleske, gewerk. Beide die titelsnit, Vergeet Wat Jy Weet Van Liefde en die tweede enkelsnit, Eendag As Ons Groot Is het die nommer 1 posisie op verskeie radiostasies reg oor die land bereik. Tydens 2013 se Innibos Kunstefees in Nelspruit is Dewald voor 30 000 mense op die hoofverhoog verras met die feit dat sy album goue status bereik het en hy is ook daar en dan uitgenooi om deel te wees van die Afrikaans Is Groot-konsert. Intussen het hierdie album platinum status bereik vir verkope van meer as 40 000. 2014 merk die uitreik van sy tweede solo album getiteld, #EkEnJy, wat reeds binne drie maande goue status bereik het. Die 15-snit album met sy eiesoortige lirieke en melodie wat Dewald se stempel afdruk saam met skrywer Christoph Kotzé en die bekroonde Johan Vorster. “Ek is deesdae baie gefokus op my eie materiaal,” vertel hy. “Soveel so dat ek gesnoei het aan die tyd wat ek deurbring om saam met vriende en medekunstenaars te skryf, en in die laaste tyd eerder daardie energie in my eie werk probeer inploeg.” Om ’n bietjie selfsugtig te wees blyk om hom in die proses meer vrygewig te maak – sy waarderende aanhangers vind immers baat daarby. Vergeet Wat Jy Weet Van Liefde is liries gelaai en melodies ryk, en trek steeds nuwe aanhangers aan elke keer wanneer Dewald die lang pad met sy musiek aandurf. ’n Bonus vir ou bewonderaars is die insluiting van die lewendige gunsteling, My Hart Se Hongersnood, op die album. Karlien van Jaarsveld het ook haar stem tot die onmisbare applouswekkende snit gevoeg, wat dit tot ’n hele nuwe vlak van genot neem. 2014 merk die suksesverhaal van sy loopbaan en hy was ook weer te sien by Afrikaans Is Groot – Die Konsert in beide Pretoria en Kaapstad. “Ek’s trots Afrikaans,” sê hy. Hy besef dat sy aanhangers regoor die land nie net totaal toegewyd is aan waar hy vandaan kom nie, maar ook selfs nog meer belê in waarheen hy op pad is .In April 2013 het hy ook die gesogte Beste Nuweling toekenning by die Ghoema Afrikaanse Musiektoekennings ingepalm. Hy is ook genomineer vir nie minder as drie Huisgenoot Tempo toekennings – Nuweling van die Jaar, Beste Kontemporêre Album en Beste Musiekvideo waar hy ook met die Tempo vir Nuweling van die Jaar weggestap het. Pop, rock, akoesties of melodies – elke beskrywing van Dewald Wasserfall se sterkpunte, en hoe en waar hy sy musiek sien inpas, is allermins meer of minder gegrond op een spesifieke genre. “My materiaal is uniek,” beklemtoon hy. Wat #EkEnJy selfs meer boeiend maak vir nuwe en jarelange getroues, is Dewald se aandag aan detail en sy fokus daarop om slegs die mees uitmuntende vervaardigingswaardes tot sy skeppings te voeg. “Kwaliteit is die sleutel,” bevestig hy. “Gehore kan en moet krities en veeleisend wees. As ’n musiekliefhebber weet ek ék is, en dit is iets wat ek waardeer. Ek wil my beste werk lewer, elke keer, in antwoord daarop. Om terwyl hy toer kennis te maak met die mense wat na ’n Dewald Wasserfall vertoning kom kyk, is een van die baie aspekte wat hy geniet, te midde van ’n leefstyl wat soveel vereis van kreatiewes. “Ja, ek bring baie tyd deur op toer,” gee hy toe, “maar al is dit moeilik om vêr van die huis te wees vir lang tye op ’n slag, stroom die beloning aand ná aand in. Ek kry soveel bevestiging, elke dag, dat wat ek doen mense aanraak – op ’n vlak wat my inspireer om vol te hou om die beste, mees genotvolle en onvergeetlike musiek moontlik te maak.” Aanhangers ondersteun Dewald, die wenner van vele toekennings, steeds as ’n kunstenaar wat applous en bewondering verdien. “Ek weet nie mooi hoe ek doen wat ek doen nie,” sluit hy af, “maar ek is ongelooflik dankbaar vir elke aspek van my lewe. Dit gee my die geleentheid om al die gunste wat aan my bewys is, terug te gee elke keer as ek opstaan om op te tree.” Read More BACK TO TOP

Radio SAM Broadcaster Germany’’ wants to be part of your journey to that life changing event. Even more, follow us on social media and let’s share that special life changing event. Get your music on Spotify, Apple, YouTube, TikTok & 150+ platforms If you’re starting out and don’t have a big budget, you may wonder – how can I release music for free? There are lots of websites to upload music for free. Many of these also allow fans to download them for nothing, taking your tunes to a global audience. Are you keen to distribute your music and looking for places you can put it, so you can reach more people? In this article, we’ll list the most used and popular places to release your music without paying a penny. Read on to find out the best sites for giving your music away free online, as well as the pros and cons of each. Websites to upload music for free There are a number of sites offering music fans both uploads and downloads at no cost. While they won’t make you rich, they’ll give you access to much wider audiences. We recommend you use one (or several) of the sites we’ve mentioned. There are lots of illegal ones too. Keep away from those, so your music doesn’t get a bad reputation and you don’t get in trouble. Illegal downloads are incredibly damaging to everyone in the music industry. It’s worth knowing a little about what’s involved before uploading your music , including the differences between streams and downloads – and why it matters. Upload your song for free download If someone wants to listen to your songs on a plane or when the WiFi is down, they won’t be able to stream. But downloads are still playable – provided they downloaded them when connected to the internet. Many of the streaming sites make downloads part of the paid memberships – iTunes, Spotify and Tidal all allow you to release music for free, but fans will have to pay to download your tunes (or have a paid membership). This can be a disadvantage. However there are also sites catering to those wanting free downloads – or you can create your own. My New Channel DISCO SCHLAGER 2024 💖 Hit Mix Schlager für Alle Video abspielen Teilen Ganzer Kanal Dieses Video Facebook Twitter Pinterest Tumblr Link kopieren Link kopiert Search videos Video suchen... Wird abgespielt DISCO SCHLAGER 2024 💖 Hit Mix 01:26:45 Video abspielen Wird abgespielt Schlager Charts Top 20 - 04. April 2024 28:58 Video abspielen Wird abgespielt Reflecting on the Legends - Classic Country Songs - Icons of Country Music 01:18:30 Video abspielen Wird abgespielt Pop Hits songs of 2000s - Shakira, Britney Spears, Avril Lavigne, Rihanna, Katy Perry, Beyonce 24:43:12 Video abspielen Radio Stations in Gauteng Metro FM Radio 2000 Radio 702 Bosveld Stereo Pretoria FM Groot FM 90.5 Lekker FM Springbok Radio Capricorn FM Rainbow FM 90.7 Overvaal Stereo 96.1 Impact Radio SOUTH AFRICA BACK TO TOP

Videos to Share. Music to Share Music to Share Video abspielen Teilen Ganzer Kanal Dieses Video Facebook Twitter Pinterest Tumblr Link kopieren Link kopiert Search videos Video suchen... Wird abgespielt Maite Kelly - Einfach Hello (Offizielles Musikvideo) 03:54 Video abspielen Wird abgespielt Schlager Charts Top 20 - 07. März 2024 29:40 Video abspielen Wird abgespielt Marina Marx - Steh auf und leb 03:30 Video abspielen BACK TO TOP

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SOUTH AFRICA COUNTRY & COUNTRY MUSIC & SINGERS ABOUT Country Music The legends of South African country music . The legends are Lance James, Barbara Ray, Bobby Angel, Matt Hurter and Tommy Dell , Alan Ladd, Cheree, JJ Stephens and Jason Bradleyand many other Country Stars and Legends. Lance James has more than 60 albums to his name, the worst of which was recorded way back in the 60s already! Lance is known as the Big Daddy of South African country music and has received many awards during his career of almost 50 years. The ATKV dubbed him "a living icon", and Vonk magazine recently gave him a "Lifetime Achievement" for his contribution to the South African music industry. Lance also recorded various albums with Queen of Country Barbara Ray. Barbara emigrated fron Scotland to South Africa in die mid-60s, and has since become a household name. Twenty-two of her albums went gold, and she won many awards for her contribution to country music. Barbara is especially well-known for her hits "I don"t wanna play house" and "Down the Mississippi", and also tours with one of SA"s other great country legends, Bobby Angel. Bobby Angel has been known as the King of Country since he took the music world by storm with his 1975 hit, "You ask me to". Many more hits followed, and his latest release, "Wals van die lewe", confirmed Bobby"s status as evergreen musician. Tommy Dell, also known as The Killer, and Sally Vaughn represented South Africa in Nashville in 1984. The main singer of the Elvis group The Jordanaires was highly impressed with Dell"s work: "I"ve never seen a singer from another country command so much respect from an audience". No wonder, since nine of Tommy"s albums went gold ... while "Teddy Bear" and "Little Rosa" earned this artist double golden awards.Matt Hurter has been well-known in the South African country music industry for 40 years now. He is the current president of the South African Country Music Association and it was he who founded the SA Country Farm and managed it for 11 years. Matt is working on a new album at the moment, a large part of which will be music he himself wrote. Alan Ladd was born in Lusaka, Zambia, in 1966. He and his 12 brothers and sisters (among whom was the legendary singer, Kupido) emigrated to South Africa in 1976. Ten years later, he recorded his first "seven single", with one of his own songs, Daddy, also on it. He attained great success as singer/songwriter in the years that followed, and his last two albums were released in 2006. The first, The Country Gospel CD, reached platinum status within two months, and sold more than 44 500 copies. The second, My Hart Klop Country, sold more than 37 000 copies within four months. Lance James and Barbara Ray - Folk, Vocal, Solo and Group Musician - Johannesburg Lance James is a top class performer, who can assist you with making your function a memorable success. He remains one of the most-in-demand entertainers, working solo and with other popular artists in South Africa. Lance James is a versatile, bilingual performer who specialises in Corporate functions, Concerts, Dances, Barn dances, Weddings, Shopping Centre promotions, and In-store promotions. He is considered as one of the top entertainers ever in South Africa, and has an excellent rapport with his audiences. Winner of six SABC Sarie Awards, a "Loony's Award for his contribution to entertainment, plus an Honorary Award from ATKV Centurion, Beeld and Pretoria Afrikaanse Sakekamer for his contribution to Afrikaans music. Lance has appeared in many top Television Shows, is a well established Master of Ceremonies, as well as a well known Radio Broadcaster, currently broadcasting on Radio Today, "Keep It Country". Lance started recording in 1962, and to date over 60 Lance James Albums have been released. Country (also called country and western) is a genre of popular music that originated with blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboyWestern music styles of New Mexico, Red Dirt, Tejano, and Texas country. Its popularized roots originate in the Southern and Southwestern United States of the early 1920s. Lance released "Lance James sing Dankie en ander Treffers” in 1997, "Vriendskap" in 1998, "20 Gewildste Treffers" in 1999, and "No Charge" in 2001. In 1998/99 various other Lance James C.D.'s were re-issued plus "The Heart and Soul" double album. Vrouekeur recorded the best “Country Performance” on CD for the year 2002 was Lance James on the album "Sing a Lekker Liedjie". In 2003, he also released “Till a Tear becomes a Rose” with new singer Joey Lane. Lance can also be heard on the “Back to Bapsfontein” CD which was released in September 2003, and “Toeka 2” by Steve Hofmeyr released early 2004. Lance released "One Day At A Time" Golden Gospel Hits in October 2004. TOMMY DELL Tommy Dell (gebore Thomas Albert Berry, 1942 in Oos-Londen) is 'n Suid-Afrikaanse country-sanger. Hy is veral bekend vir sy treffer Teddy Bear. Van sy ander treffers sluit in Little Rosa en Don't worry about me. ' Diskografie My God Loves Me, HOEZIT MUSIEK From The Heart, SELECT Lag Jou Sopnat "10 jaar later", 2005 HOEZIT MUSIEK Deck Of Cards, UNIVERSAL The Heart And Soul Of Tommy Dell, 1999 CRESCENDO Lag Jou Sopnat Met, 1996 UNIVERSAL The First Ten Years Of Tommy Dell LP Caroline And Tommy LP Me And My Songs LP Country Gentleman Teddy Bear, GALLO Friends, 1980 SOUNDS SUPER Tommy Dell - Teddy Bear Country music often consists of ballads and dance tunes with generally simple forms, folk lyrics, and harmonies often accompanied by string instruments such as banjos, electric and acoustic guitars, steel guitars (such as pedal steels and dobros), and fiddles as well as harmonicas.Blues modes have been used extensively throughout its recorded history. The term country music gained popularity in the 1940s in preference to hillbilly music; it came to encompass Western music, which evolved parallel to hillbilly music from similar roots, in the mid-20th century. In 2009, in the United States, country music was the most listened to rush hour radio genre during the evening commute, and second most popular in the morning commute. The term country music is used today to describe many styles and subgenres. The origins of country music are found in the folk music of working class Americans and blue-collar American life. It has been inspired by American popular music, and American folk music which had its roots in Celtic music, early music of the British Isles, singing cowboys, corrido, ranchera, norteño, French folk music, African-American music, and other traditional folk music traditions. The main components of the modern country music style date back to music traditions throughout the Southern United States and Southwestern United States, while its place in American popular music was established in the 1920s during the early days of music recording ,Country music was "introduced to the world as a Southern phenomenon." Immigrants to the southern Appalachian Mountains, of the Southeastern United States, brought the folk music and instruments of Europe, Africa, and the Mediterranean Basin along with them for nearly 300 years, which developed into Appalachian music. As the country expanded westward, the Mississippi River and Louisiana became a crossroads for country music, giving rise to Cajun music. In the Southwestern United States, it was the Rocky Mountains, American frontier, and Rio Grande that acted as a similar backdrop for Native American, Mexican, and cowboy ballads, which resulted in New Mexico music and the development of Western music, and its directly related Red Dirt, Texas country, and Tejano music styles. The U.S. Congress has formally recognized Bristol, Tennessee as the "Birthplace of Country Music", based on the historic Bristol recording sessions of 1927. Since 2014, the city has been home to the Birthplace of Country Music Museum.Historians have also noted the influence of the less-known Johnson City sessions of 1928 and 1929,and the Knoxville sessions of 1929 and 1930. In addition, the Mountain City Fiddlers Convention, held in 1925, helped to inspire modern country music. Before these, pioneer settlers, in the Great Smoky Mountains region, had developed a rich musical heritage The first generation emerged in the 1920s, with Atlanta's music scene playing a major role in launching country's earliest recording artists. James Gideon "Gid" Tanner (1885–1960) was an American old-time fiddler and one of the earliest stars of what would come to be known as country music. His band, the Skillet Lickers, was one of the most innovative and influential string bands of the 1920s and 1930s. Its most notable members were Clayton McMichen (fiddle and vocal), Dan Hornsby (vocals), Riley Puckett (guitar and vocal) and Robert Lee Sweat (guitar). New York City record label Okeh Records began issuing hillbilly music records by Fiddlin' John Carson as early as 1923, followed by Columbia Records (series 15000D "Old Familiar Tunes") (Samantha Bumgarner) in 1924, and RCA Victor Records in 1927 with the first famous pioneers of the genre Jimmie Rodgers and the first family of country music the Carter Family. Many "hillbilly" musicians, such as Cliff Carlisle, recorded blues songs throughout the 1920s. JUANITA DU PLESSIS During the second generation (1930s–1940s), radio became a popular source of entertainment, and "barn dance" shows featuring country music were started all over the South, as far north as Chicago, and as far west as California. The most important was the Grand Ole Opry, aired starting in 1925 by WSM in Nashville and continuing to the present day. During the 1930s and 1940s, cowboy songs, or Western music, which had been recorded since the 1920s, were popularized by films made in Hollywood, many featuring the king of the "singing cowboys", Gene Autry. Bob Wills was another country musician from the Lower Great Plains who had become very popular as the leader of a "hotstring band," and who also appeared in Hollywood westerns. His mix of country and jazz, which started out as dance hall music, would become known as Western swing. Wills was one of the first country musicians known to have added an electric guitar to his band, in 1938. Country musicians began recording boogie in 1939, shortly after it had been played at Carnegie Hall, when Johnny Barfield recorded "Boogie Woogie". The Legends of South Africa Singers The third generation (1950s–1960s) started at the end of World War II with "mountaineer" string band music known as bluegrass, which emerged when Bill Monroe, along with Lester Flatt and Earl Scruggs were introduced by Roy Acuff at the Grand Ole Opry. Gospel music remained a popular component of country music. Another type of stripped-down and raw music with a variety of moods, became popular among poor communities in New Mexico, Oklahoma, and Texas; the basic ensemble consisted of classical guitar, bass guitar, dobro or steel guitar, though some larger ensembles featured electric guitars, trumpets, keyboards (especially the honky-tonk piano, a type of tack piano), banjos, and drums. This sound had its roots in the Native American, Hispano, and American frontier music of the Southwestern United States and Northern Mexico, including Western, honky tonk, ranchera, and corrido. By the early 1950s a blend of Western swing, country boogie, and honky tonk was played by most country bands. Rockabilly was most popular with country fans in the 1950s, and 1956 could be called the year of rockabilly in country music, with Johnny Cash emerging as one of the most popular and enduring representatives of the rockabilly genre; rockabilly was also a starting point for eventual rock-and-roll superstar Elvis Presley, who would return to his country roots near the end of his life. Beginning in the mid-1950s, and reaching its peak during the early 1960s, the Nashville sound turned country music into a multimillion-dollar industry centered in Nashville, Tennessee; Patsy Cline and Jim Reeves were two of the most broadly popular Nashville sound artists, and their deaths in separate plane crashes in the early 1960s were a factor in the genre's decline. Starting in the early 1950s, and during the mid-1960s, Western singer-songwriters such as Michael Martin Murphey and Marty Robbins rose in prominence as did others, throughout Western music traditions, like New Mexico music's Al Hurricane. The late 1960s in American music produced a unique blend as a result of traditionalist backlash within separate genres. In the aftermath of the British Invasion, many desired a return to the "old values" of rock n' roll. At the same time there was a lack of enthusiasm in the country sector for Nashville-produced music. What resulted was a crossbred genre known as country rock. Fourth generation (1970s–1980s) music included outlaw country with roots in the Bakersfield sound, and country pop with roots in the countrypolitan, folk music and soft rock. Between 1972 and 1975 singer/guitarist John Denver released a series of hugely successful songs blending country and folk-rock musical styles. By the mid-1970s, Texas country and Tejano music gained popularity with performers like Freddie Fender. During the early 1980s country artists continued to see their records perform well on the pop charts. In 1980 a style of "neocountry disco music" was popularized. During the mid-1980s a group of new artists began to emerge who rejected the more polished country-pop sound that had been prominent on radio and the charts in favor of more traditional "back-to-basics" production; this neotraditional movement would dominate country music through the late 1980s and was typified by the likes of George Strait. Attempts to combine punk and country were pioneered by Jason and the Scorchers, and in the 1980s Southern Californian cowpunk scene with bands like the Long Ryders and Mojo Nixon. During the fifth generation (1990s), country music became a worldwide phenomenon. Two types of artists enjoyed mainstream popularity: neotraditionalists such as Alan Jackson, and the more broadly popular stadium country acts, in particular Garth Brooks. The Chicks became one of the most popular country bands in the 1990s and early 2000s. The sixth generation (2000s–present) has seen a certain amount of diversification in regard to country music styles. It has also, however, seen a shift into patriotism and conservative politics since the 9/11 Terrorist Attacks, but twenty years later, many are saying the genre is finally starting to move away from that.The influence of rock music in country has become more overt during the late 2000s and early 2010s. Most of the best-selling country songs of this era were in the country pop genre, such as those by Lady Antebellum, Florida Georgia Line, Carrie Underwood, Trixie Mattel, Orville Peck and Taylor Swift.Hip hop also made its mark on country music with the emergence of country rap The first commercial recordings of what was considered instrumental music in the traditional country style were "Arkansas Traveler" and "Turkey in the Straw" by fiddlers Henry Gilliland & A.C. (Eck) Robertson on June 30, 1922, for Victor Records and released in April 1923.Columbia Records began issuing records with "hillbilly" music (series 15000D "Old Familiar Tunes") as early as 1924. The first commercial recording of what is widely considered to be the first country song featuring vocals and lyrics was Fiddlin' John Carson with "Little Log Cabin in the Lane" for Okeh Records on June 14, 1923. was the first country singer to have a nationwide hit in May 1924 with "Wreck of the Old 97".The flip side of the record was "Lonesome Road Blues", which also became very popular. In April 1924, "Aunt" Samantha Bumgarner and Eva Davis became the first female musicians to record and release country songs. Many "hillbilly" musicians, such as Cliff Carlisle, recorded blues songs throughout the decade and into the 1930s. Other important early recording artists were Riley Puckett, Don Richardson, Fiddlin' John Carson, Uncle Dave Macon, Al Hopkins, Ernest V. Stoneman, Blind Alfred Reed, Charlie Poole and the North Carolina Ramblers and the Skillet Lickers.The steel guitar entered country music as early as 1922, when Jimmie Tarlton met famed Hawaiian guitarist Frank Ferera on the West Coast. Jimmie Rodgers and the Carter Family are widely considered to be important early country musicians. From Scott County, Virginia, the Carters had learned sight reading of hymnals and sheet music using solfege.Their songs were first captured at a historic recording session in Bristol, Tennessee, on August 1, 1927, where Ralph Peer was the talent scout and sound recordist.A scene in the movie O Brother, Where Art Thou? depicts a similar occurrence in the same timeframe. Rodgers fused hillbilly country, gospel, jazz, blues, pop, cowboy, and folk, and many of his best songs were his compositions, including "Blue Yodel",which sold over a million records and established Rodgers as the premier singer of early country music. Beginning in 1927, and for the next 17 years, the Carters recorded some 300 old-time ballads, traditional tunes, country songs and gospel hymns, all representative of America's southeastern folklore and heritage. Derived from the traditional Western, including Red Dirt, New Mexico, Texas country, Tejano, and honky-tonk musical styles of the late 1950s and 1960s. Songs such as the 1963 Johnny Cash popularized "Ring of Fire" show clear influences from the likes of Al Hurricane and Little Joe, this influence just happened to culminate with artists such as Ray Price (whose band, the "Cherokee Cowboys", included Willie Nelson and Roger Miller) and mixed with the anger of an alienated subculture of the nation during the period, outlaw country revolutionized the genre of country music."After I left Nashville (the early 70s), I wanted to relax and play the music that I wanted to play, and just stay around Texas, maybe Oklahoma. Waylon and I had that outlaw image going, and when it caught on at colleges and we started selling records, we were O.K. The whole outlaw thing, it had nothing to do with the music, it was something that got written in an article, and the young people said, 'Well, that's pretty cool.' And started listening." (Willie Nelson)The term outlaw country is traditionally associated with Willie Nelson, Jerry Jeff Walker,Hank Williams, Jr., Merle Haggard, Waylon Jennings and Joe Ely.It was encapsulated in the 1976 album Wanted! The Outlaws. Many Western and Outlaw country music artists maintained their popularity during the 1980s by forming supergroups, such as The Highwaymen,Texas Tornados, and Bandido. Country pop Main article: Country pop Country pop or soft pop, with roots in the countrypolitan sound, folk music, and soft rock, is a subgenre that first emerged in the 1970s. Although the term first referred to country music songs and artists that crossed over to top 40 radio, country pop acts are now more likely to cross over to adult contemporary music. It started with pop music singers like Glen Campbell, Bobbie Gentry, John Denver, Olivia Newton-John, Anne Murray, B. J. Thomas, the Bellamy Brothers, and Linda Ronstadt having hits on the country charts. Between 1972 and 1975, singer/guitarist John Denver released a series of hugely successful songs blending country and folk-rock musical styles ("Rocky Mountain High", "Sunshine on My Shoulders", "Annie's Song", "Thank God I'm a Country Boy", and "I'm Sorry"), and was named Country Music Entertainer of the Year in 1975. The year before, Olivia Newton-John, an Australian pop singer, won the "Best Female Country Vocal Performance" as well as the Country Music Association's most coveted award for females, "Female Vocalist of the Year". In response George Jones, Tammy Wynette, Jean Shepard and other traditional Nashville country artists dissatisfied with the new trend formed the short-lived "Association of Country Entertainers" in 1974; the ACE soon unraveled in the wake of Jones and Wynette's bitter divorce and Shepard's realization that most others in the industry lacked her passion for the movement. During the mid-1970s, Dolly Parton, a successful mainstream country artist since the late 1960s, mounted a high-profile campaign to cross over to pop music, culminating in her 1977 hit "Here You Come Again", which topped the U.S. country singles chart, and also reached No. 3 on the pop singles charts. Parton's male counterpart, Kenny Rogers, came from the opposite direction, aiming his music at the country charts, after a successful career in pop, rock and folk music with the First Edition, achieving success the same year with "Lucille", which topped the country charts and reached No. 5 on the U.S. pop singles charts, as well as reaching Number 1 on the British all-genre chart. Parton and Rogers would both continue to have success on both country and pop charts simultaneously, well into the 1980s. Country music propelled Kenny Rogers’ career, making him a three-time Grammy Award winner and six-time Country Music Association Awards winner. Having sold more than 50 million albums in the US, one of his Song "The Gambler," inspired multiple TV movies, with Rogers as the main character. Artists like Crystal Gayle, Ronnie Milsap and Barbara Mandrell would also find success on the pop charts with their records. In 1975, author Paul Hemphill stated in the Saturday Evening Post, "Country music isn't really country anymore; it is a hybrid of nearly every form of popular music in America." During the early 1980s, country artists continued to see their records perform well on the pop charts. Willie Nelson and Juice Newton each had two songs in the top 5 of the Billboard Hot 100 in the early eighties: Nelson charted "Always on My Mind" (No. 5, 1982) and "To All the Girls I've Loved Before" (No. 5, 1984, a duet with Julio Iglesias), and Newton achieved success with "Queen of Hearts" (No. 2, 1981) and "Angel of the Morning" (No. 4, 1981). Four country songs topped the Billboard Hot 100 in the 1980s: "Lady" by Kenny Rogers, from the late fall of 1980; "9 to 5" by Dolly Parton, "I Love a Rainy Night" by Eddie Rabbitt (these two back-to-back at the top in early 1981); and "Islands in the Stream", a duet by Dolly Parton and Kenny Rogers in 1983, a pop-country crossover hit written by Barry, Robin, and Maurice Gibb of the Bee Gees. Newton's "Queen of Hearts" almost reached No. 1, but was kept out of the spot by the pop ballad juggernaut "Endless Love" by Diana Ross and Lionel Richie.The move of country music toward neotraditional styles led to a marked decline in country/pop crossovers in the late 1980s, and only one song in that period—Roy Orbison's "You Got It", from 1989—made the top 10 of both the Billboard Hot Country Singles" and Hot 100 charts, due largely to a revival of interest in Orbison after his sudden death.The only song with substantial country airplay to reach number one on the pop charts in the late 1980s was "At This Moment" by Billy Vera and the Beaters, an R&B song with slide guitar embellishment that appeared at number 42 on the country charts from minor crossover airplay. The record-setting, multi-platinum group Alabama was named Artist of the Decade for the 1980s by the Academy of Country Music. COUNTRY MUSIC LINKS HPR4 Bluegrass Gospel Branson, Country, Gospel Paul Williams - The Soul Of A Child Classic Country 104.9 Osage Beach, Country THE RANCH 95.9 FM Fort Worth, Country Tyler Childers - Born Again WIVK 107.7 FM Knoxville, Country WCYO - Coyote Country 100.7 FM Irvine KY, Country 106.5 The Wolf - WDAF FM Kansas City, Country Sam Meyers Classic Country Burleson, Country Montgomery Gentry - Merry Christmas From The Family The Big 99.9 Coyote Country Spokane, Country https://www.country108.com/

Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, Hey There to All Friends and Fans RADIO SAM Germany is Running Worldwide Internet Radio Station ,South African Music and German Music based as a Online Music Radio Station ,from Germany ,and is also a South African and German Music Time shareing Homepage to share with People all around the World for Young and Old,It was founded in March 2014 in Germany. The Facebook Group was founded at the same time - South African Music, then got bigger and greater with our supporters ,friends and also visitors .Youtube Videos that we were shareing through Youtube . In April 2014 the Google Blogger was openened ,through the high visit of friends and visitors, Online around the world and Thankyou to our supporters AND FRIENDS. Die schönsten Schlager im Internet radio Das Radio SAM Germany von Andreas Dezius ist der Radiosender für Schlager Fans. Wenn Sie von einem Internetradio mehr erwarten als die Hits der 80er, 90er und die Charts von heute, dann schalten Sie unser Schlager Radio ein. Radio SAM Germany – das bedeutet Internetradio für die ganze Familie. Radio SAM Germany gibt all den Musikliebhabern eine Chance, die ihr Recht auf einen eigenen Musikgeschmack im anderen Webradios nicht durchsetzen können. Radio SAM Germany finden deutsche Schlager und Volksmusik endlich wieder ein neues Zuhause! Das Radio-Programm vom Radio SAM Germany bietet für jeden Schlagerfan genau das Richtige: Egal ob deutsche Schlager oder, Discofox oder Country, Party-Schlager oder Deutsch Rock, von volkstümlicher Musik bis zu schönen Oldies – auf Radio SAM Germany werden 24 Stunden pro Tag die besten deutschen und internationalen Schlager gespielt, und das an allen 7 Tagen der Woche. Moderne Musiktrends kommen und gehen, die Geschichte des deutschen Schlagers reicht jedoch bereits vom Ende des 19. Jahrhunderts bis in die Gegenwart des Radio SAM Germany. Seit jeher spiegelt die Schlagermusik den Wandel von Gesellschaft und Mentalität wider. Schlagermusik reagiert seit ihren Anfangstagen auf politische und gesellschaftliche Strömungen. So ist die Schlagermusik in der heutigen Zeit als kommerzielles Massenprodukt eng mit der modernen Industriegesellschaft und ihren technologischen Neuerungen verbunden. Das Radio SAM Germany von .FM ist ein Symbol dieser technologischen Neuerungen, denn wir senden nicht über UKW, sondern über das Internet. So ein Internetradio hat gegenüber dem klassischen FM-Radio viele Vorteile. Dank des Internets können Sie Ihr Schlager Radio nun überall auf der Welt genießen. Alles, was Sie benötigen, um in den Genuss von Schlagern über ein Internetradio zu kommen, ist ein Computer und ein schneller Internetzugang. Damit Sie das Radio SAM Germany ohne Störungen genießen können, empfehlen wir dazu einen DSL-Anschluss. Computer und Internetanschlüsse finden Sie heute nicht nur in jedem Haushalt, sondern auch in den meisten Hotels weltweit. Somit sind Schlagerfans keine Grenzen mehr gesetzt, wenn Sie nicht nur zu Hause, sonden auch im Urlaub ihr Schlagerradio hören möchten. Dabei spielt es keine Rolle, ob Sie sich auf Mallorca, in der Türkei, Ägypten oder in einem noch weiter entfernten Land befinden: Dank Internetradio bringen wir das Radio SAM Germany auch in den hintersten Winkel der Welt. Wer summt nicht besonders gerne im Urlaub eine bekannte Schlagermelodie vor sich hin? Dank Radio SAM Germany über das Internet haben alle Schlagerfans nun die Möglichkeit dazu! We support and promote our friends that was at that time playing in some of the local upcoming bands, and give our other local musicians a way through which they could share their music to their South African fans, and hopefully internationally. We are a dedicated and unique team of music lovers and professionals brought together from all walks of life and from all around the World, from all over South Africa, and Europa ,all with one thing in common... our love and passion for music! WE OFFER MUSIC , AN AUTO DJ AND DJS THAT WILL BE ADDED TIME BY TIME TO SHARE MUSIC WITH FRIENDS AND FAMILY NEWS,PICTURES,Djs ON A SATURDAY NIGHT ON Radio SAM Germany. All we ask is that you share or Homepage,Facebook Group,and Google Bloggers and be Kind to sighn into our Geustbook as return we add you a as friend on Facebook, and put an small partnet banner on our Page to help to share also your Homepage around the World ,Thankyou your Radio SAM Germany Team . Radio SAM Music is an online radio station sponsored by ZenoRadio allows you to listen to your favorite radio stations from around the world. , find your favorite radio station by country and listen by streaming or dialing a phone number to save data. With an expanding list of stations and new countries being added weekly, the new ZenoRadio is the best way to listen to your countries home radio stations. that aims at providing the best disco music to fans all over the world. We work as a team to make sure we play the best, the latest and consistently entertain our listeners with the music they would love to hear. In simple terms, we bring the disco experience right to you. You do not have to visit a disco, but you can have the experience right in your office, car or just at home. This is the right music for anyone who feels like dancing but does not want the hassle that comes with being in a club or disco. How do we Ensure Our Visiters and Listerners and are Well Entertained? Our online radio station Websites ,Bloggers and Radio Station gets over 900 visitors and listerner every day. This is quite a number, but we ensure that everyone who visits the site leaves satisfied and entertained. In fact, many find it hard to switch off the music and carry it on throughout the day as they attend to their daily obligations. Our team does daily research on our visiters’ likes and preferences, music searches and needs to ensure that we only play music that is relevant to them. We do not just play the music, but we go a step further in making sure that what we play is actually what our visitors and listerners are looking for. Why the Online Radio Station? As we played the disco music in various clubs and settings, we realized that more and more people were looking for us and it was hard to meet the needs of different groups all at the same time. We had to seek for a way to please all our clients and ensure they can get to listen to our music from wherever they are 24/7. So rather than our visitors and listerners are waiting until we get a chance to play at their local music, or follow us wherever we go for gigs, they can listen to our music whenever they feel like any time of the day. Who Can Listen to the Radio Station? Anyone anywhere in the world can access Radio SAM Music . We do not have demographic inhibitions and ensure that anyone can access the music any time of the day or night whenever they are in the mood to dance. When you are having a party or entertaining some guests, this is the music that will take the party to the next level. Just make sure you have enough dancing room. Your guests will rock to the music the whole night as tune after tune belts out of the online music radio station. It is not just when you have guests, but the music can help you unwind and change your mood after a long day in the office. Even when you are in the office and want to switch to a more relaxed mood, just log in the online radio. You will be able to relax and forget about the day’s pressures and demands ,Because of the many visitors our radio station gets every day, it’s a good marketing hub for advertisers.With over 900 daily visitors, you are assured of getting a large audience for your products or services. We also built ‘Radio SAM Broadcaster Germany’ for YOU…….. For you to NEVER miss that amazing event. We strive to, at all times, try to take the hassle out of finding out where that favourite artist is performing, have a look at some other artists also performing, and at what venue it is going to be held, at what time, and maybe it will be the end of life as you know it. We love radio! Radio SAM Broadcaster Germany makes life a little easier for everyone who feels the same way. We offer you the opportunity to listen to internet radio from all over the world in a particularly uncomplicated manner and free of charge. With the push of a button, you can also record it very easily thanks to Radio SAM Broadcaster Germany. Don't you ever want to miss your favorite internet radio radio again? Our tools make it possible! You can put together your own program in the Radio SAM Broadcaster Germany player, in the app and directly on our website. This is then conveniently recorded and saved for you. If you just want to listen to your favorite online radio stations, you can of course do so here: You can click through the music genres or topics you want and you will find enough material to stream continuously for days! Here, the many German channels are just a few clicks away from the small regional channel from Italy. Thanks to the radio cloud, you don't even have to turn on your computer or smartphone to record, you don't even have to be at home. The scheduled shows are simply saved in the cloud, where you can easily stream them or download them for later use. Radio programs and tips - radio plays and more That's all well and good, but you don't even know what you want to hear in the wide landscape of internet radio? No wonder, after all, there are many of programs on all sorts of genres. Our editorial team therefore studies the radio program every week and always has a few tips ready to make your choice easier: There is also something for the little listeners on a separate page for children. Do you want to let off steam in the wide world of internet radio? Radio SAM Broadcaster Germany makes this particularly easy for you. You can listern completely free of charge and without obligation. In your own account under “Radio SAM Broadcaster Germany” you can start immediately, put together your own program and use the free radio cloud storage of two hours. In the download area you will find the Radio SAM Broadcaster Germany players for PC and Mac and the app is available for free download in the app store for iOS, Android or Windows Phone Hoekom moet jy op LEKKER FM Radio SAM Germany adverteer? Die antwoord is baie eenvoudig! Jou besigheid is vir ons belangrik!Radio Springbok Germany bied 'n bekostigbare advertensiemedium wat 'n massa-gehoor in beide Afrikaans en Engels kan bereik. Ons multi-media advertensiebenadering bied 'n ideale geleentheid wat individueel vir jou, die adverteerder, saamgestel word. Dit bied aan jou besigheid (klein of groot) die geleentheid om jou teikenmark oor radio, en digitale en sosiale media platforms, gelyktydig te bereik - volgens jou voorsiene begroting! Radio SAM Germany produk!Wees die eerste nuwe of kleinsake-eienaar om jou een-jaar radio-advertensieveldtog met ons te registreer, en ons sal jou webwerf ontwerp en publiseer op 'n baie lae koste, insluitend e-pos adresse. Om jou selfs verder te help, sal ons al jou sosiale media bladsye met jou webwerf aaneenskakel, sodat jy onmiddellike regstreekse skakels het om jou webwerf op datum te hou. Kontak ons vandag nog om seker te maak jou besigheid word raakgesien! (Kliek Hier) Hoekom radio?Die volgende kan jou help om 'n suksesvolle radio-advertensie veldtog te hê: Frekwensie van advertensies"Gryp jou verbruikers aan die oor, en hul harte en gedagtes sal volg! " Andreas Dezius In kort: 'n kommersiële radio-advertensie moet verskeie keer gespeel word voordat dit insink in die gedagtes van die luisteraar. As jy van plan is om jou kommersiële handelsflits een keer per week vir 'n maand lank te skeduleer, sal dit nie voldoende wees om jou produk tot aan die toppunt van jou teikengehoor se gedagtes te bring nie.Die suksesvolle radioveldtog bestaan uit 'n kommersiële flits wat aanvanklik vir meer as een keer deur die loop van 'n dag uitgesaai word, in teenstelling met een of twee keer per week. Ken jou teikenmark se programskedule inskakel . Dis sinvol om jou parfuumwinkel byvoorbeeld tydens 'n tipiese huisvrouprogram te adverteer. Daarom sal jy nie 'n hardeware-en gereedskapswinkel in dieselfde gleuf adverteer nie. Jou vaardigheid om die teiken te tref is noodsaaklik vir elke advertensie wat jy skep . Daarom moet jy seker maak dat jy weet waar jou teikenmark op Radio Springbok Germany Radio SAM Germany se ervare media-strateeg sal jou help met die keuse van die regte programme en skedules om die beste waarde uit jou produk en bemarkingsveldtog te verkry. By langer veldtogte, kan jy selfs jou radio-flitse rondskuif om te probeer verseker dat jy deur 'n wyer teikengroep gehoor word, sodat die sukses van jou belegging verhoog word. Vervaardiging van kommersiële flitse. Vervaardiging van radio-advertensies is eenvoudig en baie koste-effektief. Jy moet twee basiese elemente hê: 'n teks en 'n talentvolle stemkunstenaar. Maar wees versigtig om nie bloot net 'n paar sinne uit te skryf en dan jou vingers te kruis met die hoop dat jou advertensie die merk sal tref nie. Onthou: radio is die teater van die gedagte. Jou flits se sukses maak staat op duidelike inligting , spraak en klank wat jou besigheid vanuit die klankrommel lig en jou naam in die geheue van die luisteraar ets. Onthou , frekwensie is die sleutel! So maak seker dat jou advertensie in die kol is en jy sal die verbruiker se aandag die eerste keer trek. Navorsing toon dat dit ‘n paar keer neem voordat die verbruiker uiteindelik verstaan wat jou maatskappy behels. Dit is daarom belangrik dat jou advertensie sal uitstaan en jou boodskap herhaaldelik sal dra. About Radio SAM Broadcaster Germany Radio SAM Broadcaster Germany is your go-to destination for the freshest and hottest music from around the world. Our team of experienced DJs and music producers work tirelessly to bring you the best of the best, so you can worry less and dance more. Tune in to our radio station and never miss a beat! The Team who runs this Radio Station ! We started off with Radio sam germany Andreas Dezius Radio Host & DJ Music Curator Executive Board member, Co-founder and former of Radio SAM Broadcaster Live Andre Radio Host & Social Media Manager Board member, Supporter and Advertiser. Designer Pamela Coetzee Radio Host & Social Media Manager Board member, Web Designer Andrew May Radio Host & Program Advertiser Board member,Advertiser Supporter. Welcome Tune-Into One of our Radio Stations and Enjoy the Music Were ever you GO... Our Radio Monthly Analytics Country Sessions Sum of unique IPs per stream TLH % United States 431 84 3,09 59.20 Germany 273 19 84,36 37.50 The Netherlands 5 2 0,09 0.69 Portugal 4 4 0,03 0.55 South Africa 4 3 0,18 0.55 South Korea 3 3 0,02 0.41 Russia 3 2 0,16 0.41 Australia 1 1 0,02 0.14 Canada 1 1 0,01 0.14 Italy 1 1 0,04 0.14 Country Sessions Sum of unique IPs per stream TLH % United States 189 75 1,37 75.00 Germany 39 9 33,35 15.48 South Africa 6 5 0,22 2.38 India 5 3 0,09 1.98 Russia 4 4 0,13 1.59 Portugal 2 2 0,02 0.79 South Korea 2 2 0,02 0.79 Slovenia 2 1 0,02 0.79 Australia 1 1 0,12 0.40 Italy 1 1 0,17 0.40 Total sessions completed 2,53 K Total unique IPs 1,37 K Average listening minutes 13,87 Total listening hours 581,13 Total ad impressions 396 Call Email a.dezius@gmail.com Follow BACK TO TOP

The Afrikaans Music in South Africa in Music Talk Afrikaans music, a diverse and influential genre within South Africa's rich musical landscape, reflects the unique cultural heritage and modern expressions of the Afrikaans-speaking community. This article delves into the evolution, major artists, and contemporary trends in Afrikaans music, illustrating its role in shaping the nation's auditory identity. Historical Roots and Early Influences Afrikaans music has its roots deeply embedded in the folk traditions of the early Afrikaner settlers, blending European influences with local sounds. The early 20th century saw the rise of "Boeremusiek" or farmer's music, characterized by the use of accordions, concertinas, and guitars. These instruments set the foundation for the distinctive sound that would evolve into a broader musical genre, capturing the everyday life and stories of the Afrikaans-speaking people. Rise of Afrikaans Pop and Rock By the mid-20th century, Afrikaans music began to diversify with the introduction of pop and rock elements, giving rise to a new wave of musicians who modernized the traditional sounds. Bands like Fokofpolisiekar and Van Coke Kartel, as well as singers such as Karen Zoid and Laurika Rauch, have played pivotal roles in popularizing the rock and pop sub-genres within the Afrikaans music scene. Their work has bridged generational gaps and brought contemporary issues to the forefront through their lyrics and melodies. The Folk Revival and Its Modern Twist In recent years, there has been a revival of interest in Afrikaans folk music, with artists like Chris Chameleon and Die Antwoord adding a modern twist to traditional styles. This revival has not only enriched the genre but also expanded its appeal to younger audiences both in South Africa and internationally. These artists blend traditional elements with modern music styles, creating a hybrid that is both fresh and deeply nostalgic. Afrikaans Music on the Global Stage Afrikaans music has increasingly made its mark on the international scene, with artists touring globally and participating in international music festivals. Acts like Die Antwoord have gained a following worldwide, showcasing the versatility and global appeal of Afrikaans music. Their unique blend of electronic music with Afrikaans rap has introduced the language and its culture to a global audience, highlighting the genre's ability to transcend cultural and linguistic barriers. The Future of Afrikaans Music The future of Afrikaans music looks promising as it continues to evolve and adapt to new trends and technologies. The genre's ability to innovate while staying true to its roots is a testament to the creativity and resilience of its artists. As more musicians experiment with blending different musical styles and technologies, Afrikaans music is set to continue its growth and influence, both within South Africa and across the world. Afrikaans music, with its rich heritage and dynamic present, plays a crucial role in the cultural expression of South Africa, offering insights into the community's past, present, and future aspirations. To complement the vibrant exploration of Afrikaans music, here are five standout songs that showcase the best of the genre. These tracks not only capture the essence of Afrikaans musical creativity but also offer a great starting point for those new to the scene: "Lisa se Klavier" by Koos Kombuis - Often hailed as one of the most beautiful Afrikaans songs, this track is a poignant ballad that showcases Koos Kombuis' deep lyrical abilities and emotive performance. "Toe Vind Ek Jou" by Francois van Coke ft. Karen Zoid - This powerful duet between two of Afrikaans rock's most iconic voices is both stirring and melodically rich, making it a modern classic in the Afrikaans music scene. "De La Rey" by Bok van Blerk - A contemporary anthem that became hugely popular for its rousing melody and historical references, this song is a staple at many Afrikaans gatherings and continues to resonate with listeners. "Liewe Maatjies" by Die Antwoord - Reflecting the unique style of Die Antwoord, this track mixes rap with electronic music, offering a distinctive sound that has brought international attention to Afrikaans music. "Blou" by Laurika Rauch - A classic by one of Afrikaans music's most enduring artists, this song's melodic flow and nostalgic lyrics offer a tender look at the themes of love and memory. These songs each provide a different flavor of Afrikaans music, reflecting the diversity and depth of the genre while celebrating its South African roots. The Afrikaans Music in South Africa in Music Talk Afrikaans music, a diverse and influential genre within South Africa's rich musical landscape, reflects the unique cultural heritage and modern expressions of the Afrikaans-speaking community. This article delves into the evolution, major artists, and contemporary trends in Afrikaans music, illustrating its role in shaping the nation's auditory identity. Historical Roots and Early Influences Afrikaans music has its roots deeply embedded in the folk traditions of the early Afrikaner settlers, blending European influences with local sounds. The early 20th century saw the rise of "Boeremusiek" or farmer's music, characterized by the use of accordions, concertinas, and guitars. These instruments set the foundation for the distinctive sound that would evolve into a broader musical genre, capturing the everyday life and stories of the Afrikaans-speaking people. Rise of Afrikaans Pop and Rock By the mid-20th century, Afrikaans music began to diversify with the introduction of pop and rock elements, giving rise to a new wave of musicians who modernized the traditional sounds. Bands like Fokofpolisiekar and Van Coke Kartel, as well as singers such as Karen Zoid and Laurika Rauch, have played pivotal roles in popularizing the rock and pop sub-genres within the Afrikaans music scene. Their work has bridged generational gaps and brought contemporary issues to the forefront through their lyrics and melodies. The Folk Revival and Its Modern Twist In recent years, there has been a revival of interest in Afrikaans folk music, with artists like Chris Chameleon and Die Antwoord adding a modern twist to traditional styles. This revival has not only enriched the genre but also expanded its appeal to younger audiences both in South Africa and internationally. These artists blend traditional elements with modern music styles, creating a hybrid that is both fresh and deeply nostalgic. Afrikaans Music on the Global Stage Afrikaans music has increasingly made its mark on the international scene, with artists touring globally and participating in international music festivals. Acts like Die Antwoord have gained a following worldwide, showcasing the versatility and global appeal of Afrikaans music. Their unique blend of electronic music with Afrikaans rap has introduced the language and its culture to a global audience, highlighting the genre's ability to transcend cultural and linguistic barriers. The Future of Afrikaans Music The future of Afrikaans music looks promising as it continues to evolve and adapt to new trends and technologies. The genre's ability to innovate while staying true to its roots is a testament to the creativity and resilience of its artists. As more musicians experiment with blending different musical styles and technologies, Afrikaans music is set to continue its growth and influence, both within South Africa and across the world. Afrikaans music, with its rich heritage and dynamic present, plays a crucial role in the cultural expression of South Africa, offering insights into the community's past, present, and future aspirations. To complement the vibrant exploration of Afrikaans music, here are five standout songs that showcase the best of the genre. These tracks not only capture the essence of Afrikaans musical creativity but also offer a great starting point for those new to the scene: "Lisa se Klavier" by Koos Kombuis - Often hailed as one of the most beautiful Afrikaans songs, this track is a poignant ballad that showcases Koos Kombuis' deep lyrical abilities and emotive performance. "Toe Vind Ek Jou" by Francois van Coke ft. Karen Zoid - This powerful duet between two of Afrikaans rock's most iconic voices is both stirring and melodically rich, making it a modern classic in the Afrikaans music scene. "De La Rey" by Bok van Blerk - A contemporary anthem that became hugely popular for its rousing melody and historical references, this song is a staple at many Afrikaans gatherings and continues to resonate with listeners. "Liewe Maatjies" by Die Antwoord - Reflecting the unique style of Die Antwoord, this track mixes rap with electronic music, offering a distinctive sound that has brought international attention to Afrikaans music. "Blou" by Laurika Rauch - A classic by one of Afrikaans music's most enduring artists, this song's melodic flow and nostalgic lyrics offer a tender look at the themes of love and memory. These songs each provide a different flavor of Afrikaans music, reflecting the diversity and depth of the genre while celebrating its South African roots. AFRIKAANS SINGERS THE HISTORY AND HERITAGE OF POPULAR AFRIKAANS MUSIC A short history of popular Afrikaans music If one wants to understand the heritage of popular Afrikaans music, it has to be viewed against the complex sociopolitical backdrop of the development of the language itself. Briefly explained, Afrikaans emerged as a result of the interaction at the Cape between European (mostly Dutch) settlers, the indigenous Khoikhoi and imported Malay slaves, and their descendants over the last three and a half centuries (Roberge 1993). By the mid-nineteenth century, it had become quite distinct from Dutch and was spoken by people diverse in terms of race, class, geography, reli- gion, culture and identity. Developing in a colonial context, racial hierarchies were established and divisions upheld. From a popular music perspective, this diverse cultural heritage saw music sung in Afrikaans and played by musicians from across the racial spectrum (Martin 2012). Dutch and German (and to a lesser extent English) liturgical music and secular songs formed a founda- tion for songs sung in the new language, while imported minstrel songs from America brought to the colony in the latter part of the nineteenth century added stylistic flavour (Van der Merwe 2015). Also influential were the local indigenous music traditions of the Khoikhoi, as well as those imported from the East by slaves. As a result, the popular music that developed from these sources represented clearly heterogeneous elements. This diversity also forms the basis of fault lines and tensions regarding its heritage. Popular Afrikaans music is, perhaps, with due consideration given to the dangers of what has become known as ‘South African exceptionalism’, unique in global popular music as the actual language itself (and therefore by extension, its music) developed parallel to global record-ing technologies. The first Afrikaans newspaper was founded in 1875, just 2 years prior to the invention of the phonograph in 1877. At the turn of the twentieth century, when gramophone records were becoming mass-produced, the Anglo-Boer War (1899–1902) was raging between Britain and the two independent Boer republics, the Zuid-Afrikaanse Republiek (commonly known as the Transvaal Republic) and the Republic of the Free State. These two republics were the manifestations of white Afrikaner nationhood, based on a specific linguistic and racial identity. Because of the interest the conflict attracted in Europe at the time, a few sympathetic European singers recorded the national anthems of the two republics in Brussels and The Hague during the war. These were the earliest Africana (sung in Dutch, but relating to Afrikaans) records. The first recordings in actual Afrikaans date to 1906 and were made in London Afrikaans Singer A Andriëtte Anke Fatheya Ahmed B Bok van Blerk Cristina Boshoff Piet Botha Bles Bridges Liza Brönner C Mimi Coertse posing in front of a sculpture of herself (Johannesburg, ca. 1965) Arno Carstens Chris Chameleon Mimi Coertse D Kurt Darren Izak Davel Al Debbo Coenie de Villiers Casper de Vries Ray Dylan E Erica Eloff Jurie Els Elvis Blue F Joanna Field Ada Forrest Afrikaans Singer G Anton Goosen H Sonja Herholdt Steve Hofmeyr J Theuns Jordaan Hennie Jacobs Fanie de Jager Lance James Watkin Tudor Jones Arno Jordaan Theuns Jordaan K Ada Cherry Kearton (married name of Ada Forrest) Johannes Kerkorrel Koos Kombuis Gé Korsten Karin Kortje David Kramer L Riku Lätti Patricia Lewis Nicholis Louw Stefan Ludik Laura Lynn Helmut Lotti N Nádine Nádine in the Netherlands in 2009 Nataniël Riana Nel Nianell Afrikaans Singer O Overtone are an a cappella group from Johannesburg . Overtone P Jack Parow Brendan Peyper Juanita du Plessis Koos du Plessis Gert Potgieter R Laurika Rauch S Leon Schuster Snotkop Etienne Steyn Amanda Strydom Valiant Swart T Shaun Tait Adam Tas V Bobby van Jaarsveld Bobby van Jaarsveld in 2009 Piet van Wyk de Vries Yolandi Visser Amor Vittone Francois Van Coke ; also the lead singer of punk rock bands Van Coke Kartel and Fokofpolisiekar W Willim Welsyn Robbie Wessels Heinz Winckler Dana Winner Z Karen Zoid performing on stage in 2009 Karen Zoid Nuutste Afrikaanse Musiek Jan 2023 VIEW THE VIDEO Lekker Afrikaanse Musiek Dec 2022 VIEW THE VIDEO Bernice West - Hy Jy Jy (Official Music Video) VIEW THE VIDEO Nicola Dreyer - Jy Weet Dit Is Jy VIEW THE VIDEO Riaan Benadé - Die Lot (Lirieke Video) VIEW THE VIDEO Ricus Nel - Trek Uit Jou Baadjie (Amptelike Musiekvideo) VIEW THE VIDEO Elandre - Asseblief (DJ Johnny Remix) VIEW THE VIDEO Jan Rhaap - Plaaskind VIEW THE VIDEO Logan Pietersen - Afrikaner Boervrou VIEW THE VIDEO ARMAND HOFMEYR - Case Trekker VIEW THE VIDEO Armand Steenkamp - Johanna Van Saldanha VIEW THE VIDEO Willem Botha - 2010 (Amptelike Musiekvideo) VIEW THE VIDEO Popular Afrikaans music (Van der Merwe 2015). More recordings followed, almost all of them made by white Afrikaans singers who were studying in London on scholarships, something which was not available to Afrikaans speakers of other races at the time. The first advertisements for Afrikaans popular music records started to appear in 1910, a few months after the Union of South Africa, which was a merger of the Cape and Natal Colonies with the defeated Boer republics. These early records were advertised in such a way that it played on the tension between Afrikaans and English speakers and appealed to a sense of Afrikaner nationhood. What this meant, ultimately, is that the very first recordings of popular Afrikaans music had close links to a group of white Afrikaans speakers and their aspirations of nationhood. Coloured and black Afrikaans speakers were excluded from these recordings, despite the fact that they had developed vibrant and unique music styles. The first local recordings were made in 1912 by George Walter Dilnutt on his mobile recording unit. More mobile studios arrived in the 1920s, but it was really with the start of the 1930s that the local recording industry took off, partly thanks to hugely successful working-class boeremusiek (literally translated ‘farmer’s music’) albums, of which those by singer David de Lange were the most popular. Such records caused tension among class-aware nationalists who, from the 1930s onwards, were intent on co-opting Afrikaner culture as a vehicle for white Afrikaner nationalism. Although these albums were recorded by white musicians, traditional boeremusiek represented a complex mixture of the urban and the rural, and of race and class. Developing during the nineteenth century and the early parts of the twentieth, it was regularly performed by coloured labourers for white farm- ers at their dance parties, just like other types of labour on the farms were designated to them. Ideologues from nationalist cultural organisations laboured to codify the language and cul- ture to embody a white Afrikaans-speaking volk (nation). Part of this project was the publication of a Volksangbundel (Folk songbook) by the Federasie van Afrikaanse Kultuurvereniginge (Federation of Afrikaans Cultural Organisations, or FAK for short) in 1937 with 314 sanctioned Afrikaans songs, ranging from national anthems to picnic songs. Popular Afrikaans music that did not meet the cultural requirements, like that of David de Lange, were deliberately excluded. The South African Broadcasting Corporation (SABC) was established in 1936, and from 1937 had a dedicated Afrikaans channel that transformed popular Afrikaans music. The ushering in of the apartheid era in 1948 heralded fleeting changes for South Africa. Its segregationist laws impacted on music performance in various ways. The destruction of mix- race urban centres like Sophiatown in Johannesburg in the mid-1950s also affected the perfor- mance of vibrant music styles like marabi jazz and swing by local black musicians. However, during the 1950s, kwela music (pennywhistle jive music that emerged among black musicians in and around Johannesburg) became a very popular genre for white recording artists (Allen 2008). Many Afrikaans musicians recorded kwela; the most prominent was the accordion virtuoso, Nico Carstens, who managed to sell in excess of a million LPs between 1954 and 1959. This coincided with the introduction of rock music to South Africa in 1956. Rock had a delayed influence on Afrikaans music. Although (possibly) the earliest Afrikaans song, ‘Gogga’ (an overt reference to The Beatles) dates to 1964, it was only from the late 1970s and early 1980s that Afrikaans music artists started playing rock music in Afrikaans. While abroad rock music had links with the social movements of the 1960s, it had limited impact among South African, including Afrikaans, youth. The 1960s represented the height of apartheid and white Afrikaners mostly accommodated its policies (Van der Merwe 2014). Furthermore, cen- sorship was strict: television was banned until 1976, and generally Afrikaans music remained superficial and heavily influenced by European Schlager music. It was only towards the end of the 1970s and into the 1980s that Afrikaans music artists started to question the political status quo. This happened at a time of growing wider discontent with the system of apartheid among Schalk van der Merwe white Afrikaans speakers. The 1980s were tumultuous years as South Africa erupted in wide- spread violence in the townships, forcing State President P.W. Botha to call a national state of emergency in 1985. White men also started campaigning against conscription, while mostly English bands performed under the banner of the End Conscription Campaign (ECC). Also around this time, early hip hop groups started to form in and around the coloured neighbour- hoods of Cape Town, although they remained largely underground. By the end of the decade, alternative Afrikaans rock musicians became staunchly critical of not just the political system but also the conservative white middle class in which they grew up. In the post-apartheid context, the Afrikaans culture industry has done well. After the state support it received under apartheid was suspended in 1994, it mostly withdrew into corporate hands (Steyn 2016). Dedicated Afrikaans television channels, radio stations, print media, online communities, brand identities and so forth have grown significantly, while Afrikaans arts festi- vals were established to ensure a vitality in the Afrikaans arts. The Afrikaans music industry has also boomed. Since 2000, a number of artists have passed the 1 million mark in sales in what is a small market. Since 2004, five Afrikaans artists have won the South African Music Award (SAMA) for best-selling local album, while in the 2012/2013 season the five top-selling local albums (of all genres, regardless of language) were Afrikaans (Van der Merwe 2017). However, the top rung of popular Afrikaans artists represent only a specific segment of the Afrikaans- speaking community. A long history of separation has made a lasting impact on commercial Afrikaans music. The mainstream remains overwhelmingly white and caters specifically for its own audience (some, like singer Steve Hofmeyr, have even come to embody right-wing Afrikaner political aspirations), despite the fact that they constitute a minority of first-language Afrikaans speakers. Although one can certainly argue that the Afrikaans recording business is – and always has been – driven by a profit model (aimed mostly at white Afrikaans speakers who have more spending power), it has at times caused friction and drawn accusations of exclusion. As a result, popular Afrikaans music has been included in political debates around linguistic identity, authenticity and the very future of Afrikaans itself. A brief tour of popular Afrikaans music studies The field of popular Afrikaans music studies is relatively young when compared to more estab- lished counterparts in Europe and the USA, or even wider popular music studies in South Africa itself. When the International Association for the Study of Popular Music (IASPM) was founded at the first popular music studies conference in Amsterdam in 1981, no academic study had yet been done on popular Afrikaans music. In fact, it was only towards the end of the 1990s, but especially from the early 2000s onwards, that academic work – emanating from a variety of disciplines – on popular Afrikaans music started to appear. One of the first was by Ingrid Byerly (1998), who identified early forms of resistance in popular Afrikaans music and brought it into the wider discussion on late-apartheid South African music. However, to date, very few articles on popular Afrikaans music have appeared in leading journals such as Popular Music (oneexception is Froneman 2014) or the Journal of Popular Music, or in major international collec-tions of work. There is also no local branch of IASPM in South Africa, although SASRIM (the South African Society for Research in Music), which is primarily a society for musicologists, has hosted conferences where papers on popular Afrikaans music have been presented. The newly formed Africa Open Institute for Music Research and Innovation at Stellenbosch University is partly dedicated to the advancement of popular music studies, but popular Afrikaans music stud- ies as a ‘field’ is yet to be formally institutionalised at a South African university. There are, of course, historical factors that have delayed and frustrated its development. Popular Afrikaans music The political context of the apartheid era was instrumental in dividing the local attentions of musicologists between Western classical music (as many Afrikaans conservatoires tended to do, thereby also subtly accommodating the dominant narrative of white cultural supremacy) and ethnomusicology involved with local black music that represented various forms of resistance, mostly undertaken by liberal scholars in opposition to apartheid (Lucia 2005, p. xxxv). Thus, while popular music studies were gaining legitimacy abroad and among liberal local scholars (for example Anderson 1981, Coplan 1985), popular Afrikaans music was doubly excluded: from within the conservative Afrikaans scholarly community which did not regard it as a legitimate field (reflecting the global stance before the 1980s) to other scholars who regarded it as part of the culture of the oppressor. There was some merit in this assumption, since white Afrikaners as a group had the most invested in apartheid, and popular Afrikaans music often complied with, and reflected, its cultural requirements. There were, however, instances towards the end of apartheid when Afrikaans music artists resisted these requirements, and these were the first to draw academic attention, mostly from outside the field of musicology. The most prominent example of this was the anti-establishment Afrikaans rock music of the 1989 Voëlvry (literally translated as ‘free as a bird’, or even ‘free penis’) tour. The tour consisted of three acts, head- lined by Johannes Kerkorrel (Johnny Church Organ) and the Gereformeerde (‘Reformed’) Blues Band, with Bernoldus Niemand (Bernard Nobody, the working-class alter ego of native English-speaking artist James Phillips) and poet/songwriter André Letoit, who later changed his name to Koos Kombuis (Jacob Kitchen). Voëlvry is commonly regarded as the height of political Afrikaans music against a con- servative white middle-class Afrikaner society and apartheid politics. Journalist and writer Pat Hopkins (2006) published an authoritative book on Voëlvry, accompanied by a DVD produced by Shifty Records (a small, progressive record company that recorded, among other things, political music during the 1980s) boss Lloyd Ross. Although perhaps not strictly speaking an academic investigation, the book is more than just a documentation of the tour, and Hopkins successfully interrogated the way in which Voëlvry subverted the deep historical relationship between Afrikaner nationalism and Afrikaans music. Koos Kombuis’s Sex, drugs en boeremusiek (2000) and Short drive to freedom (2009), on the other hand, offer autobiographical accounts of his experiences as part of Voëlvry. Apart from these books, there is a substantial body of academic articles on Voëlvry. Jury (1996), Bosman (2004), Grundlingh (2004), Laubscher (2005), Viljoen (2005), Baines (2008) and Suriano and Lewis (2015) have all focused on either the movement directly, or the artists associated with it. Not unlike popular music studies elsewhere, protest singers, poets (through literature studies of their lyrics) and music movements are often explored themes and Voëlvry embodied all of these. Apart from Voëlvry (and distinctly different in what it represented), the hit song ‘De la Rey’ has featured prominently in the literature on popular Afrikaans music. It was released in 2006 by singer Bok (‘Buck’) van Blerk and the album (with the same name) became the fastest sell- ing Afrikaans debut album in history. The song was a reference to Koos De la Rey, a revered Boer general in the Anglo-Boer War (1899–1902), and the stunning effect of this invocation in post-apartheid South Africa drew much scholarly attention (Du Pisani 2001, Bezuidenhout 2007, Lotter 2007, Baines 2009, Lambrechts and Visagie 2009, van der Waal and Robins 2011, Pretorius 2013). Furthermore, apart from a flood of local newspaper articles, it also featured in UK’s The Guardian (McGreal 2007) and The New York Times (Wines 2007). Although not groundbreaking in terms of musical style (a slow paced, folky ballad with a 6/8 time signature that is easy to sing along to) ‘De la Rey’ struck a nerve which is of significant importance for the study of post-apartheid Afrikaner identities. It is a controversial song. Some interpret it as a call to arms (McGreal 2007), while others have questioned its play on Afrikaner nostalgia: Schalk van der Merwe (Bezuidenhout 2007, Baines 2009, van der Waal and Robins 2011). The song’s popularity hinted at a surprisingly high degree of social cohesion among white Afrikaans speakers in the absence of political party platforms. ‘De la Rey’ provided an opportunity for many to express solidarity with an Afrikaner identity that was rooted in victimhood (the loss of independence in the Anglo-Boer War and the horrors of British concentration camps), instead of relating to the days of being in power (during apartheid). Such nostalgia encodes all sorts of meanings, from rightwing Afrikaners trying to hijack the song as an anthem of white power, to representing a retreat from the wider South African society in which it is felt that Afrikaans as a language and a culture is under threat. Expanding somewhat on this topic is Senekal and Van den Berg’s (2010) lyrical analyses of 62 post-apartheid Afrikaans songs released between 1998 and 2009. The most common themes they identified had to do with crime, service delivery, appeals to stand together and more com- plex issues surrounding (assumedly white) Afrikaner identity. Under the latter, they included issues surrounding the problematic place of the Afrikaner in South Africa, the new generation positioned between the past and the future, the changing landscape (including Afrikaans place names), the maltreatment of the past and emigration as an alternative. These themes suggest that a number of Afrikaans artists experience a sense of friction within the wider, culturally plural- istic South African society. Stylistically, many of the younger generation of Afrikaans protest singers seem to have continued on a trajectory established by Voëlvry, but since the context has changed so dramatically, so has its meaning. The broader South African public is sensitive to Afrikaner calls ‘to stand together’ or complaints about crime and the government’s ineffi- ciency, and often, whether legitimately or not, see them as the cultural tropes of right-leaning Afrikaners. Deidre Pretorius (2013) has made an important study of stylised representations of masculinity in Huisgenoot Tempo magazine (the premier Afrikaans pop magazine). Here, she identified seven stereotypes: boer, metroman, sportsman, retroman, student, worker and rebel, all vari- ations of white male identities. Another more recent phenomenon that has attracted much academic interest is Afrikaans music’s biggest export, the zef (‘common’ or working class) rap group, Die Antwoord (‘The Answer’). Haupt (2012a) has looked at both Bok van Blerk and Die Antwoord (specifically their use of blackface) while exploring important issues of race and agency in post-apartheid music, media and film. Heavily influenced by coloured and black gangster culture even though they are white, Die Antwoord’s appropriation of the cultural practices of the ‘other’ was discussed in a special roundtable edition in the Journal of South African and American Studies, or Safundi (Haupt 2012b, Kreuger 2012, O’Toole 2012, Van der Watt 2012). Other articles on Die Antwoord have also appeared elsewhere that focus on issues of authenticity, whiteness, cultural appropriation and the like (Marx and Milton 2011, Scott 2012, Haupt 2013, Smit 2015). Haupt is a leading author on South African hip hop and has focused especially on its development around col- oured neighbourhoods on the outskirts of Cape Town from the 1980s onwards, and how it has encoded issues of power, authenticity, race, identity and language. Often rapping in vernacular Afrikaans, these artists portray an alternative type of popular Afrikaans music that stands outside the standard space where mainstream white popular Afrikaans music, with its exclusive and insu- lar nature, dominates. They also represent deep-rooted fault lines among the various first language Afrikaans-speaking communities. Haupt (2006) has also addressed the motives behind Afrikaans arts festivals that invite coloured Afrikaans groups to perform there. He questions whether or not these are acts of buying legitimacy, and furthermore, if coloured artists are only acceptable (and thereby given access) if they perform music that caters for the tastes of white Afrikaans speakers. Whereas the literature on Voëlvry, ‘De la Rey’ and Die Antwoord is very specifically focused, there has been a number of works that have employed a broader scope. The widest Popular Afrikaans music is On Record: Popular Afrikaans Music and Society, 1900–2017 (Van der Merwe 2017), which provides a historical take on salient themes in the entire history of recorded Afrikaans music to the present, starting with the first Africana and Afrikaans records. Rob Allingham, archivist of the Gallo Record Company (an important South African label that has released a trove of local music since 1930, including very popular early boeremusiek records), was the first to provide a summary of the history of popular Afrikaans music, in the African, European and Middle Eastern section in World Music: The Rough Guide (Allingham 1999). Although a potted version, he did manage to highlight many important historical themes such as the influence of imported American music on the ‘concertina-led brand of dance-music’ of the 1930s (a reference to boeremusiek), the ubiquitous background of Afrikaner nationalism, the post-war imitation of middle-of-the-road European light music styles, the emergence of alternative Afrikaans music during the 1980s and 1990s, and the link between music revivalists and right-wing politics after 1994 (Allingham 1999, p. 651). Denis-Constant Martin’s Sounding the Cape (2012) is a notable work that provides a long his- torical account of the social complexities that played on the development of music traditions in and around Cape Town and beyond. It pays proper attention to the enormous cultural contri- butions of coloured and black musicians across a variety of genres and also highlights the role of racial segregation in breaking musical relations that have historically transcended such bounda- ries. Although it is not specifically focused on Afrikaans music, a large part of the study includes Afrikaans music elements that have emerged in this setting. Importantly, the book bridges the lasting insularity that persists in the music industry to give a comprehensive and balanced view of the music of the Cape. Another important study is Froneman’s ethnomusicological work on boeremusiek (2012), which is of special significance for the period from the 1930s to the 1950s, when it was one of the most popular genres of recorded Afrikaans music. The literature on boer- emusiek actually has a longer history. Between the 1940s and the 1960s, nationalist intellectuals wrote numerous papers and articles and made regular speeches on whether or not boeremusiek resembled an authentic Afrikaans folk tradition. They were especially interested in the cultural value of the genre and how to preserve it against foreign influences like jazz. These were, how- ever, written from a nationalist angle and subscribed to the dominant narrative of racial segrega- tion and hierarchies of apartheid. Froneman succeeds in portraying the position of boeremusiek as a juncture between race, class, religion, morality, politics, power and identity, and is authorita- tive. Klopper’s (2009) dissertation on the Afrikaans punk rock band, Fokofpolisiekar (‘Fuck off police car’), is authoritative and provides a lyrical analysis of this hugely influential group’s work. Klopper (2011) also published a biography on the band for a wider, less academic, readership. There are also other popular works, like Danie Pretorius’ Musieksterre van gister en vandag: Lewensketse En Foto’s Van Meer as 100 Musieksterre (‘Music stars of yesterday and today: life sketches and photos of more than 100 music stars’; Pretorius 1998) and Ilza Roggeband’s 50 Stemme: Die grootste name in Afrikaanse musiek (‘50 voices: the biggest names in Afrikaans music’; Roggeband 2009) that provide biographic and discographic information about prominent Afrikaans singers. Another example is the 2003 documentary, Kom laat ons sing (‘Come let us sing’), presented and co-produced by singer Laurika Rauch (Rauch et al. 2003). Here, the main focus was on Musiek-en-Liriek (‘Music and Lyric’), a television programme aired in 1979 that heralded a new phase in Afrikaans music. Although more folk than overtly political, some sub- tle resistance started to emerge in the music. The documentary also provided a wider historical perspective on popular Afrikaans music, including the manner in which apartheid censorship prohibited a lot of music innovation and how the post-apartheid era represents a time of libera- tion. The South African music industry during apartheid was indeed subject to strict censorship, mostly written about by Merrett (1994) and Drewett and Cloonan (2006). This had a direct Schalk van der Merwe impact on the production of popular music, including popular Afrikaans music. The SABC used extremely subjective measures to determine which songs could be broadcast or not. As political tension increased during the 1980s, so did the power and intensity of censorship. It is clear that, although a relatively new field, the literature on popular Afrikaans music stems from numerous disciplines and is growing at a rapid pace. There is, however, still much room and scope for studies on, for example, Afrikaans music videos, postmodernity in popular Afrikaans music, issues of gender, its role in mass Afrikaner culture and the relationship between music and technology. In terms of archives, most South African university libraries have music collections that range from ethnic to Western art music, and in some cases also popular music. However, archival material of specifically popular Afrikaans music is more limited. An impor- tant archive is the Documentation Centre for Music (DOMUS) at Stellenbosch University, which houses the personal archives of influential Afrikaans artists like Anton Goosen and Nico Carstens. DOMUS also houses the Hidden Years Music Archive Project (HYMAP), which is a vast collection of material (live recordings, albums, ephemera) documenting the popular music scene in South Africa between 1960 and 2005, and is currently being sorted. It is one of the best sources of information on popular music performance in South Africa during apartheid. The radio archives of the SABC in Johannesburg hold numerous transcription records (many in Afrikaans), censored albums (of which offending tracks were scratched out) and the like, and although it is not all sorted, it remains an important source. The Gallo Record company has an archive in Johannesburg, but it is currently (as far as can be ascertained) not curated and difficult to access. One of the more useful online sources is the South African Audio Archive (2017), which features audio clips and visuals donated by private collectors. The oldest Afrikaans recording on the site dates to 1912. Another useful online resource is the South African Rock Encyclopaedia (2017), which focuses on local rock in both English and Afrikaans. A welcome new venture is the Music van de Caab Museum on the Solms-Delta wine farm in Franschhoek which aims at showcasing the music heritage of the Cape, which is in line with the farm’s broader policy of empowering farm workers and celebrating their cultural roots. This is important in a wider context of not just preserving, but re-discovering, aspects of coloured Afrikaans music heritage that fall outside the popular mainstream. If one looks at more modern manifestations of such linguistic and racial identities in Afrikaans music (mostly hip hop), artists like Jitsvinger (who performs in an Afrikaans dialect called Afrikaaps), Churchill Naudé and Hemelbesem are notable names. The history of popular Afrikaans music is a rich one and part of a tumultuous and complex past. It is an especially relevant topic when it comes to determining the contours, or looking for indications of, social cohesion (and tension) among its various speak BACK TO TOP

Radio SAM Broadcasting Studio Germany Biography Another Radio Station is Born Explore Explore Explore Explore How The Radio All Started Radio SAM Broadcasting Studios Germany It was founded in March 2014 in Germany. A Facebook Group was Also Founded at the same time - South African Music, Then things got Bigger and Greater with our supporters , Friends and also Visitors on our Websites - Bloggers & On our Social Media , Youtube Videos that we were shareing through Youtube . In April 2014 the Google Blogger was openened , Through the High visit of Friends - Family - Fans and Visitors, Online Around the World and Thankyou to our Supporters Aon our Sites.We are a German - English - Afrikaans Speaking Radio Station in Germany . The best hits on internet Radio SAM Broadcasting Studios Germany is the radio station for Schlager fans. If you Expect more from an Internet Radio Station than the hits of the 80s and 90s and today's charts, then tune in to Radio SAM Broadcasting Studios Germany – that means Internet Radio for the whole family. Radio SAM Broadcasting Studios Germany gives all music lovers a chance who can't assert their right to their own musical taste on other web radio stations. As a commercial mass product, Schlager music is now closely linked to modern industrial society and its technological innovations. Radio SAM Broadcasting Studios Germany. From .FM is a symbol of these Technological Innovations, As we broadcast over the Internet Rather than FM. Such an Internet Radio Station has many Advantages over Traditional FM Radio. Thanks to the Internet, you can now enjoy your Schlager & Afrikaans Radio anywhere in the world. All you need to enjoy Schlager & Afrikaans Music via an Internet Radio Station is a Computer and a fast Internet connection. To enjoy Radio SAM Broadcasting Germany without interference, we recommend a DSL connection. Computers and Internet connections can be found not only in every household these days, but also in most hotels around the world. This means that there are no longer any limits for Schlager & Afrikaans fans if they want to listen to their Schlager & Afrikaans Radio Station not only at home but also on Vacation. It doesn't matter whether you are in Mallorca, Turkey, Egypt, or an even more distant Countrys in the World : thanks to Internet radio, we can bring Radio SAM Broadcasting Studios Germany to even the most remote corners of the world. Who doesn't love humming a well-known pop song while on vacation? Thanks to Radio SAM Broadcasting Studios Germany online, all pop music fans now have the opportunity to do so! We are Great Radio Station, With alot of Good Music ,and Alot of Great Websites and Partners we would like to Share for all Our Music Lovers Radio SAM Broadcasting Studios Germany, Former of 12 Internet Radio Stations in Germany run by Zeno Media. Radio SAM Broadcasting Studios GERMANY, Radio Springbok Germany , Radio SAM Oldies-Rock and many ather Radio Stations in Germany . System administrator (web hosting) / Web Developer. We built ‘Radio SAM Broadcasting Studios Germany’ for You.. For you to Never miss that Amazing Event. We Strive to, all times, try to take the Hassle out of finding out where that favourite Artist is performing, Have a look at some of Artists we Advertise , and maybe we can add a few more , for Friend the Follow - Fans & Family. Radio SAM Broadcasting Studios, owned by Andreas Dezius , The Radio Station for Schlager Fans. If you expect more from the internet radio station we also play hits of the 80s and 90s and Today's Charts, then tune in to our Schlager Radio. Radio SAM Broadcasting Studios – the internet radio for the whole Family - Fans & Family. Radio SAM Broadcasting Studios gives all music lovers a chance who can't assert their right to their own musical taste on other web radio stations. German Schlager and folk music have finally found a new home on Radio SAM Broadcasting Studios! The Radio Program from Radio SAM Broadcasting Studios offers just the right thing for every Schlager Fan: Whether German Schlager or Discofox or Country, Party-Schlager or German Rock or Afrikaans Hits and as well Boere Musiek, from folk music to beautiful oldies – on Radio SAM Broadcasting Studios . One of the best German and International Schlager , We play 24 hours a day, 7 days a week. What we Offer in Return : - Live Broadcasting - Partner Websites what we Share - Websites & Blogger - Links and Much more. What we donot Share is : - Personal Information - Telefone Numbers - Social Information - What we only share is Singers Information if they agree , to share their information. We Advertise Singers : - Websites - Music - Concerts - Events Radio SAM Broadcasting Studios was the first “Afrikaans” common German radio station in Germany! Radio SAM Broadcasting Studios , main goal is and still has been to the promotion of Afrikaans as a language and Afrikaans music, Other Radio Stations in Germany refused to play Afrikaans music. However, in December 2018 Radio SAM GERMANY was forced to turn off our signals due to very controversial circumstances. The music package consists mainly of Afrikaans music, Golden Oldies from the 70s, 80s and 90s, German Schlager hits, new English songs and of course the best Country music. There will be dedicated programs such as Afrikaans Music and German Music (every Friday evening on Radio SAM Broadcasting Studios with Dj Nighthawk with Afrikaans Music and German Music (Friday & Saturday Evenings) , In the week & Daily 24/7 with a Auto Dj. Information über das Radio Wir haben „Radio SAM Broadcaster Germany“ für SIE gebaut... Damit Sie NIE dieses erstaunliche Ereignis verpassen. Wir bemühen uns, jederzeit die Mühe zu nehmen, herauszufinden, wo Ihr Lieblingskünstler auftritt, sich einige andere Künstler anzusehen, die ebenfalls auftreten, und an welchem Veranstaltungsort es stattfinden wird, zu welcher Zeit, und vielleicht wird es das Ende des Lebens sein, wie Sie es kennen. Wir lieben Radio! Radio SAM Broadcaster Germany macht das Leben für alle, die genauso empfinden, ein wenig einfacher. Wir bieten Ihnen die Möglichkeit, Internetradio aus der ganzen Welt auf besonders unkomplizierte Weise und kostenlos zu hören. Mit einem Knopfdruck können Sie es dank Radio SAM Broadcaster Germany auch ganz einfach aufnehmen. Möchten Sie nie wieder Ihr Lieblings-Internetradio verpassen? Unsere Tools machen es möglich! Sie können Ihr eigenes Programm im Radio SAM Broadcaster Germany-Player, in der App und direkt auf unserer Website zusammenstellen. Dieses wird dann bequem für Sie aufgezeichnet und gespeichert. Wenn Sie einfach nur Ihre Lieblings-Online-Radiosender hören möchten, können Sie dies natürlich hier tun: Sie können durch die Musikgenres oder Themen klicken, die Sie möchten, und Sie finden genug Material, um tagelang ununterbrochen zu streamen! Hier sind die vielen deutschen Kanäle nur wenige Klicks vom kleinen Regionalsender aus Italien entfernt. Dank der Radiocloud müssen Sie nicht einmal Ihren Computer oder Ihr Smartphone einschalten, um aufzunehmen, Sie müssen nicht einmal zu Hause sein. Die geplanten Sendungen werden einfach in der Cloud gespeichert, wo Sie sie ganz einfach streamen oder für die spätere Nutzung herunterladen können. Radioprogramme und Tipps - Hörspiele und mehr Das ist alles schön und gut, aber Sie wissen nicht einmal, was Sie in der weiten Landschaft des Internetradios hören möchten? Kein Wunder, schließlich gibt es viele Programme zu allen möglichen Genres. Unser Redaktionsteam studiert daher jede Woche das Radioprogramm und hat immer ein paar Tipps parat, um Ihnen die Auswahl zu erleichtern: Für die kleinen Hörer gibt es auch etwas auf einer separaten Seite für Kinder. Möchten Sie sich in die weite Welt des Internetradios stürzen? Radio SAM Broadcaster Germany macht es Ihnen besonders einfach. Sie können völlig kostenlos und unverbindlich zuhören. In Ihrem eigenen Konto unter „Radio SAM Broadcaster Germany“ können Sie sofort loslegen, Ihr eigenes Programm zusammenstellen und den kostenlosen Radiocloud-Speicher von zwei Stunden nutzen. Im Download-Bereich finden Sie die Radio SAM Broadcaster Germany-Player für PC und Mac und die App steht im App Store für iOS, Android oder Windows Phone kostenlos zum Download bereit. Inligting oor die radio Ons het "Radio SAM Broadcaster Germany" vir JOU gebou... sodat jy NOOIT hierdie wonderlike geleentheid misloop nie. Ons streef daarna om altyd die tyd te neem om uit te vind waar jou gunsteling kunstenaar optree, kyk na sommige van die ander kunstenaars wat ook optree, en by watter lokaal dit sal wees, hoe laat, en miskien sal dit die einde wees van die lewe soos jy dit ken. Ons is mal oor radio! Radio SAM Broadcaster Germany maak die lewe 'n bietjie makliker vir almal wat dieselfde voel. Ons bied jou die geleentheid om op 'n besonder ongekompliseerde manier en gratis na internetradio van oor die hele wêreld te luister. Met die druk van 'n knoppie kan jy dit ook maklik opneem danksy Radio SAM Broadcaster Germany. Wil jy nooit weer jou gunsteling internetradio misloop nie? Ons gereedskap maak dit moontlik! Jy kan jou eie program in die Radio SAM Broadcaster Germany-speler, in die toepassing en direk op ons webwerf skep. Hierdie program word dan gerieflik vir jou opgeneem en gestoor. Natuurlik, as jy net na jou gunsteling aanlyn radiostasies wil luister, kan jy dit hier doen: Jy kan deur die musiekgenres of onderwerpe wat jy wil, klik, en jy sal genoeg materiaal vind om dae lank ononderbroke te stroom! Hier is die talle Duitse kanale net 'n paar kliks weg van die klein streekstasie van Italië. Danksy Radiocloud hoef jy nie eers jou rekenaar of slimfoon aan te skakel om op te neem nie; jy hoef nie eers tuis te wees nie. Die geskeduleerde programme word eenvoudig in die wolk gestoor, waar jy dit maklik kan stroom of aflaai vir latere gebruik. Radioprogramme en wenke - radiodramas en meer Dis alles goed en wel, maar jy weet nie eers waarna jy wil luister in die uitgestrekte landskap van internetradio nie? Geen wonder nie, daar is immers baie programme oor allerhande genres. Ons redaksiespan bestudeer dus elke week die radioprogram en het altyd 'n paar wenke gereed om jou te help kies: Vir jonger luisteraars is daar selfs iets op 'n aparte bladsy vir kinders. Wil jy in die wye wêreld van internetradio delf? Radio SAM Uitsaaier Duitsland maak dit besonder maklik vir jou. Jy kan heeltemal gratis en sonder verpligting luister. Jy kan dadelik begin met jou eie rekening onder "Radio SAM Broadcaster Germany", jou eie program skep en voordeel trek uit twee uur se gratis radiowolkberging. In die aflaai-area vind jy die Radio SAM Broadcaster Germany-speler vir rekenaar en Mac, en die toepassing is beskikbaar vir gratis aflaai vanaf die App Store vir iOS, Android of Windows Phone. For more Information Contact me on my E-mail: a.dezius@gmail.com Radio SAM International Music Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Radio SAM Germany Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Radio SAM Broadcaster Germany Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Radio Afrikaans Germany Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Radio SAM Live Network Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Radio Oldies-Rock Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Radio Country Worldwide Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Radio Springbok Germany Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Radio SAM Top Music Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget Boervolk Stereo Germany Editieren RSS-Neuheiten Webcam Sendeplan Playlist widget Player widget My Radio Stations

Button THE TEAM Our Websites Contact Us Stream Links Site Map WELCOME TO RADIO SAM BROADCASTING STUDIOS GERMANY YOUR RADIO STATIONS 24/7 WORLDWIDE 7 DAYS A WEEK Live Stream Our Auto DJ Radio Program Music Charts South Africa INTRO SOUTH AFRICAN SINGERS & THEIR MUSIC THAT WE ADVERTISE HERE IN GERMANY ON RADIO SAM BROADCASTING STUDIOS. To play, press and hold the enter key. To stop, release the enter key. Our Top 14 Radio Stations in Germany to Tune-into YOUR RAINBOW COLOUR RADIO STATIONS RADIO SAM OLDIES ROCK RADIO AFRIKAANS STEREO RADIO SAM STEREO RADIO INTERNATIONAL MUSIC RADIO EENDRAG GERMANY RADIO SPRINGBOK GERMANY RADIO SAM COUNTRY GERMANY RADIO SAM BROADCASTING LIVE RADIO TOP TEN GERMANY RADIO SAM BROADCASTING GERMANY RADIO SAM GERMANY RADIO GBM GERMANY RADIO BOERVOLK GERMANY RADIO VOORTREKKER GERMANY TOP GERMAN SINGERS AND ARTISTS , GERMAN MUSIC THAT WE PLAY ON OUR RADIO STATIONS - GERMAN SCHLAGER - POP - MIXED & OLDIES BUT GOLDIES AND MANY TOP SONGS PLAYED WORLDWIDE. To play, press and hold the enter key. To stop, release the enter key. OUR TUNE IN PARTNERS & ADVERTISE PARTNERS TUNE - IN TUNE - IN TUNE - IN TUNE - IN RADIO MENU TUNE - IN TUNE - IN TUNE - IN TUNE - IN Fm Stream.Org TUNE - IN TUNE - IN TUNE - IN TUNE - IN TUNE - IN MY RADIO BOX TUNE - IN TUNE - IN RADIO SAM BROADCASTING TUNE - IN TUNE - IN RADIO BELLS TUNE - IN VIEW MORE TUNE - IN VIEW MORE VIEW MORE Greetings from Radio SAM Broadcasting Studios Germany , if you would also like to be Partners and advertise you Music or Song or your Banner you are Welcome , Just Contact me on my E-mail: a.dezius@gmail.cöm WELCOME AND ENTER OUR RADIO STATION & VIEW OUR PAGES BACK TO TOP

Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event Radio SAM Broadcasting Germany Advertise on Radio SAM Broadcaster BACK TO TOP

Radio SAM Broadcaster Germany is our Main Radio Station in Germany Gone are the days of wondering where to go , or are you going to miss out, Or dare we say, that you missed out on a life changing event Radio SAM Broadcaster Germany Video abspielen Alle Videos Broadcasting Channels About this podcast We love radio! Radio SAM Broadcaster Germany makes life a little easier for everyone who feels the same way. We offer you the opportunity to listen to internet radio from all over the world in a particularly uncomplicated manner and free of charge. With the push of a button, you can also record it very easily thanks to Radio SAM Broadcaster Germany. Don't you ever want to miss your favorite internet radio radio again? Radio SAM Broadcaster Germany Radio SAM Broadcaster Germany Radio SAM Broadcaster Germany LISTERN LIVE LISTERN LIVE OUR ADVERTISEING VIDEOS Contact I'm always looking for new and exciting opportunities. Let's connect. a.dezius@gmail.com Say Hello Messager BACK TO TOP

OLDIES BUT GOLDIES Click Here Music has been an integral part of human culture for thousands of years. From earliest forms of music created by our ancestors to the modern-day genres we enjoy today, music has always been a way for people to themselves and connect with others. Throughout history, music has played a significant role in shaping our societies and cultures, and it continues to do so today. THE PEOPLE HISTORY OF MUSIC The Ways We Listen to Music The way we listen to music has changed drastically throughout the past seventy years. For a very long time records and the radio were the predominant means of listening to your favorite songs. Despite numerous advances in technology, many artists today still release their albums on vinyl records as well as MP3s and CDs because many music fans still believe that vinyl records provide the best musical experience. The technology for records began in the 1800's with wax records and phonographs, and as technology advance the size, speed and material of the records changed. In the 1970's until the 1990's 8-tracks and then cassette tapes became another popular media with which to experience music due to their portability. Although they were developed in the 1980's, CDs (Compact Discs) and CD players did not become a popular way to listen to music until the middle of the 1990's when the technology became more affordable. CDs replaced tapes due to their greater storage capacities and better sound quality. CDs were the most popular way to listen to one's favorite songs until the middle of the 2000's when computer and internet technology advanced significantly to make MP3 format and MP3 players more viable means of entertainment. Apple's iPod was released in November of 2001 and changed the way we listen to music forever making it forever portable and allowing us to infinitely expand our music collections. With more and more advances in computer technology and increased internet capabilities, we have the ability to instantly listen to our favorite songs at a relatively low cost or for free with our computers, phones, MP3 players, and tablets thanks to instant streaming services like Pandora or Spotify and online shops like iTunes or Amazon. Television also influenced the way we listen to music with artists being able to reach national audiences through performances on talk shows, music showcases, and music videos on MTV. Now with popularity of video sharing websites like YouTube, many artists are being discovered through this medium and established artists can connect more quickly and deeply with their fans. View More Tune-Into Radio Station Many more Springbok Hits & Listern 2 View More Bandcamp is an online record store and music community where passionate fans can discover, connect with and directly support the artists they love. View More View More View More BACK TO TOP

TUNE - INTO ZENO FM AND ENJOY OUR PODCASTS Radio SAM Broadcaster Germany Radio-SAM-Broadcaster-Germany Kids & Family Podcasting Music Automotive Business News English We love radio! Radio SAM Broadcaster Germany makes life a little easier for everyone who feels the same way. We offer you the opportunity to listen to internet radio from all over the world in a particularly uncomplicated manner and free of charge. With the push of a button, you can also record it very easily thanks to Radio SAM Broadcaster Germany. Don't you ever want to miss your favorite internet radio radio again? Our tools make it possible! You can put together your own program in the Radio SAM Broadcaster Germany player, in the app and directly on our website. This is then conveniently recorded and saved for you. If you just want to listen to your favorite online radio stations, you can of course do so here: You can click through the music genres or topics you want and you will find enough material to stream continuously for days! Here, the many German channels are just a few clicks away from the small regional channel from Italy. Thanks to the radio cloud, you don't even have to turn on your computer or smartphone to record, you don't even have to be at home. The scheduled shows are simply saved in the cloud, where you can easily stream them or download them for later use. Radio programs and tips - radio plays and more That's all well and good, but you don't even know what you want to hear in the wide landscape of internet radio? No wonder, after all, there are many of programs on all sorts of genres. Our editorial team therefore studies the radio program every week and always has a few tips ready to make your choice easier: There is also something for the little listeners on a separate page for children. Do you want to let off steam in the wide world of internet radio? Radio SAM Broadcaster Germany makes this particularly easy for you. You can listern completely free of charge and without obligation. In your own account under “Radio SAM Broadcaster Germany” you can start immediately, put together your own program and use the free radio cloud storage of two hours. In the download area you will find the Radio SAM Broadcaster Germany players for PC and Mac and the app is available for free download in the app store for iOS, Android or Windows Phone. PODCASTS PODCASTS PODCASTS PODCASTS 19 September 2021 Dj Nighthawk Top songs 15 January 2022 Dj Nighawk 3 hour recording 2022 good recording.mp3 19 September 2021 DIE DEUTSCHEN HITS 2021 DIE BESTEN SCHLAGER DES JAHRES.mp3 Radio SAM Broadcaster Germany 19 September 2021 Dj Nighthawk Top songs 15 January 2022 Dj Nighawk 3 hour recording 2022 good recording.mp3